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14 |

Decay |

Tove Styrke |

 

 

Kiddo is an absolutely superb album, and this, for me, is the cream of its crop. It was the exhilirating, jittering finale that alerted me to it, but the more I pressed play in search of that particular drug, the more the eloquent beauty of the whole song made itself apparent to me. Tove sings the plaintive lyrics with such tenderness that lets the listener unpack the mournfulness of the song's subject - betrayed by its initially inscrutable title.

 

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, Tame Impala - for another jittering mess bubbling through the production.
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13 |

American Oxygen |

Rihanna |

 

 

A thesis statement made in song; except more guttural, more unpolished and anguished, a raw cry from a woman who is hooked on the brutal illusion of the American Dream. Rihanna's success may be rooted in the USa, but her Bajan-born status is integral to what makes this song work so powerfully; she, like many, looked from the outside in as a child, and now looks back, proud proof positive of the possibility of the dream coming true, but, an adult now, aware of the manipulative machinery that makes the country tick, and of the side effects on the millions within and outside of the country for who Rihanna's story couldn't be farther from their reality. It really makes me wish that Rihanna had managed to shape whatever Anti is into, well, anything, because in this majestic song, she has the beginnings of a truly revelatory album.

 

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, Madonna - for more American history.
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12 |

Under the Shadows |

Rae Morris |

 

 

A rousing ghost song. The beat marches underneath like soldiers, the drums creating a vast orchestral soundbed for Morris' voice to swoop and cry over the top of, a wild and defiant call into the abyss. It's beautiful, but haunting, forever echoing in the back of my brain.

 

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, Shannon Saunders - for more lithe cries from the subconscious.
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11 |

Flesh Without Blood |

Grimes |

 

 

A flamboyant, delightful kiss-off, using Grimes' effortless vocal dexterity to combine various tones and registers into one monster of an earworm. It's flirtatious, with an aftertaste of acid.

 

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‘Never Get Enough’, Lianne La Havas - for another clash of moods into one whirlwind of a song.

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As promised, a little breather now with my top albums of the year. I debated a little between the top two, as both are almost faultless creations. May history remember them.

 

http://www.electricity-club.co.uk/blog/wp-content/uploads/2015/02/Susanne_Sundfor_tenlovesongs.jpg

 

01 | Ten Love Songs - Susanne Sundfør

02 | Emotion - Carly Rae Jepsen

03 | FROOT - Marina & the Diamonds

04 | Kiddo - Tove Styrke

05 | Pageant Material - Kacey Musgraves

06 | Art Angels - Grimes

07 | Queen of the Clouds - Tove Lo

08 | Making Time - Jamie Woon

09 | Blood - Lianne La Havas

10 | Communion - Years & Years

11 | Dark Sky Island - Enya

12 | How Big, How Blue, How Beautiful - Florence + the Machine

13 | Wildheart - Miguel

14 | In Colour - Jamie xx

15 | Every Open Eye - CHVRCHES

I wasn't a huge fan of FROOT compared to Marina's previous material but 'Blood' and 'Queen of the Clouds' are both surprisingly good albums.
11 |

Flesh Without Blood |

Grimes |

A flamboyant, delightful kiss-off, using Grimes' effortless vocal dexterity to combine various tones and registers into one monster of an earworm. It's flirtatious, with an aftertaste of acid.

 

I love this, brilliantly written, I particularly love the line I don't see the light I saw in you before. Very clever! Presumably the 'without blood' is a reference to former friend and collaborator Blood Diamonds.

Grimes and Rae Morris *.*

 

Also great album chart EOY....Carly, Marina, Kacey Musgraves, Grimes, Tove Lo, Jamie Woon, Lianne La Havas, Years and Years, Florence :heart:, Miguel, Jamie XX and CHVRCHES :heart:

Really enjoying this, great format and your commentary captures each song wonderfully. I particularly love both Tove Lo songs featured, been unbelievably impressed with her artistry and talent. Also I prefer 'Love Myself' over 'Confident', Demi's song has great intent but just lacks something whereas Hailee's song sounds much more well-rounded. All the songs you match with each other are so spot on though, I love it--although the Tinashe/One Direction one was a bit of a curveball! :o Can't wait to see what you've saved for the top 10!
  • 2 weeks later...

Don't give up!

 

And excellent choice for album of the year, definitely up there for me too.

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Sorry dandy*! It wasn't giving up, but I had my tonsils out and moved house (not a recommended combination) so I was in pain physically and then in pain without internet. Onward imminently!
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10 |

Somebody to Love |

Kacey Musgraves |

 

 

Such a beautiful clarity of emotion; the lyrics are universal and deeply intimate at once, with Musgraves singing with a kind of reflective wisdom that then cranes upwards with melancholy and gentle tragedy. Feels unassumingly simple but is deeply affecting as it fades sweetly away.

 

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, Ryn Weaver - for more wistful, melancholy reflection.
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09 |

Queen of Peace |

Florence + the Machine |

 

 

Astonishingly bold composition: it wants to be a grand epic statement and it succeeds. All of Florence's best tendencies are harnessed in a song that lifts the listener into another dimension with the triumph of the orchestration and the vocals.

 

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, Giorgio Moroder feat. Sia - for a glitzier but equally epic whirlwind of a song from a powerhouse vocalist.
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08 |

Can't Deny My Love |

Brandon Flowers |

 

 

Brandon Flowers finally finds a solo song that really lives up his gorgeous voice. Not only that, it makes exceptional use of them, with that rasping bridge providing a beautiful counterpoint to the fierce cries of the marching chorus. I'm not gonna deny you anything.

 

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, LEV - for more undeniable bombast.
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07 |

Slumlord |

Neon Indian |

 

 

Frenetic, interplanetary electronica from a fiesta in the slums, dancing the troubles away even as the lyrics overflow with the desperation of money's trenchant pressure on our lives. A breathless dance to the death.

 

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, Zedd feat. Troye Sivan - for more ethereal disco.
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06 |

Nights Like This |

W. Darling |

 

 

The highest entry that I discovered through the ever-rewarding experience of BJSC; thank you, Jake, as per usual. On first listen, this might seem quite unassuming, but it works a kind of witchcraft over time, a perfectly pitched vocal reaching out to the listener, a quietly propulsive rhythm throwing her forward to the enrapturing chorus. The punctuation of silences in the song are so arresting; it's a breathtaking construction, a magical whirlwind.

 

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, Odessa - for more music swirling in the wind.
Queen of Peace! Definitely a highlight of the year for me, quite possibly my #1, certainly top 5.

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