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Hottest Records this week

 

23/3/17 Gorillaz Andromeda (Ft DRAM) / Saturn Barz (Ft Popcaan)

22/3/17 Alma Chasing Highs

21/3/17 Mr Jukes Angels/Your Love (Ft BJ The Chicago Kid)

 

 

 

 

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https://radiotoday.co.uk/2017/03/ofcom-publ...rating-licence/

 

BBC Radio 1 and Radio 2 must play more new music to further distinguish itself from the commercial competition, under Ofcom’s new draft operating licence for the corporation.

 

The document says BBC Radio 2 will need to ensure that at least 40% of the music in daytime is from United Kingdom acts and at least 20% of the music in daytime is New Music, of which a significant proportion must come from new and emerging United Kingdom artists.

 

The regulator also proposes new peak-time conditions for news on BBC Radio 1, and news and current affairs on BBC Radio 2.

 

The draft licence includes full details of all proposals for radio, television and online, including a new condition for BBC Radio 5 live to ensure that the station offers live commentary, news and other programming on at least 20 sports in each year.

 

Ofcom proposes that the BBC must ensure that in each year at least one-third of relevant Expenditure is incurred outside the M25 area. “Relevant Expenditure” includes Expenditure on first-run originated programming, but does not include Expenditure on news or sport output. For the purpose of this requirement, “first-run originated programming” means programming which is commissioned by or for a UK Public Radio Service and has not previously been broadcast on a radio service in the United Kingdom.

 

Ofcom’s Chief Executive Sharon White addressed delegates at the Nations and Regions Conference in Salford, outlining the details of the new licence which become effective from 3rd April 2017 when Ofcom becomes the BBC’s first external regulator.

 

As required under the BBC’s Royal Charter, Ofcom has developed an ‘Operating Framework’ for the BBC, covering regulation of the BBC’s performance, compliance with content standards and impact on competition.

 

Ofcom says: “Our role is to hold the Corporation to account against the delivery of its public purposes, while its new unitary board will govern and run the BBC. We will carefully monitor the BBC through annual performance reviews, a ‘health check’ halfway through the new 11-year Charter, and scrutiny of the BBC’s forthcoming annual plan on how it will fulfil its requirements.

 

“The new Charter sets clear objectives for the BBC to serve audiences, and puts a sharpened focus on distinctive, creative and high quality programmes.

 

“Our draft ‘operating licence’, published today, sets clear requirements on the BBC that are achievable and affordable within existing licence fee funding, and which will uphold the quality of the BBC’s programmes”.

 

The closing date for responses to today’s consultation is 17 July.

 

Supposed stuff like this means the chart could be fiddled with again! :lol:

Radio 1's Most Played

 

:up: 1. Lorde - Green Light (5-1-)

:up: 2. Anne-Marie - Ciao Adios (7-5-7-2-)

:up: 3. Imagine Dragons - Believer (10-3-)

:down: 4. Calvin Harris ft. Frank Ocean & Migos - Slide (2-1-4-)

:up: 5. Christine & the Queens - iT (13-6-5-)

:down: 6. The Chainsmokers & Coldplay - Something Just Like This (2-6-)

:down: 7. Katy Perry ft. Skip Marley - Chained to the Rhythm (5-1-4-4-3-7-)

:ne: 8. Kygo & Selena Gomez - It Ain't Me (8-)

:ne: 9. Lana Del Rey - Love (9-)

:re: 10. Martin Garrix ft. Dua Lipa - Scared to Be Lonely (6-xx-10-)

:right: 11. Sampha - (No One Knows Me) Like the Piano (12-8-11-11-)

:right: 12. Emeli Sandé - Highs & Lows (15-12-12-)

:down: 13. Circa Waves - Fire That Burns (8-13-)

:down: 14. Stormzy - Big For Your Boots (12-3-8-9-4-14-)

:down: 15. Ed Sheeran - Shape of You (13-15-14-15-15-14-14-14-15-)

 

Dropouts

 

:down: Major Lazer ft. PARTYNEXTDOOR & Nicki Minaj - Run Up (14-10-10-9-)

:down: Kings of Leon - Reverend (13-12-13-)

:down: Zara Larsson ft. Ty Dolla $ign - So Good (15-)

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https://radiotoday.co.uk/2017/03/ofcom-publ...rating-licence/

Supposed stuff like this means the chart could be fiddled with again! :lol:

Doesn't all that mean that Radio 1 have to play more British and new music during the day, which won't stop them from keeping on running the chart as they can fulfil their quota on their other daytime shows? Can't see this having an effect on the chart show (unless it means the 17:45 Newsbeat segment is scrapped which would allow R1 to have a 2 hour chart show)

The chart will be seperate at any rate!

 

The new controller said they would have more British artists when he first started but all he seems to have done is change the playlist back to the way it was pre 2007 with more songs and no upfront list.

Hottest Record in the World

 

27/3/17 Ratboy Revolution

28/3/17 Becky Hill Rude Love

29/3/17 Alt-J In Cold Blood

30/3/17 Wizkid Come Closer (Ft Drake)

Track of The Week 27 - 31 March 2017

 

Adele Roberts

 

 

Nick Grimshaw ?

 

Clara Amfo

 

 

Scott Mills

 

 

Greg James

 

Nick Grimshaw ?

was this!

 

 

getting TOTW treatment two weeks running *.*! no complaints here

 

Scott Mills is moving to cover the Breakfast Show for two weeks from Monday! I love it when he stands in for Nick.

 

This means Matt Edmondson is moving to cover Scott during the week.

Matt's show at the weekend will be covered by none other than Rylan! :P

Radio 1 Track of the Weekend 01-02 April:

 

 

Banger!!

Adele Roberts - Mura Masa & Charli XCX - 1 Night

 

Scott Mills - Disciples - On My Mind

 

Clara Amfo - Becky Hill - Rude Love

 

Matt Edmonson - Calvin Harris ft Young Thug, Pharell Williams & Ariana Grande - Heatstroke

 

Greg James - Oh Wonder - Ultralife

Track of the Weekend 08-09 April

 

Harry Styles - Sign of The Times

Live Music Sunday to come tomorrow for Easter Sunday

And then on Bank Holiday Monday is a whole day of Bangers :heart:

Radio 1 played The Cure at 14.25, is that some sort of indicator that they'll playlist it?

 

They played Million Reasons a few times before but It didn't get playlisted so really it indicates nothing really.

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