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Finally a good song in the top 10 aka Help :)

 

really dislike Lucy ouch

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Help! was The Beatles growing up and showing they werent just going to write love songs. I can't separate the widescreen travelogue exotic colour movie from my love of it, both when it came out and on John's death in 1980 when it was repeated on TV. John wore his heart on his sleeve, always.

 

In 1976 when the Beatles singles charted again, Help! was up there with the big ones - and along with Yesterday the only early one to chart (if we take 1965 as the cut-off for early). Love the Nana's version, not so keen on Tina Turner's - but it works in any take.

Love the Nana's version, not so keen on Tina Turner's - but it works in any take.

 

 

Interested to hear you thoughts on these two versions then -

 

 

 

Apparently Lennon loved the Deep Purple version and wished The Beatles had played it slower.

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7th: 567 points

Tomorrow Never Knows

 

 

Jade 49

Chez Wombat 49

Notorious D.O.T. 47

danG 45

gooddelta 45

Brer 41

popchartfreak 39

JulianT 38

King Rollo 37

Roba. 36

dandy* 36

steve201 35

Bjork 34

jimwatts 31

Severin 3

WhoOdyssey 2

…ready for it 0

ben08 0

 

This was the closing track on “Revolver” in 1966 . As well as using Indian instruments and an irregular drum beat, it has backwards guitar playing and uses sampling techniques based on pre-recorded segments. The idea that you would make a track only for a recording and not for performance was quite new at the time.

 

The initial critical reception was mixed - one NME journalist expressed confusion that we are being asked to relax and float downstream in the midst of seagulls and noises that sound like they’re from outer space. However it is now seen as a pioneering track not only of the psychedelic rock genre but of electronic music.

 

Didn’t this do well here? It’s the only track not on the original red and blue albums to even make the Top 20.

 

 

One of their best and most innovative tracks, it's stunning to me how it comes from 1965 (not the least with the number 1 it inspired over thirty years later!), it sounds so far beyond anything a modern mainstream dance producer can do today.
Interested to hear you thoughts on these two versions then -

 

 

Apparently Lennon loved the Deep Purple version and wished The Beatles had played it slower.

 

Always have a soft spot for The Damned, bless 'em, fun and they even manage to use a few of the original vocal notes here and there :lol:

 

One of my friends is a massive Deep Purple fan, has everything released and seen them more than once on every tour, so he will no doubt rate this version. I'd have preferred a more "Fireball"-styled frantic cover (like the Damned) but I think the Prog Rock slowed-down works too. Tina's version was slowed down as well, more gospel though.

Tomorrow Never Knows a major fave though a fellow Fabs fan not so keen because of the two-chord structure - but I really think that helps make it haunting and hypnotic. I first heard this on a radio series called The Rock N Roll Years which mixed news events of the year in question (one episode per year) with key tracks of that year. It started with the early 50's and just kept going episode by episode. 1966 was all about the build-up in the Viet-Nam War, still fresh in our minds really when this was broadcast in the late 70's/early 80's, and the episode ended with Tomorrow Never Knows - it really did seem to be a dividing line into a modern era of music and was hugely powerful in that context. I'd never heard it before that (it wasnt on the Red album)....
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6th: 601 points

Let It Be

 

 

Chart run: {2}-3-4-7-11-16-26-34-34-43R(24)->10

 

steve201 49

ben08 49

dandy* 49

gooddelta 48

…ready for it 47

Roba. 47

Bjork 44

popchartfreak 42

Chez Wokbat 42

jimwatts 39

JulianT 39

King Rollo 34

danG 32

Brer 25

Severin 10

Jade 5

Notorious D.O.T. 0

WhoOdyssey 0

 

This was the last single while the band were together and the title track of the last studio album. It debuted at #2 in the UK but was held off by the rather eclectic “Wand’rin’ Star” by Lee Marvin, but did top the Billboard chart after achieving the highest ever debut there at #6.

 

It features backing vocals from Linda McCartney, the only time she contributed to a Beatles song, a guitar solo from George, and a backing orchestra which features quietly in the single mix. Clearly it isn’t the most inventive Beatles track musically but I still find the lyrics and the simplicity of it moving.

 

 

 

 

love Let it Be, surprised it's out, thought it might be a contender for #1

I wonder if it would have done better if we were rating the Naked version.

 

Both McCartney and Starr have stated it is the superior version, and whilst I've never adored the song I would probably have given more marks for it.

The strings version was the version I first heard in Singapore and it was the cultural (UK) goodbye to the Fabs, love it, still takes me back to tropical happy memories, and has always moved me. It's basically a gospel song, witness the many covers in that groove. I've never much rated most other version though, oddly, especially the many charity re-births over the years and dodgily-sung elder McCartney live versions to end his gigs in recent times. Theyve tarnished it a bit, but I still want the original, and that means the single version.

 

Saw Paul do it in the 80's though, when he was still fab vocally and Linda was still there. And it still wasn't the showstopper track of the night......TBC

Let it be is just fantastic just a culturally important song. I actually used to think it was a cover of a classic ancient song it’s so legendary!

 

Can I ask a lot of posters have said how some Beatles songs they didn’t hear as they weren’t on the Red/Blue albums or released as singles. Other than Sgt Peppers did the other Beatles long players not get many sales when initially released?

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5th: 637 points

Strawberry Fields Forever

 

 

Notorious D.O.T. 50

Bjork 49

Chez Wombat 48

danG 46

Jade 45

JulianT 44

King Rollo 43

Severin 42

jimwatts 42

gooddelta 42

popchartfreak 38

steve201 37

ben08 35

dandy* 21

WhoOdyssey 16

Roba. 15

…ready for it 12

Brer 12

 

Another John song that was a pioneer of the psychedelic rock genre here. Its promotional video was also a key early example of that medium. Like its double A twin “Penny Lane” written by Paul, it’s based on real childhood memories. Strawberry Field was a Salvation Army house and garden in Liverpool: the site is still there and was opened to the public in 2019.

 

Like “Tomorrow Never Knows” the track uses Indian instruments and experimental techniques such as backwards recording. It’s also the most celebrated use of a Mellotron keyboard. John considered it his best work with The Beatles. Apparently Brian Wilson, who had been struggling to complete the Beach Boys’ “Smile” album, said on hearing the track that they’d got there first with what he wanted to do.

 

This received Dot’s 50 points and was in the Top 10 of more than half the voters, with nobody giving it less than 12.

 

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