Songs

Benson Boone - Mr Electric Blue

The Kid LAROI - HOW DOES IT FEEL?

Kesha, Slayyter & Rose Gray - ATTENTION!

sombr - we never dated

JADE - Plastic Box

Cardi B - Outside

Lorde - Hammer

Albums

Benson Boone - American Heart

High quality this week! American Heart is one of the albums of the year.

NEW MUSIC FRIDAY 27.06.25 #36

IRL – Lizzo/SZA (7.1/10)

I presume the released mixtape was released to build hype around Lizzo, as her recent album's singles weren't doing too well. And honestly, with features like Doja Cat and SZA, I think this is a great marketing move. The song is fun with a sexy tone around it, as it blends rap and pop. It's not the most radio-friendly thing, but I could see it rounding up a few charting weeks.

Survive – Lewis Capaldi (8.8/10)

He doesn't deserve the hate... I love Lewis Capaldi. He has some of the most raw and heartfelt sounds in the industry; his last album not only touched the heart with every song, but it proved that he's capable of a LOT. And wow, this song hits the high notes perfectly with the message of surviving mental health issues and troubles of life, and honestly, this nearly brought a tear to the eye. BEAUTIFUL.

On My Mind – Alex Warren/ROSÉ (5.5/10)

Alex Warren makes music that's as flavourful as numbing spray, so the fact that this felt like the pointless love ballad it was is unsurprising. Alex needs to step up and stop giving the bare minimum build-up to a song that feels like it'll only be loved by Myles Smith's biggest fans.

One Heart, One Voice – Barbra Streisand/Mariah Carey/Ariana Grande (7/10)

Crystal clear voices that come together to make a song that sounds fit for a choir. An improvement would be doing more.

All Night – Maroon 5 (7/10)

One million times better than their collaborating with LISA. The structure felt like it had more to it, with the jazz elements adding a funky and smooth feel that elevates my song. This is the one for radio!

Gameboy - KATSEYE (7.1/10)

It's light and easy while having some simple, playful verses about a boy, and seeing there's only two extra songs on that EP, I think I may as well do a track-by-track review of it! This is definitely better than "Gnarly" and more near to the level of "Gabriella".

Need You More – Teddy Swims (8.8/10)

The "I've Tried Everything But Therapy" series is now complete, and finally, after wanting it for so long, we've finally got something that resembles pt. 1 of "ITEBT" in a really good way. The soul and emotion are stronger, there's no rap feature, and the song is one of the realest-sounding things he's made in a while. His voice is just amazing!

Lover Girl – Laufey (7.2/10)

Sounds a little too similar to some of her other music with the playful 60s-70s jazz sound. Despite that, it's still good. Kind of excited for the album.

FWU – Don Toliver (4.6/10)

And after the F1 movie, Don is back to dropping on the same standards as before, with the tuning and beat just sounding typical and minimal effort. Not much more needs to be said.

Always Love – D4vd/Hyunjin (5.4/10)

It's fascinating seeing how a D4vd collab with a K-pop artist will go, and as much as they didn't have as much chemistry as I hoped for with the vocals feeling like they weren't mixed well with the beat, I can at least say that this is in some way presentable. I really think the feature choice was really bad, though; the background could've been something bigger.

THE ONE – Kesha (6.2/10)

This new era is feeling so mixed; this song reminds me of "143", but if it was actually a good album or at least bearable. But let's be real, we're not getting another "TikTok" in 2025...

Home – BigXthaPlug/Shaboozey (7/10)

I loved their collaboration on "Drink Don't Need No Mix", so seeing a second collaboration was always welcome. This takes more of a ballad-like route; I think an upbeat song would've been better. Still good regardless of that, though.

Never Met Anyone Like You – Ella Langley (7/10)

A country song that has lyrics by HARDY, the song gets more interesting in the second part where a high rock chorus kicks in and saves the song extra points from me.

Romeo - Dove Cameron (6.7/10)

Definitely a small drop down from things like "French Girls", but it's honestly still alright; it just doesn't have the bass or atmosphere that carries the level of intensity or energy as her other songs.

Heroin – Jessie Murph (3.4/10)

So much for me liking "Touch Me Like a Gangster"; I'm already back to hating her music and her vocals, which made this emotional song feel far from emotional. I just can't... this is leaning into the Amy Winehouse era more, and she just didn't nail it like last time.

Lighter – A7S/David Guetta/Wizkid (5/10)

Mad - Reneé Rapp (7/10)

Pop-rock that leaves questions about how good her next release will be.

Ashes – Diplo/Bailey Zimmerman (7.2/10)

Funny enough, I heard Diplo and Morgan Wallen's country song this week! On this note I think that Diplo can have a serious spot in the country industry; he doesn't overly try and mix other genres and instead stays true to the roots of country. That's what I respect.

D.A.N.C.E. – Peggy Gou/F1 The Album (7.5/10)

This week is the F1 album's release date, and with that comes this, which is a chill dance song that doesn't give main single energy but will still pull some people on the dancefloor. My expectations were met.

Don't Let Me Drown – Burna Boy/F1 The Album (7.4/10)

A more tuned version of what Burna Boy usually makes. In fact, it's a whole change completely.

Polo – Kim Petras (5/10)

It's like "Unholy" but without Sam Smith, and honestly, I think she just actually can't make anything good. This intense club sound with beat drops just doesn't fit her, and I don't think I'll ever like her. Skip; move on.

Gold – J Hus/Asake (5/10)

May I ask what the lyric "Illuminati, top of the food chain, the hierarchy" was supposed to indicate?

Looking Up – Lauren Spencer Smith (8/10)

I'm not listening to the haters because I love this! Lauren has simplicity at heart, yet she always delivers, and this song proves that yet again. It's like a less high-pitched version of "Bridesmaid".

Gut Feeling – Debbii Dawson (7.1/10)

GET DEBBII ONTO RADIO NOW. THE NEXT POP GIRL IS RIGHT HERE!! CMON!!! This is by no means her best song, but it has that slight disco-like side with a charge that fuels her fun. I like it.

The Story Of Her – Caity Baser (6/10)

Atleast she's not being cringe... that's a good step forward.

EXPECTATIVAS – Myke Towers (6.5/10)

Nookie (Pu$$y) – 21 Lil Harold/21 Savage/Sexyy Red (1.5/10)

This type of music is more unhealthy than brainrot, and by the artists on it, I think you can tell it's not going to be good. The effect on the hook sounds just awful and reminds me of in Morgan Wallen's "Miami" when he used those awful vocals. And 21 Savage talking about his balls and King Kong in the same sentence was not on my 2025 Bingo card.

Locos – Santa Fe Klan/Saweetie (5.5/10)

Let It Be For Love – Armin Van Buuren/JAI RYU (3.5/10)

David Guetta but slightly better (only slightly).

Prince George – IDK/Cordae (8/10)

I've got to hear more Cordae because he has this sound that many experimental rappers often come near, and I like that.

Jersey In July - Dom Innarella (7.5/10)

This has to be a Justin Bieber clone. Although I will say that this is a good Justin clone, the guitar is full of life, and the song doesn't feel limited to one certain thing.

new friends – flowerovlove (7/10)

It's a respectable pop song, expected though.

Somewhere – Charlotte Lawrence (5/10)

Quite a big letdown from the Spotify snippet.

Made For Goodbyes – Blake Whiten (6/10)

Hot 100-type country music.

Spin The Block – Nelly (7/10)

Definitely still has some of the similarities of some of the older Nelly music I heard; I like it.

I Want to Go – Ely Oaks/LAVINIA (7.1/10)

This is the third song I've heard by Ely and the first I've liked by him; the production actually feels thought out for fun instead of cheaply whipped up. Good electropop that still has its social media sound but instead keeps its shine!

Peace Of Mind – Martin Garrix/Citadelle (7.5/10)

Love the bass and the groovy pads that give this a trance sound.

Misfit – Franni Cash (7.5/10)

This easy-to-understand song is about how Jesus was a misfit and getting through the stages of people questioning beliefs and rules. I think understanding religion is a great topic to sing about, and especially in this kind of way.

Car - Royel Otis (7.4/10)

Along with an album announcement, Royel Otis shares a new indie-rock song that feels like it would fit the theme of a nostalgic music video well.

my light – Yung Kai (8/10)

This song is a mix of Mandarin and English with a nice dreamy guitar sound which is accompanied by soft and luxurious-sounding vocals. It definitely deserves a spot for a viral hit. Also, you have to wait till the middle for the song's sweetest spot.

June – 24kGoldn (6/10)

It appears he and his "Mood" collaborator have both got to similar points in their careers.

Yoda – Tech N9ne/Lil Wayne (7.5/10)

Loved the way Wayne rapped on this; it honestly could've fit near Tha Carter VI's better songs.

Feel Something – Sasha Keable (5.2/10)

Left To Get Right – Cole Swindell (7/10)

One of the only times where I will appreciate country music that you've definitely heard similar to.

Solid Country Gold - Parker McCollum (6.7/10)

Bag Of Bones – Lord Huron (5/10)

1-800 - Bbno$/Ironmouse (5/10)

This guy just releases the same party rap songs; the only great one was "Check", and apart from that, nobody really cares anymore.

Bed Of Roses – Teyana Taylor (5.6/10)

Home – Mac DeMarco (7.1/10)

Really relaxing voice.

Dat Girl - Kaliii (4/10)

I'll become interested when Kaliii makes something that's not of the same rehashed sound, which honestly makes me think of Sexyy Red.

Potluck – MAVI/Smino (7/10)

Kinda went in one ear and out the other, but I enjoyed it.

The Field – Blood Orange/Tariq Al-Sabir/Caroline Polachek/Daniel Caesar (7/10)

97 Jag – Kevin Abstract/Love Spells (7.3/10)

Naked – 41/Kyle Ricch/Jenn Carter/TaTa/A Boogie Wit da Hoodie (7.8/10)

I was expecting to give this a 1-2/10, so this is a HUGE surprise, but they actually got this near spot on. The slow romantic-like beat mixed with rapping that fit the pitch and felt correctly timed.

Really Want to Be With You – Durand Jones & The Indicators (6/10)

Stare at Me – JANE HANDCOCK/Anderson .paak (7.1/10)

First of all, Handcock is such an unfortunate surname 😂😂 (I'm sorry I had to mention this). For the song itself, it reminds me of the stuff that Silk Sonic made, with the smooth soul, but instead this adds fun claps and an upbeat sound to give it an old yet kind of modern feel.

ROCKIN – Shoreline Mafia/OHGEESY/Fenix Flexin (7/10)

Positions – Stryv/Malachiii/Adam Port (6/10)

Adam Port & Stryv have fallen off; it's not a secret.

For The Money – Rick Ross/Pharrell Williams (6.6/10)

June Guitar – Alex G (7/10)

The melody kick-in at the three-minute mark sounds like music you'd hear on a ship, and I like that.

Unsatisfied Heart – Bruce Springsteen (8.1/10)

This song is from a new collection that shows many of his unreleased songs, this of course being one, and I honestly think it has the quality to be a released single. The instrumentals shine through to be a main part of the song, along with the vocals fitting as well as some of his classics! I'm impressed!

Woke Up – Sheff G/Sleepy Hallow (6.6/10)

Can we talk? - Tink/Bryson Tiller (5.6/10)

It's kind of like Doja Cat.

Tubi Movie – Loe Shimmy (4/10)

I hate how he sounds like he's inhaled too much helium and then tuned himself.

Run – Fine (5.2/10)

BTA – Young Nudy (6/10)

Rap crap but... good? Why was this kind of enjoyable?

White Noise – Joyner Lucas (5.4/10)

Light Me Up – Nicky Youre (4/10)

Nicky not only completely fell off, but now he's left his genre and is appealing to a whole other age group. R.I.P. his career.

Komol Reshab Asavari - Terry Riley/Red Hot Org/Sara Miyamoto (1/10)

I love Red Hot Org, but this is honestly Red Hot ASS. It sounds like a mix of a haircut being shaved with a razor and what an ancient temple god would sound like if it moaned. Around the 8 and a half minute mark, it sounds like an Indian accent singing and moaning, and by the end of the song, I honestly regret ever listening. What the HELL was this??

Saved this week:

BigXthaPlug (feat. Shaboozey) - Home

Good Charlotte - Rejects

The National Parks - Who Knows
Wet Leg - davina mccall

Yung Gravy - I Write Hymns Not Travesties

Last Friday's findings!

Songs

Jack Avery - PLEASE DON'T GO

Kesha - THE ONE.

Isac Elliot - Oma Vika

Dove Cameron - Romeo

Lewis Capaldi - Survive

Madison Beer - All At Once

Powfu - after

Albums

dearALICE - bitterSWEETsummer - EP

Powfu - the life of a lofi boy

Lorde - Virgin

KATSEYE - BEAUTIFUL CHAOS - EP

Not much so far this week

Mimi Barks - Crawling

LEMONSUKR - Dead Disco

NEW MUSIC FRIDAY 4.06.25 #37

Wet Hot American Dream - Ava Max (7.2/10)

This is my new favourite song from the upcoming album; it's harmless, fun pop music about living the life in a hot American dream. Not anything with 5-star substance, but I wasn't expecting that seeing how this album is going.

Take My Mind—WizTheMC/Bees & Honey. (8.3/10)

It's not as good as the duo's first collaboration, "Show Me Love," but it sure is a firm step too, getting a second hit song. The song uses the same tone and effects on the vocals along with an extremely similar feeling to "Show Me Love," but of course, it gives it a little bit of noticeable difference. I honestly hope these two drop more because this music is luxury to the ears.

I Won't Miss A Thing—Tom Grennan (8.2/10)

Tom is one guy that can turn a simple song that only uses piano and vocals into something magical and incredible that'll be remembered. This song is the first song on his upcoming album that doesn't fit the upbeat pop description, and honestly, it wouldn't be Tom if we didn't get a song this good.

River Washed Hair - Zach Bryan (8.1/10)

As I get older, Zach Bryan seems to appeal more to me, and I'm not sure if it's him or me developing. The harmonicas, the slow movement that gives the song the emotions it does, and the fact that he sticks to what he does even when country music is evolving in other ways. That's what I like.

f*** Me Eyes - Ethel Cain (8.2/10)

She's already dropped a much-loved EP this year as well as the new singles from her upcoming album, just adding to the achievements of most loved. Now, I enjoyed the first song, but I'm not gonna lie, I prefer the synth, dream pop version of Ethel. And for once it sounds like something the radio could pick up; the beautiful lift in noise feels surreal and has an elevated sound that makes you feel like you're floating. I didn't know Ethel was capable of something like this. The only thing I'd like to see improved is meaning control; I can't understand anything she's saying.

Big Darg Status - Headie One (4.3/10)

I'm actually kind of questioning what I just heard. Headie One keeps randomly stopping the song to use coughing as a hook, and it sounds exactly like the coughs in the viral cough dance. Using coughing as a hook is not only beyond cringe, it's just screaming that you're trying to be recognised for something. Onto my second concern: the song's title, "darg," is obviously a play on words from the word "dog," but it's just so cringe. Calling someone a big dog is a normal term; a big dawg is still kinda normal—nothing bad. But when you say darg, it sounds like you're trying to put on the accent that people typically associate with and call gay. BRO, JUST SAY DARG OUT LOUD. It sounds STUPID. This is like on a Lil Mabu level of stupid. For the rest of the song, it honestly follows along the lines of Central Cee and other UK rappers in being totally boring.

Bassline Flexa - Marshmello/Joytime Collective (4/10)

This just whizzed past me like a modern-day David Guetta song; the bass honestly made me think of a squeaky fart.

Believe—Clean Bandit/Lloyiso (6/10)

I'm not going to waste much time on this; it's by no means a highlight of what Clean Bandit has served to us; it's just radio music that we know won't perform greatly.

Today's Song—Foo Fighters (5/10)

I really can't care for another song that reminds me of a blur within the rock acts that already exist.

Love Me Gentle - Mabel (6.4/10)

The vocal tone has a little of her 2022-era energy, but I still can't say this is the Mabel that I want. I really am not looking forward to the mixtape.

Hey Hi Hello - Alison Goldfrapp (7/10)

Not as good as "Sound Of Light," it feels like a watered-down version of that song that doesn't feel complete like her others.

Before & After You—Sydney Rose (6.7/10)

Echoes - Loreen (7/10)

I think adding a new vision to her formula helps it not become boring, like the piano on this one.

Perlas Negras - Natanael Cano/Gabito Ballesteros (3.5/10)

Do these people put any effort in apart from using the same Spanish/Mexican sound?

Over You—Oppidan/Venbee (6/10)

Venbee needs to make things more like her last album. I get she's only a feature, but even the recent singles are just not at or near her old level. This is an average-level song.

Air Maxes - KETTAMA/Shady Nasty/Fred Again... (3/10)

I'm sorry… WHAT? The whole song was just talking. I don't even know what to make of this. There's nothing I can even critique.

Weekend - Eliza Rose/The Trip (7.4/10)

Wow, actually a pretty good showcase of Eliza's style.

Stereo - Moby/Goddard/Lovelle (7.6/10)

Bass that has the head-bopping late-night energy that keeps you going—love that.

Ginger—Sean Paul (6.4/10)

We know that Sean Paul isn't going to deliver a verse that's as valuable as 24-carat gold, so I'll take this. It's a club-rap song that feels like giving more energy would work better on the hook.

Tony Soprano - Brent Faiyaz (5/10)

Pretty standard R&B music

Body - Newera (7.8/10)

This is honestly New Era core, with the mixing, vocals, and just presence completely resembling their hits.

Pedicure Princess - Hannah Laing (7/10)

I'm not mad at the genre that feels more hyper in terms of who it's appealing to, but I'll honestly take this as a win. It's probably not getting a replay, but it certainly doesn't put any kind of dent in my view of Hannah Laing.

Kickboxer—YoungBoy Never Broke Again (3/10)

This is music for people who think it's tough to go up to someone and say, "Aight, bruv, where's the money, or I'll smash your face in."

Giddy Up Gorgeous - Tanner Adell (8/10)

THIS IS A COUNTRY GIRL WHO GETS IT!!! It has a beautiful spin that makes the song anything but typical, with the tone on "Out of mind" being my favourite part of the song.

Sugar, baby - ELIO (7/10)

Sippin' On Top Of The World - Russell Dickerson (6.8/10)

I'd take it over his current song in the US charts.

Dark Sea—Shaya Zamora (8/10)

The hook is like Rag'n'Bone Man's "Human" with the deep, moving tone.

X TI - Kapo/Feid (4.9/10)

Noventa—DJ Snake/J Balvin (5.5/10)

I'm shocked that such big artists can release something so dull.

Til My Fingers Bleed - SEVENTEEN/Duckwrth/The World Alive/EWC (6.7/10)

A decent performance that strays away from the usual stereotypes of Korean pop groups.

Philanthropist - Jesse Welles/Billy Strings (4/10)
Boring.

Ya Feel Me—Larry June/Cardo Got Wings/E-40 (3.7/10)

Jies—BNXN (5/10)

Tree—Chance the Rapper/Lil Wayne/Smino (3.8/10)

Lil Wayne is sounding more robotic and out of it in every song, and none of the others do anything.
To salvage this wreck of a song.

Summer '25—Benny the Butcher (4/10)

Falling - Frost Children (4/10)

The snippet was good, but in full, this thing was repetitive and bad.

Catch Me Outside 2 - Ski Mask The Slump God (6.7/10)

I only heard of this guy the other day because he donated on Ryan Trahan's Airbnb series. Anyways, this is some cool rap, nothing life-changing.

London's On Fire—Chris Lorenzo/Max Styler/Audio Bully's (4/10)

This sounds like music that 40-year-old bald, white truck drivers in the UK would listen to.

PLB (Pretty Little Baby)—Mary Droppinz/MYTHM/Connie Francis (0/10)

I'm going to be really honest... this is the worst song I've heard in my life. I don't even know how you can mess a song up this bad and get added to New Music Friday. This is literally Connie Francis's viral song "Pretty Little Baby" with BASS DROPS that sound worse than CYRIL's production. The bass drops interrupt the song and randomly crash into the mix, creating this uneasy and disorganised sound. To call this the 2nd worst song ever is a compliment. I don't often like to be this harsh, but the artists should just retire; this song is career-ruining, it's life-ruining, and this HAS to be satire. It's actually that bad that I'm convinced that this must be satire. Anyone who's playing this song and enjoying it needs to be chucked in a mental hospital, and the worst part is I don't even think I'm joking. I kind of mean that. This is DISGUSTING, a mockery of modern music. AI is better. I've never been so disgusted and just pissed off by one sound.

NEW MUSIC FRIDAY 11.06.25 #38

What Did I Miss? - Drake (4/10)

I've already covered how much I dislike Drake for making the worst album of all time and of this year (so far) and how much I dislike this song, but this time I'll do it in more detail. This sounds like a more watered-down, boring version of his big hits, where the background champion theme is the only thing that partly stands out for the better. It's safe to say Drake is making music for the sake of making music. I'm flabbergasted that this is set to debut at Billboard no. 2; it really proves that commercially, even if you make a lazy rap/trap beat with a simple hook, then you can truly do anything. BOO!

IS IT—Tyla (8/10)

The loud drums pound onto a beat that feels glitchy but in a good way; this song isn't short of a bop, and it's honestly one of Tyla's best songs. It has a progression that gets stuck with you from the moment you hear it, with the essence of Tyla's Afro music fusing into a club song that has "all killer, no filler" written all over it.

JUMP—BLACKPINK (3.6/10)

I think too much focus was put into the bass and loop and an action-packed production rather than trying to maintain quality. This is your typical bad bitch K-pop song that happens to make you anything but care.

The Way—Juice WRLD/XXXTENTACION (8.1/10)

With an acoustic mix on top of both of the rappers soft and slow rapping, the song approaches the emo rap in the best open way possible without being cringe and even provides a nostalgic side to it. This could be something big.

Bad As The Rest - Jessie Murph (0.4/10)

Sure, her voice still sounds like a grandma is getting crushed by a train, but the song is somewhat decent in terms of the beats buildup. BUT I'M SORRY… The vocals overpower the song and add this really sour taste to the song; her screaming definitely didn't help either. You may see this in my Dishonourable Mentions for 2025.

Change Your Mind—Burna Boy/Shaboozey (6.4/10)

I was weirded out by this genre blend and curious how it would turn out… and it actually turned out alright. A fairly upbeat hook that has generic qualities, but despite that, there are still good points, such as how both artists manage to sort something out that at least has a sense of both their styles (despite the song feeling more fit for Shaboozey). I won't be returning, but I'm not angry at this.

Lady Lady - Olivia Dean (5/10)

I confess, I don't really like this new Olivia Dean… she can sure play jazz and sing, but I think she does it in the most uninspired way possible that begs the question, "How long can she keep this up?"

Vampire Diaries - MGK (3/10)

The stability of the chorus and vocals isn't good, and it honestly makes the song sound AI-generated; in fact, by the sound, I wouldn't be shocked if it was. MGK has this sound that feels like it could be replicated easily, and that's by no means good, so him putting out a poor attempt at a summer hit that feels basic from all angles and was never going to satisfy.

Butterflies—JVKE/TOMORROW X TOGETHER/LE SSERAFIM/TAEHYUN (7.4/10)

A fun, playful song about what you feel when you love someone; both sides have their essence, and nothing felt overpowered. It's also pleasant to see my liking a side of K-pop a little more.

A Song To Sing—Miranda Lambert/Chris Stapleton (8.3/10)

Yeah, I'll say it, Chris Stapleton is real American country music, and this is more proof of it. Both have this way of singing that sounds like an Elton John song with the old feel, but instead they bring even more of a smooth, soulful feel that is honestly one of the smoothest things I've heard in a while! And that violin near the ending was spot on too.

Vodka Cranberry - Conan Grey (8.1/10)

It's like "This Song," but with more sweetness and less of that high beat kicking in for the hook. Conan has these really soft vocals that fit a love or heartbreak song in a way that nobody else can, and I think that's something special.

Time Is Money - Joyner Lucas/J Balvin/Fireboy DML/DaBaby (3.8/10)

Four features, and yet the energy was so flat. We got the little separate culture sound in there, but it just didn't blend together, and instead it felt like whatever this song was trying to do did not turn out for the better.

The Mood - FLO/KAYTRANADA (5.7/10)

I've been listening to a lot of FLO over the past few months, so a new song was always welcome... and this? Yeah, I mean, it's good, but it partly sounds like a Tyla song, and you know I mostly don't like Tyla… it kinda just falls flat, and instead of making you feel like a bad bitch, it doesn't even get you moving. Disappointing.

Back To Me—Rudimental/Jess Glynne (7.3/10)

A feel-good dance summer jam that shows that Rudimental is upgrading and won't be putting the fries in the bag anytime soon. Jess had clean vocals that fit dance music really well, and Rudimental made a nice sound to go alongside her.

TUCHAT - Quevedo (8.2/10)

The drop into a more soothing reggaeton beat and smooth sound is what made me like this more. I wish the reggaeton bass didn't come in as much on parts, but it's still very much enjoyable. Added to my liked songs!

Won't Diss You - Lil Yachty (6.2/10)

It follows in the steps of other rappers tuning, with a nice little groove that gets you into the mix a little. It's nothing crazy, but I'm happy to watch out for what's next!

Hurt So Bad - Dean Lewis (8.5/10)

Dean covers the topic of trying hard yet feeling heartbroken in a heart-pulling song that feels like it's not only one of Dean's best but also has production that is a treat for the ears; the ending piano and other instruments coming together form a beautiful harmony to end a vocal hold that felt nothing short of art.

Oh, Anna! - Dasha (8.4/10)

Guitar and drums that have a short buildupto an earworm of a country-pop chorus that may sound built for radio, but it still has that sweetness to it that feels like what real country music should be about.

Follow Excitement! - Rizzle Kicks/Rachel Chinouriri (6.7/10)

This felt more like a Rizzle Kicks song and less like a Rachel one, yet Rachel still did good in a new zone.

Bartender In Destin - Acoustic - Riley Green (7/10)

Acceptable country music with nice guitar.

THIS IS FOR - TWICE (5.4/10)

Can TWICE stop making songs that sound so repetitive for the genre?

I WANNA WIN—2 Chainz (4.6/10)

From a film, "I Wanna Win," starts with a slowed sample of "Gipsy Woman" before going into pure rap that doesn't have a big backing of instruments; instead, it's just bars and maybe some drum pads here and there. Can't say I'm a big fan, and the sample was not necessary at all.

Suburbs—Good Neighbours (8.7/10)

Kinda reminds me of "People Watching," where the instrumentals are purposely played on a heavy level to not go unnoticed—and this song does that with a loud guitar that accompanies Good Neighbours' traditional sound that makes you feel at home. I really like the sound of this; there's something special about it… it gives me a Christmas fuzzy feel, apart from the fact that it's not a Christmas song. This is their best song yet.

Friendly Fire—Skepta (8.1/10)

The song has a fiery punch with on-point fast bars and big bell sounds that make you feel like you're in a boxing ring. Skepta has been carrying UK rap recently.

The Sofa - Wolf Alice (8/10)

Love where the piano and vocal overlaps were placed; this sounds a little like Lola Young's music to me (but without the accent) and also has an elegant side of violin that hits really dreamy notes. This is getting added to my liked songs!

All Night All Day—Big Thief (4/10)

Creativity went out the window with this one. It's like unseasoned chips.

Riptide—Sigala/Jaxomy/IIan Kidron (3.8/10)

A sped-up version of Vance Joy's "Riptide" with vocal effects that make you feel like you're either listening to a David Guetta remix or are playing an Ibiza playlist on Spotify with an AI profile picture and two saves. You have to be really out of ideas to make this.

That's So True - Spotify Singles - Sofia Camara (9/10)

A cover of Gracie's global hit "That's So True," which sees piano and violins used in an elegant fashion to make a more cleaned-up version of the original song. This follows up Luna Li's cover of "Headlock" as one of my favourite covers EVER. GOOSEBUMPS. (This is 100X better than the original.)

Hotel Rock Bottom - Frankie Grande/Ariana Grande (6.8/10)

Stereo - Jax Jones/Emei (7.5/10)

Two artists who both have replayable value in their catalogue come together to make a dance banger that highly reflects Jax's popular music of 2022! I think we're nearly back at his peak.

Instructions—Mahalia (7.6/10)

Mellow and peaceful R&B/soul music.

POR SUS BESOS—Tito Double P (5/10)

Everything this guy makes sounds the same; that's why I don't bother to deep dive into his music anymore.

The Hudson—The Favours/FINNEAS/Ashe (8.5/10)

OH MY GOODNESS. GOOSEBUMPS AGAIN. The amount of beautiful vocals and angelic, crystal-clear instrumentals here is something out of a movie. This could be a hit no matter the decade.

Gimme Him - PLUTO (7/10)

This is the first song I've liked by her; it may follow the route that she usually goes down, but it kind of had this nice groove to it that felt like a head bopper. Surprised for the better.

Way Of The World—Noah Cyrus/Ella Langley (5.4/10)

I'm seeing a lot of recent appeal for Ella, and I honestly can't understand it; to me she sounds like any other country artist, and I think on this dull snoozer of a song it's even more apparent.

Leaving Carolina—Ty Myers (7.1/10)

Ty Myers had an improvement from his breakthrough; this still isn't what I was hoping for in my usual bar of good country music, but it still has something, and I'm also thankful he made use of background voices and the electric guitar near the end; it definitely helped kick off the boring feel.

Shook—Sugababes (7.6/10)

WHY ARE WE SLEEPING ON NEW SUGABABES?? This has a little bit of 80s and 90s dance vibes with a Madonna feel but also caters to modern music with a funky bass and class that gives the song its credit.

In It With You—Craig David/Jojo (7.2/10)

A ballad where the two singers intertwine to share a well-intertwined chorus that reflects their singing ability.

Grave - Kid Cudi (6.1/10)

Jayden - Claire Rosinkranz (5.3/10)

The sudden jump to a faster-paced hook was an interesting choice. This song feels like a girl-pop song that resembles a similar feel to "Manchild" by Sabrina Carpenter. Can't say I wanted this, as it's very obviously a quick generic release, but I can't say it's all trash. It's just mid.

Betty - AJR (6.8/10)

Despite AJR's lyricism and tone partly feeling like a childish TikTok song, I can still say this has a lot more real potential to it; there's flavour, and it's good… and it also gives a little bit of Alex Warren but better.

Alibi - Joan (7.2/10)

This sounds like something I'd hear in an emotional movie scene, and hearing the bells with the heart-grabbing high-pitched pull brought that feeling even more.

Two Sides Of Goodbye—Bryant Barnes (8/10)

I'm going to say this for the second time in the write-up: the vocals sound like Alex Warren, but this time REALLY like Alex Warren, as if he's trying to be him. Apart from that note, the song has a deep emotional main part that doesn't feel rushed or overacted on; instead, it feels like it was taken just right to give this feeling that slowly pulls you into the song.

Vicious Delicious - Luvcat (7/10)

This has got me into it! The constant tease to the big and clear main segment was executed to my demands; I'm happy.

I Didn't Come Here To Leave—Chris Young (6.7/10)

Chris tries hard to give a powerful vocal performance that fits the country-rock scene; did he succeed? Yes, but he didn't go over the mark of goodbyethat much.

Childhood—Barry Can't Swim (8.5/10)

I heard a loud blaring sound come through on the track, like horns, and that gave a huge uplifting sound into then what felt like a cosy feeling with the distinct vocal change.

Doggy - Geezer/Kevin Abstract/Dominic Fike/Love Spells/Truly Young (5.5/10)

I'm going to be the one to not follow the crowd and say it. I don't get it. It's unique... aaaaand nothing else; it all just bores me.

Starlight—Danny L Harle/PinkPantheress (7.6/10)

I don't like the glitchy sound at the end, but apart from that, the progression is dreamy and really fits PinkPantheress well. It's a replay.

Nothing Changes—Simple Plan (2/10)

The timing sounds wrong, as if it's artificial intelligence, and the song sounds like one of the cringiest and most generic things I've heard in a long time.

Messiah (Devil's Diss) - NLE The Great (3.9/10)

NLE the Great (also known as NLE Choppa) comes back with his new brand of religious music, and despite that it's better than some of his older stuff, I still can't say that I'm impressed. Also, what kind of line is "I'm that n****; you can ask ChatGPT"?

Slauson Ave - Karri (3.9/10)

Too slow, and it's not the relaxing state slow; it's boring kinda slow.

Hard To Be Happy—Rob Thomas (3.5/10)

Cat Burns if she was an uninspired church choir member.

Miami - Odeal/Leon Thomas (7.3/10)

It looks like Leon will probably be a one-hit wonder, although if he wasn't, then I couldn't complain. The guy can give valuable music, and on this it's no exception with some really real R&B and soul beats.

ASTROS - Paloma Mami (5.8/10)

The Shiver—Jayda G (6.6/10)

Strippers Lives Matter - Rob49 (4/10)

I'm going to say the phrase again! Rap crap.

Feeeeeeeeel—Cash Cobain (3.9/10)

Cash Cobain never disappoints in disappointing.

Sonríele - DY (6/10)

It sounds like if Shakira's "Waka Waka (Eh Eh)" song wasn't made for Africa and instead was more generic.

Our Time—AFROJACK/Martin Garrix/David Guetta/Amél (7.2/10)

An EDM song that reminds me of the ones that gave me nostalgia from 2022 with the lower bass.

My Mind Is a Mountain—Deftones (8/10)

A strong, heavy rock song that really symbolises what Deftones do. And they do it well.

Steve - La Dispute (3/10)

Rock that sounds like the main artist is on drugs.

Don't Cry For Me Argentina - Andrew Lloyd Webber/Rachel Zegler (8/10)

Celestial vocals that are absolutely spot-on for a musical.

Da Du Dah—Kokoroko (7/10)

Life or Death—Declan J Donovan (7/10)

Stranger - SOLOMON (7.1/10)

If I believe correctly, SZA promoted one of this guy's songs on her Spotify, so I have high hopes for the music itself; this is quite soulful, and he could feature with SZA.

Die For This - Syd (6.6/10)

Better In Person - Nina Cobham (7.1/10)

I Love You—Belters Only (7/10)

A nice little groove but doesn't have their big pulse energy.

The Bank—Jaya Had a Dream (5.6/10)

Your New Place—Racing Mount Pleasant (9/10)

A over seven-minute MASTERPIECE of chamber pop that has guitar strings, drums & every other instrument mastered. I rarely hear things like this; I guess I'll have to keep my eye out for more music by them.

Saoirse—Maruja (8.5/10)

To call this one of the most well-composed songs you've ever heard would honestly be valid. This song is a stand-up for peace for Palestine. I don't know too much about the war's history, but I honestly love peace, so I'm happy to hear this! This song follows an upcoming album that hopefully has the force of a whole orchestra, just like this one. The timing and playing of the jazz instruments is just beautiful; it creates this harsh truth around the song that captivates you in the story they're trying to tell.

Rescue Lights - Hybrid Minds/Homesick (4.5/10)

DnB that doesn't reflect much apart from a lack of creativity.

Love On—Elliot Schooling (4/10)

This had a nice rhythm and danceability level, but the weird vocals ruined it for me... Why are these shaky vocals used by DJs??

Last week (a dry one apart from Kesha's album)

Songs

Ava Max - Wet, Hot American Dream

Agnes - MILK

Loreen - Echoes

Lancelot - Esther

Shouse & Cub Sport - Only You

Albums

Kesha - .

This week:

Songs

Sugababes - Shook

Conan Gray - Vodka Cranberry

Two Friends feat. Corbyn Besson - No One Else

Dasha - Oh, Anna!

Maren Morris - Welcome to the End

BLACKPINK - JUMP

Austin Mahone - Both Ways

Miles Wesley - My Everything

Hunter Hayes - Wait

ROLE MODEL feat. Laufey - The Longest Goodbye

Albums

Justin Bieber - SWAG

From the ones I’ve heard

Daisies 6/10

The Sofa 8/10

Jellyfish 7/10

JUMP 5/10

Friendly Fire 2/10

Follow Excitement 7/10

I can tell 5/10

Oh Anna 7/10

Vampire Diaries 4/10

Vodka Cranberry 9/10

Bad as the rest 7/10

My mind is a mountain 6/10

Bette Davis Eyes 10/10

Edited July 13Jul 13 by Liam Sota

Oops fell off posting in here, this week I'm liking...

singles

ADÉLA - DeathByDevotion

Danny L Harle & PinkPantheress - Starlight

Deftones - my mind is a mountain

DJ_Dave - Hard Refresh

Hot Chip - Devotion

Jessica Winter - Big Star

SG Lewis - Sugar (feat. Shygirl)

Sigrid - Jellyfish

Softcult - Naive

Sugababes - Shook

Wolf Alice - The Sofa

X CLUB. - Stay With Me

album

Wet Leg - moisturizer

Stacks this week -

Nine Inch Nails - As Alive As You Want Me To Be

Last Dinner party - This is The Killer Speaking

PROJECTOR - It Surely Has Been Hell

Die Spitz- Throw Yourself On The Sword

Pop WIll Eat Itself - Disco Misfits

HotWax - Tell Me Everything's Alright

Calva Louise - Tunnel Vision

WARGASM - Small World Syndrome

Panic Shack - Pockets

In This Moment (w/ Kim Dracula) - Heretic

Alkaline Trio - Oblivion

Avatar - In The Airwaves

NEW MUSIC FRIDAY 18.06.25 #39

ALAMBRE PúA - Bad Bunny (6.6/10)

A Puerto Rican groovy track about past relationships, which doesn't go full-on funky but adds a layer of slower movement (slower then fast) to help bring across emotions more. I'll take it, but I don't think it was a good release choice as a single.

California—Maroon 5 (6.1/10)

This new era of Maroon 5 is now straying away from a radio-hit kind of sound and now going into love songs, and as much as this isn't something I hate, I think it's rather boring. This song needs something other than vocals and acoustics to power it, and like that, it just doesn't scream Maroon 5.

Perfectly - FKA Twigs (8.2/10)

Yeah, I can see myself getting more into this compared to Eusexia. I like that she still keeps her experimenting shine whilst making her music fun and passable for larger audiences! This song does exactly that with a danceable yet still partly "Eusexia"-like "feel. She described this song as the moment before orgasm; she also said that's how she wants to live her life: pure focus that feels like eusexia.

Eternity - Alex Warren (6.7/10)

Alex previewed a snippet of this, and now that I've heard the full thing, it already feels like I've heard it; that's how predictable the song was. I'm not saying it's a terrible song, but it's nothing apart from Alex's usual loud hook and vocals that sound exaggerated for the song's feel. This is still probably the best first impression I've gotten from the album's newer singles, though.

Madeline - Zach Bryan/Gabriella Rose (6/10)

Does Zach Bryan just make the exact same song every time? I'll be shocked to hear if he ever puts out anything new. And yeah, he has good songs, but they are all in some way, shape, or form the same acoustic country songs. This follows that way and lacks some more material.

1965 - Jessie Murph (2/10)

A pathetic quadruple attempt and trying this new side of her music where her screeches and intros now merge into becoming autotuned, sounding as if Charli XCX were a cat getting run over.

Out Out - Skye Newman (6.2/10)

Seeing her mysterious rise in popularity with songs that felt unfinished, I wouldn't be surprised if this followed that route. This isn't a bad song, but it's nothing more than vocals and piano doing what they always do.

I Can't Lose—Jonas Brothers (6/10)

I haven't enjoyed the Jonas Brothers to a decent degree in a while; as much as this isn't that great, it's still kind of a groove. It's got a big beat and a loud vocal hook that works well with the instrumental chorus and overall just at least an alright level of sound. I won't hate on it.

Tear Me Down—Joyner Lucas/Ava Max (7.2/10)

Joyner has a strong rapping presence that doesn't feel weak in any shape or force on this. I wish Ava got more time on the song; it feels like her name was just put on the song for the feature purpose, but regardless, it's still a decent feature. I like her tone on the hook.

MIAMI - Tommy Richman (8.2/10)

I'd say that this is the best song by Tommy Richman I've heard. It uses the same older-sounding vocal effects but instead has more disco and funk that add something that partly reminds me of MJ! Great song!

Been A Minute—Leigh-Anne (7/10)

This barely scrapes onto a 7/10 rating; it's got pop-girl, but it's giving more Tyla-Afro energy than something Leigh-Anne would put out, and it also feels quite dull for her, with the sound feeling like a dry texter.

Rabbit hole. - Goddard/Venbee (7/10)

Venbee's recent attempts at recreating fame, especially with the same duo from the "Messy In Heaven" collaboration, have felt half-baked. Her "Zero Experience" era had many songs that had depth and character… but nowadays it's a simple drum loop with the same regurgitated message that's even worse put out. That being said, this is the best thing she's put out in over a year.

All This Time - Sonny Fodera/Jazzy (7.3/10)

A fun summer EDM that I think has high chart potential, it has a summery piano along with a house vibe and an upbeat hook. Nothing unusual for the duo, but I still wouldn't mind something similar by them.

Head Shot/Gas In The Truck—Ishowspeed (7.8/10)

Surprisingly, two good songs that represent fast and clean hooks.

Woke Up—Trippie Redd (8/10)

I'm as shocked as you are that Trippie actually mastered the beat well instead of just slamming autotune onto anything. Wow! This is the first song I've ever liked (and really liked) by him. If you want a fun listen, then hear this!

ICED TEA—Young Nudy/21 Savage/Project Pat/Coupe (4.9/10)

TENGO CELOS—Myke Towers (7.2/10)

3am - Loe Shimmy/Don Toliver (4.4/10)

Loe's tuned voice never fails to piss me off, and the pace often sounds like talking instead of rapping. What good is that?

Why Is She Still Here? - Renee Rapp (6.7/10)

Drums and synths put together in an emotional sound that all feels like it's missing more of a spark.

Tiny Voice - Mae Stephens (7.5/10)

Mae Stephen has the ability to make fun-filled, danceable, and trendy songs, but she can't seem to stop her bad lyricism. I mean, c'mon, this is a grown woman singing about drawing "d*cks" in the bathroom. Despite that, I'll still rate it for being danceable.

Gifts—Snoop Dogg (4/10)

The flow is partially off, along with the sound effects feeling fit for a cartoon; it's a little too corny for me.

Oranges - Alex G (5.4/10)

Can I be the one to say that Alex G's music is just fine? It's just normal acoustic music, yet people obsess over him in the way AOTY does with Zach Bryan; it's not that deep.

IM YEAT - Yeat/BNYX (5.9/10)

So mid that you forget it after no time.

Zun Zun - J Balvin/Lenny Tavárez/Justin Quiles (6.7/10)

Started off with low expectations, as it had a very overused reggaeton pattern, but in the second half things got interesting.

Humbling—Michael Marcagi (6/10)

Michael hasn't appeared to change or become more diverse in sound since 2024's "Scared To Start" breakthrough; this is still basic folk.

Home Tonight—Sam Barber (5.6/10)

Similar to Michael Marcagi.

Boffum - Saweetie/J White Did It (5.5/10)

Feels very similar to something Latto would make.

Hi, everyone, leave please. - FLETCHERS (5.5/10)

Everything about this has an extreme resemblance to basic acoustic and partly produced pop; it's so half-baked.

Brutus - Em Beihold (6.8/10)

A fun little pop jam that sounds like if a Debbii Dawson song was more fit for a playful musical, this would definitely be a step up from other songs by her that sound more childish.

Your Eyes—Cian Ducrot (5.5/10)

It fits this era well with the high production and simple hooks. Cian's always going to put something as simple as "Shalalala" as the hook, so him making similar choices onto a song that reminds me of church music isn't unexpected. Probably the most boring thing from the album rollout yet.

You Can't Run From Yourself—AURORA (5.5/10)

Aurora's angelic and transcending feeling has disappeared from this, and I fear it may be because it's for an on-screen series. Whilst it's still an alright track, it sounds like one of the throwaways that was on C23's Bose X Nme collaboration.

Forever Ain't Long Enough - Max Mcnown (6.5/10)

Wow, this week's new music Friday is really shaping up to be one of the most generic release weeks ever, and moving onto generic American country like this didn't help either. At least there's a hint of passion in his voice.

I Can Die Now - Ruel (8/10)

Ruel talks about how he found love in an upbeat and fresh, fast mix of clicks and swift vocal manoeuvres.

Hangin' On - Dylan Gossett (5.5/10)

LOVE INSANE—MAX/JAY (ENHYPHEN) (3/10)

Overly poppy K-pop that sounds cringe and incredibly exaggerated to a fake level.

Carat Cake - Paul Russell (6.5/10)

Very predictable party radio-pop from Paul, especially with the voice speaking "Run it back!" At the end, very, very predictable.

Original - Malcom Todd (7/10)

Cry Cry Cry—King Princess (6.5/10)

Combust—Lauv (7.5/10)

I really enjoyed the softer mixing, where everything felt lighter and gave a more relaxed listen.

Swim Up Bar—Scotty McCreery (7/10)

Alright, nice Spanish & horn-like accompaniment to the country song, I'll take it since it's not generic.

This Is The Killer Speaking—The Last Dinner Party (5.8/10)

Toastyyy - Genia/Timbaland (8.1/10)

YOU KNOW... I'M MESSING WITH IT!! It's really giving FLO's energy with the smooth vocals on top of a stylish and very girl pop background, and most importantly, this is very danceable too! This could grow on me!

Ain't A Bad Life - Thomas Rhett/Jordan Davis (8.2/10)

A cheerful and bright country collab that is EASILY the two's best song that I've heard! I'm actually surprised at how much love and flavour this song sounds like it has! Very groovy, very true to country, and very replayable!

Watch Me Go - Lord Huron (7.5/10)

Blackberries - FISHER/Bbyclose (7.3/10)

You know, it's not bad, but it does feel like something I can find something similar to if I click on a Radio One

RAGE - PRESIDENT (8.2/10)

Yep, I'm not understanding the hate over this guy. Sure, he's had misses here and there, but occasionally he delivers something with a gripping and emotional hook that has a balanced level of catchiness, like this. The balance between producer settings and rock music is pleasant and really highlights talent!

KHE CALOR - Danna Paola (6.7/10)

Needle and Thread - Sam Short (6.3/10)

Elegantly Wasted—Hermanos Gutiérrez/Leon Bridges (8.1/10)

I don't think I've heard something quite like this before! A western blend of Latin soul into something that sounds fit for a western movie? And yet it has style and class instead of feeling like a cheap radio throwaway!

Tenner - Lojay (5.7/10)

EAST LA - will.i.am/Taboo (6.4/10)

It's a fun rap with a side of producer cuts that helped when stitched on. I don't like how it partly feels like a Will Smith song, though; it's off-putting.

Pucci - 41/Kyle Ricch/TaTa/ZEDDY WILL (2.8/10)

Both the two male rappers on this lyrically and vocally sound exactly like Ice Spice; I honestly think this song is the closest resemblance I've ever heard to "Ms. Poopie" herself. And yeah, this is awful and really odd.

Loveless—Gorgon City (5/10)

I don't think it could be any more apparent how uninspired this is.

Última Noche—Bad Gyal/Ozuna (6.9/10)

TUMBAO—Dei V (7/10)

Letting Go—Above & Beyond/Malou (2/10)

I wouldn't be surprised if this was AI-generated; it's soulless garbage with a cover that brings out the AI even more. After all, since it's in a Spotify playlist, I'm now even less surprised.

1995 - Freddie Gibbs/The Alchemist (7.3/10)

No Blickout—Chuckyy (2/10)

This feels like if Eminem tried to rap fast whilst on heavy drugs. I don't even know how people release something that's so lacking in originality apart from a poor pace. Rap crap.

Enigami—Luna Li/Mei Semones (6.9/10)

Very relaxing and brain nourishing, despite the guitar plucks not always fitting the set route of a clear and beautiful aesthetic.

I LOVE UR GF—Joel Corry (5/10)

The AI slop cover says it all...

Whiteboy Sh*t - Tom MacDonald (0.7/10)

Tom Macdonald continues to compare himself to Marshall Mathers and support the guy who's probably trying to cover his name on a certain client list.

Singles

Ruel - I Can Die Now

glaive - Asheville

Adam Woods - Little Things

Anson Seabra - Haunt Me

Chance Peña - Tongue Tied

Alex Sampson - Growing Pains

No albums on my radar this week!

Saved this week:

The Aces - Twin Flame

Dylan Gossett - Hangin' On

The Happy Fits - Wild in Love
Jonas Brothers - I Can't Lose

Rainbow Kitten Surprise - Dang

Sublime - Ensenada

Waterparks - RED GUITAR
YUNGBLUD & co. - Changes

Zach Bryan (feat. Gabriella Rose) - Madeline

Added to my playlist ..

CMAT - EURO COUNTRY ( OFFICIAL VIDEO )

Shame the BBC decided to drop the first verse when they played it on BBC Radio 1 because the opening verse is in the Irish language.

'Not my decision': BBC edit Irish language out of new CMAT single on radio

https://www.youtube.com/channel/UCqOs5M8ExbnFPgVU6dH9lsQ

Thin on the ground this week -

Nova Twins - N.O.V.A.

Pussyliquor - New Love Fresh Blood

NEW MUSIC FRIDAY 25.06.25 #40

Which One—Drake/Central Cee (7.5/10)

If you heard and liked "Blue Green Red," then you'll like this; it's just like that but with a Central Cee feature, which he sounds surprisingly decent on. I like when Drake puts on that accent; it gives his music a unique edge that turns regular beats into something special. This is also quite an upgrade from "What Did I Miss."

Dealer - Lola Young (8.2/10)

Not only the best single from the upcoming album so far but also one of her best songs, and I wouldn't even blame you for calling this better than everything on her last album! It has a sound and lyricism that feels like Lola but strays away from a cringe line, and the sound feels altered to sound different, but that actually gives it more of a live and real sound that complements the song. Great listen.

DYNAMITE - Tyla/Wizkid (7.1/10)

A fusion of two Afrobeat sounds that brings a lively and danceable tune, these two sound like they could connect well on a track, and I'm happy to report that they both brought flavour to the song.

With You—Jorja Smith (5/10)

A loud drum loop that sounds fit for rap/trap, but instead Jorja adds her brand of singing that often fits a soulful tone. I don't like the merge, and despite the unique take, it still ends up sounding basic.

Miami (Remix)—Morgan Wallen/Lil Wayne/Rick Ross (1/10)

"Miami" was the only song I hated on Morgan Wallen's "I'm The Problem," and you had to remix it with rap artists?? Once again, the "Miami" cut-in sounds so low quality, like it's playing from a decades-old device, and the rappers here could never change my mind; they just add two annoying vocal inputs. I guess the rappers do have a slightly better beat change and stop the "Miami" input from coming in as much, but overall, it's not a positive, and honestly, it's Morgan Wallen's worst song. My opinion has upgraded on the original song, though.

12 to 12 - Sombr (7.9/10)

I was not expecting to hear Sombr on a beat that sounds more like something Lizzo would be on. "12 to 12" has a funky, danceable sound that stays true to Sombr's vocal tone whilst balancing out new fields of music; he definitely didn't play it safe with this one, but he did that in an amazing way. Check it out!

Save Me—Olly Murs (8.2/10)

Olly Murs finally returns, and as expected, we've got a dancefloor hit on our hands. The song has a style that feels slightly jazzy but with a chaotic twist of getting into a bad situation in an argument where Murs plays it playfully and with energy. This truly is a new Murs era, and I'm honestly so proud of this guy for fighting through the horrible headlines about him and continuing with his weight routine for his fans. Olly is one artist who truly cares about the fans, and I love that!

STREET X STREET - Sia/Cypress Hill/DJ FLICT (7.5/10)

I'm not joking when I say that this sounds like something Playboi Carti would release! The beat has rap artists on and goes into trap elements with an intense sound that Sia uses autotune to blend into. And surprisingly… it's good.

HOT GIRL PROBLEMS - The Kid LAROI (6.9/10)

I guess I'll take it. I mean, it's an average score I'd give Laroi, and it's also for a usual Laroi song about girls, which uses the same production elements that made the sound for his previous albums. He needs to step into a new zone.

Back in the Saddle—Luke Combs (8.4/10)

Ok… but why is this BADASS?? The heavy rock and vocals lean into a style that feels like something the old real rockers did! Luke did exactly that and insanely well. WOW!! If you like rock, then give this a listen.

Gossip—Confidence Man/Jade (6/10)

Confidence Man is an artist I respect, but I was never a fan of Jade, and as much as I don't like Jade, I do have to respect how this is actually OK. Jade is a little boring and annoying in her tone of voice, but it's not too off-putting, and the beat has a nice synth and funky-like switch to give it some level of interest, although I think more of a pumping bass would do the song better.

Beautiful Colours—OneRepublic (7/10)

OneRepublic releases another song from Kaju no. 8; this one is more of a slower-paced song. As much as it's decent, I'm not getting too much feeling for this. Not amazing.

Uuu - J Balvin/Stormzy (6.4/10)

J Balvin's culture mixes with Stormzy to create a pop-ish and rough-ish rap blend; it doesn't work, but it's also not a terrible result. I don't care for it.

It Depends—Chris Brown/Bryson Tiller (5.5/10)

Chris Brown returns to the boring, kind of leisurely pace of R&B that satisfies nobody and leaves us thinking, "Was Holy Blindfold all he had in the tank??"

Sugar Sweet—Mariah Carey/Shenseea/Kehlani (5.6/10)

The opening era isn't looking too good; if this'll be the lead single (not saying it will be), it doesn't have any exciting energy and instead falls flat.

Sapphire—Ed Sheeran/Arijit Singh (7/10)

A surprisingly highly improved remix where Arijit brings a slice of culture that feels like the track needs to be complete!

Freak It—Kim Petras (3.5/10)

A hyperpop/electronic club song that keeps her style intact while blending into a more "How I'm Feeling Now" kind of vibe, I don't like this, and if you know me, I heavily dislike Charli XCX, so you know that anything similar probably won't be for me.

To Be Free - Sam Smith (5.6/10)

Sam continues to repaint the elegant and more natural side of his music. I'm not sure if this is due to the "Unholy" backlash or personal choice, but it's definitely not his best decision; his previous singles have done this but better.

Turn This Truck Around—Jordan Davis (7.3/10)

Jordan just keeps getting better; this is an even realer brand of American country that still feels partly like a copy, but at least he gives more energy to the song.

Beautiful Strangers - TOMORROW X TOGETHER (6.8/10)

Whisper—Rag'n'Bone Man/Max Chapman/Mischief (7.9/10)

Rag'n'Bone Man has his signature sound flow through, with the instrumentals providing arguably as much worth as the vocals; it sounds like old music but with a modern twist.

Reckless—Hanumankind/Daniel Curry (8.4/10)

Hanumankind brings an intense and rapid-quality energy that Denzel helps fuel; together they make something truly spectacular.

Midsummer pipe dream—Guitarricadelafuente/Troye Sivan (6.4/10)

End Of Summer—Tame Impala (5/10)

I just don't know; it's a long song, and nothing stood out to me.

Miss Sunshine - MGK (6.4/10)

It partly reminds me of if Alex Warren made a summer pop song, with the vocals leaning more towardshis tone. Surprisingly alright, though.

Holy—Mac DeMarco (6.3/10)

Same Thing - Ely Oaks/LAVINIA (8.1/10)

As long as it charts, I'm sure these two will keep collaborating, and as they do, I may as well say that I quite like the synths and bass; this is their best collaboration yet.

Professional - Offset (7/10)

I'll take it; from what I hear, it's the tough-appeal rap, and I think Offset plays the lead role well.

Chula Vente - Luis R. Conriquez/Fuerza Regida/Neton Vega (5/10)

Average Spanish song.

Learn To Love—Zoe Wees/Dean Lewis (6/10)

Occasionally Dean delivers a heart-pulling sound that makes you feel very strong emotions, and other times he doesn't; this is a time where he doesn't.

Dolce Vita - Sophie Ellis-Bextor (7.1/10)

Sophie's upcoming album is looking even more fun with a dance-club song that partly sounds (and only a little) like ABBA. I'm not sure if I'm the only one seeing it, but I kind of hear the oldish dance influences but with a more modernised sound… and Bextor's vocals help remind me of ABBA on this too.

Big Bag—French Montana/Lil Durk (6/10)

The Weight Of You (I'm Glad You Died) - Caity Baser (7/10)

Despite the song title being kind of wild and easily toned down… it's still kind of understandable, the feeling of not carrying the weight of someone because they're gone, and there being a good side of that. I feel the use of "I'm glad you died" was only put in to keep up Caity's ways of her over-exaggerating TikTok-pop phase.

Hot Body—Ayra Starr (6.8/10)

A sexual Afrobeat song that doesn't push past the replayable line or even reach it. Too basic.

Drama—Jordan Adetunji (7.5/10)

Partly reminds me of 4Batz when he made his quality grow more with the slow and dreamy rap melodies.

Have A Baby (With Me) - Daniel Caesar (5.5/10)

I'm sorry, but this is just too straightforward, and it comes across as weird. The song itself doesn't have any huge highlights either. I guess I could give a few points for the slightly dreamy instrumentals, though.

1942 - Clavish (5.5/10)

Standard UK Rap.

This Circle—Paramore (4/10)

I don't think I've heard something at this level of standard from them. This is so half-baked that it's painful.

A New Day—Sebastian Ingrosso/Celine Dion (8/10)

A DJ loop with occasional twists that has a very surreal feeling to it if you listen in the right place, preferably while looking at a great view.

Don't Care No More - Bay Swag/Cash Cobain (3.8/10)

What did I just listen to?? This was soulless mumbling, as if it was going to lead up to something, and then it led up to NOTHING. Disappointing.

N.O.V.A - Nova Twins (2/10)

Ear-splitting shouting that isn't even covered by anything good; it's like teenage girls in a drama show letting out a scream. This is horrid.

Dream Night—Jamie xx (7/10)

A chilled-out wave of synths. Needs more but still good, especially the last part.

By Myself—Kodak Black/DJ E Money/G6reddot (5/10)

The vocals are FRIED (as usual for Kodak), but there's still a level of decency to the track, and it's surprisingly not entirely expected. Still forgot it quickly, though.

I Know—IShowSpeed (6.7/10)

IShowSpeed is improving as he continues his rap career. I can't say this is better than his last single, but it is better than nearly all the others I've heard.

Happier—Remember Monday (6.5/10)

The UK's Eurovision entry comes back with guitar and drums in a basic yet kind of groovy pop girl background… It's definitely an improvement from their Eurovision entry, and it kind of reminds me of Sabrina's "Manchild" slightly.

Next Life—24kGoldn (7.1/10)

Radio pop where whistling seems to make a catchy part of the whole song.

Turn Me Up - Mabel (6.5/10)

Mabel's career turning this route was unexpected and not for the better; the slower, Tyla-ish sound is losing her fans, and I'm one of them who's leaving her fanbase.

EURO-COUNTRY - CMAT (7/10)

It follows in the same field as "Take A Sexy Picture Of Me," but instead the background doesn't move with such difference, and that isn't good.

Nyash (Shake) - Pozer (6.4/10)

Dis Badman—Sammy Virji/Champion/IRAH (4/10)

Drum and bass is hitting lows with this; it's your average "badman." Big bass song that's repetitive in style... you get the idea.

I'm Not Hungry Anymore - MARINA (7.2/10)

After dropping her album "Princess Of Power," Marina is back after not even taking a real break (supposedly for FROOT's 10th anniversary). I've got to say that she hasn't cut quality despite having a large quantity; the vocals partly remind me of Gaga at points, with the beat adding a princess level of pop whilst being fun, with electronics and synths making up a sound that has the right amount of changes. I'm so happy that they didn't overproduce this.

Surrounded—Koe Wetzel (6.5/10)

Country-rock that's not exactly special, but it still holds a factor of quality. Quite expected for the current music around the genre.

One Condition—DJ Tunez/Wizkid/FOLA (7/10)

Jazz mixed with Afrobeats to create a blend that sounds partly artistic... strange, but I like it!

You Stole The Show—SIENNA SPIRO (6.5/10)

Case—CUBE/Thelonius (7.5/10)

Thelonious brings this raw feel to rap that follows in the likes of many other Black rappers; I love that.

Golden (David Guetta remix) - K-pop demon hunters cast/David Guetta (7/10)

It's good, but I don't think there was a huge need for this remix.

Easy - JVKE/LAY (6.6/10)

JVKE's music but without the piano or magical feeling.

Born To Fly - Anabel Englund/Mary Droppinz (5/10)

Well, at least it's not the horror that was the "PLB" remix.

Darlin' - Hudson Westbrook (6.4/10)

Your average country music.

Way To Go—Mercer Henderson (7/10)

Dumb Girl - Alessi Rose (6/10)

It's like "Way To Go" by Mercer Henderson, but it's too simple to satisfy.

My Girl—Isabel Larosa (8/10)

Did I miss an update? This is insane! This is full-on the girl pop that media craves; it's like Nessa Barrett with the quieter pitch that lets the beat smoothly run through the song. Wow, just wow.

Blame On You - Alexander Stewart (8.5/10)

Now THIS is music! A true display of true simplicity is when radio music has quality.

Say Something - Royel Otis (8.5/10)

"Say Something" is the best song by Royel Otis that I've heard so far; it has a sound that feels similar to "Suburbs" by Good Neighbours but without the upbeat tone. This feels real; it feels like it captures you in the moment. This could be an era.

BAD NIGHT—KARMA—Graham Barham (6.6/10)

Morgan Wallen if he had more of a teenage appeal.

Lonely in the Jungle—Khamari (7.2/10)

Gentle acoustic that has a hook that is worth the buildup; going gently into higher but softer was such an amazing transition.

What Do We Ever Really Know? - Balu Brigada (8/10)

A big step down from the release of "Backseat," but it still has growth that showcases that Balu can master different sounds.

Move It Along—Sasha Keable/Leon Thomas (7/10)

Slow and soulful, they could've made the song swing in a better direction, though.

Hecho Para Ti - LATIN MAFIA/Omar Apollo (6.7/10)

Higher Power—Gryffin/Lavern/AR/CO (6/10)

I don't like the beats "glitches."

Wet Hair—Audrey Hobart (3/10)

Basically Gracie Abrams but only different in the slightest.

BIRTHDAY—Jennifer Lopez (4.5/10)

It's a little like "Gnarly" by KATSEYE, but if it wasn't a K-pop song.

Crush - Indigo De Souza (5/10)

This week has really had its fair share of bland female pop music. I don't know what the point of these songs is; they do nothing but exist.

Inside Our Hearts—Martin Garrix/Alesso/Shaun Farrugia (2/10)

One of the most boring things I've ever heard. It's like the Jonas Brothers but somehow even more uninspired.

Baby Chop—Boylife/No Rome/Keshi (6.7/10)

Jammers Anonymous—MAVI/Niontay (2.2/10)

Both rappers sound intoxicated as they speak in a slow and hard-to-understand tone that doesn't fit their current era and stands as MAVI's worst drop I've heard, and I've heard quite a bit by him.

Worry About—Alfie Indra (6.6/10)

I got introduced to Alfie Indra when I heard his song "Comfort Zone" on Fresh Finds in 2024, but since then he hasn't lived up to that level.

Thinkin About You—Vedo (7/10)

If FLO was one male and instead went for more chill R&B, this would be the output.

Dopamine - Fireboy DML (7.2/10)

An Afro-dance tune that legit has potential. It's fun.

Playa Paradise—DJ Tennis/Eliza Rose (7.5/10)

It's like if Eliza's "Body Still Moving" collab wasn't funky but was still a dance song.

What's the Deal? - Hit-Boy (7.6/10)

A fun-filled rap song that isn't overcomplicated yet goes out in full style.

Church—Tasha Cobbs Leonard/John Legend (6.6/10)

A Christian worship song that feels so traditionally Christian that it's bad. If you know what I mean.

Primer Lugar—Eladio Carrion/Omar Courtz (4.4/10)

What If—Tors (5/10)

Sounds like something Alex Warren would make.

Rapture In Blue—Daniel Avery/Cecile Believe (5.8/10)

Desire—Noizu/Hannah Boleyn (7/10)

This week:

Luke Combs - Back in the Saddle
Olly Murs - Save Me

OneRepublic - Beautiful Colors

mgk - miss sunshine

Morgan Wallen (feat. Lil Wayne & Rick Ross) - Miami

The Paradox (feat. Travis Barker) - Bender

NEW MUSIC FRIDAY 1.08.25 #41

The Subway - Chappell Roan (5.8/10)

One million times better than "The Giver," but I still can't say this is a showcase of what Chappell can be capable of; instead, it's a calm pop-rock song with occasional high notes from Chappell and doesn't reflect what she usually goes for. I just don't think the simplicity and the dreamy chords helped as much as she thought they would; it's just fine and definitely extremely overhyped by AOTY.

They Wanna Have Fun - Metro Boomin (6.6/10)

Metro gave us free club rap with party vibe lyrics and a simple backing production; overall, it's meant to be a simple song and not overthought. My problem is that it sounds like a song Cash Cobain could get a feature on, because in reality this needs to be more than that.

Fast—Demi Lovato (7.6/10)

Demi Lovato returns with a scoop of upbeat pop that highlights the fun summer in a great light. I think it's a little on the lines of feeling like an already made image, but if you know me, then you know I'm quite one for those types of pop tunes, especially if they have big vibes.

Is It a Crime—Mariah the Scientist/Kali Uchis (8.2/10)

Kali has this smoothness to her voice that can glide along any song to provide a lighter feel, and that's exactly what she did with Mariah, adding onto the dreamy pop sound as a clever accompaniment.

Chevy Silverado - Bailey Zimmerman (7.3/10)

Bailey Zimmerman's voice makes it easier to like his music; at least for me, it sounds good for the style he goes for, and in this it's no different with the song Feeling Average. If anyone else sang it, but Bailey did it in such a way that it felt like he took care of the tune that I can't help but vibe.

L.O.V.E.U—D4vd/Hannah Bahng (6.9/10)

Usually D4vd's songs have a blend that you haven't heard before or at least a part that makes you go wow more than any other, but this one doesn't. It's like Beabadoobee from Dollar Tree, with the song being fine and having an appeal but not as widespread as his other music.

Superstars—Saweetie/TWICE (7.5/10)

A pop-rap collaboration that definitely goes down better than Twice's one with Megan Thee Stallion, Saweetie brings the fire, and Twice brings the sweetness, and together they go together really well.

ENEMY - TWICE (8/10)

A double release week for the K-pop group, as "Enemy" is the better of the two songs, with an earworm of an "oooo-oooo-oooo" melody that feels like a poor idea for some but really just proves that groovy execution is everything.

Somewhere Only We Go - Tom Grennan (7.7/10)

This single marks a period where we only have two weeks to wait before the album, and seeing I've been waiting for nearly half a year, this better be GOLD. Now onto the single, this song partly reminds me of a Sam Fender structure, but let's say instead he made it more for radio and, of course, in a Tom Grennan fashion. I really like how he leaned from party into emotional singles and actually kept the mood; it now feels like he's giving us an idea of the diverse sounds to expect and slowing us down with a song that may mark more of the album's sound, one from the heart and one that feels like some of the least engineer-altered singles.

Don't Look Down—Gary Barlow/Becky Hill (7.8/10)

The two legitimately have chemistry; it's slow and feels out of Becky's ordinary but has a charm that fits the people who love magical connected tunes… and on this, there's definitely passion in those notes.

Heavens Sirens - David Kushner (8.3/10)

We've heard "Daylights," but have we heard this? It feels like we're back to peak with a heartbreaking song about his own mental health that covers the downs of going through hard times. I think David's guitar and the background painted a message of struggle and dark times really well. Welcome back, David; we needed this.

Bottomland - HARDY (4/10)

Well, it's probably one of the most interesting country takes I've heard in a while, but that doesn't necessarily make it good, and this shows. I mean, I don't know if this is tuned, but at parts it sounds a little similar to that, and then it goes from being this interesting country take to church music. Weird song.

KELEBU—Rema (7.7/10)

Rema returns with a massively fiery Afrobeats tune with chants, trumpets, and one of the fastest-paced songs we've heard so far this year. Love the energy! Another banger!

South Of Sanity—Zach Top (6.9/10)

Zach Top's next song is basically a take on what he's already been doing—not good but not bad.

Worth Your Wild - Russell Dickerson (7/10)

This definitely has more power to be remembered than his current Hot 100 hit "Happen To Me." Fun country, here we come!

Buenos Términos—Rauw Alejandro (5/10)

Reggaeton music has taken a dive for the worst in the industry, and very few are showing redeeming factors of the genre; Rauw is not one of them. This is so expected in every way possible, from the simple loop to minimal effort. (To be fair, I haven't translated the lyrics, so it could be unexpected there, but every way possible is understandable.)

Darlin' - Luude/Sean Paul/Brodie (7.1/10)

I could certainly see this growing on me; the expectation of having a fun song that feels Luude-produced was met and was even near to taking me back to the bangers of 2022. There just needs to be more than the pie and filling, though—something special...

I Need You—Gucci Mane (4.5/10)

Lazy rap takes over again as this time Gucci goes into less of a rough rap territory and delivers what feels like a beat that Drake would accept.

See the World—Buddah Bless/Big Sean/2 Chainz/Bossman Dlow (4/10)

Four artists join together to make a song that's basically a rap crap breakdown. I can't believe four grown men got into a studio and made the main lyric "she a throat goat." It must be real hard to pay the bills and even harder to not make the same song over and over again.

Music for the Soul—Sam Barber (4/10)

Sam Barber's guitar and passionate folk songs easily get repetitive and feel like an unbaked cake.

Favor—A COLOURS SHOW—Chezile (7.7/10)

This song feels like a blend and blip of so many sounds from so many different styles; I really like it.

This Right Here—Ciara/Latto/Jazze Pha (6.4/10)

Seasalt & Teadrops - Horsegiirl (8.1/10)

The equivalent of PinkPantheress but if she didn't have the accent. "Seasalt & Teardrops" is a fun hyperpop song with the bass not overprovided but instead matching well to provide a girly queen pop song and a club song.

FLOTA - Chino Pacas/Neton Vega (5/10)

The playful cut-ins were strange and didn't serve as much of a purpose as they thought.

Bien Pedos—Xavi/Kapo (5.9/10)

Y'all have to hear this—I saw the title, and it had the word "p****" in it, so I was like, "Does that mean something else in a foreign language??" So I went to Google Translate, and I kid you not, from Spanish (which is what I assumed the language was), it translates to "farts." So is Xavi singing about farting on a reggaeton beat?? And "bien" means good. BRO, IS XAVI SINGING ABOUT "GOOD FARTS"?? DOES BRO HAVE A FART FETISH??? WHAT??? Oh nah, I am NOT that kind of freak, bro. I'm out. I showed up for New Music Friday, not FETISH Friday. OK, but in all seriousness, to the song, it's just basic.

BEAT UP CHANEL$ - Slayyyter (6.7/10)

Very modern, very hyper, very poppy.

Blame It On You - Daniel Seavey (5.4/10)

Sunday Morning—Henry Moodie (7/10)

Ok, I'll admit that basic boy pop can easily be compared to this, but there's just something about Moodie… he does basic and gives it a charm.

Flower—Yung Kai (7/10)

It really is like his big viral hit, although despite the singularity and popularity, he still keeps up quality, at least somewhat.

On The Low—Tiwa Savage/Skepta (7/10)

Refuge - ILLENIUM/Norma Jean Martine (7.3/10)

A really passionate electronic song that brings the bass and the meaning—I'll definitely accept this.

Trinidad - Geese (2/10)

This sounds like something you'd hear at some ancient ritual. He randomly starts yelling with poor instrumental backing, and people eat this up?? I was starting to think that maybe I just don't get the "AOTY deluxe music taste," but now I'm concerned for who's listening to this.

LOVERS OR FRIENDS - YG/Leon Thomas (8.2/10)

Really groovy rhythm and a nice funky tone to it; it would've been a hit in the 2000s for sure. Also possibly Leon's most popular feeling song. The line referencing Epstein's island was so random though... crazyyyy.

What About Love—Cian Ducrot (7/10)

Accessories—That Mexican OT/Peso Peso (6.7/10)

It's giving me partly BigXthaPlug energy, but instead mixed with more of club-rap music, it's not any of those exactly but gives off them.

Let It Be A Hallelujah - Lauren Daigle (5/10)

It's not the annoying kind of traditional Christian music, which is good, but it is a little too similar with piano and vocals and lyricism and basically the whole song...

Whiskey Told Ya - Eli Young Band/Corey Kent (5/10)

You get the deal by now; same, same country.

Carried Away—$uicideboy$/Night Lovell (6.9/10)

Tension—Haiden Henderson (8/10)

It's got that intense beat drop that gives the song its shine, and even when that's not happening, it's still a greatly fun song that sounds like it could have a lot more popularity. Good on Spotify for finding this one.

Somethin—Miles Caton (6.7/10)

Tambourine - The Dare (6/10)

A simple, intense drum loop that doesn't feel like it serves a purpose other than to exist.

Chevron - BETWEEN FRIENDS (6.5/10)

Sophie—Haute & Freddy (6.5/10)

How To Live—Del Water Gap (8.2/10)

An absolutely beautiful song that discusses regret and trying to find purpose in life, it not only resonates with many people but also has amazing production values, with the instruments all providing anything but dull. I'll keep this song close to my heart.

Love, Bomb—Let Soul (7/10)

Peaceful and relaxing.

Clue—The Two Lips (7.8/10)

Basically almost exactly like Beabadoobee, I wouldn't blame you for thinking it was her.

ALIVE—Greek (5.8/10)

Forever—DE'WAYNE/I DON'T KNOW HOW BUT THEY FOUND ME (2.5/10)

It sounds like BTS went to the circus whilst on something.

Black Bear—Hey, nothing (7/10)

Personally—Kamran Khan/The Japanese House (6/10)

I respect how both tried to go for a lightened mood with woodwind instruments providing a feel that they probably thought was magical... but honestly, it's pretty boring, don't you think?

Perfectas - Emilia (8/10)

I don't usually like non-English songs this much, but the sound felt like it'll get nostalgic fast.

Fine Shyt—Bunna B (5/10)

BunnaB sounds like Sexyy Red as she raps about how she can't get "fine shit" off her mind; it's twice as bad when she cringely spells it as "shyt" in the title. Aside from that fact, it's not the end of the world, just cringe.

Gone—Aaliyah/Tank (5.5/10)

Summerinlove—Parcels (4.5/10)

Black Swan - Wisp (2/10)

Can you even call this music? A lot of it just sounds like noise to me.

Love Like This—Fujii Kaze (8/10)

Dreamy, summery R&B chords on easy male vocals that have a great pitch for the song, Mellope approved.

Blindsided - Arabian (8/10)

FLO but without the expensive pop sound. This song is some beautiful R&B.

WHAT IS FOREVER FOR—Frost Children (8.4/10)

WHAT JUST ENTERED MY EARS?? Someone needs to investigate this brand of electropop; it all feels so much more real with a louder beat! It puts you in the moment without messing up quality.

Corazón - Danny Ocean (7.5/10)

Jetpack—Fleshwater (8.5/10)

Fleshwater went full out in a dark, action-packed metal song that feels like a crowd-pleaser for any metal fan, truly spectacular sounds that highlight how they'll stay true to old metal routes whilst balancing in new ones that give the genre a fresh sound. They will experiment too, and that's what I love even more.

OK. - ROBI (7/10)

Chill.

Se7enteen5ive - Conway the Machine (7/10)

Parking Lot—Sofia Camara (7/10)

Strong structure for a sad pop song; you can tell it's modified, though... and a little too much for me.

Stuck On You - Ethan Campuzano (0.5/10)

The beat could have easily been spared, but DAMN. The vocals are AWWWWWWWWWWWWWWFUL... DAMN. DAMN. DAMN. The vocals sound AI and soulless in ways that are more painful than swallowing nails. It's very rare that one factor ruins a song this much.

Not had any new albums the last couple of weeks so my takers among new songs:

Last week

The Kid LAROI - HOT GIRL PROBLEMS

Mariah Carey, Shenseea & Kehlani - Sugar Sweet

sombr - 12 to 12

Bradley Simpson & HONGJOONG - Almost

Raffi Maxwell - EYES

Isac Elliot - Sata Enkelii

Jennifer Lopez - BIRTHDAY

Sophie Ellis-Bextor - Dolce Vita

Elevator Boys - California

This week

Demi Lovato - Fast

Eddie Benjamin - RUNNING

Louise - Only Dancer (Radio Edit)

Corbyn Besson & Jeremih - SUMMER

david hugo - When It's Over

Will Linley - First Love

Daniel Seavey - Blame It On You

David Kushner - Heavens Sirens

Chappell Roan - The Subway
Tom Grennan - Somewhere Only We Go

Croixx - You and I