RW - Long 90's @ DINGWALLS, CAMDEN, LONDON

ROBBIE WILL BE PERFORMING ‘LIFE THRU A LENS’ AND ‘BRITPOP’ IN FULL.

Video thanks to Robbie Williams Stories • Instagram

A little bit of history about the venue ..

History of Music - DINGWALLS: A ROCK 'N' ROLL LEGACY

History of Music - DINGWALLS: A ROCK 'N' ROLL LEGACY

FROM PACKING TIMBER TO PACKED OUT GIGS

Dingwalls is an iconic Camden Town landmark located inside the market. Its colourful heritage can be traced all the way back to June 1973 when Dingwalls Dance Hall was officially opened and its legacy lives on today as one of London’s most famous live music venues.

The early 70s were times of change in Camden. In 1972 childhood friends, business partners and founders of Northside Developments Limited, Bill Fulford and Peter Wheeler bought the Dingwalls site, an area we now know as Camden Lock Market. Armed with a plan to create workshop spaces for artists, designers and craftspeople, the duo transformed the site previously functioning as a timber yard into one of London’s first crafts and antiques markets. And the changes didn’t stop there.

In 1973 a wine merchant called John Armit and his business partner Tony Mackintosh approached NDL with an idea: to transform the ‘run-down packaging warehouse’ along the canal into Dingwalls Dance Hall. Dingwalls was designed to have a very long bar (in fact, it had the longest bar in London at the time) and it was open until 2am, as opposed to most pubs and bars which closed at 11pm. It featured live performances a few nights a week and became very famous for spotlighting up-and-coming musicians.

The formula turned out to be successful and Dingwalls Dance Hall quickly became a favourite hangout for the likes of Charlie Watts from the Rolling Stones, Dave Gilmore from Pink Floyd, jazz legend George Melly and artists David Hockney and Lucian Freud. Some of the legendary nights at Dingwalls saw performances by The Clash, The Sex Pistols and The Ramones. Britain’s top punk band The Stranglers played there years before they released their first album, and Dingwalls hosted Blondie’s debut in the UK – a gig that went down as one of the wildest nights in the venue’s history.

As punk legend has it, The Stranglers – or bass guitarist Jean-Jacques Burnel more specifically – took on The Clash and The Sex Pistols in a punch up outside Dingwalls in 1976. The fight made newspaper headlines all over Britain and funnily enough, this little piece of punk rock history was in part what put Dingwalls Dance Hall on the map. You know what they say, bad press is good press.

In more recent years the likes of Noel Gallagher, the Foo Fighters, The Strokes and Mumford & Sons have graced the Dingwalls stage.

Dingwalls is probably best described by photographer Roger Morton who remembers it as London’s top venue for new music: ‘The music was not the main thing, however. It was a great place to meet people, both old friends and new friends… Musicians were there not just to play, but to enjoy the place. It was low and dark and full of life.’

History of Music - DINGWALLS: A ROCK 'N' ROLL LEGACY | Camden Market

Video courtesy Robbie Williams Instagram

South of The Border - Long 90's

Fantastic memories already!

Waiting for more OFFICIAL videos from the concert.

Robbie said of South Of The Border at the time

South Of The Border: Music Video

The music video for the single South Of The Border. Directed by Thomas Q Napper. Filmed in the space of two days at Bow studios, London, Robbie said of the video: "At the last minute, we were like recording the Let Me Entertain You video, the next day, and I just went NO we're doing South Of The Border as a single. ""South Of The Border shouldn't have a) have ever been a single, and shouldn't have b) taken that quick to re do the whole idea for one video. So it wasn't the director's fault, he had about 10 minutes to go ‘right we're doing another song then. . . ?'"Copyright: 1997 Chrysalis Records Limited

Timeline – Robbie Williams

The video & songs have always been a favourite of mine. Hope to see some videos from the Dingwalls gig . How exciting it will be to hear is live again

Huge thanks to Vidor Gregus who posted on RWFanfest https://www.facebook.com/groups/610534775652165/ Facebook

Really exciting update

Edited Thursday at 15:502 days by Sydney11

So, first 4 concerts in February are just announced ;)

Review

Robbie Williams review – tiny Camden gig offers blinding star wattage – and a surprising new song about Morrissey

Dingwalls, London
Previewing new album Britpop to an audience of 600, the star promises ‘no stadium bravado’ and delivers droll new songs alongside stripped-back oldies

A ferociously skilled entertainer … Robbie Williams at Dingwalls, London. Photograph: Dave J Hogan/Dave Hogan/Hogan Media

What do you do if you’re a superstar who has pulled well over a million people to a stadium tour? If you’re as contrary as Robbie Williams, you play a gig in a shoebox. This late-night show at the 600-capacity Dingwalls, the smallest venue of his career to date, is a rum event. It was originally a launch evening for a new album, Britpop, now postponed to February. Williams makes no bones about why. “It’s because of Taylor Swift,” he admits, in a week where her new album The Life of a Showgirl is outselling the rest of the UK Top 20 put together. “I could pretend it’s not, but it is. It’s selfish. I want a 16th No 1 album.”

Bounding on stage just as the pubs are closing, a grinning Williams clearly relishes the intimate environment. “I’m not doing all that stadium bravado and pointing,” he vows, launching into a full, stripped-down run-through of his 1997 debut album, Life Thru a Lens, with lengthy between-song reminisces of the circumstances of its making.

These are characteristically candid. His heart firmly on his brawny, tattooed arm, Williams recalls quitting Take That to find himself £300,000 in debt: “I took EMI’s money to the Groucho Club and did loads of cocaine. Oh, and I was about to get dropped. Then this happened.” Cue a heartfelt Angels, the ubiquitous national anthem of the 90s.

This clear-eyed look back at a highly confused time is captivating because Williams, all nods, winks and twitches, is a ferociously skilled entertainer. Closeup, his star wattage is blinding. And this quirky, vibrant intensity doesn’t drop as he segues into playing the imminent Britpop – on first hearing, a rocky, hefty affair – in full.

Our host mock-worries that one track, Spies, may be too indebted to Oasis’s Champagne Supernova: “But don’t have a brass neck and sue me, Noel! Not after everything you’ve nicked!” He plays a jaunty number called Morrissey, co-written with Gary Barlow, about the “isolated, deserted and friendless” former Smiths singer. “It’s weird as f***, innit?” he admits at the end, not incorrectly.

Williams announces that he is to play more of these intimate shows – billed as Long 90s – in February. “I knew this would be an incredibly special gig,” he smiles, as he tips us out into the street at 1am. It’s impossible to disagree.

Robbie Williams review – tiny Camden gig offers blinding star wattage – and a surprising new song about Morrissey | Robbie Williams | The Guardian

Robbie Williams previews ‘BRITPOP’ and plays debut album in full at tiny London gig: “These songs have reached their destination”

He took Camden's Dingwalls back to the '90s as he showcased 'Life Thru A Lens', shouted out some Britpop heroes and rivals, beefed Taylor Swift while making his pledge for his 16th Number One album, and debuted a synth-pop banger about stalking Morrissey

By Tom Skinner 10th October 2025

Robbie Williams performs live at Dingwalls. CREDIT: (c) Dave Hogan for Robbie Williams

Robbie Williams played his smallest-ever ticketed show in London last night, where he ran through his debut album in full, as well as performing his upcoming record ‘BRITPOP’ in its entirety. Check out photos and the full setlist below, along with everything that went down.

The solo icon and former Take That member took to the stage at the 500-capacity venue Dingwalls in Camden Town just before 11pm with a mammoth two-hour set, bookending his almost three-decade career. He told many a tale behind the tunes, and revealed how some of his heroes had influenced his new material – with the odd dig at some music biz rivals thrown in.

The phone-free gig had been announced to celebrate the release of the 90s-inspired ‘BRITPOP’, which was initially set to arrive today (Friday October 10). However, the LP was recently delayed until early 2026 due to “scheduling issues”. “We’re all pretending it’s not about Taylor Swift, but it f***ing is,” Williams told the crowd.

Robbie Williams at Dingwalls. CREDIT: (c) Dave Hogan for Robbie Williams

“Here’s the truth: I want 16 Number One albums. Taylor then decided to put her album out the same weekend as me. I was like, ‘For f***’s sake! I’ll put it out the next week’, and they were like, ‘She does these other deluxe versions’. I was like, ‘f***ing hell! Can I put it out the week after that then?’ They were like, ‘Oasis might be around then’… ‘For f***’s sake! Let’s do it in f***ing February when no one’s got an album out’.”

He continued: “I was worried about making you all f***ing wait, and then I was like, ‘f*** it! I want a 16th Number One album!’ I’m sorry, but I’m f***ing being selfish. How many times in your life do you get to have the most Number One albums the UK’s ever f***ing had?”

Before Williams jumped into ‘BRITPOP’, he ran through his 1997 first LP ‘Life Thru A Lens’ front to back. He arrived on stage donning the iconic red Adidas tracksuit jacket he wore at Glastonbury 1995 – a photo from which appears on the cover of his forthcoming full-length. This image was also projected onto the side of Dingwalls as fans queued outside. Some attendees wore the same jacket in homage, while others sported Williams-branded football shirts.

Robbie Williams performs live at Dingwalls. CREDIT: (c) Dave Hogan for Robbie Williams

“It’s 1997 again – I’d just like to sing my album to you,” Williams said, following the baggy outro of ‘Lazy Days’. He brought up his recent stadium concerts, but explained that he wanted to “perform without the bravado” in the tiny Camden club to usher in his next era. “I want to perform as Robert this evening,” he continued. “And it turns out, Robert’s in pretty good shape!”

He went on to recall being “at the Groucho Club” in London and doing “lots of cocaine”, post-Take That, when he “f***ing hated” Gary Barlow. “I was 21, £300,000 in debt – this could’ve happened so differently,” Williams remembered. “But luckily, this happened,” he added, ahead of a spellbinding rendition of ‘Angels’.

After ‘Old Before I Die’, he looked back on his debut single landing at Number Two in the UK charts. “Then every single after that just dropped like a f***ing stone,” Williams said. “The album came out and sold 33,000 copies in three months – [I thought,] ‘I am definitely f***ed!'” When one fan told the singer that they had purchased a copy, he joked: “Could you have bought another 300,000?”

Robbie Williams performs live at Dingwalls. CREDIT: (c) Dave Hogan for Robbie Williams

A tender, acoustic take on ‘One Of God’s Better People’ followed, with Williams saying it was written about “all the people I really liked” who were “the kindest, most compassionate and most empathic people”. He told fans: “None of them had a clue how wonderful they were and still are. This is about them and you.”

Williams soon dropped the sincerity, however. “I told six different women that song was about them,” he quipped. “It’s true! And three of them found out.”

The singer then reflected on how he had “instantly clicked” with his former writing partner and producer Guy Chambers. “It was an unstoppable force,” he said. “This whole album was written in less than two weeks.”

Introducing the juggernaut that is ‘Let Me Entertain You’, Williams explained: “[Chambers’] roof was leaking, he was about to pack in music to become a teacher. It was either the first or second day; I was in his living room, and I was watching something called Rock And Roll Circus – which was a film from the ’60s. It featured The Rolling Stones and The Beatles – all manner of rockers that were current and of the now – and I loved it. I said, ‘I want something like this, Guy’. We went upstairs, and we wrote this song.”

Robbie Williams performs live at Dingwalls. CREDIT: (c) Dave Hogan for Robbie Williams

Robbie Williams performs live at Dingwalls. CREDIT: (c) Dave Hogan for Robbie Williams

Robbie Williams performs live at Dingwalls. CREDIT: (c) Dave Hogan for Robbie Williams

Later, Williams shouted out Oasis, Pulp, Blur and Supergrass who dominated the ’90s era he emerged from, as well as one of the “underrated” bands from that scene, Black Grape: “They had an album out called ‘It’s Great When You’re Straight…Yeah’. I went into the studio to write a song with that sort of flippancy about drug addiction, I suppose. It was the irony of me walking around town with a Betty Ford T-shirt on – a ‘just been to rehab’ T-shirt. I went in, and wrote a song called ‘Clean’.

The pop star left the stage for a brief interval, returning with a blistering rendition of ‘BRITPOP’ opener and lead single ‘Rocket’. “That song was meant to be played in clubs like this!” he declared. Sadly, there was no guest appearance from Black Sabbath‘s Tony Iommi, who features on the track. Next up, Williams noted the resemblance between his soaring anthem ‘Spies’ and Oasis’ ‘Champagne Supernova’. “Noel, don’t f***ing sue me – all the things you’ve nicked!” he fired at his former rival.

Though we have to wait until February for ‘BRITPOP’, Williams did treat fans at Dingwalls by debuting his new lovesick, indie-rock number ‘Pretty Face’ (out today).

Elsewhere, he described a new punk-y cut as “the song I wanted to write when I left Take That”. Williams went on to lament the looming threat of AI taking over to introduce the contemplative ‘Human’. “We’re too f***ing human to let that happen,” he said. “We’re too smart. We’ve got hearts, we’ve got souls. That being said, this is a song about our dystopian future…”

Robbie Williams performs live at Dingwalls. CREDIT: (c) Dave Hogan for Robbie Williams

Robbie Williams performs live at Dingwalls. CREDIT: (c) Dave Hogan for Robbie Williams

The crowd then heard Williams’ bizarre yet infectious dance banger about a stalker of a certain ex-Smiths frontman, ‘Morrissey’, which he penned with his former bandmate Barlow: “Everybody said, ‘You should get back with Gary, write a song about Morrissey’. And do you know what? Eventually I was like, ‘I’m gonna f***ing do that!'”

“Morrissey, Morrissey/ He’s talking to me, talking to me,” Williams sang in the shimmering, synth-pop chorus. “Oh, Morrissey, Morrissey/ It’s just you and me, and they don’t need to know/ Come here let me hold you/ Let me hold you for the rest of your life.”

“Yeah, it’s weird as f*** innit?!” the singer admitted after the twinkles of the outro faded out. “Watching all of your faces… it’s like, ‘Robbie, are you gay in this song?!’ Maybe. Maybe I’m gay for Morrissey. Great T-shirt: ‘Gay for Morrissey’.” We also heard the glam rock stomp of another new tune, “written with the legend that is Gaz Coombes – his DNA is all over it”. Williams sang: “You get to talk to Jesus, I get to talk to God.”

Robbie Williams performs live at Dingwalls. CREDIT: (c) Dave Hogan for Robbie Williams

Robbie Williams performs live at Dingwalls. CREDIT: (c) Dave Hogan for Robbie Williams

Additionally, Williams aired an “art pop” track (“f*** off, Damon – I can do art pop as well!) along with a song that “came from nowhere” and ended up appearing on ‘BRITPOP’ at the last minute.

Rounding off the night with ‘Pocket Rocket’, the singer reflected: “I knew that this was gonna be an incredibly special gig, and know that these songs have reached their destination. A round of applause for my band, a round of applause for my career, and a round of applause for the good people of Dingwalls.”

Earlier in the set, Williams had shared the news on stage that he would be playing a run of intimate UK shows in early 2026, dubbed the ‘Long ’90s’ tour. The brief stint includes a stop at London’s O2 Brixton Academy on February 8. See the full list of dates below, and find ticket details here.

Robbie Williams at Dingwalls. CREDIT: (c) Dave Hogan for Robbie Williams

Robbie Williams’ setlist at Dingwalls was: 

‘Life Thru A Lens’:

‘Lazy Days’
‘Life Thru A Lens’
‘Ego A Go Go’
‘Angels’
‘South Of The Border’
‘Old Before I Die’
‘One Of God’s Better People’ 
‘Let Me Entertain You’
‘Killing Me’
‘Clean’
‘Baby Girl Window’
‘Hello Sir’

‘BRITPOP’:

‘Rocket’
‘Spies’ 
‘Pretty Face’ 
‘Bite Your Tongue’ 
‘Cocky’ 
‘All My Life’ 
‘Human’ 
‘Morrissey’ 
‘You’ 
‘It’s OK Until The Drugs Stop Working’
‘Pocket Rocket’

Robbie Williams’ 2026 UK ‘Long ’90s’ tour dates are:

FEBRUARY
04 – Barrowlands Ballroom, Glasgow
06 – Liverpool Olympia, Liverpool 
08 – O2 Academy Brixton, London
09 – Civic Hall, Wolverhampton

Robbie Williams previews 'BRITPOP' and plays debut album in full at tiny London gig: "These songs have reached their destination"

Courtesy Dave Hogans Instagram

https://www.instagram.com/brit_cult/?e=af56b859-acdd-45e4-836a-893022a1125f&g=5

So about last night… did that really happen? I arrived at Dingwalls just to soak up the atmosphere and was offered a grand for my ticket. Two things those people didn’t know: no amount of money could compare to seeing Robbie play Life Thru A Lens in full for 400 people, and Ticketmaster had already stopped allowing exchanges anyway.

Robbie performed Life Thru A Lens followed by Britpop. I expected the opposite order, but Robbie never does things the usual way, and the night was all the better for it. He opened with “Lazy Days,” and suddenly it was 1997 again. Between songs he shared stories, and you could feel the love in the room. We’ve carried these songs, and they’ve carried us.

As a lifelong fan, I couldn’t wait for “Baby Girl Window.” When he sang, “I’m looking for the words to say, something to take her pain away,” I was 13 again, and Robbie was my comfort through it all.

The new Britpop material didn’t disappoint. “Spies” already sounds like a classic, with “Pretty Face,” “Morrissey,” and “You” close behind. The album’s delayed until February, but it’s worth the wait.

Last night Robbie owned that tiny Camden stage. He looked relaxed, like a frontman of a band again. With the Long 90s tour now announced, I can’t recommend getting a ticket enough. If you can, do it.

📸: Dave Hogan

Instagram

Edited yesterday at 14:381 day by Sydney11

Robbie Williams plays debut album in full and previews ‘BRITPOP’ at tiny London show

Here's what went down as Robbie played his smallest ever show to just 500 people at Dingwalls.

By Nick Reilly

Robbie Williams live at Dingwalls (Picture: Dave Hogan for Robbie Williams)

Robbie Williams played the smallest gig of his career in London last night, where he performed his debut album in full before running through his upcoming record Britpop in its entirety.

The pop icon played to just 500 people at Dingwalls in Camden Town, where he took to the stage at 11PM for a rare late show. It was a career spanning affair, with Robbie explaining the stories behind the songs on his debut, while also offering some light-hearted digs at some of his better known foes in the music biz.

here was also the small matter of the fact that the gig had previously been announced to mark the release of Robbie’s upcoming album BRITPOP, which had been set to arrive today (October 10), before it was announced that “scheduling issues” would cause it to be delayed.

Making no bones about the situation, he quipped: “We’re all pretending it’s not about Taylor Swift, but it f***ing is.

“Here’s the truth: I want 16 Number One albums. Taylor then decided to put her album out the same weekend as me. I was like, ‘For f***’s sake! I’ll put it out the next week’, and they were like, ‘She does these other deluxe versions’. I was like, ‘f***ing hell! Can I put it out the week after that then?’ They were like, ‘Oasis might be around then’… ‘For f***’s sake! Let’s do it in f***ing February when no one’s got an album out’.”

He continued: “I was worried about making you all f***ing wait, and then I was like, ‘f*** it! I want a 16th Number One album!’ I’m sorry, but I’m f***ing being selfish. How many times in your life do you get to have the most Number One albums the UK’s ever f***ing had?”

As he started playing his debut album to a crowd full of die-hard fans, many of whom were decked out in the red Adidas tracksuits he famously wore at Glastonbury, Williams explained that the tiny club show provided a chance to “perform without the bravado”, as opposed to his huge recent stadium tour. “I want to perform as Robert this evening,” he continued. “And it turns out, Robert’s in pretty good shape!”

The run-through of Williams’ debut also provided a chance for him to perform ‘Angels’, which he hailed as his “Hail Mary” and explained that he will never got bored of playing it.

“My career is what it is because of this song,” he said of the British cultural staple.

But for all the opportunities to look back, it was the performance of his upcoming album Britpop which showed off the night’s most exciting moments. He opened this portion with the lead single ‘Rocket’ , which felt like it could rip the roof off Dingwalls. It was followed by ‘Spies’, which saw him segue into a snippet of Oasis’ ‘Champagne Supernova’ after noting the similarities between the songs. “Noel, don’t f***ing sue me – all the things you’ve nicked!” he quipped.

And the strangest moment of the night came in ‘Morrissey’, an electro-pop banger named after the singer of the same name which felt indebted to Erasure. The song, which he described as “f***ing weird” also marks a return to writing with his former Take That bandmate Gary Barlow.

Wrapping up, he told the crowd: ““I knew that this was gonna be an incredibly special gig, and know that these songs have reached their destination. A round of applause for my band, a round of applause for my career, and a round of applause for the good people of Dingwalls.”

Next up, then, is a series of intimate shows including dates at Glasgow’s iconic Barrowlands and London’s O2 Academy Brixton to mark the release of the record next February. And, fingers crossed for Robbie, a sixteenth Number One album.

Robbie Williams plays debut album in full and previews 'BRITPOP' at tiny London show

Edited yesterday at 16:011 day by Sydney11

Culture | Music

Robbie Williams Long 90s Tour at Dingwalls review: Britpop is a mixed bag

The new album may have some snoozefest lyrics but he’s still a turbo-charismatic entertainer

Dave Hogan/Hogan Media

Lisa Wright

8 hours ago

3 stars

In the tiny, 600-capacity Dingwalls, at the side of Camden Market, Britain’s most decorated pop star is having a moment. “It’s 1997 again, and normally the Robbie that plays gigs throws shapes and does all the bravado, but I’d just like to sing my album to you. I wanna perform as Robert this evening.”

The Robbie that plays gigs is, of course, Robbie Williams, and the gigs that he normally plays are roughly a hundred times the size of tonight’s. He’s here, with the 10.45pm stage time of a fittingly younger man, because at midnight, Williams was meant to be releasing his 16th album Britpop.

But, as he later tells the crowd, Taylor Swift put paid to those plans. “Here’s the truth, I want 16 Number One albums but then Taylor decided to put hers out the same week as me so we thought, for f***s sake, let’s do it in February when no one’s got an album out,” he admits. “I’m being selfish, but how many times in your life do you get to have the most number one albums the UK’s ever had?”

Dave Hogan/Hogan Media

A rhetorical question, if ever there was one. But also one that turns tonight’s spectacle — a two-hour show comprising Williams’ debut Life Thru A Lens in full, and then the unreleased Britpop — into something of a fever dream. Already a global name from Take That before he released a note of solo music, Williams has never really been Robert: jobbing musician, cutting his teeth.

But tonight, playing half a set of new material, he comes about as close as he’s ever likely to get. Dingwalls might not often see a slew of homemade fan signs in the front row, but even with the most receptive audience in the world (and, having won the golden ticket from 70,000 applicants, these are they), the premise is still sort of the same as any artist testing the water — to varying degrees of success.

First, we go back to the beginning. Wearing the red Adidas tracksuit top he famously sported at Glastonbury ‘95, we’re transported to a time before the whistles, bangs and literal rockets of his recent stadium tour, to when Robbie Williams was a man on the cusp of f***ing it all up. Life Thru A Lens famously bombed on release until it was — poetically — saved by Angels, but tonight goes some way to giving the record some long-deserved justice.

Cheeky and cocky in that particularly Nineties way, songs like Ego Agogo and Old Before I Die still stand up, while Williams’ voice is undeniable. Without his usual bombastic accoutrements, you’re left only with the same turbo-charismatic entertainer that won the world over. Then he plays Let Me Entertain You and Angels, and Camden gets truly surreal.

he pairing of his first album and his 16th, released a full 29 years apart, is obviously a pointed one. Back then, Robbie wanted to be in Oasis; now, judging from the new songs he returns to play for the second half, that still remains — not least during Spies, after which he starts singing the chorus of Champagne Supernova. “Yes, totally f***ing different,” he jokes of their very audible similarities before addressing the Gallaghers: “Don’t sue me, all the f***ing things you’ve nicked…”

He’s also been trying on various other guises for size. Bite Your Tongue and You suggest that Williams also wouldn’t mind being in IDLES, their spat out verses working well within the confines of a club show, however just-released new song Pretty Face’s by-numbers devotion (“She’s such a pretty face / She’s everything I love about this world”) is a lyrical snoozefest. There’s an equally iffy song about AI (Human), one that sounds remarkably like The Sweet’s 1973 stomp Block Buster (Cocky), and a genuinely great musing on fame (All My Life); solid moments interspersed with confused or confusing ones.

And then we get to Morrissey: a Pet Shop Boys-style song, written, Williams tells us, with his old mucker Gary Barlow, about the troublesome former Smiths frontman. “Morrissey is talking to me in code,” goes its poppy chorus; presumably, the code did not translate to ‘This is probably a questionable premise’.

Britpop, then, is a mixed bag. Tonight’s show — part of the Long 90’s tour — draws to its conclusion after two albums and an endless array of chat at 1am: appropriately way far past its natural end point. There were highs, there were lows, but what do you get the pop star who has everything? Turns out, maybe it’s the chance to go back to the hustle.

Robbie Williams Long 90s Tour at Dingwalls review: Britpop is a mixed bag | The Standard

Thanks for the reviews Tess ❤️