Maestro

That’s a very strong debut imo

Spotify doesn’t fancy updating today clearly

Maybe the new song should have been better then

De La Soul has been added to the credit for Feel Good Inc. on Spotify as of today

Had the Chrystal ball out once again. Agreed with gasman regarding Brown Eyed Girl though, seems to be showing up more regularly on Spotify now so we must only be a couple of weeks away from it appearing imo.

Bed Chem is awful, vocals are painful to listen to, continue to be baffled by its success. Juno is literally right there.

Kworb Apple Chart seems to be slightly bugged: 164 NEW シンシア・エリヴォ - Defying Gravity (feat. Ariana Grande)

Controversial opinion I know, but I actually find Somebody Told Me to be the weakest of the four singles on Hot Fuss. They're all amazing though

I know this is a couple of weeks old now, but I've only just noticed that the song title for the Script song is wrong on the OCC website. It's listed there as 'The Man That Can't Be Moved'

#164 The Killers - All These Things That I've Done (This might be their best song)

It's updated now, genuinely looks like there are no new entries. Not too surprising, none of Jack Harlow's recent releases have really made a splash and Doja Cat's not by any means a guaranteed hit maker. Pretty dead week for big name releases outside of that.

Think greedy probably needs to maintain its current level for a couple more weeks yet before it can re-enter, I think it was probably only doing around 6k a week before Tate's album dropped.

Definitely no fresh music entering this week, think 'Brown Eyed Girl' and 'Feel Good Inc.' are ones to watch out for. Outside shots for 'labour' and 'Creep', don't think anything that's already dropped out this year is doing well enough for a re-entry. A couple of crazy long shots to enter are 'How to Save a Life' and 'Dakota' imo.

This is also a tad confusing to me, It's barely charted at all on Spotify this year and I don't recall seeing it on Apple either, yet it's made the audio streaming chart on 6/11 weeks so far and has stayed on the YTD for much longer than last year where it was consistently charting on Spotify (and made the YE at #174).

Yep I agree with this logic. Also maybe labour by Paris Paloma.