May 22May 22

Author

Just looking at the anarchy in the painting. "JUST STOP POP" 😂. Is that one of Jedward as a security guard 🤭

Edited May 22May 22 by Sydney11

May 22May 22

Author

Is it !, Is It Not ! 🤔

Experience the full Britpop album by British pop icon Robbie Williams, featuring legendary heavy metal guitarist Tony Iommi of Black Sabbath. Released in 2025, this album marks Robbie’s bold return to the golden age of British music with anthemic rock vibes and powerful guitar-driven tracks. Watch this exclusive visual experience of every song from Robbie Williams’ Britpop album — a unique presentation without music, crafted to immerse you in the spirit of the era without reviews, reactions, or breakdowns. Dive into the sounds that blend classic Britpop, pop rock, and heavy metal influences, brought to life by collaborations with iconic musicians. Whether you’re a longtime Robbie Williams fan or a lover of British music’s rich history, this video lets you enjoy the Britpop album in a fresh and captivating way. Don’t miss the standout track “Rocket” featuring Tony Iommi, igniting the album with electrifying riffs. 🎵 Robbie Williams Britpop album tracklist includes: Rocket (feat. Tony Iommi) Goodnight Johnboy Number One Sombrero …and more! Subscribe for more exclusive music content, artist updates, and visual album experiences. #RobbieWilliams #Britpop2025 #TonyIommi #FullAlbumVisual #Britpop #NewAlbum2025 #RockMusic #PopRock #BlackSabbath #MusicExperience #NoMusicVideo

May 22May 22

No, it's AI

May 22May 22

Author

15 minutes ago, Better Man said:
No, it's AI

Ooops ! How can you tell it's Ai 🤔

Edited May 22May 22 by Sydney11

May 22May 22

Because there is not album itself.

And the method of description is very scripted.

May 22May 22

Looks like Suggs from Madness to me 😂

1

May 25May 25

Author

I am posting this here as I think it is relevant to the whole Britpop concept & what is going on in his head when writing the album

Glastonbury ’95
It’s very difficult to describe the musical landscape of the time.
Coolness had a militancy.
Indie had a militancy.
There were three or four music periodicals; each one acting like the town hall bell.
Ringing out across the village to tell us;
how we should behave.
What we should like.
Who we should hate.
I was in a boy band.

Antithesis:
A person or thing that is the direct opposite of someone or something else.

I was in a boy band,
and there were rules.
Rules set down by management.
Rules laid down by peers.
And unspoken laws etched into the locker doors of every teenage boy
in this classroom we’ll call Earth.
I was in a boy band.
“You exist in a white box made of lavender hormones and naffness.
You must stay in your box.
And never, ever leave.”
It was a very difficult place for me to exist.
Difficult.
Surreal.
Head-melty.
You see, I’d sing “A Million Love Songs” on Top of the Pops on Thursday night…
…and then neck a gram of speed and four Es on Saturday,
dancing my bollocks off at Miss Moneypenny’s.
There were no phones.
No cameras.
No evidence.
No harm, no foul.
And, eventually,
no serotonin.
To the people looking on, it must’ve been like seeing your headmaster cutting his lawn.
A person,
an image,
completely out of place.
Out of context.
Out of reason.
I was in a boy band.
And boy band members do not go to Glastonbury.
You see - the thing is…
I did though.
_________________________

📸 - Mick Hutson
🖼️ - Kate Oleska. Based on the original photo by Mick Hutson.

Source https://www.instagram.com/robbiewilliams/

robbiewilliams

and

brit_cult

Edited May 25May 25 by Sydney11

May 30May 30

Author

❤️

May 30May 30

Bonus track? Why not :))

Funny video - Rob in his best

May 31May 31

If he wears that suit on tour my eyes will be on stalks 👀

😅

1

June 7Jun 7

Pulp! Oasis! Robbie Williams! Why it feels like we're back in 1995

Thirty years ago Britpop was taking off, and Jarvis Cocker and the Gallagher brothers dominated the summer line-up

Alan Woodhouse

7 Jun 2025

Pulp’s new album is arriving at a prescient time. It’s 30 years ago this month that we saw the coronation of Jarvis Cocker as a bona fide British star.

In the wake of the success of “Common People”, Pulp were belatedly asked to headline Saturday night on the Pyramid Stage at Glastonbury 1995 – after The Stone Roses pulled out because guitarist John Squire had broken his collarbone while out cycling.

Pulp were by no means the organisers’ first choice: Blur, Primal Scream and Rod Stewart all reportedly turned down the prestigious slot.

However, one of the biggest gambles in Glastonbury’s history ended up providing us with one of its most iconic, cherished moments. Jarvis’s performance even now is spoken of in reverential tones by those who were privileged to witness it, and is still the yardstick for what defines a winning performance on the Pyramid Stage. And several of their contemporaries seem keen to celebrate the anniversary too.

Another Worthy Farm headliner that same year was Oasis, on a victory lap after the success of debut album Definitely Maybe and subsequent singles “Whatever” and “Some Might Say” – the latter becoming their first number one. That night, they premiered a bunch of songs from what would become their globe-conquering classic (What’s The Story) Morning Glory?, and were joined briefly onstage for a dance by their new (and short-lived) pal Robbie Williams, who had just left Take That in a blaze of publicity.

It may not have escaped anyone’s attention that the Gallaghers are also back this year, striding round the country’s stadiums on the year’s most in-demand, dynamically priced tour. Richard Ashcroft and Cast being among the support acts only reinforces that ’95 feeling.

Coincidentally, Robbie Williams is back hitting the big venues too, as well as releasing a new album called Britpop, with a cover picture taken at THAT Glastonbury, posing backstage in the now-iconic look of bleached-blond hairdo and red adidas trackie top. He insists he’s given the album its rather pointed title as the material is “upbeat, anthemic”, and refers back to a “golden age for British music”.

That period gave birth to the likes of Supergrass and Gene, who are performing their debut albums from 1995 (I Should Coco and Olympian, respectively) in full to sold-out crowds this year.

The Britpop era was often said to be harking back to the golden pop period of the 60s, but now we seem to be recalling another fecund period, albeit with the same acts. Mind you, 1995 also saw the slightly awkward reactivation of The Beatles, so there is a precedent. Kind of.