17 hours ago, WhoOdyssey said:

This is a remix of the original Chicane/Bryan Adams song from 2000 when Adams was 40 - it went #1 in the UK.

Oof

NEW MUSIC FRIDAY 19.09.25 #48

⚠️ Sorry for the lessened track amount; Spotify had an update that made it hard to listen as much as before, and trying to listen on the TV was tiring. But I've still given you 45 song reviews rather than the average 70-80 zone. Hopefully I'll be back to usual in the coming weeks. I'm kind of looking for some new music song recs weekly to expand my taste, so feel free to share! And I'll post my album reviews this week to make up for it. :)

Post Sex Clarity - Lola Young (8.2/10)

This song is a strange but worldwiderelatable take on breakup music, as it explores the specific side of a breakup that I don't hear talked about often in music: still feeling good about someone despite not being together. This delves into more of a sexual topic at times, with the hook having a loud and big in-front-of-you feel, with the ending having the guitars and drums making every noise you can think of, tickling every part of the eardrum and weirdly reminding me of Maruja for a small segment. it in the end conquering the definition of how these feelings can feel messy. And thankfully she keeps to her pitch instead of trying this all-over-the-place scream effect.

Safe – Cardi B/Kehlani (8/10)

Near the end of "AM I THE DRAMA?" The rollout of the songs started getting slower and less like the big bounce rap songs like "WAP" and instead more like the recent "Imaginary Playerz", but instead now Cardi adds an airy feature from Kehlani which helps soothe the atmosphere of the song, and I must say that it's a LOT better than their previous team-up or even most of what I've heard from Kehlani. I also think that Kehlani's vocals fit the tone for a nice love song and a good relationship, which was well brought across.

Something In The Heavens - Lewis Capaldi (8/10)

"Something in the heavens" is about the sad realisation that you're separated from someone but still having a piece of hope that you can be reunited with them. This song displays that emotion in true melancholy, with the piano coming together to make a great contribution to Capaldi's vocals, which have this crystal-clear effect that makes them shine through; it's much more noticeable than the rest of the song, although the rest of the build-up is needed.

Secrets - Miley Cyrus/Lindsey Buckingham/Mick Fleetwood (8.5/10)

I just keep being blown away by Miley's change too; these lusciously vibrant sounds and the array of talents showcased in one track are actually phenomenal. Her ability to balance a loveable song for pop lovers whilst having that fresh character is beautifully artistic, almost like nobody else. For sure "Something Beautiful" was one of the top albums of 2025, and I don't think this deluxe track disappoints in following up such a large title.

WHERE IS MY HUSBAND? - RAYE (8/10)

I was waiting for that moment where RAYE would drop her next song that sounds like it could be a big hit, and this was that. She heads back to her upbeat jazz roots, and all the chaos and blasted loud instruments are at their fullest pop-radio core feel.Firstly teased at Glastonbury and now on the streaming apps too, this is the funky switched jazz jam we needed.

Yes Baby - Madison Beer (8/10)

The synths and very poppy claps are brought in almost instantly with this song, making the electronic disco feeling kick in as a lead moment in the song. I think Madison's tone really complements the choice of production; it's fun & flirty, as Madison describes it, and it's also a great fit for a party occasion.

Match My Mood – Sammy Virji/Spice/Flowdan (7.2/10)

Vocally I don't think the singer's presence matches the feel of the song too much, but it's only a small ask to get a new singer. It doesn't make me forget that there's actually a decent producer behind the song, and the song packs a nice punch. I would've been interested to see… let's say Skepta on this, or similar people who helped make "Badadan" or other Chase & Status songs. It's really giving that part of the UK music industry.

David's Brother - The Favours/FINNEAS/Ashe (7.7/10)

Revealed over two months before its release, this song certainly has more energy compared to their others, especially with the female singer's vocal holds and FINNEAS, who weirdly reminds me of Coldplay, and the natural production kind of mixes Coldplay's eras together, from a natural perspective and from the perspective of "Moon Music". I definitely see the appeal; it has its value in the people's eyes.

Scared Of Getting Sober – Josh Ross (8.2/10)

I always grouped Josh Ross with many other US country acts, but I think this may change that view a little. Sure, it's about getting sober and topics that typical country acts may go for, but I think this is the most in-depth attempt at making something real, even if it uses very stereotypical country words. The way he sings and even the guitar and backing too support him is as raw as most country acts go, and it hits deep; I'll support this. Completely worth your time and more than a worthless company push-out song.

My Only Angel - Aerosmith/YUNGBLUD (8.3/10)

Ok, let's stop pretending and just say that this is 1. Real rock and 2. A legendary collaboration. The vocals on this stretch are also such a nice length for the song that it feels like it's supporting more of the vintage production elements (despite being slightly processed but still sounding older) rather than what mainstream rock acts would most likely choose to fit their fancy. If Aerosmith were going to choose someone to release their first song in over a decade (which is part of an upcoming collaboration EP between the two), then picking Yungblud wouldn't be a bad decision considering the good singles run he had recently.

Move On – Kevin Powers/Shaboozey (7/10)

This song is closer in resemblance to Shaboozey's most recent team-up with BigXthaPlug on "Home", but instead without the rap. It's still on a more generic side, and I'm not fully comfortable that Shaboozey is becoming more laid back with being lazier, but it still has an "on the road" country feel, and I wouldn't mind it coming on the radio... in fact, I may even slightly enjoy it.

Good Boy - Paris Paloma (7.5/10)

An anti-misogyny message with on-point strums & riffs, drum hits and deeply strong vocals. As much as the topic is something I feel like I need to do more research on, I mainly get the message. It works out for what the song is; I feel Paris spread her belief well without sounding like the "feminist" on X who wants all men to rot in hell.

Silver Lining – Lil Yachty/Sauce Walka (8/10)

Possibly the most noticeable thing I've heard from Yachty is that the slower rap and more stripped-back instrumentals feel very complementary to his sound, in a way that conscious rap could be rapped over the beat. I like when rappers take a route like this; it fits my type of rap more.

Out The Window – YoungBoy Never Broke Again (2.2/10)

I don't know what this guy's goal is for pushing a million songs a year. Is it passion? Does he think one will be a commercial hit? I have no idea what it is, but this guy's music is truly just not it. I've learnt to nicely accept some mumble rap, but this is excluded from that. This is simply a boring trap that pulls from the most lukewarm, mediocre patterns in the industry; on it he delivers nothing short of how I described the beat. This guy bores me to DEATH.

If Only – Hunxho/21 Savage (6/10)

It's like a PARTYNEXTDOOR song… but the big difference is that the artist behind it isn't him and doesn't sound like him. Oh, and Savage's sex lines have been getting more cringe than ever recently. Stop it.

Bleach - Bakar (6/10)

Yeah, there are some nice little R&B strums, but in the long run he sounds sluggish on this; I don't think the emotion is conveyed enough or in the right form. A surprisingly weaker serving by him.

Train - Dasha (8.4/10)

Call her an industry plant, a country company plant, or whatever. But I believe Dasha is more, and for the next project I will back her; she has this nostalgic and warm feel to her music. It feels like you're a part of an underrated character, but something that's meant for more than the charts. And the feeling of getting into something new and it feeling more like home when time goes on is very relatable, yet not talked about much; it's a good spot to find an audience for. I love this, Dasha; keep on showing your style!

Smooth – The Chainsmokers (7/10)

An electronic progressive house-dance song that's a less expected step up in quality for The Chainsmokers, I don't see this getting nostalgic, although I see that they're trying to come from that angle; it's cute but nothing great. Still happy that they made this rather than their remixes, though.

Crazy B*tch Song - Claire Rosinkranz (7/10)

A loud and distorted blend of production elements that all feels like it's on that line of good pop, just good and nothing more.

HIM - Denzel Curry (8/10)

From the HIM soundtrack (which I believe featured a song I previously reviewed by Tierra Whack), this feels fit for a movie fight scene, like a fearless moment that's brought together throughout every part of the two-minute song. The production also sounds haunting, which helps display the song in its own way.

Reason - G Herbo (7.5/10)

American rapper G Herbo returns after his small charting presence earlier this year, and I must say that he went hardcore. I get that he's not backing down from that energy. I also think the backing isn't the same all the way through; it offers something that's entertaining for a large audience. It's what I'm looking for too – clear artists like Cash Cobain out the charts.

Seguro Le Dolió – Banda MS De Sergio Lizárraga/Fuerza Regida (6.5/10)

Cmon Fuerza, you're one of the biggest artists in your field; put your back into it and stop pushing out the Jonas Brothers level of original. It's so unoriginal that it's hard to form new paragraphs with this stuff.

El Pleito - Miguel (6.5/10)

Miguel described this song as being about "making peace with the cost of change through chaos" – I hope it's a grower because this isn't gripping me on the first listen; it's kinda like his previous song, just like the way it was decent yet you forget it quickly.

No Heartbreak's Killed Me Yet – Julia Michaels (7.1/10)

I'm thankful that Julia gained traction; after I heard her song "Scissors" last year, I thought she needed more spice, although she could string together some actual decent pop music. Yes, this may still fit the topic of a blander, more stripped-back "Kiss Me More", but at least she can make something that might be considered for radio. I hope she does add something else to her music though. Something more original.

Measure – Corey Kent/Max Mcnown (7.2/10)

Yes, a little stereotypical, but to be fair… you can give some credit here; they have chemistry, and there was definitely some thought and effort in the making of this. And the thought of missing someone is brought up well, almost as if this was a laid-back track, but it isn't as such, with the meaning saying otherwise.

DEPRESSED - Anne-Marie (7.5/10)

You know… I'm trying this new technique where if I find a song cringe (like this), I remind myself that it's someone's true emotions and what they feel, and it helps me view the song in a less cringey way. But honestly, OK, ANNE- I love you, but you're one of the cringiest pop artists who's ever walked the planet. And I don't even hate her music; I just think it's cringe. Personality-wise, Anne is joyful and seems like a very fun person to be around, which is also often displayed in her music… but I just can't even lie at this point. This isn't her worst offence, and I'll admit that it's got some nice radio vibes, but by no means was this a cringe-free experience.

Settle – Lyn Lapid (7.4/10)

From what I gather, this is a deluxe version of her album "BUZZKILL", and as someone who's heard quite a decent chunk of that album, I can say that it belongs there. It starts with the easy production and introspective lyrics that go into a different blend near the end that isn't much different but is notable. This is one for her fans.

Original Don – Sub Focus/Fireboy DML/IRAH (7.5/10)

Fast drum & bass that makes an impact and makes me think of Chase & Status (especially "BACKBONE", but instead without Stormzy); it's music that's fit for a rave, something that'll get people hyped, and it's honestly just a good atmosphere.

Whatever You Like - Dove Cameron (7.5/10)

At times she feels too soft (vocally) for the beat, where the drum pattern feels pitched in the slightest bit to be louder for such elegant vocals, but that's only for a tiny section. On another note, it's interesting seeing her songs switch so much; sometimes I can't even tell it's from the same artist. Experimenting is good, but I think if she's looking to be defined specifically, then she shouldn't do this. This itself, though, is a bop; it feels kind of expensive at points but still has that mood for anybody to just dance too.

Guardian Angel – Carly Rae Jepsen (5.5/10)

For the 10th anniversary of her album "E*mo*tion" (which I've been hearing about quite a fair amount recently), she releases some new songs as a special, and I haven't heard the original, so I can't compare, but I will say that this does sound like it could've been recorded back then rather than as a new, super recent studio session. The song fits a simple pop song (simple in nearly every way) with a message about wanting to be someone's "guardian angel" in a protective way. The song's a little bland, but it's not necessarily bad.

Gets Like That - Max Dean/Luke Dean (7.3/10)

There are already both charting together, and now they've already got a new one for the collection, and this one is actually a nice blend of synths and really creates something for the trendy dance brand as well. Wouldn't mind hearing a DJ play this.

Miss You – Perrie (8/10)

The solo Little Mix members' album is dropping next week, and it's the second solo album from the group, following Jade's "THAT'S SHOWBIZ BABY!" (Which was surprisingly good). This is also good! Especially nearer to the second half, where Perrie gives her strongest solo performance to date, with the strings and piano forming into this ethereal vocal mix that can only be described as phenomenal.

Pull Me In - Labrinth (6/10)

Unique genre blends are a good way to get a reputation for being something new, but it's very easy to mess up. This is a weird mix between opera blended into something fast-paced that could fit the rap definition more, and honestly… I understand the appeal; it sounds a little like they're onto something… but no, it's not it. At least not to what the song could be.

Friends Don't - Alexander Stewart/Lauren Spencer Smith (8.5/10)

THE DUO WE NEVER KNEW WE NEEDED UNTIL NOW!! The amount of chemistry they have together, especially on the high-pitched hook, is magical; they needed each other for this to be as good as this! Throughout every second these two put effort into what felt like their true all, something that opens your eyes to a new level of chemistry; this is truly amazing stuff. Haters will say, "Oh, it's TikTok artists!" But real ones will see the vision clear as day.

I Want You – Debbii Dawson (7/10)

I'll still bet on it; Debbii will be a big pop girl one day, and most likely (hopefully) soon. Every song has its sweet time taken out until it's dropped, but most are worth the wait. This may not be anywhere near her strongest, but it's got the dance beauty aesthetic that helps her newer music become more addictive. Honestly, I'd most likely hear this in a phone advert… but despite that, it's still a good song. Debbii can do better, though.

Dirty Dog – David Kushner (8/10)

With the song title, I thought we were going to get David Kushner going full-on "WAP" style 😳. Ok, but seriously, I like the beat crunch in the middle of the dark and intensely mysterious feel, and I think David's darker tone all helps intensify the mix; it's definitely one to save.

Meet Me Anywhere – Wicca Phase Springs Eternal/Ethel Cain (8.1/10)

Two genres (folk and rock) come together in what can be described as ethereal and too short; it could have been double two minutes and thirty, and I still think I'd like this!

Pistol Grip - Lefty Gunplay/DJ Whoo Kid/Wacka Flocka Flame (7.5/10)

Continuing his list of 2025 drops, he brings a tough, bold rap song that's on the darker side, with sirens being used often, coming in and out as a main component of the song.

Back From Abu Dhabi – Wyclef Jean/French Montana/Rick Ross (7.4/10)

An absolutely big culture blend of so many sounds, where the main genre coming through is hip-hop/rap; aside from that, it's in general something too unique to describe everything in full. Even Wyclef described this as a journey. Not all parts blend to the finest, but it's still interesting enough.

I Got Love – CYRIL/Kelland/Nate Dogg (7.5/10)

A dance looper remix on top of the original rap song, which, despite having a nice loop, is still quite lazy and not something that people were specifically looking for. I'm marking scores mainly out of enjoyment, though.

My Everything - Bryant Barnes (7.7/10)

Bryant Barnes is essentially the Black soul/R&B version of Joji on this, with the dreamier tone fitting what he might've made in his distorted tone. I wasn't a big fan of the drum loop coming in, but it doesn't ruin the song, but it shouldn't make the guitar strums almost unhearable; they'd work better at a louder pitch.

I Ain't Coming Back - Ian (7.4/10)

It's just usual autotuned rap but more upbeat and with trumpets that help make me think of Lil Nas X's "Industry Baby" a little. I don't see the huge hate.

Nobody (make me feel) – Oskar Med K/Khalid (7.9/10)

Since Khalid's looking to blend into his new surroundings more, I think these two working together would help that better, and even for the fans! We've got a simple little jam from the producer, whilst Khalid's soulful voice stays the same as his other songs and weirdly fits this. I think it's a nice move by the two, and I'm looking forward to that album, Khalid!

MOUNT PLEASANT - Armani White (8.2/10)

A lighter acoustic song without rap, which strays away fully from his previous "Squabble Up", like "Ghost". This song, despite being different, sacrifices barely any quality, and it instead brings in new qualities that highlight that we might get a more diverse album. I'm interested, and I think many are too.

Voodoo – Martin Garrix/R3HAB/Skytech (3.5/10)

This makes me uncomfortable... am I tuning into the newest dance jam or a cult ritual?

New albums downloaded:

New Dad - Alter

Joy Crookes - Juniper

Biffy Clyro - Futique

Will listen to:

Lola Young - I’m Only f***ing Myself

The Favours - The Dream

Kojey Radical - Don’t Look Down

Last week

Singles

Greyson Chance - Summertrain '25

Midnight Til Morning - Navy Eyes / Welcome to LA

Demi Lovato - Here All Night

Tribbs feat. Adam Woods - Never Be Gone

Jack Avery - APHRODITE

Alex Sampson - There She Goes

Albums

JADE - THAT'S SHOWBIZ BABY!

Sophie Ellis-Bextor - Perimenopop

Ed Sheeran - Play

This week

Singles

Anne-Marie - DEPRESSED

Greyson Chance - Waiting Outside the Lines '25

Alyssa Reid & oceanfromtheblue - UP

Jordan Suaste - DAY BY DAY

Michael Schulte & ÁSDÍS - Half of My Heart

Madison Beer - yes baby

Perrie - Miss You

Dasha - Train

Dove Cameron - Whatever You Like

Albums

Cardi B - AM I THE DRAMA?

Songs added to playlist this weekend

Abbie Piper - Save Your Love

Alkaline Trio - Bleeding Out

Anouk Wolf - A Little Love

Cardi B Feat. Selena Gomez - Pick It Up

Carly Rae Jepsen - Guardian Angel

D Stone - Yes I Am

Dasha - Train

Debbii Dawson - I Want You

Demi Lovato - Here All Night

Dove Cameron - Whatever You Like

Gorrilaz Feat. Sparks - The Happy Dictator

Julia Michaels - No Heartbrek's Killed Me Yet

King Princess - Jaime

Le Croque V. Kali Mija - Silver

Lewis Capaldi - Something In The Heavens

Lola Young - Post Sex Clarity

Mia Wray & Gabrielle Aplin - Ghost In My Machine

Michael Schulte Feat. Asdis - Half Of My Heart

NewDad - Misery

Paris Paloma - Good Boy

Perrie - Miss You

Raye - Where's My Husband!

TSHA - Back Off

Wicca Phase Springs Eternal & Ethel Cain - Meet Me Anywhere

Xo - Lovesick

CD's arrived this week

CMAT - Euro Country

Ed Sheeran - Play

King Princess - Girl Violence

Twenty One Pilots - Breach

CD's still to come

Jade - That's Showbiz Baby!

Mimi Webb - Confessions

Newly ordered Single-CD's this week

95 Eurodance

2 Unlimited – Nothing Like the Rain
Anonymous – I'm Here to Spread My Wings
Bass Bumpers – Keep on Pushing
Cabballero – Dancing with Tears in My Eyes
Cabballero – Love Is a Shield (EP)
Captain Hollywood Project – The Way Love Is

Carol Bailey - Fever
DJ BoBo – There Is a Party
Doug Laurent – I’m Rushing
Dr. Alban – This Time I’m Free
Dune – Are You Ready to Fly
Full Speed – Star (Gimme, Gimme, Gimme)
Fun Factory – I Wanna B With U
God’s Groove – Into the Blue
Imperio – Quo Vadis
Intermission – Planet Love
Jim – 24 Hours (The Jailed Madman)
Loft – Don’t Stop Me Now
Marusha – Deep

Members of Mayday - Great
Mimosa – It's So Cool
Mr. President – Gonna Get Along Without You Now
Mr. President – I’ll Follow the Sun
Nance – Love Is...
Nina – The Reason Is You
Nina – Until All Your Dreams Come True
Prince Ital Joe feat. Marky Mark – Babylon
Scooter – Endless Summer
Scooter – Friends
Sin With Sebastian – Golden Boy
Sin With Sebastian – Shut Up (and Sleep with Me)
Sugar & Spice – Simsalabim
Ti.Pi.Cal – Round and Around
Twenty 4 Seven – Keep on Tryin'

2008/2009 Chart Hits

Akon – Right Now (Na Na Na)
Beyoncé – If I Were a Boy
Boyzone – Love You Anyway
Iglu & Hartly – In This City
Jack White & Alicia Keys – Another Way to Die
James Morrison feat. Nelly Furtado – Broken Strings
Kanye West – Love Lockdown
Kid Rock – All Summer Long
Leona Lewis – Forgive Me
McFly – Lies
Ne-Yo – Miss Independent
Pussycat Dolls – When I Grow Up
Razorlight – Wire to Wire
Script – The Man Who Can’t Be Moved
T.I. feat. Rihanna – Live Your Life
X Factor Finalists – Hero

This week is the first in AGES I’ve managed to get through all my New Music Friday playlist songs for the current week.

So this is what I saved from the releases of the week starting Friday 19th September:

Ashnikko - Smoochie Girl

BBYx - 2005

BRONZE AVERY - AUTOMATIC

Carly Rae Jepsen - Guardian Angel

Debbii Dawson - I Want You

Dove Cameron - Whatever You Like

Erin LeCount - 808 HYMN

FELICIA - Black Widow

Girl Group - Rage Song

Haute & Freddy - Freaks

Julia Michaels - No Heartbreak’s Killed Me Yet

Julie Bergan - Make Myself Happy

Madison Beer - yes baby

Maya Vik, Initial Talk - 3:30

Miley Cyrus - Secrets

Nemo - Hocus Pocus

RAYE - Where Is My Husband?

We Are Domi - Strangers

XG - Gala

XKYLAR - TENSION

Z3LLA - Supernova

NEW MUSIC FRIDAY 26.09.25 #49

TIT FOR TAT - Tate McRae (8.5/10)

You know what this reminds me of a little? 2023 pop: Doja Cat! Where the production is the most different from any Tate song, as much as I don't think this is the best way to open a possible new era, I definitely see this being a single. I think the synths bring this dreamy, floating feel that feels very bright, like something you'd hear at a shiny disco; it has its equal touch of grace but with a very danceable tone. I love it!

Gorgeous – Doja Cat (8.2/10)

I quite like this as a luxury and refined pop follow-up too. "Jealous Type", the cut scene in the middle, definitely wasn't a good choice, especially for a song that you're trying to advertise as the next single. But despite that, we still have minutes' worth of a song that feels like a mix of bad bitch energy and a song to lie on the beach to. That being said, I don't think this has big radio potential.

So Easy (To Fall In Love) - Olivia Dean (8/10)

This song more so resembles the layout of a Laufey song rather than her mall pop style "Man I Need"; it keeps up the feeling of naturalness we get from Olivia's music, with every instrument playing a clear part in the song. This one was actually the best I've heard from the album so far! I'll listen in full to the album later.

Blue Moon – Zara Larsson (8/10)

It's looking like this could be a serious improvement from the utter disappointment that "Venus" was! It feels very much like the current singles; the sound is up there with the pop hits. It doesn't shy away or sound incomplete; it has a very bright summer sound which Zara builds on well, with her voice suiting the upbeat production.

Come Find Me - MK/Clementine Douglas (8.2/10)

Why is this week full of songs that remind me of nostalgia already?? This song's bass has this nice ground of mellowness, but it's also got a kick that really helps the song build on me, with a sound that could even make it into Ibiza! I wasn't expecting these two to make something this good. I'm very happy with the result – great progression.

Stay (If You Wanna Dance) - Myles Smith (7/10)

On one hand it's quite manufactured and similar to "Gold", but it's low-key a guilty pleasure. The hook is quite chill and fun; I'd call it danceable, but in the end I can't give it too high a rating due to the general fakeness surrounding the elements of the song.

One Of The Greats - Florence + The Machine (7/10)

This song's value feels boosted by the raw feel, from everything from the drums & guitars that match the pain and struggle that comes through in the vocal performance all the way to the mentions of addiction. I think Mitski helping with the song's production was a great choice, as she really sounds fit for a song like this. Although I don't think the song needed to be 6 and a half minutes long.

One2three – Disclosure/Chris Lake/Leven Kali (7.7/10)

I really found fun and joy in the mixing of the patterns; it doesn't need the constant DJ talking over the parts, but that's just a little annoyance. Aside from that, this is actually quite different for the house scene. I'm happy to see Disclosure keeping their name known with something that deserves praise.

NOT OK - 5 Seconds Of Summer (7.5/10)

Exactly what a party sound should be about: chaotic, loud and fun in every way possible. This song achieves that with its big backing.

Rocket Sciencist - Perrie (7.6/10)

This song is quite fitting for the whole vibe of Perrie's debut solo album; it has vocals that build the mood, it feels like something that radio could play, but it also has this sense of realness where it connects with the whole feelings of the era, and that's what makes it feel like more than just pop music.

Dracula - Tame Impala (7.5/10)

These singles are really just getting better and better! I like when Tame lean into a catchy little quick bop rather than 7-minute songs. It suits them.

Getting Paid – Sarz/Asake/Wizkid/Skillibeng (8/10)

A great mix of catchy, less Afro-production roots with Afrobeats that doesn't drown either side out. This song is actually quite fitting for a fun dive into the popular good side of the genre!

Contagious - Victor Ray (8/10)

Vocally and instrumentally, this started off reminding me of a very intense George Ezra, and as it went on, it further leaned into the Victor Ray style we know and love, but even more into it and louder than usual. The emotion in his voice and the amount of energy this song gives as a whole is unreal. Definitely a high mark for effort & one of the highest-pitched R&B songs I've heard. Also once again (and mark my words), I HAVE KNOWN VICTOR FOR OVER A YEAR. HE WILL BE A HUGE ARTIST. I'M NOT DOUBTING THAT IN. THE. SLIGHTEST.

Baddie Baddie - Ice Spice (8/10)

Usually Ice Spice (or, as she often refers to herself, Miss Poopie) often raps about strange topics in ways that feel like the producer's time was wasted. But I'll tell you what, this actually may be her best song! First off, it keeps her original sound but also sounds remodelled; it's redone in a way that allows her to explore the Jersey club sound that she's leaning into more. As much as I don't like the whole message supporting dying young, I still think that the song as a whole served.

Two Years – Sigrid (7/10)

I've never exactly explored Sigrid's music, but from what I've heard, this new era isn't clicking with me as much as some of her other songs. This is chill; I can tell she's taking this song easy, but then there's not much to that past the poppy and sparkly synths. I also don't think a production like this is the best to shine a light on emotions.

Cobra - Geese (7/10)

I'm still going to stand on the fact that what I've heard from this album is sounding very separated in sound from each other. This one takes a route of more old and natural rock, with a little modernness but still sounding like it could be in similarity to 70s rock. Geese then display something they did on the album's first single, in what they called "urgency", which was, in my opinion, displayed better lyrically rather than instrumentally.

Dionysus - PRESIDENT (8.1/10)

PRESIDENT screams out every inch of effort in a badass and head-bopping metal/rock song that might just be the best I've heard yet from his newest EP.

Walk Down – Young Thug/21 Savage (8/10)

I kinda liked how these two just fit together; it may not always sound the smoothest, but when you take into consideration how much they fit the beat, then I think much can be forgiven. This is certified as badass.

Bonkers – Olly Murs (6/10)

On one hand this is quite vibey; it does put a spring in my step. On the other hand, it reminds me of "Young" by Little Simz, where the whole song is filled with lines that are honestly some of the cheesiest things I've heard all year. But people will glaze over this when Simz did it worse. This song as a whole does lean more into his last single, "Save Me", with this whole chaotic scene with jazz instruments in, although as much as I like this, I can't really say it's a cringe-free listen. It should've been scrapped, and that's coming from someone who would come back to the song... maybe.

Play This Song - Mariah Carey/Anderson .Paak (8/10)

After his songs with Bruno Mars, Anderson has truly proven that he can create a luxurious and luscious soul pop song with all the love included. And that's exactly what he did with Mariah, in what sounds like something that suits them both.

Second Sleep - Magdelena Bay (8.5/10)

High, low, heavy, soft. This song has all the parts in a truly artistic rollercoaster of a progression. This is better than everything on "Imaginal Disc" and should be remembered. Well worth my five minutes!

New Gears – Skillibeng/Vybz Kartel/Françoise Hardy (7.3/10)

Straight-to-the-point production where the motives are clear from the first second. It has vibes.

Hippie Sunshine – Kasabian (8.1/10)

Kasabian's Brit-rock sounds like it could've come out of the 2000s, with its almost nostalgic-like sound that pulls you into the mix.

There's Just Something About Her - Cat Burns (9/10)

This woman's music is a reason alone to stay alive. Four singles into the album, and Cat delivers exactly what we love about her. Every Cat Burns song makes me feel like I'm alive… like I'm living… even when I'm really sad and my social anxiety kicks in, listening to Cat feels like an escape.

Better Man – Sam Ryder (8.2/10)

Sam keeps his upbeat and cheerful spirit in a song about becoming a better version of yourself and the love that makes you do so. I really like the atmosphere around Sam, especially in the second half with instruments that sound luxurious to the ears, probably fitting the finest R&B or a collab between Bruno & Anderson, but in this case it works for Sam.

Closer – Tinie Tempah/Abi Flynn (8.6/10)

A bass that truly hits the spot and supports Tinie's chill yet partly intense rapping. Abi's singing, on the other hand, is angelic and adds this soft sound which is supported by genius background choices that make me think of a waterfall in a dream world. I love this, like, a LOT.

All Natural – Rita Ora (8.4/10)

After Rita's new era flops (commercially and quality-wise), she tries with a new song, "All Natural". This song opens as the lightest thing from the album yet, with this light groove that's supported with claps and rich synths which help the overall quality of the song. It's something we haven't seen Rita take on exactly before, but I'm glad we did! More of this would be great.

Fade Your Heart – Joy Crookes (7.8/10)

Alongside the release of her new album "Juniper", Joy Crookes gives us a new reason to tune in, with a song that made it onto the EA Sports soundtrack, and understandably so! This could've easily come out as overproduced R&B slop, but instead all the elements match.

Dr Feel Right – Josh Baker/The Egyptian Lover/Rome Fortune (8/10)

Old-school funk methods are used with more of a modern sound, with the synthesisers and producers making the most out of every input. This is not only the best Josh Baker song, but it's also spot on to get his name out there more! I really hope this is his next hit; it's sexy but not too sexy, and it's slow but also great for the club. It's an all-round banger.

First Original Thought - Alessi Rose (7.5/10)

With the playful tone and funky radio production, this song has Sabrina Carpenter written all over it, and in nearly the best way possible.

Burn – Mnelia/Tone Stith (7.2/10)

I'll applaud the songwriting. The vocals are quite usual for R&B, even going into the production a little. But it's still a little different. My favourite part would be when their voices intertwine in the second half.

Guestlist - Cassö/SACHA (8/10)

ASS-SHAKING ENERGY!! The beat, the singer and basically every part fully supported the head-bopping energy in a way that Tiesto's "Drive" does.

Cheap Hotel – FKA Twigs (8.7/10)

Now that everyone has their eyes on "Eusexua: Afterglow", FKA drops the album cover with a single with the same cover, hinting that this may be the era opener. This feels ethereal; of course it's experimental, but in a way unlike the original "Eusexua", where FKA's electronics create a sound that's light all the way through rather than having disruptions. This is pretty.

Card Declined - INDI/Badger (7.5/10)

A fun and bouncy DJ song that's just simply a head bopper.

How do you dance? - Yung Kai (8/10)

It's weird yet intriguing seeing Kai displayed with his style… yet it makes you want to dance? I really love how mellow and pretty a song's aesthetic can be, and Yung Kai keeps up that aesthetic.

Broke – Mackenzy Mackay (8/10)

There's something beautiful that I really appreciate about people singing about their struggles of growing up, and I really feel bad for Mackay. The topic of being poor and growing up with that lifestyle is already sad enough, but Mackenzy just made it even sadder with his guitar strums and passionate vocals.

Been Here Before – Skepsis/Disrupta/Klaudia Keziah (7/10)

Wasn't expecting (or hoping) for a build-up to a bass that crunchy, but it's not the biggest reason to not listen.

Change – Mega (8/10)

Mega was a support act for Cat Burns' "Early Twenties" tour. I thought she was a good choice, as not only is she amazing, but she also fits Cat Burns' style. This song fits it a little less, but it's still a beautiful harmony that's keeping me connected with Mega even a year later! She has beautiful potential.

Starburst - Danny Brown (8/10)

Danny's accent isn't the greatest for songs like these; despite that, I still think this is an experimental beauty. There's so much character in the rapping.

Find My Love – Samm Henshaw/Tori Kelly (8/10)

Gentle acoustic R&B where both genders showcase a strong range of soulful vocals. This song is filled with a warm feeling.

Besito en la Frente – Rauw Alejandro (7.6/10)

The Spanish music style was showcased well in a traditional and flavourful format.

Call For You - Cameron Whitcomb (5.5/10)

Not a fan of the vocals on here; they're trying to be overly passionate, but instead they crack and sound pathetic – so bad, in fact, that I don't understand how Cameron could not take it out of the song. Aside from that, the rest of the emotions are only really put across well lyrically; the song itself is messy.

Country Country – HARDY (7.5/10)

Very much like "Working Man Song" by Morgan Wallen with its heavy country rock that follows its genre's roots.

Moon – Daniel Caesar/Bon Iver (7.6/10)

Everything was going as planned; the song was ethereal and had the theme of struggle, and the progression was beautiful. And then a random pause happened near the end, and the song completely switched; this second part wasn't bad, but it sounds like a completely new song. That puts me off a little.

SMILE BODY PRETTY FACE - Ty Dolla $ign/Kodak Black/YG (3.9/10)

A quite simple beat of claps and tunes, where the claps feel a little too high-pitched and poorly layered. On top of that, Kodak's verse is a filler as well as Ty (the main artist) not giving his best. Then there's YG, who adds to the slop and casually brings up putting his tongue in a "bootyhole". This song is truly on some lazy level from the main artist, features, lyricists & producers.

Is You Coo – Sexyy Red (7/10)

We (yes, we) can't deny that Sexyy is an industry plant with insanely low levels of talent. Although rarely she makes a ass shaker... this might just be one of those moments. This really gives the hard-hitting, fully packed beat in such a bad bitch way.

RU MOR - Feid (6.7/10)

Were the last ten seconds of dog barking really needed? Anyways, it fits the stereotypes of its genre too much.

Better Man Than Me - Marshmello/Hudson Westbrook (3/10)

The overlapping doesn't work on this, and the guitar plucks just sound so cheapy, along with the dance beat sounding so plain yet still having a weird factor since there's a country artist on it. The whole song is a mess of bad production choices; this sucks.

On A River – Thomas Rhett (7/10)

We've all been aware of the recent Christian country breakthroughs; I don't think another replica deserves to be covered that much.

Wild Guess - Ruel (7.5/10)

Ruel has potential but doesn't develop his sound past the "it's fine radio pop" stage. I appreciate that there's meaning and work in this, but he could make it show a little better rather than the things we've seen from the first singles.

Out Of Body – Khalid (7.5/10)

Khalid served us a funky club hit!! This is seriously giving the energy of Kid Laroi doing a disco song; it feels slow yet fast in many ways, with the modern synths and claps making you want to dance, but Khalid's tone making you want to take it slow and easy for a song that feels like it builds connection.

BB - Dei V/Blessd (5/10)

It's the same beat you hear in reggaeton production with Blessd just going along with it, not that I expected much from Blessd but I didn't expect them to do this.

Pvta Luna - Neton Vega (7/10)

There isn't much to add for this that hasn't been said for Newton's other songs.

PIECES ON MY NECK. - YFN Lucci/21 Savage (7/10)

Savage's signature rap brand, with Lucci on board; together they make a minor headbopper.

Girl Of Constant Sorrow - Avery Anna (7.5/10)

Avery's voice is airy and places with the gentle acoustics in a very natural yet modern way. If she'll make more songs like this, then I wouldn't mind her having another hit.

She'll Dance For Whisky - Parker McCollum (8/10)

Brown Sugar - Redveil/Smino (8.5/10)

This started off incredibly but not fakely smooth and then leant into a little of what made me think of some of the choices or techniques that Tyler, the Creator, used for "CHROMAKOPIA". This song is a beautiful reminder to create, because sometimes you get things like this.

Please Don't Go – Toosii/Youngboy Never Broke Again (8/10)

Toosii's well-structured non-rap instrumentals surprisingly work with YoungBoy's solid verses. I'm surprised how many truthful emotions and how much effort are in this!

Giving Up Air - The Temper Trap (8/10)

The hook builds upon the song's definition of grief very well. I recommend it.

Arte Como Amante - Indira Paganotto/Nile Rodgers (8/10)

An electronic blend of culture with a diverse funkiness that rules the song. In the second half, the guitar has a slight old tint that gives the song its unique feel.

CRIPTONITA - Tito Double P (5.5/10)

LESS DEPRESSED - Anne-Marie (7.5/10)

A small change to the original song that doesn't add much. Same score because it's the same amount of good, although the minute did offer more of a singalongthan last time.

DEFENCELESS - JVKE (7/10)

Here's where things get interesting: this isn't the magical wonderland that JVKE's music often offers but instead a new style, one that's darker in terms of production choice. I think that this was an unusual switch-up in quality, and something that I personally don't like as much as his other music.

Break Stuff - Nia Nudurata (7.1/10)

Oof, this isn't the Nia I loved from her EP earlier this year. As much as this still has work in it, it's closer to jazz music than her soothing pop style that made her rule my listening history in January of 2025. Oh, well…

Infinity Heart – Jojo Siwa (5/10)

Considering this is Jojo Siwa, this is extremely impressive. It doesn't have the glitchy or cringy production and instead is just a usual modern tuned dance song. I can't say there's anything to hate about this.

Yezzir – Bbno$ (7/10)

There are a few new touches to his original formula on this, but overall the constantly changing pitched synths made me like this quite a lot more! I'll rate this.

PRAY – SHOSH/Mary Droppinz/Princess Superstar (3/10)

In general, Mary Droppinz's production is boring or irritating.

Running Running Running – Johan Lenox/Quadeca (8/10)

Not better than anything on "Vanisher, Horizon Scraper"; in fact, it's very different. Its distorted mixing isn't the best, but it still brings you something that's worth a listen.

Into Flames – MXGPU/Moulinex/GPU Panic (8/10)

Such a chill and free feeling of a production, it has a really nice atmosphere.

Old Balloons - Circa Waves (8.4/10)

Those vocals really go well with the rock sound they're going for; the song as a whole has the potential to be bigger. Great stuff.

We Don't Leave The House – Glaive (7.5/10)

I saw Glaive's album trending on AOTY, which led me to check out a song from it, that song being this. I was expecting this to be more AOTY-core since I don't know Glaive, but surprisingly no, it's like the big 2000s to 2010s party songs which dominated the era, and as much as the sound has kind of gotten old, I can't deny that big hit energy.

Singles

Rita Ora - All Nastural

Fin Argus - Playboy 1973

Marcus & Martinus - The Room

Ruel - Wild Guess

Greyson Chance - Flip the Record

Tate McRae - TIT FOR TAT

Corbyn Besson & TZUYU - Blink

Kyle Alessandro - Model

Doja Cat - Gorgeous

5 Seconds of Summer - NOT OK

Albums

Zara Larsson - Midnight Sun

glaive - y'all

Mariah Carey - Here for It All

Perrie - Perrie

Michael Aldag - Crying in the Club - EP

Doja Cat - Vie

Most stacked week for albums ever, I think

NEW MUSIC FRIDAY 3.10.25 #50

The Fate Of Ophelia - Taylor Swift (8/10)

Releasing as the lead single for Taylor's new album, we start with a song where I can definitely see radio potential, but it doesn't grip me as much as her other lead singles do. On one hand this feels like a slightly brighter version of some things we got on "TTPD", and it certainly has the substance to carry the songs' notes & direction; it's just not her finest lead single. Now that's said, this song is rumoured to be about her husband, Travis Kelce; I don't know if that's true.

Just How You Are - Leon Thomas (7.5/10)

Leon Thomas keeps up his slick R&B style,  signature voice coming through the way it does on his other songs; it still adds a good dose of flavour, so I'm all for it.

Days Like These - Luke Combs (7.9/10)

I really like how Luke can have this warm tone that's fit for a campfire but also balance that with this meaningful song which is thought out from many angles. Luke's a very special artist to me.

Meiomi - Young Miko (7.9/10)

I like the nice funk with the culture blend; together it feels like a showcase of Miko's talents but also what the Latin and reggaeton genres can have to offer.

Pretty Promises – Kali Uchis/Mariah the Scientist (7.9/10)

So elegantly moving, I just love how these two artists complement their modern light version of R&B so well; each has that aesthetic that shines through in such a surreal way. Great collab.

You're a star - Fred. Again.../Amyl And The Sniffers (7.9/10)

Fred Again's mixing has this distorted but interesting sound that makes you want to explore its world; it fits a club vibe where there are lights and darker rooms, but not everybody is dancing; they're just moving how they want too. It makes me capture this moment that songs don't tend to, and I think for Fred Again to define his sound whilst keeping being able to make things like this is great.

Dancing In The Smoke – GIVĒON (7.5/10)

Actually quite recently I heard this guy's most recent album from earlier this year; it was pleasant, but I think the one big needed improvement was too Stray away a little more from the stereotypes of R&B/soul music; he fits too much into a genre that's already jam-packed with other artists. With this he sticks to the album's sound; nothing much more needs to be said.

I Need Her – Bryson Tiller (7/10)

Like the Givēon song with a Bryson Tiller touch, it feels slightly more artificial than your typical R&B cut.

Only Time – Gucci Mane (7.6/10)

Explain why Gucci actually gave us some pretty solid content. I mean, his flow and beat are both equally as tough and feel like something Drake may even consider for a single. It's on point, appropriate for the rollout & definitely needed. Good job.

Unspoken - Kane Brown (5.8/10)

Kane doesn't shy away from his usual country... yes, I typed that correctly; he's sticking to roots that feel like they should've been left a while back. This song is alright at best.

Superstar - Artemas (8/10)

This is more of a darker side of Artemas's production; with the song's elements feeling very well mixed, this isn't a song you'd dance to, but it's still a song that I think a DJ should get a pass to play.

Act Like You Know - Coi Leray/Shoreline Mafia (8/10)

Quite fun, I can see the trendy word mentions with labubus & etc. working. It's kind of tough with the backing beat feeling very viral yet not annoying, with both acts matching that.

Walk Walk Walk – Good Neighbours (7.7/10)

HYPED for "Blue Sky Mentality" and now even more hyped after finding out that this is going to be in the album, another song that really does make me want to experience the outdoors more with a sound that's this free.

La Lleca – Jasiel Nuñez/Peso Pluma (7.2/10)

Traditional Latin music but still good. Peso really REALLY needs to experiment with sounds, though.

Mood Swings – Henry Moodie (7.1/10)

Big energy pop that you typically see from indie artists – I've heard a lot more gripping hooks from Moodie that sound like they could go somewhere. Don't give up with something like this.

Hood Politics – Murda Beatz/Babyface Ray/Big Sean (7/10)

You'd think of this kind of stuff when you imagine what "tough rap" would sound like.

Lemonade – Louis Tomlinson (5.8/10)

The One Direction member returns to his solo career with an upbeat song in which he screams the song's title in a way that's supposed to feel like a fresh and natural kick, although I don't think it meets that mark.

People Hatin' – The Red Clay Strays (7.1/10)

That's what we needed – a nice kick from the guitar that elevates the value of the country music.

Melodies – Dermot Kennedy (7.4/10)

I love how Dermot's voice can represent extra emotion in songs just from how raw and real it sounds when singing; he's really fit for the simple emotional music he picks.

No lo ves - Grupo Frontera/Ozuna (6.7/10)

Azimuth - Danny L Harle/Caroline Polachek (7.1/10)

I could've expected more from these two, but I'm still fine with the final outcome, a pretty normal electronic song with glitches used to build the tone.

WARCRY – Chase Atlantic (8/10)

I didn't get the hate for the last single; I like the modern blend of electronics from Chase. It feels appropriate for today's electronic music market, which constantly wants songs like this.

Second Best - The Last Dinner Party (7/10)

Once again, this isn't exactly pulling me into the album, but this definitely isn't bad. TLDP is an act that I always found fairly boring with occasionally fine songs, and now they deliver something fast, but sadly every guitar chord & vocal change feels very expected. I guess I'm being nice with my score. Passable.

If There's A Heaven – Noah Cyrus/Stephen Wilson Jr. (7.5/10)

It's not the greatest that their voices don't intertwine to their fullest at all times, but regardless, they still have a good acoustic pattern with the energy being felt by the listener; it's conveyed well.

JUST A DREAM - Isaiah Falls/Alex Isley (8/10)

OOOOOOOH, those R&B chords and singing hit the exact spot for a good feel. I just love how this is possibly the most relaxed soul song I've ever heard; the way they slide across the sound with ease is unreal.

LA NOCHE – Chris Lake/Skrillex/ANITA B QUEEN (7.2/10)

A DJ song with twists & turns in the funky, higher-pitched dance patterns.

K HUBO PS MOR – Myke Towers/Kris R./Alemán (7/10)

I like how the Latin industry is seeing somewhat of a switch-up, even from their biggest acts who sometimes get into the Hot 100. This song has a bounce but not too much of one; it's simply just vibes from the genre, nothing too big.

Fascination In The Dark - Vance Joy (6/10)

Vance heads into the musical style of upbeat acoustic music that uses loud hooks to capture people's attention. I just don't think that he does it in a way that's unexpected; I don't even think it nails the "in the moment" feel. It's just kind of bland.

Underwater – BENEE (8/10)

The way the synths move into this wonderfully partly distorted mix just feels like floating. I like the surreal mix that the electronics bring.

Thick Skin – Lauren Spencer Smith (6.5/10)

After her recently released 2nd album, Lauren springs back into making more music, music that has what you'd expect from her with the hook that is the loudest and most emotional part of the song, but the problem is it's just average. It doesn't have the addictive formula that Spencer's hits do. I wouldn't count this out as a desperate attempt to stay relevant.

Go – Karri/Kehlani (7.2/10)

Groovy R&B with an actual nice rap pulse that doesn't mess up Kehlani's vibe. Nice.

Spleen – 41/Kyle Richh/Jenn Carter/TaTa (2/10)

This song is legitimately the male version of an Ice Spice song. There's no way grown men are rapping about Grah or baddies in this way... embarrassing.

Moth To A Flame - Jazzy/Luuk Van Dijk (7.1/10)

Jazzy continues going down the route of making songs that don't contain the big energy that people know and love her for.

Cartier - Xavi/Gabito Ballesteros (3/10)

Sad and Beautiful World – Mavis Staples (7.3/10)

Mavis Staples's last song was so well pieced together that it made me return for a second dose, and let's just say that Staples shows her honest emotions just how people wanted to see it. Completely natural with a guitar and vocals, nothing here is trying to be fake. The country-like guitar blends into the soul so well.

Wrongs – D-Block Europe/Lil Tjay (7.5/10)

A quietly produced rap song that doesn't fit the UK rap scene as we know it typically, despite this song still sounding typical.

PLAY HARD! - MOIO (7.2/10)

Funky & fun! Definitely put a spring in my step. :)

Hello – Sigala/Leigh-Anne/Jonita Gandhi (7.1/10)

Leigh-Anne's recent production style that makes me think of some Afro acts is shown in a song that combines the flavour of her production along with Sigala's danceable production very well; it feels like an equal showcase of the two. Not that this sounds like it'll be a hit; I don't think it has the energy that carries it out as that, but it's cute.

Lose My Mind – Champion/Interplanetary Criminal/Crookers (7.4/10)

Body Bags – Hybrid Minds/Homesick/Tempza (8/10)

I very much enjoyed the darkness that came with the drum patterns and electronics; it all fit super well and feels like it could become nostalgic.

Hell Yeah – Ella Eyre (7.4/10)

This song really has the upbeat Ella Eyre energy, not that it's her best or even better than the last single, but it's fun.

Space – Zerb/Odeal/Victor Ray (6/10)

I always know from past listens that an artist with a bold, raw and easily noticeable sound is never going to go down well on a song with multiple dance DJs, and as predicted, the lead character that makes Victor is watered down to just his voice… or not even that. I think he just saw money symbols in his eyes.

PYHU (Put Your Hands Up) - HUGEL/Kurd Maverick (5/10)

A lazy loop containing a sample of the funky mix we heard in Nathan Dawe's "21 Reasons" (I don't know if that's the original sample source); aside from that, it's a David Guetta-level mashup.

Keep Forgettin' - Armand Van Helden/Hitty (7/10)

Body Behave – Victoria Canal (7.5/10)

Written for a deluxe version of her debut album, Canal shows more singer-songwriter indie pop. This is a song which brings depth and has a clear direction, and I totally respect how honest this is... It is a bit basic, but I see why; it's like some of Billie Eilish's songs – they're not meant to be production-packed.

Hard Earned Money – Kenzie Vois (7.5/10)

Although Kenzie may get the occasional "generic" label, I actually think his music is often quite catchy. Sadly, this is amongst his worse songs; despite being a mini earworm, I think this doesn't at least have the catch that keeps it slightly more than a generic song. It's just a fun dance tune. Funky but nothing too special; excited to see where this could go.

Gigolo – Bbno$ (7.6/10)

There were actually some different choices that strayed away from the joked-about overused Bbno$ formula; these choices came from added-in artificial vocals & less of a usual rapping tone.

Pluto Walk - PLUTO (7.1/10)

Singles

Taylor Swift - The Fate of Ophelia

Artemas - superstar / take it easy on me / this one's gonna hurt

Louis Tomlinson - Lemonade

Albums

Taylor Swift - The Life of a Showgirl

Much quieter this week, for one obvious reason...!

Songs:

Danny L Harle & Caroline Polachek - Azimuth

Dry Cleaning - Hit My Head All Day

Fred Again.. & Amyl and The Sniffers - you're a star

Just Mustard - ENDLESS DEATHLESS

Oscar Farrell - Orbits (Scoopic Dub)

Searows - Dearly Missed

Snõõper - Star 6 9

Taylor Swift - The Fate of Ophelia

Album:

Snõõper - Worldwide

Got through the entirety of my “to listen to” songs from the New Music Friday dated to Friday 26th September, I saved the following:

Alessi Rose - First Original Thought

Cazzi Opeia - Nothing Lasts Forever

Chrissy Chlapecka - Passionfruit

Doja Cat - Gorgeous

Faouzia - PEACE & VIOLENCE

Girls Don’t Sync - Good 2 Me

joan - this won’t last forever

Kyle Alessandro - Model

Magdalena Bay - Second Sleep

Marcus & Martinus - The Room

Maria Jane Smith - Harley Pt 2

Mikayla Geier - diva

Maude LaTour - XOXO

Muki, JEONNE, James Indigo - MAKE OUT

Olivia Dean - So Easy (To Fall In Love)

ORKID - Steep Hills

Rita Ora - All Natural

Sam Ryder - Better Man

Sarah Kinsley - Fleeting

Sigrid - Two Years

Sophie & The Giants - Pink Champagne

Tate McRae - Tit For Tat

vi0let - BIRTHDAY CAKE

Yaeji, underscores, Aliyah’s Interlude - booboo2

Zara Larsson - all songs from Midnight Sun (selected Blue Moon, Eurosummer and Hot & Sexy for my playlist)

Not the strongest of weeks in terms of "highs", but I've still found plenty to save.

Artemas - Superstar

Ashnikko, Cobrah - WET LIKE

BENEE - Underwater

ChiChi, Cecilia Gault - Intrusive Thoughts

Daisy Grenade - Good Luck (Wish You Well)

Danny L Harle, Caroline Polachek - Azimuth

FILLY - Do What I Want

FLOSS - Unfollow The Leader

Honey Dijon, CHLOE - The Nightlife

Kali Uchis, Mariah The Scientist - Pretty Promises

KEiiNO - End Of The Rainbow

Leah Kate - Not To Be Dramatic

Lucky Iris - play me like a speaker

nuum - Idol

Sigala, Leigh-Anne, Jonita - Hello

sim0ne - always believed

Swank Mami - PLZ

Taylor Swift - The Fate Of Ophelia

Yaeger - Luminous

This Week -

Bob Vylan - Sad Sick World

LEMONSUCKR - Sedated

Taylor Swift - The Fate of Ophelia

False Advertising - The Sorry Window

Tribe of Ghosts - NERVE

Rob Zombie - Punks and Demons

The Wytches - Is The World Too Old?

Sick Joy - Anything Goes

Previous Week -

Last Dinner Party - Second Best

Pop Will Eat Itself - Built For Fun

PROJECTOR - Hope Springs Eternal

Creeper - Prey For the Night

YONAKA - Problems

Demob Happy - Who Should I Say is Calling?

Kasabian - Hippie Sunshine

This weeks new songs in my playlist

Plus there will be some re-additions as I bought quite a lot of albums this week:

• Perrrie - Perrie

• Ava Max - Don't Click Play

• Rene Rapp - Bite Me

• Doechii - Alligator Bites Never Heal

• Taylor Swift - The Life Of A Showgirl

• Cardi B - Am I The Drama

• Olivia Dean - The Art Of Loving

• OMD - Crush (Deluxe Edition)

NEW MUSIC FRIDAY 10.10.25 #51

Gone Gone Gone – David Guetta/Teddy Swims/Tones And I (8/10)

David Guetta brings a flavour-packed radio sound, which Teddy Swims then sings across the pop sound, which slightly made me think of Jelly Roll's "Liar", with the jazz section reminding me of a sound that Amy Winehouse would've probably used. And I just love Tones. And I'll touch on this; it just really shows how far she's come as an artist since the times of "Dance Monkey".

Don't Remind Me – Amber Mark/Anderson .Paak (7.7/10)

Quite energetic with its pop spring that reminds me of a good stage presence, which also happens to fit Anderson's soulful melody, which intertwines in just the right way with Amber. It's not a collab we were thinking about, but it's one we now want more of.

Tie You Down – HAIM/Bon Iver (7.4/10)

Calmer than I thought it was going to be, but maybe it's because there's a Bon Iver feature. From what I understand, this is probably from the deluxe of their album "I Quit", since it has the same cover as the album, and their album dropped months ago. Anyways,nice song, but it doesn't help that their scores are all over the place from me.

The Manifesto – Gorillaz/Trueno/Proof (7.7/10)

So, the Gorillaz album is scheduled for around 6 months' time, and they're dropping singles this often?! Will there be any left by the album release date? And that's worrying considering their albums tend to only be 10-11 songs. Unless they're going to pull another "Plastic Beach". Anyways, let's move onto this: 7 minutes of a progressing sound that keeps giving instead of making you feel stuck in a loop. The features sounding completely different and rolling in there, the respectful rap, and the different languages helped give this song a feel that's wider than one culture or one person, yet it still had a sound that the Gorillaz might try with its dreamy jazz instruments. My favourite part would have to be the distorted vocals in the last minute; they just sound like watered-down Twenty One Pilots vocals but in the best way possible.

Bittersweet - Madison Beer (7.5/10)

Very commercial; there are no huge twists and turns, but still a good progression, although I do like the synths and overall mixing, which adds to her vocals in a more angelic way compared to if she did it without them. I wonder if this is a part of an album... 👀 The recent single rollout makes it look like a yes.

EYES CLOSED - JISOO/ZAYN (7.5/10)

BLACKPINK's Jisoo and One Direction's Zayn work together on a song that feels better than expected. I mean, you could've expected this style, but I don't think people expected it to work this well. I mean, it's a ballad that shows both their styles in a way that you could expect to see, but it's just the way they connect with their voices sounding made together for this song, with the tone just fitting that soft but sad paradise that they're going for.

Part Of Me – A Boogie Wit Da Hoodie (7/10)

A less hardcore rap about Boogie's breakups and tough time, which he doesn't exactly tell the best; his pace and choice of words don't bring this across in a great way, although I see potential with vocal effects. The vocal effects absolutely bring this listen up a few points.

Beat A Bitch Up - Alemeda/Doechii (7/10)

The powerful vocals actually kind of work with the shouting and chaos that's really brought out with the messy guitar and overall feel the songs' lyrics give.

Work On Me - Dasha (8/10)

Dasha delivers AGAIN in a fun country jam that highlights her more upbeat Lainey Wilson-like style. She does this in full style, which shows that even if she's not scoring hits, she's still not sacrificing quality.

Nah – Khalid (8.1/10)

The beat kicks that fit a moody sound remind me of The Weeknd a little, specifically in "Die For "You"—but instead it's just a tiny detail of the song. For the whole song Khalid delivers a catchy melody that makes you want to move, but in the same way he also wants you to consider the lyrics of questioning love. I quite like this; looking forward to the full album!

Kiss - Demi Lovato (6/10)

The lyrics are kind of cringe, and the tone feels like a young female Tiktoker about to go on a rant, but despite that, the songs are still kind of badass; the beat is fullyenergetic and pumping, with the heart of the song feeling like a less explicit "Guess" by Charli & Billie – it works, but once again, it still has quite an off-putting tone.

Unfollow – Dei V (6.9/10)

Wasn't really thinking my ears were going to be gifted with anything magnificent, and I was right; this is very simple reggaeton. Nothing new.

Viscus – Oklou/FKA Twigs (8/10)

The ethereal and just simply talented take that FKA takes on music will remain as unique for decades, centuries or possibly eternity. This is proof.

CAOS - Miguel (8.2/10)

This song makes me think of the style that Bad Bunny went for in "Debi Tirar Mas Fotos", but instead with Miguel's vocal tone and an uplifting part of the beat that sounds like a choir intertwined beautifully, it really adds to the upbeat intensity factor of the song, even if intensity isn't exactly what it's going for.

Whatever U Want – G Herbo/Jeremih (7.8/10)

2 Crash Outs – PLUTO/YoungBoy Never Broke Again (7.2/10)

As said before, PLUTO's music is either a miss or a hit, and this is a hit. She displayed her fun Sexyy Red-like character pretty well, and she also didn't let Youngboy's slop take over the song. I might hear the full album, not that I think it's going to be good though.

To The Moon – Alok/ILLENIUM (7.6/10)

This song has the potential to feel fresher but replicates the generic female lead dance music, and as much as I still like this and think I may come back to it, there is definitely a big area for improvement.

You Broke Me Too - Yellowcard/Avril Lavigne (7.2/10)

This reminds me of when TV channels try to reinstall a dead show and make a remake; instead, this is that of a song that could've been a minor hit in the 2000s.

Complicated – Sofia Camara (7.1/10)

It may not exactly sound the most natural, but I still think there's real power in the hook, where everything comes to a powerful vocal hold as the beat hits an all-time pitch high. A problem with many of Sofia's songs, though, is that she fits into the basic pop scene a little too much.

I'm Ready – Chase Shakur/Odeal (7.9/10)

Memories – Lojay/Tyla (7.2/10)

Very typical drum pattern & choices for an Afrobeat song, where the intertwining vocals (at around 2:20 in the song) were the only real highlight that made this song feel special. I guess it's mildly enjoyable.

Still Get Chanel – Kodak Black/Chance The Rapper (3.4/10)

The last 10 or so seconds of the song proved that maybe there was a little something in the mix that could've been shown better, but instead Kodak Black continues his similar YNBA-level slop filler music, which is him just making any mix terrible with his autotuned mumbles. We don't even know if this guy is mentally sane, yet we still have some people thinking this guy is capable of making any real good drops. Take a break from music, not just for our sake but for yours.

SHOW ME LOVE – Ty Dolla $ign/Tory Lanez (7/10)

This isn't on a usual impressive level, but it kind of is, seeing that Ty Dolla $ign made it. I guess it's still basic, but it's the least I could ask for… an alright song.

HOME – Eddie Benjamin/Shawn Mendes (7.2/10)

A simple and kind of sweet acoustic song, it's not as magical as the best moments on "Shawn", but it's certainly a follow-up; I mean, it's kind of good.

Love Is A Canyon – Noah Cyrus/Orville Peck (6.5/10)

Past Lives – Jay Som/Hayley Williams (7.5/10)

The guitars and production uplifted the vocals to a more loveable level too.

Losing – Lucy Dacus (7.5/10)

Very natural and easier to love than some other Lucy Dacus songs, I view this higher than her collaboration with Hozier, which is how I really caught onto her, aside from maybe one listen back in the day.

CRASHOUT – Josh Levi/FLO (7.5/10)

This is the 11th song from Josh Levi's newest album, "Hydraulic", in which he showcases an R&B sound that would fit hip-hop; he then adds flow, which gives the song some lighter soul and more style that the song needs.

Zoo – Disney/Shakira (2.5/10)

Shakira, I get the bills have to be paid somehow, but this is NOT it. This song sounds like she tried to create the "Waka waka eh eh" song but for children, and not even in an entertaining way; it seriously sounds like it would be one of those songs that's only for kids, like "Baby Shark". The hook just feels devoidof any personality, as she sings it in such a bland, unexciting way, along with this feeling of being as artificial as the awful songs that came out of the Smurfs movie soundtrack. This is just simply awful; WE know she can do better.

Sirens – Skepta/Finessekid (7.1/10)

Pretty standard for a Skepta rapping session; I still like his flow, though.

ME + YOU - TWICE (7.1/10)

Cute K-pop that I think ends the group's era of hits. There was a time when they were doing good on the charts and levelling up, but sadly now they're back to more boring routes.

When I Close My Eyes – Tom Odell (7/10)

Wings – RJ Pasin/Julia Wolf (7.1/10)

The song starts with loud and clear electronics that are then followed by the female lead vocals, which don't blend with the electronics but still kind of work with them.

SE SUPONE - Blessd/Los Money Makers (7/10)

Love On An Island - BAK Jay/NoCap (7/10)

There's not a whole lot to say about this; it's not anything special, but it's kind of generic and nice, with it reminding me of Juice WRLD at times.

Nighttime Thing – Alessia Cara/Julia Michaels (7.5/10)

Simple but cute girl pop music that fits the pop scene nicely; it's kind of a mini jam too.

The Right – DJ Seinfield/Confidence Man (8.3/10)

This song takes me back to the type of songs they would place on some of the BBC radio shows that I used to hear – it has that Friday night funkiness in the song which the DJ would play to rule a party's mood, and the voices picked for this fit the nostalgia of 90s dance mixes, along with the other production choices fitting into the comfortable dance sphere.

You You You - Maisie Peters (7.7/10)

Acoustic pop that'll definitely attract a real audience. I'm happy with this. I also like the element of calmness that's portrayed well with Peter's voice.

HARD WAY - BIA/Becky G (7.9/10)

This song samples the iconic "Hips Don't Lie", with the song starting down a similar route with the shout and kick in. As much as a lot of inspiration was taken, I'm still kind of happy with the outcome; it's definitely got the Spanish flavour side to it.

A War With Time – Brandi Carlile (7.5/10)

Deeply emotional and connecting, I'm happy with how Brandi's been doing music-wise, not as good as the music with Elton but still.

Palomina - FINNEAS (7.5/10)

Heaven (Butterflies) - Jacob Collier (6.5/10)

An almost 5-minute mellow & acoustic sound in which Jacob's vocals touch the song as light as air. I'm still not convinced that this song really gives much more, though; it's fine.

Die On This Hill – Sienna Spiro (8.2/10)

Sienna leaves the Billie Eilish replica sound even more and instead leans into more of an Olivia Dean but without the jazz, as the powerful sound and beautiful piano progression showcase how she's finding her own sound, and she's bringing us along every step of the journey. Also in the second half I love how everything feels so much deeper; this is a breathtaking showcase of talent.

Damn – Del Water Gap (8.2/10)

Del Water Gap once AGAIN shows how peak the album could be.

GROOVING - ODUMODUBLVCK/Davido/Sean Kuti (8.3/10)

A spirited Afro-jazz song that sounds fun and modern even when it incorporates jazz sounds which sound like they've been used way back. I also love whoever is playing the instruments; they have such a classic way of playing them.

Sensational – WizTheMC (8.4/10)

This song still has the feel of his big hit, but he's going further away from that whilst still making that dreamy and signature sound which made me connect with him more deeply than I do with most artists. I actually LOVE this kind of music, so I really hope he stays on this path. Oh, and the use of more clear instruments was a nice touch. He did that just the right amount.

Parasite – MICO/Haiden Henderson (8.2/10)

I've recently heard Haiden's most recent EP, and it had good moments, but it felt like it was missing a lot too. To class someone as iconic, with this, it feels that Haiden is a lot more focused on a better sound, in which the less intense pop music has a slight chilled touch which makes the song feel like an upgraded version of a normal boy pop song.

Was Hannin - TiaCorine/Wiz Khalifa (7.7/10)

A sexual rap song with energy, funk and real groove.

ASCEND – Kelly Lee Owens (5/10)

This song made my mood descend rather than ascend. Kelly's loops are boring and make you tired easily.

Waste Of a Heartbreak – Jojo Siwa (7.2/10)

I'd never ever thought I'd see Jojo Siwa make a good song... is she taking her career seriously?! Yes, I still get how people may consider this artificial or "AI sounding", but it's a lot less than her other songs, and the beat still packs a punch that feels like something I'd be joyed to see a hyperpop DJ hop on. It's just like normal radio pop; don't hate it.

DANCE LIKE DAVID – Gio./Swaizy (7/10)

Christian rapper Gio. Wants to remake some more of the funk that made people notice his level up, although songs like this represent his slow fall back down.

Pretty Friends - Ely Oak (6.9/10)

It sounds too much like any other BBC radio dance song for me to care.

Up – Danger Mouse/Black Thought/Rag'n'Bone Man (7.5/10)

So it's not as good as AOTY claims this to be; regardless, it's still an unusually delightful jazz cut from Rag, along with some rapping that fits less of what the modern mainstream is looking for.

Sofa Soup - Mary Droppinz (5.4/10)

There isn't really much here. The vocal inputs of random sentences are annoying too.

Cold In Ohio – Jamie Lawson/Ed Sheeran (7.3/10)

An Ed Sheeran song that fits his older, more laid-back acoustic sound more – maybe something that could've fit "Autumn Variations" a little more – also, this went unnoticed lol.

Down For You – Mobb Deep/Nas/Jorja Smith (7.6/10)

In some ways the rapping and smooth soul heighten the song's value; it even sounds like this sound would fit a darker mood too.

Two Trains – Ty Myers/Marcus King (7.5/10)

Finally, we have a Ty Myers song where he "experiments". I mean, it's just a few instrumentals being played the way they would in old rock, but it's definitely a step forward and one that showcases that he can pick some great instrumental backing!

Can't Decide – Hedex/Jozzy/e.motion (7/10)

Basic DnB.

Water – Yazmin Lacey/Tyson (7.2/10)

Smooth soul that reminds me a little of Mariah Carey's recent album.

Lotus - Rose Gray (7.2/10)

English artist Rose Grey continues dropping often, with "Lotus" serving as a club song with bright synths that have grace to them, as the song flows so easily and well.

No More Parties – Scorcher/Jme (7.5/10)

As the title suggests, this song is about not attending parties, and as the "Party All the Time" sample suggests, they are quite leaning into it. Aside from the good use of a sample, it's really a similar sound to stereotypical British rap when it comes to the rest of the song. It still flows well, though.

Goodbye - Lewis Fitzgerald (8.3/10)

Lewis is one of those artists where if he plays his cards right, then he could be the next Lewis Capaldi. I see he has the power to make sad hooks which really connect, which would kind of fit a deeper Myles Smith, but I still think Capaldi would add a few touches and release this.

Unsteady – Calum Scott (7.9/10)

Pretty Face – Robbie Williams (7.8/10)

Robbie sings about love with a big guitar backing that boosts the song's feel. Could've been a classic back then… maybe?

Serious - Obskür/Omar+ (7.4/10)

This weeks additions -

Lake Malice - Nobody Wants to Be You

Kid Kapichi - Shoe Size

Last Dinner Party - Count The Ways

City Dog - Kayden

Grove Street - Self Sabotage

NEW MUSIC FRIDAY 17.10.25 #52

My Old Ways – Tame Impala (7.7/10)

The main repeated line of "back into my old ways again" is a representation of repeating past events, which in this case feels like it's relating more to an addiction side, where you can't stop but want to. I feel a part of the electro-funk feeling repeated was a good choice to really stick in the song's meaning, as you just keep coming back to that feeling, which is in fact a good main representation of the song's definition. I find this the most interesting thing I've heard from the album so far, and I'm loving the mixing on this.

DON'T KILL THE PARTY – Ty Dolla $ign (7.8/10)

Ty describes an adult party with vibes in possibly the best song I've heard from him yet. The boom clap beat is fresh and brings this more hyped feeling than Ty usually gives; I honestly doubt this'll be topped anytime soon, but at least it's better than being wasted on "Vultures 3".

PIXELATED KISSES - Joji (8.4/10)

The long-awaited new Joji, after 3 years… Now, if you don't know me, then "Die For You" is my favourite song of all time, and his last album, "Smithereens", is a top 10 album of all time for me, so waiting for him to drop his next release had me tense. And honestly? It's a completely new direction, but I'm vibing! Joji's signature dreamy vocals feature on top of a 1:50 rage beat that's a LOT more intense but actually complements the vocals in such a weird way, but also in such a way that adds life. I'm seriously so hyped to have a legend of this decade return; we should be so thankful for what Joji has brought to music over the past few years.

Changes – Charlie Puth (6.5/10)

I don't get any hype that would really come around this song; it's soft pop with vocals that feel artificial and just general for pop music. He tried to brand this song as part of a "beautiful and colourful" era, but I'm just not getting that – it's still a fine, harmless song with fine production, but by no means is this judgement free.

Choosin' Texas - Ella Langley (7/10)

I don't mind Ella; in fact, I'd say this is actually quite a sweet country song, but I don't tend to hear much variety in her sound. Especially not nearly enough to have her own unique appeal.

Not What's Going On – Ruel (7.5/10)

From what I take, these lyrics remind me of wanting to be free from someone's stress that they cause you but instead having something that makes you want to return to them. Ruel expressed this in a contemporary pop production that uses elements often used in R&B, in an upbeat acoustic song.

You've Got Another Thing Coming - Teddy Swims (8.8/10)

With all respect to Amy Winehouse, I truly believe artists who are considered at her level would be impressed by this. And correctly so because Teddy keeps on giving with the strings and electric guitar inputs, just making one of the most powerful soundtrack songs in a while; it gives this heightened catchy intensity while remaining on the level that artists back in the day were considered classics for. I truly think Teddy has what it takes to be a great soul, if not of a year, decade or century, then of all time.

Count The Ways – The Last Dinner Party (8.7/10)

Wow, I'm actually quite impressed by a release by TLDP; that's a first. This song's production hook feels like something that would close a chapter to a long story, with a guitar that reaches a peak of a soon-to-be nostalgic feeling, with the drums helping that thought. It all feels wonderful in such a unique way… I want to compare it to something great that I've felt from music in the past, but I don't know how to say it.

The Story Of Us – HAIM (8/10)

They're back again?? Well, I'm not complaining if it means getting this alternative rock banger that still feels like it has some difference from the other routes shown in their album "I Quit". I appreciate this.

Destiny – Alesso/SACHA (7.5/10)

An EDM/house song that doesn't cover any new ground in the scene, although it does touch on a part of EDM we've seen before, one with high lead female vocals and fresh synths, which I like to see.

Graveyard Whistling – Morgan Wallen (8.3/10)

Morgan Wallen does it again! Yes, this may be a cover, but I think it's a beautiful take and choice that fits his aesthetic well. I just love how he complements the sound in a way that other country artists don't. To me, Morgan Wallen is a very special artist.

Boy band – 5 Seconds Of Summer (7.5/10)

I see 5SOS have got their hands on the fresh pop formula, and they've honestly put a spring in my step with the up-tempo instrumentals and character that feels like 5SOS. They're not boring; they've actually got life in their music.

Lost In Devotion - Carly Rae Jepsen (7.5/10)

A pop cut from Carly that continues a sound that's familiar and associated with her. I'm not pulled into this pop song, but I see why some fans would be.

Still Icy - Gucci Mane (6.7/10)

This is one of his songs off his new album "Episodes". I like this one, but it's still not convincing me that this album will be that good, especially with the other things I've heard from it. 

GOD IS REAL - Isaiah Falls (7.5/10)

A soulful acoustic song that falls in line with Isaiah's other relaxing releases of songs, the next big step would be to make something more different, though.

Pretty Privilege - Hudson Westbrook (7.6/10)

I won't be pulling the boring country card on this! I actually think Hudson has such a soothing and sweet tone that really suits lighter country music like this.

Body Go – MOLIY/Tyla (7.2/10)

These two haven't collaborated, but now I think about it, I could've expected this, seeing that these two artists' styles are so similar. And honestly, I thought we'd get something with more of a main character feel, but instead we got something smoother, which I think was the better option for both. I like to hear the Afro artists in a new field, and this kind of ticks that box.

In Ya City – ZEDDY WILL/DaBaby (3.5/10)

Think of the accent that people stereotype with gay people, and then think of Ice Spice; well, then you've basically got "In Ya City".

Delulu – Muni Long (8.2/10)

ERM MUNI LONG DIVA?! I'm sorry, but it's just been a while since we've had a 4-minute stunning showcase of near-bliss R&B. This just really sets a cosy evening mood in such the right way. I also especially recommend it for fans of Mariah Carey's most recent album.

Talk To You – Sam Fender/Elton John (7.8/10)

This song is a great reflection on looking back at the past. I find the guitar and piano bring this live feel as if you were there, especially in the second part where the guitar shines through everything else to create an array of beauty.

Who's Dat Girl – Ayra Starr/Rema (7.9/10)

Strong, bold & colourful Afrobeat music where Rema doesn't shy away from the music. I like how these two ended up working together, as they sound like they'd suit each other well.

Big Dawg Status – Bossman Dlow/OJ Da Juiceman (3.4/10)

Do I really need to explain why overused Bossman Dlow beats that don't add anything new to the industry are bad? Come on.

LMAO - BunnaB (4.9/10)

Sexyy Red, PLUTO & now BunnaB. The replicas continue. I honestly can't with the industries pushing out the same sound that feels like it has to get tiring at some point.

Moonshine - Alan Walker/Alley Duhé (5/10)

It feels slightly less cheap than Alan Walker's usual beats that tend to feel as good as a free Google stock image; this is only slightly better.

Maelstrom - Skullcrusher (7/10)

Bing Bong - bbno$/VNLLA (7.2/10)

I expect Bbno$'s new 21-song album to get boring fast, although before that, at least I can enjoy a nice club song, one where the bouncy beat has siren noises and heightened parts that make it feel alive.

Freak Show – Monaleo/Lizzo (8.3/10)

Lizzo has been on a run this year that'll be remembered by me for a long time, and now she just keeps adding to that run!! This song switches from the fiery & unapologetic energy to a lighter singing which has a similar structure to Lizzo's "IRL". I'm absolutely hyped for Lizzo's next drops, even despite her cancelling the release of "Love In Real Life" (at least for now).

Skin Cleared – Ashnikko (7.5/10)

The beat lands somewhere between intense electro-pop and rage, whilst Ashnikko's voice makes me think of K-pop group BLACKPINK. Overall this kind of serves; bad bitch energy was given.

So Sad So Hot – Chloe Qisha (7.6/10)

Chloe's latest song proves that she has serious potential to be a big industry name, and the growing hype supports that.

Think About Us – Sonny Fodera/D.O.D/Poppy Baskcomb (6.5/10)

Synths that have some life but overall still feel stale compared to Sonny's past hits and what else he's shown us. I don't think this'll do it for many people; it's just fine EDM, just fine.

8PM - Nemzzz (5.4/10)

How did we get Peter Griffin and repenting mentioned in the same hook?! Ok, so this is what we've already heard from Nemzzz: the same rushed UK rap that doesn't deserve to be remembered in the scene. It's a skip.

Mini Me - Redveil (8.1/10)

Human Happens - Magdelena Bay (7.4/10)

Magdelena Bay returns after her last extremely well-received single, and I'm starting to piece together the direction she's going; it feels like a better "Imaginal Disc" with her voice being light but also gliding on the song beautifully.

EL TOQUE – Daddy Yankee (7/10)

Fine Spanish music, but nothing that impressive.

I Like Ur Look – Kim Petras (5.5/10)

I just don't get this huge love for the new Petras songs. I see the improvement, but it's really not enough for me to care. This is another Charli XCX-like electropop song which feels like something I've heard many times.

Super Nintendo – Armand Hammer/The Alchemist/Billy Woods/E L U C I D (7.1/10)

Leavin – Rod Wave (4/10)

Rod makes the same rap-soul music that led me to dislike "Last Lap"; he just sounds so tired out and bored on the beat, with his songs having no real substance.

Sugar – All Time Low/Jojo (6.3/10)

Upbeat radio pop which is decent but not even enough to get your head bopping.

PT Cruiser - MoRuf/SZA (6.5/10)

A chill song where SZA brings some hip-hop roots; overall, it's a fine little song. I don't think it serves that much of a purpose.

Morning Messenger - Madison Ryann Ward/Gio. (7.7/10)

A lighter song that gets stuck in your head a little.

SAN ANDREAS - Tommy Richman (8/10)

A two-minute song with groovy synths which remind me of Bandlab's "alien synths", along with the usual hip-hop production that's a main element of Tommy's earworm hooks. With every song, this guy's music is just growing on me more.

Greed - Bryant Barnes (7.5/10)

I love Bryant's deep vocals that add to songs' dark sides. I'm really looking forward to hearing the full album!

6 Feet Under – Carter Vail (7.1/10)

Ex Machina - Yves (8/10)

After hearing her feature on the PinkPantheress deluxe, I became curious for more, and she didn't disappoint. I certainly loved hearing her chiller side.

Tell me – Sassy 009/Blood Orange (7.2/10)

Independent - Kocky Ka/Hunxho (4/10)

This isn't the worst; I mean, I can tell that the song is trying to go deep with emotion with the humming backing. I feel the emotion, but it feels like a bad attempt that Rod Wave would do. It's not for me, or probably for most rap listeners.

MACHINE GHOST - Erin Lecount (6.4/10)

This song is apparently about disconnecting yourself from the moment you're in, in which Erin describes the scenario at a party. I think many people can relate to this, mostly people who have social anxiety, of course, but I still think others can relate. Aside from the meaning, I just don't feel like this song has "that part" which sticks with you.

Supa Smoov – Locky/Luke Dean (7/10)

A sex-funk song with the DJ's vocals infused into the exciting mix. I'd say this could go places or land a chart placement.

Barry Wonder – Bees & Honey/Ruger/Daecolm/10.93 (4/10)

Bees & Honey is discovering his sound even more, as he wants to keep the part of the music that's like upbeat Afro music, but instead the producer turns this into a dance song, which I think wasn't the best decision. The song loses flavour and just feels like there's not much to this.

Sweat – Melanie C (7.6/10)

Sampling 1980s pop energy, Mel goes full disco with a pumped-out song that sounds fit for a workout; it's bright, energetic and something for many generations to enjoy!

Miss Provocative – Piri & Tommy (7.8/10)

Float 2.0 – Kairo Keyz/Thiago Sub (7.6/10)

A short and sweet UK rap-jazz song which separates itself from the UK rap stereotypes. I'm actually quite pleased with this release myself; it shows people are willing to at least try and bring back the older jazz sound more.

Dead And Gone – Leigh-Anne (7.5/10)

For anyone unaware, this song was released shortly after Leigh-Anne announced her first solo album, and I honestly believe this single is a good way to hype people up. I don't think critically this will be received as crème de la crème, but I certainly see the substance and connection with this vibe of a pop-reggae song, especially with more connection since it's from the ex-Little Mix member.

Angoon - Portugal. The Man (8.2/10)

It wasn't the easiest to decipher the song's meaning, but despite that, I still found it a vibe. It's definitely better than the one other song I heard from him.

Peace – LeoStayTrill/Str8 Reload (7.5/10)

Woke World - Tom Macdonald (2.5/10)

You support Trump but criticise specifically billionaires trafficking children on islands? Hmm, I wonder who could possibly be associated with those kinds of people. Production-wise this song is the same as his other "sing clap rap" songs – rubbish.

Open The Door – David Byrne/Hayley Williams (7.2/10)

Please Don't Hate Me - Cat Burns (8.2/10)

Cat's music has such a genuine personality to it that it feels like Cat Burns representing who she wants to be in HER music, and I love that. With that being said, I also love how this has that beautiful dreamy essence that makes me want to listen to Cat to begin with! This song fits more of something that I'd expect to hear Elton John on, with its light piano, and in the second half where the guitar is more prominent. I do think this is a massive step down from what else we've got from Cat in the past, though! Let's just hope she'll drop at least a top 3 album of 2025 by the end of the year.

Old Tricks – Thomas Rhett/Niall Horan (7.2/10)

One Direction member Niall hops on 2024's "Old Tricks" for a remix – one that's fine for a country song, but I don't think Niall adds much. I suspect this remix was for money or fame, despite it still being fine.

It Depends (The Remix) - Chris Brown/Bryson Tiller/Usher (6.6/10)

USHER adds an interesting layer of tuning to the song that maybe makes me think better of it. (but not by a massive amount)

Somewhere Between – Willie Nelson (6.5/10)

Last week

Singles

Demi Lovato - Kiss

Tom Odell - When I Close My Eyes

Eddie Benjamin & Shawn Mendes - HOME

Say Now - Supermarket

Madison Beer - bittersweet

JISOO & ZAYN - EYES CLOSED

Midnight Til Morning - Heart on Fire

Albums

Midnight Til Morning - Afterglow - EP

Tom Odell - A Wonderful Life (Epilogue)

This week

Singles

Alec Benjamin - Pretending

Melanie C - Sweat

Charlie Puth - Changes

5 Seconds of Summer - Boyband

Albums

Ruel - Kicking My Feet

My saves from the last two weeks:

Friday 10th October:

Alemada & Doechii - Beat A Bitch Up

Babebee - DAYLIGHT SAVINGS

BABYMONSTER - WE GO UP

CATTY - Make You Love Me

Chloe Tang - Worth Your Summer

Daya - Matador

Deerock - Put You On

Demi Lovato - Kiss

DJ Seinfeld & Confidence Man - The Right

Ella Tiritiello - Psycho

Fcukers - I Like It Like That

HAAi - Voices

ITZY - ROCK & ROLL

Jae Stephens - Boyfriend Forever

JISOO & ZAYN - Eyes Closed

Madison Beer - Bittersweet

Magdalene - Tough Love

Oklou & FKA Twigs - viscus

PinkPantheress + Sugababes - Nice To Know You

PinkPantheress + Zara Larsson - Stateside

Rose Gray - Lotus

Say Now - Supermarket

Shakira - Zoo

Friday 17th October:

5 Seconds Of Summer - Boyband

Alesso, SACHA - Destiny

Ashnikko - Liquid

Cameron Hayes - The Fault Is Mine

Carly Rae Jepsen - Lost In Devotion

Chloe Qisha - So Sad So Hot

Erin LeCount - MACHINE GHOST

Goldielocks, TEYA - My Religion

googly eyes - Made Of

Grimes - Artificial Angels

KAJ - Karaoke

Kim Petras - I Like Ur Look

Leigh-Anne - Dead And Gone

Lexie Liu - X

Magdalena Bay - Human Happens

MARI - Goddess

MGNA Crrrta - Pur Love

Melanie C - Sweat

MOLIY, Tyla - Body Go

samxemma - YOU KNOW I LOVE YOU

Scarlet, Dolly Style - HAUNTED DISCO

Terror Jr, King Kylie - Fourth Strike

The Last Dinner Party - Count The Ways

Ylva - HÆ?

Willa Ford - Burn Burn