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Chasing Thunder is a MASSIVE favourite of mine and could be my favourite song that is out so far! Also love Sleazy of course and will.i.am is a shit stain on the music industry for the most part, but who can deny his mumbling *.*
Oh this looks so promising!
"Out of all of them, you chose one who'll run free forever" 39. Shots On The Hood Of My Car 7.90 40. Crazy Kids (feat. will.i.am) 7.85 41. Grow A Pear 7.75 42. Chasing Thunder 7.75 43. Sleazy 7.75 Cannibal loses two tracks here. Firstly, we get Sleazy where Kesha goes rap on us, on top of a pounding beat. It was remixed with André 3000 as well as other versions and features lyrics of Kesha hitting back at the wealthy people that hit on her. In Chasing Thunder, the album's penultimate track, Kesha is free on the high road chasing her dreams - it is a beautifully uplifting and euphoric song about the power of freedom. Warrior's third single, Crazy Kids is out next which features will.i.am. In this version, Kesha's second verse is omitted in favour of will's and this was the version that eventually had a music video release. Finally, another of Animal's deluxe tracks added on to the 15th anniversary edition!
Same for me too!
Lock&Key by Lola is sensational so I am intrigued by her inclusion on the album!
Just back from the cinema. Loved it. Great to see new inspiring actors absolutely smash it out of the park - both are going to be big in the future. Horror is in the best place it has been in decades right now. Fresh directors with big ideas and getting the recognition they deserve. What a time to be a horror fan!
1. The Edge of Glory 2. Bad Romance 3. Poker Face 4. Abracadabra 5. Alejandro 6. Just Dance 7. Rain On Me 8. Paparazzi 9. Born This Way 10. Telephone
This would definitely benefit from a middle 8 + final chorus. It definitely feels unfinished as much as I like what we have for its duration.
The issue here is that Spotify is a business and so wouldn't in the slightest be interested in fresh charts and new music. All they would care about is revenue, subscribers and money. People have probably always been more interested in music from the past but we just didn't notice this as much in the download era because once someone downloaded a MJ greatest hits, there was no reason for them to keep purchasing it for example. Streaming services need more subscribers. If that means keeping the classics in prominent positions, why would they stop placing it there. People are more likely to keep pressing play on Spotify if they see an artist they know and love as opposed to a newbie they have never heard of. It sucks though, because most of us on here do actively seek out new music and want it to do well but the critical mass... don't and streaming services are more concerned about the critical mass (unfortunately for us chart fans!).
'MAYHEM' is now the highest-certified era by an international female artist in Brazil, with 3.2 million units sold after DWAS receives an 11x Diamond certification there.
"Die With A Smile" has received a historic 11x Diamond certification in Brazil for selling 1.76 million units in the country.
I know she is far from a chart darling any more and streams may be rock bottom, but does she really not even have enough of a fanbase to get the song higher than #6 on iTunes?
Following the Graham Norton interview: iTunes: 4. Read My Lips 11. Love Sensation 12. Bring Your Love 13. I Feel So Free 155. Love Sensation 180. Bring Your Love
Can't wait to catch up on this!
