Mellope

Willie Nelson - Workin' Man: Willie Sings Merle ---- With Willie Nelson's newest album, the most impressive thing is his longevity in the music industry, with this serving as what I think is his 103rd album (damn!). ... and now, let's be honest and cut the crap. Does Willie serve any spot in the industry that needs to be filled? I mean, the short answer is no. The long answer is that Willie Nelson has said what he's said; even in his most recent country albums he's still had things to say and substance left in the bank, but now on this it feels like Willie's pushing out more albums for whatever purpose. I mean, Willie has passion in what he makes, and I appreciate how everything is so enjoyable for him to craft. I mean, it's what he loves, and I love hearing some of what he makes, but c'mon… there's no need to sugarcoat the situation here; he's definitely left behind a mark on the industry, but this album is essentially like comparing Ringo Starr's most recent to the Beatles' Abbey Road --- it not only doesn't compare in terms of popularity, but Willie is just feeding us the same things that we know, and that's in all 11 songs. This album wasn't an unpleasant experience; in fact, these songs are quite fine and decent to listen to, but this review doesn't need to dig deeper than calling out the stale acoustic patterns and boring progression throughout the project. The real saver here is the theme of loss throughout the albums, which makes the album have a lot more purpose and helps on songs which make you a bit tired of the project. FINAL SCORE: 7.2/10 Track ratings: 1. Workin' Man Blues - 7.4/10 2. Silver Wings – 7.2/10 3. Tonight The Bottle Let Me Down - 7.4/10 4. Today I Started Loving You Again - 7.2/10 5. Swinging Doors - 7.1/10 6. Okie From Muskogee - 7.1/10 7. Mama Tried - 7/10 8. I Think I'll Just Stay Here And Drink - 7/10 9. Somewhere Between – 7.2/10 10. If We Make It Through December - 7.3/10 11. Ramblin' Fever – 6.5/10

NEW MUSIC FRIDAY 7.11.25 #55 SONGS (REVIEWED): La Perla - ROSALÍA/Yahritza Y Su Esencia (8/10) As someone who understands little Spanish, when I first heard this, it sounded like a tone that would fit a Disney princess movie, but it turns out that it's the exact opposite; instead, it's a diss aimed at a past ex in which Rosalía basically uses the whole entire dictionary's worth of insults on him, which can feel interesting but sometimes feels more like a rant instead of carefully chosen, such as this lyric: "A mirage, an Olympic gold medal for the biggest jerk You've got the podium of the great disappointment." I guess you could say I'm nitpicking, though, because overall this is a song that feels like it lyrically flows pretty nicely for the majority of it. And instead of sounding angry on the beat, Rosalía actually sounds the opposite, which gives the song a more honest feel to it (despite the use of knife sound effects.) From what I see now, the "Lux" album could be the highest-rated album of 2025 (either that or McKinley Dixon's), so I'd definitely consider checking it out. Especially since this song has a really nice backing of many production choices that range from adding a more musical classical feel all the way to a slightly crunchier backing. Out The Window – Kehlani (8/10) FINALLY, another song. To be honest, this would've been better released last week for commercial success, seeing that "Folded" was having its highest peak, and she would've had a week more to settle in the charts before Mariah Carey and the Christmas songs take up over half the chart, but now is still kind of ok… but "Folded" is fading out faster. With this she leaves an even better first impression than "Folded"; it highlights her traditional yet warm feel on R&B, with the more noticeable piano giving this an extra smooth feel which transforms the track's value by a LOT more. It's honestly something I think FLO would do. And yeah, it's 4 minutes+ long, but I didn't feel bored throughout the song… it actually kept me quite relaxed and yet amazed at how she's levelled up from her last US top 10 hit. Past Won't Leave My Bed - Joji (8/10) The instrumentals feel a lot less distorted, and the song resemblesa D4vd production replica more than Joji's usual sound, which isn't really good since I was hoping for something darker like the things in "Smithereens". Despite that, I can still see this maybe growing on me, but I hope he gets in the right direction again. It's also especially sad since I adored "Smithereens" so much… I mean, "Die For You" is my favourite song of all time. Bandaids - Katy Perry (7.5/10) Yeah… I think "143" has left Perry in a worse state; not that this is as bad as some of her 2024 lows, but it does have that similar lack of personality pop that you could see from a starting-out musician. As for a commercial appeal, I think it has a chance to be something. I mean… it would've had a higher shot of going viral in the 2010s, but regardless, it's not too "out of style" for people to dislike. It's simply a simple breakup song with an overused but still slightly appealing pop-rock sound. Would I return? I mean, probably not. Thank Me – G Herbo/Anderson .Paak (7/10) I wasn't ever expecting him and Anderson to ever be on a song, seeing how different their styles are, and honestly, it ended up sounding fine. I mean, the song is built up on the theme of praising yourself with its high-energy champion background and the opening intro about thanking yourself. I think this comes off as more motivational than selfish, which was what the song was trying to do. Lyric-wise it's pretty well put. Small Town Joan Of Arc – Del Water Gap (6.4/10) Del Water has been getting me hyped for the album with the past couple of singles, but with this I'm not too convinced that this is going to be great... the drums, production and everything in general feel so devoid of personality, like, there's still somewhat of substance here, but it's only enough to make you go "ok" and appreciate the small part of what this could've been. Home - Rachel Chinouriri/Boyish (6/10) A just under two-minute simple acoustic song where Rachel sings so lightly that it's near close to whispering. Not much is going on here; I don't see the vision, and it's definitely one of the weirdest things she's made. Closer To Me – Mark Ambor (7.4/10) Mark Ambor is back! But this time we aren't seeing his usual jolly, upbeat side; we're instead seeing his happiness mostly portrayed in the lyrics, with less of a passionate and over-the-top take vocally. With Your Love – ILLENIUM/Ryan Tedder (5/10) Generic as HECK. I don't think dance music can get any more plain than this. Daddy Yankee: Bzrp Music Sessions: Vol. 0/66 - Bizarrap/Daddy Yankee (7.5/10) This song has a fiery energy that really pulls the song's structure to a good score. I think there's passion, and I think it's a strong show for the Bizarrap collaborations. SLIGHTLY LESS DEPRESSED (UNPLUGGED) - Anne-Marie (7/10) Ok, Anne, the cows are starting to get dry 😭 (for those who don't understand, this is like the 4th remix). Anyways, this is the worst one yet; at multiple verses, the amount of pitch change on certain parts makes the vocals sound awkward, as if she's forgetting them mid-sentence. Overall, this is probably just so she remains in the charts. I mean... it's still a good song, but this isn't a necessary remix. Time To Love – Rag'n'Bone Man (7.5/10) Another jazz cut from Rag'n'Bone Man that has the pace and soul but also feels like it needs switching up so he doesn't get boring. I'm slowly starting to find every release by him less enjoyable. At The Party – WizTheMC/Bees & Honey (8.5/10) Not only did this drop, but I also just found out that there's a whole EP?! WHAT?! The only bad news is that I'm going to have serious trouble leaving behind this era. 😭 I just pray that Wiz doesn't dump everything altogether. Anyways, with this we get a showcase of what he had in "Show Me Love" and "Take My Mind", but instead with a more club nostalgia feel that feels like a good song for a party at night; it's elegant but also full of flavour in what feels like another showcase of how Wiz can keep the same sound fresh. I LOVE IT!! Stay A Little Longer – Joel Corry/Galantis/Izzy Bizu (7.6/10) Joel regains some of his more entertaining showcases in this song; it also feels like after his AI cover, he firstly stopped with the slop a little and started getting better, along with some features. Maybe he finally learnt that he has to get his career back before it's too late... in fact, maybe it is a little late! Shadow of the Hearts – GZA (NR/10) This song has had a few accusations of AI, and along with the cover and feel of the song, I just feel awkward rating it now. It's not the GZA I tend to know. Lonely Star – Redveil/Carolyn Malachi (8.5/10) So relaxing and smooth, with the whole track's feel just pulling you in so well. Her Face – Isabel Larosa (8.3/10) "Her Face" feels like a beautifully crafted sad ending to a long story; it's one that uses orchestra instruments to heighten the sad effects in just a refreshing way to music. DPMO – Digga D (7.6/10) In his UK Drill return, Digga D uses the phrase "Don't piss me off" in a rap about the "opp" life and issues on the "block". You & I – Victor Ray (7/10) I think this feels a little too dull. I don't know if the formula is running out or if this is a one-time miss, but let's just hope that this is the only step down from him. Bad Girl Energy – Bl3ss/Kamille (6.1/10) Kamille's style is sucked out of this song because of the dance production, and in the end this just feels like another dance song thrown into the ocean of already known ones. Feels Like The Sunshine – Jake Bugg (7.5/10) Jake continues the sound we heard on his last album but instead with a brighter take on his natural formula. SONGS (UNREVIEWED): Try To Love – Lil Baby (7.5/10) New Trip – Quavo/Yeat/BNYX (5.5/10) Hello My Old Lover – Dove Cameron (7.5/10) I Sit In Parks – Kelsea Ballerini (7.1/10) Die Happy - Holly Humberstone (7.5/10) En el Ritz - Young Miko (7.5/10) The God Of Lying – Gorillaz/IDLES (7.5/10) Do It - Underscores (7.6/10) Princess – BENEE (7.5/10) For No Reason - Sexyy Red (7.1/10) Crank up da jet - Loe Shimmy (3.8/10) Love Who You Love - Romy (6.9/10) Home - Mario (7.1/10) QUITATELOTO - Blessd/Bad Milk/CARABIN3/GeezyDee/Kris R./TURY/Young Fatty (5.1/10) Smoke n Drank – Jordan Adetunji (6.4/10) Move to the Left – BunnaB (5.8/10) Beto's Horns - Fred remix - Fred Again.../CA7RIEL/Paco Amoroso (7.1/10) Fightland – 50 Cent/Sheff G/Sleepy Hallow/Jeremih (6.4/10) To Space – Kings Of Leon (7.3/10) Help You Remember – Jason Aldean (7/10) Knik - Portugal. The Man (7/10) Tsunami – DJ Snake/Future/Travis Scott (6.8/10) Girls Gone Wild – JT (8/10) Call Me Baby – Bella Kay (7.7/10) Showbiz – Hayley Williams (7.5/10) Velas - Santana/Carín León (7.5/10) Human Mind – Mavis Staples (7.2/10) California Games – Armand Hammer/The Alchemist/Earl Sweatshirt (8/10) OOPS! - Moody Joody (7.9/10) Get Around – Alessi Rose (7.3/10) Dot Dot – Kwengface/Flowdan/Interplanetary Criminals (7.5/10) Immortal Life - Popcaan (7.7/10) ELEMENTS - KILIMANJARO (7.5/10) I Need A Rhythm – IN PARALELL/ROZZZQ WEEN (7.2/10) Lift Me Up – Diplo/Local Singles/Jem Cooke (5.8/10) Breathe – Switch Disco/NEVE (7/10)

MELLOPE'S MOST STREAMED 7.11.25 #58 SONGS: 1. I Wish You Well - Cat Burns ⬆️2 [1 Week No.1] 2. Catching Bodies - Sekou NEW 3. Toxic - Britney Spears RE-ENTRY 4. Can Time Move Faster? - Cat Burns NEW 5. GIRLS! - Cat Burns ⬆️1 [1 Week No.1] 6. Christmas Drillings - Sidemen RE-ENTRY 7. We Don't Talk About Bruno - Encanto Cast NEW 8. So Am I - Ava Max NEW 9. Soldier - Dax/Tom Macdonald ⬆️5 10. Come Home - Cat Burns NEW ARTISTS: 1. Cat Burns 2. Taylor Swift 3. Oliver Tree 4. Armani White 5. Britney Spears ALBUMS: 1. How To Be Human - Cat Burns 2. West End Girl - Lily Allen 3. Evermore - Taylor Swift 4. Ugly Is Beautiful - Oliver Tree 5. Vicious Delicious - Luvcat GENRES: 1. Pop 2. Hip-Hop/Rap 3. Alternative 4. Singer-songwriter 5. Hyperpop

UK TOP 100 7.11.25 #58 THE TOP TEN: 10. Elizabeth Taylor - Taylor Swift (Down 2/Sales fall/5 weeks in chart) 9. Thriller – Michael Jackson (Up 24/NEW PEAK/62 weeks in chart) 8. Pussy Palace – Lily Allen (Up 4/NEW PEAK/2 weeks in chart) 7. Raindance – Dave/Tems (Down 2/Sales fall/2 weeks in chart) 6. So Easy (To Fall In Love) - Olivia Dean (Up 1/Sales fall/6 weeks in chart) 5. Man I Need – Olivia Dean (Up 1/Sales fall/12 weeks in chart) 4. Opalite – Taylor Swift (No change/Sales fall/5 weeks in chart) 3. Where Is My Husband! - RAYE (No change/Sales fall/7 weeks in chart) 2. The Fate Of Ophelia - Taylor Swift (No change/Sales fall/5 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/Sales fall/10 weeks at No. 1/20 weeks in chart) NEW ENTRIES: 91. Come N Go – Yeat (6.5/10) After hearing some of Yeat's other music, I wasn't too much in the mood to hear this, but after seeing the full album's user score, I was curious how different this would be from Gunna and such artists. Now, am I disappointed? I mean, yeah. This is a little different from bottom-of-the-barrel-sounding mainstream-tuned rap drops, but it still regardless fits the theme lyrically and in the song's passion. I'm just not getting much more here that I want. 62. Sympathy Magic - Florence + The Machine (7.4/10) A song about healing in which Florence belts out high vocals in full F+TM style; my favourite part would have to be the ending where the song's title repeats into a fade-out section. With that being said, I didn't connect with this too much; I feel it's missing something larger to keep you gripped. 56. I Run - Haven (6/10) Apparently this is Haven's first charting appearance in 21 years, which makes me curious what Haven was like back then, of course, because this is a very modern summery-sounding dance tune with electronics that make me think of ones similar to the production on "Dior". Overall this is too standard for something upbeat; it feels plain. Not much else to say. 51. Berghain – Rosalía/Björk/Yves Tumour (7.9/10) "Berghain" is a song that I've been seeing get rounds of praise on social media; people are liking how it makes them think of Beethoven with the fast tempo and choir-like background, and as someone who's heard THREE Björk albums this year (Homogenic, Vespertine & Post), saying I was excited to hear what she created with the "Motomami" singer was an understatement. "Berghain" plays like a theatre, with fast strings and a female opera voice coming in as if it's opening to a key scene. The song is supposed to capture the energy of the Berlin nightclub, too, which the full orchestra comes to a halt to support Bjork's part around the two-minute mark. One part which doesn't fit my fancy, though, is the last part where a modified voice comes in and repeatedly speaks, "I'll f*ck you till you love me," as if it's playing off an old recording camera from the 2000s – that ruins my score a little. 40. Century - Esdeekid (7.5/10) Previous review: Esdeekid goes for the same appeal just a couple of weeks after his success, and I think he pulls it off better in this... Or maybe I just got used to his accent rapping. Second listen: Coming in at 1:50, this is a much stronger follow-up for Esdeekid; the beat feels like life is rushing through it in every moment with its intense, slightly darker-sounding rap. I'm impressed. 22. A Couple Minutes - Olivia Dean (8.1/10) I was surprised by Olivia's US chart run going as large as it did… and now we're getting an even bigger chart?! Wow, she's smashing it with this run! Onto this, and it's honestly even better than "Man I Need" (by far). I just love the warm soul she adds to tracks; it gives a comforting feeling throughout the whole song like a warm hug, especially seeing that Dean seems to have a passion for the well-executed smooth R&B sound. Oh, and I also love the violin opening; I wish that was more throughout the whole track! RE-ENTRIES: 96. Last Christmas – Wham! [I swear this was here first last Christmas.. and the one before.. and the one before.. and the one before... and the one before.. and the one before.. and the..] 90. Blinding Lights - The Weeknd [Overplayed but good.] 86. Everybody Scream - Florence + The Machine [A good listen!] 82. All I Want For Christmas Is You - Mariah Carey [All I want is for this song to stop going top 2 every year.] 72. Bohemian Rhapsody - Queen [I can't even remember what this sounds like... sue me.] 67. Gravity – Hazbin Hotel/Jessica Vosk [Meh.] 31. This Is Halloween - Danny Elfman [Not much needs to be said on this.] 30. Spooky Scary Skeletons - Andrew Gold [Not much needs to be said on this (2).] 20. Monster Mash – Bobby Boris Pickett [Not much needs to be said on this (3).] 19. Somebody's Watching Me - Rockwell [The Jaguar Twins' remake of this is soooo good!] 17. Ghostbusters – Ray Parker Jr [CLASSIC.] NOTEABLE CHANGES: Songs that climbed 10 spots or more: 53. The Subway - Chappell Roan (Up 24) [JOINT HIGHEST CLIMBER] 52. Camera - Ed Sheeran (Up 10) 50. Come Find Me – MK/Clementine Douglas (Up 10) 9. Thriller – Michael Jackson (Up 24) [JOINT HIGHEST CLIMBER] Songs that fell 10 spots or more: 100. The Door - Teddy Swims (Down 10) 98. Ocean – Calvin Harris/Jessie Reiyez (Down 34) 97. Blessings – Calvin Harris/Clementine Douglas (Down 13) 94. Someone You Loved - Lewis Capaldi (Down 19) 92. That's So True – Gracie Abrams (Down 10) 88. Escapism – RAYE/070 Shake (Down 14) 87. My Addiction – Skye Newman (Down 37) [HIGHEST FALLER] 85. Apt - ROSÉ/Bruno Mars (Down 19) 81. Eternity – Alex Warren (Down 12) 80. Dior - MK/Chrystal (Down 15) 79. MAYBE. - Sienna Spiro (Down 11) 78. Almost - Lewis Capaldi (Down 24) 77. Spaghetti – LE SSERAFIM/J-HOPE (Down 31) 76. Victory Lap – Fred Again.../Skepta/PlaqueBoyMax (Down 13) 74. Messy - Lola Young (Down 17) 73. Stay (If You Wanna Dance) - Myles Smith (Down 24) 70. Daisies – Justin Bieber (Down 15) 68. Mystical Magical - Benson Boone (Down 12) 66. Now Or Never - Tkandz/Cxsper (Down 23) 60. People Watching - Sam Fender (Down 13) 59. Talk To You – Sam Fender/Elton John (Down 21) 47. Chapter 16 - Dave/Kano (Down 36) 42. History – Dave/James Blake (Down 33) 38. Tears – Sabrina Carpenter (Down 23) 36. Family Matters - Skye Newman (Down 11) Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak): 64. Rubber Band Man - Mumford & Sons/Hozier 58. Gone Gone Gone - David Guetta/Tones And I/Teddy Swims 50. Come Find Me - MK/Clementine Douglas 43. Think About Us – Sonny Fedora/D.O.D/Baskcomb 16. Madeline - Lily Allen 15. West End Girl - Lily Allen 9. Thriller - Michael Jackson 8. Pussy Palace - Lily Allen 6. So Easy (To Fall In Love) - Olivia Dean BEST AND WORST: New entries: BEST - A Couple Minutes - Olivia Dean WORST - I Run - Haven The whole top 100: BEST - The Door - Teddy Swims WORST - The Subway - Chappell Roan NEXT WEEK'S PREDICTIONS: Possible new entries for ROSALÍA, Katy Perry & Joji.

"Can perfection be achieved?" Nearly every day I scroll across people's accounts on music rating websites from profile to profile, and 99.99% of the time that person has given at least something a perfect score, whether that's an album or a single. But me? Never. Not in any write-up, and here I'll not only explain why but I'll also tell you why I think the movie "Everything Everywhere All at Once" is perfect despite the statement I just made. Read on and I'll explain. --- I believe that improvement is always possible in basically every task that can't be factually completed to the fullest, most perfect extent. It's not necessarily saying that an artist will always have a problem with their music; it's just saying that they can evolve it more past the point of what they did, whether it's lyrically, production-wise or in any way. Another thing people ask me is, "If you can't rate music a 10/10, then why never 9.9/10? What does that mean for you?" Well, to me, those scores are achievable but almost impossible; to get the closest decimal point would be to get the closest to perfection without actually being perfect, which would basically be the best song of all time, and for me? I just haven't found that song yet. Currently my favourite and highest-rated song of all time is "Die For You" by Joji at a 9.6/10, and to ever get to a 9.9/10, it would have to be the best song I've ever heard by the time I die, and with that being said, it still might not be there. You see, perfection can only truly be achieved factually, for example, getting an answer correct on a quiz or winning in rock paper scissors. That's possible. Now you ask, why is the movie "Everything Everywhere All at Once" perfect? How can perfection be shown in a movie if movies aren't the same as the examples I showed? I'll tell you how, but beware, it'll involve some spoilers for the movie's plot: In the movie the plot involves being in the reality you are in; basically, there's "the multiverse", which often involves being in different worlds where what you imagine happens, and what's happened is often curated differently. That means every single movie "mistake" can simply be passed off as part of the multiverse and sometimes as a character thought/move, which is absolutely genius if you ask me. Not only that, but the movie in general is also stunning and is completely a must-watch. I could talk for HOURS about how the movie is one of the most genius things ever made, and it goes a LOT deeper than that example. Anyways, thanks for reading! And maybe I'll do a pt. 2 on why I think songs can be a 0/10. :)

"Bad attention span: final boss" A few months ago I discovered something that gave me a good laugh, so I wrote it down in my notes as something that I could write about. Little did I know that it would sit in my notes folder like food dropped under the bed; it was old and dusty... and after a little dig in my notes, I rediscovered the idea, so, like classic me, I thought it would make somewhat of an entertaining post. ---- When scrolling, I saw an app advertised that appeared to offer a questionable service... When I say "questionable", I'm not talking about the "sus" kind of questionable; this isn't a "Laura is 5 miles from your area" kind of situation. This is more like a "The BBC cancelled my favourite show?! What on earth will I do?" kind of questionable. Anyways, this app was a music app that offered to cut the part you want out of songs, so for example (and an advertised example), if you don't want to hear a song build-up, then you can just skip to the hook and have that part loop over instead of having to hear the build-up or outro. Now, this has caused backlash from both sides; let me explain... On one hand there are "the haters"; they argue that a song's full structure is important and cutting out parts creates a more brainrotted generation which just looks for hooks. And if I'm being honest, I side with this group of people… Like, yeah, another person's listening habits don't harm me, but this whole app is just so stupid that it still pisses me off. Let's be honest, though, the only people using this app are TikTok music addicts who are sick of hearing the buildup on "Skibidi Phonk" and instead want to unlock full mewing potential by, let's say, skipping to the hook? You know how absolutely stupid that sounds? Now let's see the second side, the lovers. These are the people who are sick of hearing 15-second build-ups and want to instead skip to the drama, the juice, the part that makes them wet. Etc. They argue that the hook is the most crucial (and only important) part of enough songs that downloading an app to manage this is crucial. And as you can probably guess, I DON'T agree with this side… I mean, how do you just listen to a minute-long hook over and over anyway with no compliments to the sound? And what about if you plan to see them live? What will you say then? "Mummy, MUMMY! I don't remember "All Too Well" being 10 minutes?? I only remember 15 seconds!" Or how about when you're doing karaoke to sing along? What if you're in Squid Game and must recite all the lyrics or get shot by the doll thingy? I said, 'What if?' WHAT IF. Anyways, I'm excited to hear your replies and opinions. I'll be nice to everyone who gives me a genuine opinion instead of leaving a comment that sounds like a Nicki Minaj X insult. Oh, and I'd also like to clarify that the "shots" in this write-up are all over-exaggerated jokes of my actual opinion. If you do actually like "Skibidi Toilet", then I'm sure you're a high intellectual individual who ranks among Einstein and such science professors, so don't be pissed. Anyways, byeeee!

HOT 100 4.11.25 #57 10. Mutt – Leon Thomas (No change/39 weeks in chart) 9. I Got Better - Morgan Wallen (No change/24 weeks in chart) 8. Elizabeth Taylor - Taylor Swift (Down 3/4 weeks in the chart) 7. Folded – Kehlani (Up 7/NEW PEAK/20 weeks in chart) 6. Daisies – Justin Bieber (Up 1/16 weeks in chart) 5. Man I Need – Olivia Dean (Up 3/NEW PEAK/10 weeks in chart) 4. Opalite – Taylor Swift (No change/4 weeks in chart) 3. Ordinary - Alex Warren (No change/38 weeks in chart) 2. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/19 weeks in chart) 1. The Fate Of Ophelia - Taylor Swift (No change/4 weeks No. 1/4 weeks in chart) NEW ENTRIES: 100. Favourite Country Song – HARDY (6/10) It's honestly been months since I've heard this, and months later it sounds the EXACT same. In this song (and in most of his new album), HARDY makes zero attempt to give a fresh, unique character to his music, which is especially needed at this point in his career if he wants to stay relevant. It's another stale country acoustic song that doesn't dive deep on any level… and I mean any. This guy is NOT Morgan Wallen. 96. Amor – Emmanuell Cortes (5/10) A traditional love song by the Mexican artist that feels all so bland and lacking in difference. It's worrying how so many of these uninspired songs are ruling the Hot 100. The industry can NOT have a creative collapse. With that being said, there's not much more to add on this; I mean, even the instrumental progression is boring. 87. A Couple Minutes - Olivia Dean (8.1/10) I was surprised by Olivia's US chart run going as large as it did… and now we're getting a even more chart?! Wow, she's smashing it with this run! Onto this, and it's honestly even better than "Man I Need" (by far). I just love the warm soul she adds to tracks; it gives a comforting feeling throughout the whole song like a warm hug, especially seeing that Dean seems to have a passion for the well-executed smooth R&B sound. Oh, and I also love the violin opening; I wish that was more throughout the whole track! 66. I'm Not There For You – Jessie Murph (7.7/10) The beat feels like it leans into rap beats more than any other song on "Sex Hysteria"—in fact, I'd call this more rap than country, and that's not necessarily a bad thing. I think her "screaming" vocals don't come out as much here, nor do they kill the vibe as much as her other songs, and I certainly favour the groovy progression. 64. Beautiful Things - Megan Moroney (7.6/10) A song that feels like it's from a soft-hearted view, especially with the descriptions of the kind people and how they can be broken. Some may call this standard for a slow Luke Combs-ish country song, but I think it's built upon the definition of the song very well. 50. Spaghetti – LE SSERAFIM/J-HOPE (4/10) Previous listen: "Spaghetti" is simply a TikTok level of thought, which is supposed to have a sound which appeals to youngsters, despite the lyrics going explicit. That's a bad decision considering I don't know who's listening to this other than kids. The tone is giving nursery rhymes. Second listen: You know what the awkward "ee-eh-ee-ee-ah" reminds me of? That stupid floating meme cat that went viral. If you get the reference, you get it. Well anyways, for a K-pop song it has standard but partly slick rapping, but the general theme of the song just saying "Spaghetti" and "Bon Appétit" as if it's meant for a Samsung advert sounds cringe, almost like a bad BLACKPINK song. 38. Lover Girl – Megan Thee Stallion (7.3/10) A bad bitch horny rap song with occasional pop cut-ins that I wish were longer and went further; they reflect a more dreamy side of R&B that could have served as a nice side to the fierce rapping by Megan. RE-ENTRIES: 98. I Ain't Comin' Back – Morgan Wallen/Post Malone [Wasn't expecting this back after seeing how long it's been gone.] 77. 20 Cigarettes - Morgan Wallen [GREAT SONG! :D] 47. This Is Halloween – The Citizens Of Halloween [I don't really care for hearing this.] 32. Thriller – Michael Jackson [A classic! I wonder how this'll do next week.] NOTEABLE CHANGES: Songs that climbed 10 spots or more: 22. Back In The Saddle – Luke Combs (Up 10) [HIGHEST CLIMBER] Songs that fell 10 spots or more: 99. Outside – Cardi B (Down 13) 95. The Subway – Chappell Roan (Down 17) 91. Maui Wowie – Kid Cudi (Down 15) 85. Pixelated Kisses – Joji (Down 47) [HIGHEST FALLER] 82. Bar None – Jordan Davis (Down 10) 62. When Did You Get Hot? - Sabrina Carpenter (Down 17) 59. 12 To 12 - Sombr (Down 13) 25. Actually Romantic – Taylor Swift (Down 10) 24. Wood – Taylor Swift (Down 11) Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak): 92. 3,2,1 - Tucker Wetmore 89. Heaven To Betsy - Jackson Dean 88. How Far Does A Goodbye Go - Jason Aldean 75. What Kinda Man - Parker McCollum 74. Sparks - Coldplay 73. The Fall - Cody Johnson 57. Darlin' - Chase Matthews 55. Wgft – Gunna/Burna Boy 53. Is It A Crime – Mariah The Scientist/Kali Uchis 49. Somewhere Over Laredo - Lainey Wilson 45. Don't Mind If I Do - Riley Green/Ella Langley 37. Gabriela - KATSEYE 35. Choosing Texas - Ella Langley 22. Back In The Saddle – Luke Combs 12. Back To Friends - Sombr 7. Folded – Kehlani 5. Man I Need - Olivia Dean BEST AND WORST: New entries: BEST - A Couple Minutes - Olivia Dean WORST - Spaghetti - LE SSERAFIM/J-HOPE The whole top 100: BEST - Maui Wowie - Kid Cudi WORST - Shot Callin - YoungBoy Never Broke Again NEXT WEEK'S PREDICTIONS: Possible new entries for Lil Baby, Tyler, the Creator & Kodak Black.

NEW MUSIC FRIDAY 31.10.25 #54 ⚠️ My New Music Friday write-ups are switching up after a year. Last update I spoke about how writing so much in one go was tiring, as I often had a lack of words, so this time I've not only decided to take things easier, but I'll also give y'all a better dive into music. Instead of just reviewing singles, I'll also review albums more, and any song that I don't rate will automatically go at the end of the review, which is basically just the songs I listened to that I didn't end up reviewing. This not only makes the write-up fit into better parts, but it also helps me get in album reviews. And of course, I may not have time to review all the albums of the week in such a short time span, but I'll try and get through as many as makes me comfortable. Oh, also another thing, if you request me to review something for this week, then I will, and also don't expect a bunch of write-ups from this; I'm taking it easy for now… You may get more ratings, though, since it's easier to skim through stuff... MAYBE. ---- SONGS (REVIEWED): Berghain – ROSALÍA/Björk/Yves Tumour (7.9/10) "Berghain" is a song that I've been seeing get rounds of praise on social media; people are liking how it makes them think of Beethoven with the fast tempo and choir-like background, and as someone who's heard THREE Björk albums this year (Homogenic, Vespertine & Post), saying I was excited to hear what she created with the "Motomami" singer was an understatement. "Berghain" plays like a theatre, with fast strings and a female opera voice coming in as if it's opening to a key scene. The song is supposed to capture the energy of the Berlin nightclub, too, which the full orchestra comes to a halt to support Bjork's part around the two-minute mark. One part which doesn't fit my fancy, though, is the last part where a modified voice comes in and repeatedly speaks, "I'll f*ck you till you love me," as if it's playing off an old recording camera from the 2000s – that ruins my score a little. Mother – Tyler, The Creator (8.3/10) Tyler gives us one extra song for a reissue of "Chromakopia", an album that grew on me over time that I wouldn't blame you for calling beautiful artistic expression. With "Mother" I don't completely understand why this was left off the original and put on an extra edition; its production value is more fitting to the chaotic tone of some other tracks, with its noticeable drum patterns and over-the-top vocal performances, even lyrically with the messages of struggles that just replay in your head. It's open and honest, but it's also chromakopic. Have to. - Brent Faiyaz (8/10) I quite liked the bass in the songs' first half; most of these types of bass are usually mixed into the atmosphere, as their sole purpose is to give the song added flavour, but I honestly felt like Brent used that bass as more of a main element to back his modified voice, which embraces production in a creative way that rewards new sound. That's why I'm vibing with this more. Good song. Lucky – Reneé Rapp (7.7/10) Reneé Rapp is doing anything but stopping, with her new song from "Now You See Me: Now You Don't". If this song did anything, it would prove that Reneé can also shape the sound that pop radio loves whenever she wants, with a lighter rock guitar and upbeat claps before turning more electronic and hitting a new best in the song's second part. It's playful and a fun take on what makes me think of an improved version of the 2010s viral girl pop; specifically, it makes me think of that Katy Perry "Last Friday" song or whatever it's called, which is probably rooted in the guitar at points. What's Good – Oklou (8.2/10) The electronic yet weirdly peaceful but kind of unsettling moments this song gives just make it such an experimental earworm. I was always one to hear Oklou's potential and see how she transforms music into something much deeper, but in this it's more apparent than ever. All On Me – Lil Baby/G Herbo (8/10) Baby and Herbo rap about their problems and how they feel about them in one of Baby's most honest feels he's given to a song in a while. Not only that, but on top of the effort, the beat is actually quite solid; it's faster, fresher and doesn't borrow from the same slop beats that made up the skips on the earlier Lil Baby album of this year, and G Herbo also matches this. I'm impressed, seriously. Alien – Luvcat (7.5/10) An upbeat song about being left out, to which Luvcat adds a passionate vocal performance too. I'm kind of interested in Luvcat; maybe I'll give them a deeper listen soon. I Wish You Well - Cat Burns (8.5/10) Instead of making the obvious choice of making the album's title track the one I review, I instead took things into my own hands since I've already heard the full album. "I Wish You Well" had a snippet shared by Cat nearly a YEAR ago, and when I heard it, I thought it had serious potential, and now with the full album drop, this song ends up being a serious contender for my favourite non-single on the album. This also marks possibly one of the biggest changes in Cat's music, as she leans more into an Afrobeats-like sound whilst having electronic influences involved that give the song this breath of life. Who You Seeing Tonight – Kodak Black/Don Toliver (6.6/10) Kodak adds his usual brand of rap whilst Don leans more into his modified singing. Together they both actually don't mess up the track and give something decent. Smoke – Jamey Johnson/Riley Green (4/10) A bland country rock song that reuses the same style we're seeing from artists like Luke Combs in their rock era, but instead it's not good. Aging Young Women – Anna Von Hausswolff/Ethel Cain (5.1/10) A boring attempt at creating something ethereal and magical. It ends up feeling long, incomplete & tiring to listen to. All My Haters – Tom Macdonald (3.5/10) Aside from the absolutely terrible lyrics (as usual), Tom still has somewhat of rapping abilities and a half-baked but not awful beat. KO - NLE The Great (a.k.a. NLE Choppa) (7/10) Choppa's newest track has some drama too, involving rapper YNBA, in which NLE accused him of "poisoning the youth" and overall just being a bad influence. It's quite an out-of-the-blue diss for me. I don't know if these two have connections or if Choppa just hates the violence of rap, but either way we get Choppa playing this song with a tough character, as the background has a nice groove that fits the rapper's rougher side. It's not exactly hugely different, but I appreciate this song a lot more than some of his others. Drift Away – Orville Peck (7.5/10) The part where Orville holds the notes feels so relaxing yet catchy, in what I would describe as a satisfyingly interesting mix of country and rock, something that more artists of Orville's size need to experiment with more. SAY IT TO ME. - Armani White (8/10) After his recent streak of hits, I was hyped to hear what he had next, and he, in fact, still hit the mark of good, although I think he could've given more. I still think Armani's fun mix of club rap whilst incorporating a 70s soul-dance sound was a great choice, and near the end where everything came together with the funky keyboard, it just hit the spot. This is true rap, and why I think Armani is special. Pieza Exhibición - Luar La L/ROA/Blessd (7.5/10) Seeing Blessd travel to a non-English sound is fascinating, and if I'm being real, I can't say he did a bad job… I mean, it's not hugely his thing, but the songs have an expected yet not boring vibe. For What – Lithe/Cash Cobain (7.6/10) Surprisingly slick and catchy, especially considering Cash Cobain is on this. TRY ME – Flyana Boss (6/10) Flyana's OTT tone is still incredibly annoying and easy to skip, but at least she's improved from that absolutely awful "Hey Christ, I'm about to sin again" song. Camera (CYRIL remix) - Ed Sheeran/CYRIL (7/10) I was honestly expecting CYRIL to deliver something absolutely vile, but he instead just gave an unnecessary basic remix with a few added lighter dance touches. Well, I'm still rating this high since the o.g. is still good. I wouldn't listen to this over the original, though, and I don't get why anyone would. Putting Ya Dine - Remix - Monaleo/Youngboy Never Broke Again (7/10) Lizzo and now YNBA? Is Monaleo going to be a future big-name rapper? Well, after hearing her pretty fun mixtape, I think it's safe to say that she's a better Sexyy Redd, and with this remix... listen, most artists who release at this volume don't end up being able to have a steady stream of creativity and good music, and that's exactly the problem with YNBA. He's not bad, but he's stuck to the same flow and just does this for the money. It's still a good song, but Monaleo and Monaleo only were needed on this. Not YNBA. Momentary Bliss – Johan Lenox/070 Shake (8.2/10) A creatively distorted blend of what makes people love 070. Tunnel Vision – Belters Only/Jane (8.2/10) This song really brought me a slight feel of the nostalgia that came with 2022's radio dance pop, a time that seems to be rarely recreated. Thanks for the nostalgia! Added to my playlist! Performante Pain – D-Block Europe/Rich The Kid (8/10) I don't usually "mess" with the tough autotuned rap that fits a similar sound to other songs, but I feel these two actually go out in style and provide a good back-and-forth head bopper! I like it. Wicker Woman – Freya Ridings (7.5/10) As Freya gets ready for an upcoming album, she gives us a delve into a part of it with "Wicker Woman", a song about feminism. Freya gives the song a powerful kick in the vocals, although the part which didn't make me like this more was that it didn't feel like a lead single. After getting highs like "Weekends", seeing her drop to half of what that was is sad; it has her structure but without the addictiveness as much. Streets A Lie - Tion Wayne (8/10) Tion samples Billie's "Ocean Eyes" in an emotional rap song. Billie's part definitely added a lighter sadness that the song needed. Good use of a sample! Century – Esdeekid (7.5/10) Esdeekid goes for the same appeal just a couple of weeks after his success, and I think he pulls it off better in this... Or maybe I just got used to his accent rapping. SONGS (UNREVIEWED): Sympathy Magic - Florence + The Machine (7.4/10) Blessed - ERNEST (5.6/10) Entwined – Sub Focus/Grimes (7.3/10) HARDSTYLE 2 - Fred Again.../KETTAMA/Shady Nasty (7.2/10) No Voy a Cambiar – Codiciado/Xavi (5/10) Shady - Flowerovlove (5/10) Speedballin' – Outkast (7/10) Guardian Angel – Dimension/Karen Harding (6.4/10) C*caine Inside My Blunts – Disco Lines (5.9/10) City On Fire – Wale/Odeal (7.2/10) On My Own - Sevdaliza (7.1/10) 132 TECHNO – Kelly Lee Owens (7.4/10) My Money – Diplo/Yo Gotti/D00mscrvll (5.5/10) Status - Icewear Vezzo/2 Chainz (6/10) Waiting – NOTION/Willow Kayne (7.6/10) Here We Go Again – Chy Cartier/Lil Yachty (7.3/10) Love Gets Me High – Levi Heron (6.5/10) Moment – TS7/Charlotte Plank (8/10) U Get Me High – Arielle Free (7.4/10) H.A.P.P.Y. – Jessie J (8/10) Wait For Your Love - Mr Eazi (8/10) Give Me More – Obongjayer (8/10) Baed – Juh-Dee/Young Mesh/Jazeek/Aitch (7.2/10)

MELLOPE'S MOST STREAMED 31.10.25 #57 SONGS: 1. Almost - Lewis Capaldi NEW [1 Week No.1] 2. Pixelated Kisses - Joji ⬇️1 [1 Week No.1] 3. I Wish You Well - Cat Burns NEW 4. This Is What I Mean - Stormzy/Black Sherif/Amaarie/Ms Banks/STORRY ⬆️25 [2 Weeks No.1] 5. Raindance - Dave/Tems NEW 6. GIRLS! - Cat Burns ⬆️26 [1 Week No.1] 7. OH OK - Sam Ryder ⬇️5 8. Boss Up - Shenseea NEW 9. SLOW DANCING IN THE DARK - Joji RE-ENTRY 10. 1AM FREESTYLE - Joji ⬆️18 ARTISTS: 1. Taylor Swift 2. Joji 3. Charli xcx 4. Cat Burns 5. Daniel Caeser ALBUMS: 1. How To Be Human - Cat Burns 2. Son Of Spergy - Daniel Caesar 3. The Boy Who Played The Harp - Dave 4. Folklore - Taylor Swift 5. CAOS - Miguel GENRES: 1. Pop 2. Hip-Hop/Rap 3. Alternative 4. R&B/Soul 5. Electronic

HOT 100 28.10.25 #56 THE TOP TEN: 10. Mutt – Leon Thomas (Up 8/NEW PEAK/38 weeks in chart) 9. I Got Better - Morgan Wallen (Up 7/23 weeks in the chart) 8. Man I Need – Olivia Dean (Up 8/9 weeks in chart) 7. Daisies – Justin Bieber (Up 8/15 weeks in chart) 6. Father Figure – Taylor Swift (No change/3 weeks in chart) 5. Elizabeth Taylor - Taylor Swift (No change/3 weeks in chart) 4. Opalite – Taylor Swift (Down 2/3 weeks in chart) 3. Ordinary - Alex Warren (Up 1/37 weeks in chart) 2. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 1/18 weeks in chart) 1. The Fate Of Ophelia - Taylor Swift (No change/3 weeks at No. 1/3 weeks in chart) NEW ENTRIES: 100. 3am - Loe Shimmy/Don Toliver (3/10) Previous listen: Loe's tuned voice never fails to piss me off, and the pace often sounds like talking instead of rapping. What good is that? Second listen: [-1.4/10 in score] I do kind of take back my comment about it sounding like talking instead of rapping, but even still, both two sound so out of it and just drained from any sort of substance, with the lyrics going surface level on the commonly rapped-about life of sex and drugs. When it comes to any type of redeeming middle section in the song, both of the two just don't give that and keep up their careless and thoughtless generic rap. 95. Heaven To Betsy - Jackson Dean (6/10) I feel like diving lyrically into country songs that don't often grip me as much with their overused southern take on the genre, and what I found described the problems in such a better and more emotional, pulling way than most country songs and really let me experience the song better. Lyrics like "I finally quit the drinking because I hate that my demons put you through hell" stood out as more delved into the topic and true to the subject rather than forced commercial country music. I just wish as much work lyrically was put in as was shown into the rest of the song instead of us getting what most country listeners know and expect. 92. Dusty Bibles - Josiah Queen (5/10) What I take from this song is a worsened version of the best that I've seen from Josiah Queen; he tends to give more of a better performance when he does his upbeat hooks, such as in "Watch Your Mouth", which was a great experience from him. I just wish we'd at least get some more impact into slower songs like these; he has the soul to carry a vocally good song any day, but what I'm concerned about is what he's covering, because that also plays a part in how much he works with this character and brings across the emotion to the listener. In this I'm just not getting that second part. 91. Loser - Tame Impala (7.1/10) It's definitely an improvement in many fields, such as length and progression. The synth and production inputs that sound like they could range all the way from sounds that'd be used in the 2010s to rap production definitely improve the song. 56. My Old Ways - Tame Impala (7.7/10) The main repeated line of "back into my old ways again" is a representation of repeating past events, which in this case feels like it's relating more to an addiction side, where you can't stop but want to. I feel a part of the electro-funk feeling repeated was a good choice to really stick in the song's meaning, as you just keep coming back to that feeling, which is in fact a good main representation of the song's definition. I find this the most interesting thing I've heard from the album so far, and I'm loving the mixing on this. 49. Graveyard Whistling - Morgan Wallen (8.3/10) Previous review: Morgan Wallen does it again! Yes, this may be a cover, but I think it's a beautiful take and choice that fits his aesthetic well. I just love how he complements the sound in a way that other country artists don't. To me, Morgan Wallen is a very special artist. Second listen: I finally heard the original, and I honestly prefer this. Maybe I'm biased because I'm used to this and the "I'm The Problem" layout, but honestly I think not. The original sounds like the vocalists are holding back, and in general there's a missing piece that's felt in the song which Morgan here fills with his guitar and better vocals. 39. Choosin' Texas - Ella Langley (7/10) Previous listen: I don't mind Ella; in fact, I'd say this is actually quite a sweet country song, but I don't tend to hear much variety in her sound. Especially not nearly enough to have her own unique appeal. Second listen: Yeah… not much has changed from a re-listen; it's still just a normal country song about country things, with nothing here appealing to huge lengths. I don't need a huge section to cover this. RE-ENTRIES: 94. 3,2,1 - Tucker Wetmore [I don't care.] 90. How Far Does A Goodbye Go - Jason Aldean [Forgot about this ngl.] 88. Nice To Each Other - Olivia Dean [It's grown on me.] NOTEABLE CHANGES: Songs that climbed 10 spots or more: 68. The Subway – Chappell Roan (Up 14) 38. Pixelated Kisses – Joji (Up 52) [HIGHEST CLIMBER] 33. Dracula – Tame Impala (Up 26) 16. It Depends – Chris Brown/Bryson Tiller (Up 15) Songs that fell 10 spots or more: 99. Holy Water – Marshmello/Jelly Roll (Down 20) 84. Errtime – Cardi B (Down 15) 72. Bar None - Jordan Davis (Down 35) [HIGHEST FALLER] 70. Heart Of Stone - Jelly Roll (Down 10) 65. Last One To Know – Gavin Adcock (Down 11) 26. Honey - Taylor Swift (Down 12) Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak): 81. What Kinda Man - Parker McCollum 79. Wish – Diplo/Trippie Redd 77. The Fall - Cody Johnson 75. What You Is – YoungBoy Never Broke Again/Mellow Rackz 71. Take Me Thru Dere - Metro Boomin/Quavo/Breskii/YK NIECE 67. Where Is My Husband! - RAYE 63. Leavin' – Rod Wave 62. Nice To Meet You - Myles Smith 61. Darlin' – Chase Matthews 59. Wgft – Gunna/Burna Boy 54. Don't Mind If I Do - Riley Green/Ella Langley 44. So Easy (To Fall In Love) - Olivia Dean 43. Shot Callin - YoungBoy Never Broke Again 40. Gabriela - KATSEYE 38. Pixelated Kisses – Joji 33. Dracula - Tame Impala 32. Back In The Saddle – Luke Combs 18. Back To Friends - Sombr 16. It Depends – Chris Brown/Bryson Tiller 14. Folded – Kehlani 10. Mutt – Leon Thomas 8. Man I Need - Olivia Dean BEST AND WORST: New entries: BEST - Graveyard Whistling - Morgan Wallen WORST - 3am - Loe Shimmy/Don Toliver The whole top 100: BEST - Maui Wowie - Kid Cudi WORST - Shot Callin - YoungBoy Never Broke Again NEXT WEEK'S PREDICTIONS: Possible new entries for Demi Lovato, Jessie Murph & Megan Thee Stallion.

NEW MUSIC FRIDAY 24.10.25 #53 ⚠️ Just a quick note: if I'm being completely honest, writing new music every Fridayis tiring, and I don't think I always have enough words to describe everything in the best way possible. Including this write-up, which wasn't my finest, even though I tried. So after this I may take things a bit easier; if someone requests a review of a new song, then I'll give it (which I doubt anyone will) -- but in short, expect me to probably listen to the same amount of songs (maybe even more), but I won't review as much. With that being said, I'll probably make other things to replace this. Such as maybe more album reviews... we'll see. My Muse – Leon Thomas (8.4/10) It's safe to say that Leon Thomas has had a fairly successful year, especially with "Mutt" unexpectedly doing so well. With this we get a slick, polished R&B track that defines the expensive and luxurious sound of the time, with this leaning into it heavily. I quite like the groove, and I think this highlights Leon's improvements in the industry. Root Of All Evil – Daniel Caesar (8.6/10) "Root Of All Evil" leans into a slower R&B sound that deeply displays artistic roots, which I would love to hear Michael Kiwanuka on. I think the slow drum pattern mixes with the acoustic section in a really smooth and easy-to-enjoy way. If The World Burns Down – Kacey Musgraves (8/10) From the Netflix soundtrack, Kacey adds to the releases by giving a light acoustic strumming which helps balance the emotional depth between her and the progression. Even though this is for a TV plot, I still think she plays this well, as if it was personal to her. Beautiful Things – Megan Moroney (7.6/10) A song that feels like it's from a soft-hearted view, especially with the descriptions of the kind people and how they can be broken. Some may call this standard for a slow Luke Combs-ish country song, but I think it's built upon the definition of the song very well. I'm Not There For You – Jessie Murph (7.7/10) The beat feels like it leans into rap beats more than any other song on "Sex Hysteria"—in fact, I'd call this more rap than country, and that's not necessarily a bad thing. I think her "screaming" vocals don't come out as much here, nor do they kill the vibe as much as her other songs, and I certainly favour the groovy progression. LOVER GIRL - Megan Thee Stallion (7.3/10) A bad bitch horny rap song with occasional pop cut-ins that I wish were longer and went further; they reflect a more dreamy side of R&B that could have served as a nice side to the fierce rapping by Megan. Let You Go - Demi Lovato (7.6/10) An up-pitch & upbeat pop tune that creates kind of laid-back but still fun synths which complement Lovato's correctly chosen tuning. Chanel - Tyla (7.6/10) Tyla goes for a more vibrant Afro sound that gives a dance feel a lot better than many of her other songs; it has glamour, style and a hell lot of vibes. MONSTROU - Tainy/Feid (7.5/10) Both artists show off Feid's roots in a darker song (production-wise and lyrically) which goes into the land of fairytale in its lyrics. Rubber Band Man – Mumford & Sons/Hozier (7.6/10) Mudford & Sons keeps a route that has the same feel as their last album, with Hozier tagging on in what I'd describe as a song with just the right amount of passion & pitch, which Mumford tends to get right when carrying their songs. Fuze – Skrillex/ISOxo (7.8/10) A 3-minute composition of build-ups which range from a light piano solo before going into beat drops that feel like an old rave. I think this song captures the electronics and elements in such a way that you can appreciate its difference whilst still agreeing it blends. Would love to see more of this from Skrillex in the future, especially with the futuristic synth part! In The Dark – Selena Gomez (7.9/10) Selena moves back to her pop routes in what sounds like a blend of electronics with a slightly easy background sound to support more of a "Love On" style – I think if there's any time where Selena wants to become more commercial, then this is the time to bounce back. Oh, and it's also from the same Netflix soundtrack as the Musgraves & Teddy Swims song! Hips Don't Lie – Shakira/Ed Sheeran/Beéle (5.5/10) For the Spotify anniversary Ed desperately tries to blend a Spanish song with his own style that feels out of place in so many ways and just feels like he's riding the trend of cultural blending badly. Keep the original as it is. Cable Box - Mac Miller (7/10) I was never too much into Mac, and nor do I like how this fits the vibe of "Balloonerism" a little – but as an anniversary track that just made the final cut, I'll take it. Quality Over Quantity - Polo G (6.5/10) First of all, the title is false since this song leads down the routes of a more radio Bossman Dlow in what doesn't feel like a display of the title and instead a display of a nice little rap song that maybe had some lyrical effort with the breakdown on issues, but aside from that, I'm just seeing generic parts. It's still somewhat enjoyable, though. Human – Brandi Carlile (7.2/10) Brandi gives a kick to her live and older style in what feels slightly more worked on production-wisecompared to her lighter vocal songs with less going on. Asking For A Friend - Foo Fighters (8/10) Think of the full-on, out-in-style 60s-80s rock-out that defined the time, and now picture that recreated with the same force by a classic band. When you do, you'll get this. No cell phones in rehab – MGK (3/10) I'm flabbergasted at this song's unusually high user score of 63, especially with production that feels like a poorly made teenage song with the vocals feeling as artificial as AI, and then the beat sounding partly like a YouTube or Dream beat. Telephone Busy - 5 Seconds Of Summer (7.3/10) Another song that fits the breezy sound of 5SOS – I just need reassurance that the full album will have hooks that capture me more, though. This is still catchy for one listen at best. Anna Karenina - Cigarettes After Sex (5.5/10) This feels too long for a song that's bland throughout. I completely understand that references and meaning are the priority of this song, but I think you have got to value other parts of music more. The Cure - The Chainsmokers (6.7/10) A song that takes inspiration (if you can even call it that) from the Jonas Brothers – I mean, the second half has a close where the electronics are easier to hear and makes me think of a mix of Charli XCX and The Kid Laroi, which then goes into a tough guitar solo... With that being said, I just wish the same effort went into the song's first half, which sadly didn't come close to the second half. SPAGHETTI (English Ver.) - LE SSERAFIM/J-Hope (4/10) "Spaghetti" is simply a TikTok level of thought, which is supposed to have a sound which appeals to youngsters, despite the lyrics going explicit. That's a bad decision considering I don't know who's listening to this other than kids. The tone is giving nursery rhymes. Nearsight [SID] - Miguel (7.6/10) Recently I've been hearing some interesting things here and there from Miguel, so with him releasing his new album "CAOS", I was ready to see what else we'd get – and this is one of the songs, a rework of an old Miguel song from 2023 which was apparently originally going to be titled "Slow It Down". I find the use of a more sped-up boost at the 3-minute mark to be interesting; it gives the song a new life which stops it from getting old, which it desperately needs since it's 4 and a half minutes in length. The Way a Heart Breaks - Alexander Stewart (7.7/10) Another artist who took the chance to release an album before Mariah Carey & Wham! Unleash hell is Alexander Stewart. He's been catching my eye over the past month for his better-arranged take on modern sad pop, especially when he made Lauren Spencer Smith create possibly her best song ever. With this he proves more by leaning into the catchy produced song, but without things getting stale – to the too-experimental listener, this'll be the generic pop push-out, but to people like me who understand this, I know that Alexander has powerful vocal pushes that rule a song better than many other artists could. Almost - Lewis Capaldi (7.7/10) Lewis releases his 3rd out of 4th song from his November 2025 "Survive" EP, in which he belts out loud vocals to a heightened sad hook about love. I like how it fits the extreme tone of his other songs, but it's not exactly good knowing that there's only one song to look forward to in the EP – and will the EP possibly worsen the expected quicker album push? (Which may come in early 2025) – the only positive is the slightly quicker releases. Voicemail – Tee Grizzley/Rod Wave (4.5/10) It's a Rod Wave and Tee Grizzley song; does much more need to be said? And as you guessed, nothing's changed. Feet On Land - Moneybagg Yo/G Herbo (4/10) A lazy and overused brand of rap. I'd expect better from G Herbo… don't fall off this quick. Know About Me - Halle/Glorilla (7.1/10) This is the watered-down version of FLO and Glorilla's "In My Bag" with fewer elements and more of a truth-to-the-soul touch from Halle instead of looking for appeal. Raindance – Dave/Tems (7.7/10) Dave collaborates with Nigerian singer Tems on what some would argue is the best song on Dave's newest album. I think the Tems part really gives the song elegance in the way "Luther" does, where Tems uplifts the song's value too with Dave's verse, which was already quite passable. BOSS UP – Shenseea (5.7/10) With this dancehall track, Shenseea marks her first song in a while… but sadly it feels like a copy and paste from other acts. Cumulus / Memory – Sampha (7.5/10) Aw, sh*t – Ian (2.5/10) We seriously got a cover that's probably AI and by a rapper many consider fake, and yet Spotify's new music Does Friday still showcase this guy?? It's not even a slow week for music. Regardless, I'll give my opinion on this; it may not be his worst, but it still does feel like Joey Valance & Brae had a homeless edition with the more stripped-back sound compared to them and the cheaper, overused appeal. Good Ol' Days – Hayley Williams (7.3/10) Windy City - Dylan Gossett (5.2/10) All that matters is that Dylan is singing about what he wants and making what he wants… but I can't deny this is a rehashed sound, and anyone could tell you that. It's dull. Put Your Bassline – Armin Van Buuren/KI/KI (6.9/10) Very much the same dance pattern throughout, with the bass not really uplifting the song no matter its pitch. Unravel – Poppy (7.7/10) Poppy lets her two sides of singing and rock break free in a song that's supposed to talk about the calm and the chaos, which makes the two sides of her shown even more fitting for the song. As I Wave Goodbye - Artemas (7.2/10) Artemas with non-electronic drums and parts without tuning?? This sounds more like a Sombr song! WHAT! And honestly, not only is it fascinating, but it's also brought across well; Artemas conveys the songs' values in a deeper but understandable way. CRANK - Slayyyter (5/10) The atmosphere is giving club party & chaos straight from the start and all the way to the end. Private – The Neighbourhood (7.5/10) Ain't Letting You Down – Martin Garrix/Saksham/Scott Quinn (7/10) I can tell Martin is trying to "drag" the 2010s Alan Walker watered-down-like pop sound; I just don't think the market for this music is looking for this anymore. Doing My Best – Hit-Boy/The Alchemist (7.5/10) HIM - Shallipopi/Gunna (7.2/10) Shallipopi's style makes Gunna blend in instead of rushing to mess up the beat. Monterrey - Grupo Frontera (7.5/10) FINALLY they're not using the same trumpet effects and switching things up to where the progression fits more of a romantic summer-sounding song. Good. People Pleaser – Henry Moodie (7.5/10) Henry's simple pop-appeal-level music still has a shine to it which keeps you engaged; I don't think he's crashed completely from the times of his peak. Kiss - Claire Rosinkranz (7.6/10) Fun, cheeky and an all-round vibrant head bopper. Know You Forever - Sadie Jean (7.6/10) I know that Sadie has the potential to go a lot further with her music; I mean, she's already on top of her guitar-playing skills; now she needs to evolve her pop sound. CHROME HEARTS – Gabito Ballesteros/Fuerza Regida (6/10) Spoke too soon... they're back to the same sound. CLOUD 9 - BabyChiefDoit (7/10) My Man – Queen Naija/Mariah the Scientist (6.5/10) As much as I enjoy Mariah's slick R&B I think the formula can easily get overused... but it's not necessarily the hardest to switch up, so in that case I don't get why she's heading in the same direction. Pussy Palace - Lily Allen (7.7/10) Breaking up with a known actor and singing about how you thought they might've had a sex addiction is pretty crazy, but let's cover it... In this song, Lily takes the route of many songs that try and give an ethereal R&B kind of feel, with synths that sound out of this world and dreamy but are instead mixed with the world of radio pop. DON'T LOOK BACK - Matt Hansen (7.9/10) Matt continues leading his songs with his loud voice and high tone; I think it suits his music quite well. Likey Likey - Young Miko (7.6/10) Vitamins n minerals - Samara Cyn (7.5/10) Samara Cyn's way of rapping and lyrical value sounds like an almost exact replica of Doja Cat, and I think the producers may try and lean into this world too. I mean, I only previously heard her on Armani White's "Ghost", and I didn't hear it there – but now I hear it here. It's not always a bad thing, though, since that unapologetic tone 100% suits her, but I think if she continues like this, then those labels may stick with her in the future. BRUK DOWN – Major Lazer/Parris Goebel/America Foster/Sadboi (7.5/10) The only way I see this catching on is as a replacement to Brazilian Instagram reel phonk – ok, but in all seriousness, it would be a much better replacement. Clean – Alessia Cara (7.8/10) Spellbound – Oskar Med k (7.5/10) A fine house pattern from Oskar's recent successes, but I don't think it's enough to keep his name in circulation. Werewolf - Koe Wetzel (6/10) Koe Wetzel follows in the footsteps of artists like Bailey Zimmerman into what feels forgettable. FU & UF - Skye Newman (7.1/10) I'm not too keen on Skye Newman's way of singing, nor do her songs fill a gap in my heart that needed to be filled, but what I do see are improvements in what people believe to be an upcoming album. Her voice on this makes me think of a house-style produced Tones And I X Amy Winehouse, with the progression building up to a more natural instrumental hook. I think the piano & beat hits really give off a nice level of intensity too; it helps build emotion. In Another World – Ejae (7.5/10) The K-pop Demon Hunters are now releasing songs past the movie?? I mean, I guess if it keeps relevancy for the movie's sequel, then it's a good idea. And I see the smart tactics; it fits a depressive appeal with the overused yet still kind of appealing piano progression and the sad and honest tone. Not that it gives off the hit vibes which the Demon Hunters soundtrack did, but I think it's enough to attract the young audience back. SEX IS POWER - MARINA (7.5/10) Electronic pop act Marina returns with a song that is not only a total vibe but also continues her 2025 run of good songs. NOBODY ELSE - Planet Giza/Isaiah Falls (7.2/10) It's not Isaiah's most pleasant soul song. Hush Baby, Hurry Slowly - Sigrid (8.1/10) Summer synth pop that uses some R&B elements too give the song a more loved, warmer dance feel, which I'll definitely need for winter! Also the end fade-out is really the cherry on top. Ego - bbyclose (7.4/10) Facilita - Fred Again../Caribou/Menor Teteu (7/10) For the next week of his journey, Fred Again hops on a track which seems to showcase other cultures or styles, but I can't seem to say what it is. It fits more of Arabic music a little? Longest Way Round - Yazmin Lacey (7.5/10) Smooth soul/easy listening vibes. Violence – Mr Eazi (7.2/10) IShowSpeed – Russ Millions/Dopebwoy (7/10) Naming a song after IShowSpeed wasn't the most appealing career choice... but ok? Other than that, the song is a fine attempt at creating a rap jam; nothing special, but the bass is decent. Time Alone – Rizzle Kicks (7.1/10) Inside The Rider – Disrupta (7.3/10) Cats & Dogs – Mackenzy Mackay (7.3/10) This is the 4th song I've heard by Mackenzy and the first that I've valued this much. By no means has he perfected his sound, but he's definitely getting closer. Stick Around – Circa Waves (7.3/10) Run This Town - Olly Murs (7.5/10) "Run This Town" was originally just an over-decade-old demo which Olly remade into a single, and I would see how this fits his older sound… but I don't see how it fits in this era. The sound feels more like a Chrismassy kind of beat with its slightly older and warmer feel, rather than the full-on dance sound of his recent hits. Ready – JayO/Michaël Brun/Good Nation/KeBlack (7.2/10) Welcome 2 LDN – Lemtom/Flowdan (0.2/10) I understand the opening interaction; the song was supposed to be a rough start to a track that fits the feel, but I don't see the appeal of these "harsh" songs with such a stupid meaning. How can you listen to a song saying, "Welcome to London"? "F*ck off" with a dance beat in the background – and then the whole song is just repeating these stupid-ass phrases in a British accent; it's like "Let's Go" by David Guetta & David Bosjen. This is horrible… a contender for the worst song of 2025. Chariot – Westlife (4/10) Alex Warren 2.0 Maybe It's – Miley Cyrus (3/10) I'm going to say the same thing I said about Tom Grennan's Gillette song: who the hell releases music from adverts?? It's just such a cheap and desperate delivery that rarely gives anything, and this one-minute whip-up proves that. This may just be the worst Miley Cyrus song I've heard. Ex's & Oh's – Ely Oaks/Elle King (1.1/10) Wow… this honestly sounds like Tones And I's "Welcome To The Madhouse" era but if she was on some hard drugs with a higher dance beat. This is horrible. DECEMBER - Gianni Capri (5.4/10) Mediocre normal pop. Living In Paradise – Bon Jovi/Avril Lavigne (6.5/10) I Don't Speak French - Rose Grey (7.2/10) From the deluxe of Grey's "Louder Please", we have a new single from the project, which is the last new song if you exclude the remixes. It's standard for her sound, but it does have the Rose Grey energy, which I like; overall, it's fine. I see why it wasn't a main single or anything. SHE DON'T WANNA TALK - Cash Kidd/Ethan Marc/Monaleo (7.1/10) Monaleo goes straight to having more releases after her mixtape; with this, she features alongside mumble rappers who follow a tougher route, although they don't mumble every word and do it better. Monaleo's verse is notably better and a refresher to the song, but it does not exactly work completely with the more produced, more heavily autotuned part. DEPRESSED - Anne-Marie/Lauren Spencer Smith (7/10) The remixes of this song have genuinely been kind of interesting (thanks, Anne!). And with this, I was invested more after hearing what Lauren is capable of… and honestly, she didn't give much; it's still a good song, but her part felt forgettable in the whole song and overall was just a fine little segment which doesn't really showcase her. I don't get why someone would listen to this over the O.G. I'll still rate it well, though, since Lauren doesn't ruin the song. Scared Of The Dark – Em Beihold (7/10) Awake – Monte Booker/Ravyn Lenae (7.7/10) This song has a surreal feeling that comes with it, where the beautiful, lightweight song (start to finish) immersed me into the experience. Alone – Halle/Mariah The Scientist (7/10) Lay It On Me – Frank Walker/Josh Ross/Norma Jean Martine (7.4/10) A more intense modern Lady Gaga-style track – specifically, this makes me think of "The Dead Dance", but I'm not as into that sound. CHECKLIST – Trippie Redd (5.6/10)

MELLOPE'S MOST STREAMED 24.10.25 #56 SONGS: 1. PIXELATED KISSES - Joji ⬆️ [1 week no.1] 2. OH OK - Sam Ryder 3. Freak Show - Monaleo/Lizzo 4. Symmetry - Ed Sheeran/Karan Aujla 5. Don't Click Play - Ava Max 6. Type Dangerous - Mariah Carey 7. Christmas Drillings - Sidemen 8. Soldier - Dax/Tom Macdonald 9. Please Don't Hate Me - Cat Burns 10. Sensational - WizTheMC ARTISTS: 1. Sam Ryder 2. Crystal Castles 3. Ava Max 4. Monaleo 5. Joji ALBUMS: 1. Heartland - Sam Ryder 2. Who Did The Body - Monaleo 3. Solace - Bryant Barnes 4. Bbno$ - Bbno$ 5. Heaven & Hell - Ava Max GENRES: 1. Pop 2. Hip-Hop/Rap 3. Alternative 4. R&B/Soul 5. Rap

HOT 100 21.08.25 #55 THE TOP TEN: 10. Actually Romantic - Taylor Swift (Down 3/2 weeks in the chart) 9. The Life Of A Showgirl - Taylor Swift/Sabrina Carpenter (Down 1/2 weeks in the chart) 8. Wood – Taylor Swift (Down 3/2 weeks in the chart) 7. Wish List – Taylor Swift (Down 1/2 weeks in chart) 6. Father Figure - Taylor Swift (Down 2/2 weeks in chart) 5. Elizabeth Taylor - Taylor Swift (Down 2/2 weeks in the chart) 4. Ordinary - Alex Warren (Up 10/36 weeks in the chart) 3. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 10/17 weeks in chart) 2. Opalite – Taylor Swift (No change/2 weeks in chart) 1. The Fate Of Ophelia - Taylor Swift (No change/2 weeks at No. 1/2 weeks in chart) NEW ENTRIES: 93. Days Like These - Luke Combs (7.6/10) This song's hook really represents the song's meaning in a simple and nice way, as a look at the little things in life and how good they can feel, as well as Luke saying that money can't buy them. I really prefer his soulful acoustic side, with his rougher voice serving too grittier country roots. I just think Combs is one to really sell his style in such a genuine way, as though it feels like it's oozing in his releases. 90. Pixelated Kisses – Joji (8.4/10) The long-awaited new Joji, after 3 years… Now, if you don't know me, then "Die For You" is my favourite song of all time, and his last album, "Smithereens", is a top 10 album of all time for me, so waiting for him to drop his next release had me tense. And honestly? It's a completely new direction, but I'm vibing! Joji's signature dreamy vocals feature on top of a 1:50 rage beat that's a LOT more intense but actually complements the vocals in such a weird way, but also in such a way that adds life. I'm seriously so hyped to have a legend of this decade return; we should be so thankful for what Joji has brought to music over the past few years. 72. Eyes Closed – JISOO/ZAYN (7.5/10) BLACKPINK's Jisoo and One Direction's Zayn work together on a song that feels better than expected. I mean, you could've expected this style, but I don't think people expected it to work this well. I mean, it's a ballad that shows both their styles in a way that you could expect to see, but it's just the way they connect, with their voices sounding made together for this song, with the tone just fitting that soft but sad paradise that they're going for. 71. Maui Wowie – Kid Cudi (8.5/10) The nearly two-decade-old song reminds me of Kanye's "Graduation" but with some of a summer tint with added nostalgia that makes the song not only a fresh rap-pop tune but also something that has commercial success written all over it as well as critical success. I've heard this twice now, and I'm already hearing how addicting this can be – a TRUE throwback. 68. Leaving - Rod Wave (4/10) Previous listen: Rod makes the same rap-soul music that led me to dislike "Last Lap"; he just sounds so tired out and bored on the beat, with his songs having no real substance. Second listen: I don't like how Rod sounds like he's out of it on the beat, with his lower-tuned mumbles on top of a stale R&B beat with elements of hip-hop. I just don't think Rod has grown over the past year one bit... Is every song a cash grab, or is Wave just bad? 66. Part Of Me – A Boogie Wit Da Hoodie (7/10) A less hardcore rap about Boogie's breakups and tough time, which he doesn't exactly tell the best; his pace and choice of words don't bring this across in a great way, although I see potential with vocal effects. The vocal effects absolutely bring this listen up a few points. RE-ENTRIES: 99. Shake It To The Max (Fly) - Moliy/Silent Addy/Skillibeng/Shenseea [Didn't this song die months ago??] 98. Gnarly - KATSEYE [Billboard has to be trolling at this point.] 97. She Ready - Key Glock [Sadly this didn't really stick with me as much as my original score.] 96. What An Awesome God - Phil Wickham [Wow, these re-entries SUCK.] 88. Amen - Shaboozey/Jelly Roll [I don't mind this.] 79. Holy Water - Marshmello/Jelly Roll [It's actually pretty decent.] NOTEABLE CHANGES: Songs that climbed 10 spots or more: 84. What Kinda Man - Parker McCollum (Up 13) 80. Camera - Ed Sheeran (Up 15) 78. The Fall – Cody Johnson (Up 13) 76. What You Is – YoungBoy Never Broke Again/Mellow Rackz (Up 16) 75. Take Me Thru Dere - Metro Boomin/Quavo/Breskii/YK NIECE (Up 14) 74. Sparks – Coldplay (Up 10) 73. Went Legit – G Herbo (Up 10) 65. Nice To Meet You - Myles Smith (Up 11) 64. Darlin' – Chase Matthews (Up 14) 62. Wgft – Gunna/Burna Boy (Up 15) 61. Better Me For You (Brown Eyes) - Max Mcnown (Up 12) 59. Dracula - Tame Impala (Up 11) 58. Don't Mind If I Do - Riley Green/Ella Langley (Up 11) 57. The Dead Dance - Lady Gaga (Up 11) 55. Is It A Crime – Mariah The Scientist/Kali Uchis (Up 11) 54. Last One To Know – Gavin Adcock (Up 13) 53. So Easy (To Fall In Love) - Olivia Dean (Up 34) [HIGHEST CLIMBER] 51. Somewhere Over Laredo - Lainey Wilson (Up 11) 50. Wildflower – Billie Eilish (Up 13) 47. House Again – Hudson Westbrook (Up 12) 46. 6 Months Later - Megan Moroney (Up 15) 45. Jealous Type – Doja Cat (Up 11) 44. Shot Callin - YoungBoy Never Broke Again (Up 21) 43. 12 To 12 - Sombr (Up 14) 42. Sugar On My Tongue – Tyler The Creator (Up 10) 41. Gabriela - Katseye (Up 13) 39. No Broke Boys – Disco Lines/Tinashe (Up 11) 38. Revolving Door - Tate McRae (Up 11) 34. Back In The Saddle – Luke Combs (Up 11) 4. Ordinary - Alex Warren (Up 10) 3. Golden - Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 10) Songs that fell 10 spots or more: 100. Magnet – Cardi B (Down 19) [HIGHEST FALLER] 94. Pretty & Petty – Cardi B (Down 14) 86. Outside – Cardi B (Down 11) Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak): 84. What Kinda Man - Parker McCollum 83. Wish – Diplo/Trippie Redd 78. The Fall - Cody Johnson 76. What You Is – YoungBoy Never Broke Again/Mellow Rackz 75. Take Me Thru Dere - Metro Boomin/Quavo/Breskii/YK NIECE 74. Sparks - Coldplay 73. Went Legit - G Herbo 70. Where Is My Husband! - Raye 65. Nice To Meet You - Myles Smith 64. Darlin' – Chase Matthews 62. Wgft – Gunna/Burna Boy 58. Don't Mind If I Do - Riley Green/Ella Langley 55. Is It A Crime - Mariah The Scientist/Kali Uchis 54. Last One To Know - Gavin Adcock 53. So Easy (To Fall In Love) - Olivia Dean 51. Somewhere Over Laredo - Lainey Wilson 47. House Again - Hudson Westbrook 44. Shot Callin – YoungBoy Never Broke Again 41. Gabriela - KATSEYE 39. No Broke Boys – Disco Lines/Tinashe 37. Bar None – Jordan Davis 34. Back In The Saddle – Luke Combs BEST AND WORST: New entries: BEST - Maui Wowie - Kid Cudi WORST - Leaving - Rod Wave The whole top 100: BEST - Maui Wowie - Kid Cudi (R.I.P "Lose Control" - I will forever remember your legacy) WORST - What You Is - YoungBoy Never Broke Again/Mellow Rackz NEXT WEEK'S PREDICTIONS: Possible new entries for Morgan Wallen, Charlie Puth, Ty Dolla $ign, Teddy Swims, Ella Langley and more!

MELLOPE'S MOST STREAMED 17.10.25 #55 SONGS: 1. This Is What I Mean - Stormzy/Black Sherif/Amaarie/Ms Banks/STORRY ➡️ [2 Weeks No.1] 2. IRL - Lizzo/SZA ⬆️4 3. Pixelated Kisses - Joji NEW 4. Soldiers - Dax/Tom Macdonald RE-ENTRY 5. Please - Stormzy ⬇️2 6. D£aler - Lola Young ⬆️4 7. Sensational - WizTheMC NEW 8. One Thing - Lola Young RE-ENTRY 9. Summa Sh*t - Lizzo ⬆️15 10. Firebabe - Stormzy/Debbie ⬇️6 ARTISTS: 1. WizTheMC 2. Stormzy 3. Amaarae 4. Lizzo 5. Ms Banks ALBUMS: 1. This Is What I Mean - Stormzy 2. MY FACE HURTS FROM SMILING - Lizzo 3. Fancy Some More? - PinkPantheress 4. Madvillainy - Madvillain 5. You Can't Kill Me - 070 Shake GENRES: 1. Hip-Hop/Rap 2. Pop 3. R&B/Soul 4. Afrobeats 5. Jazz Rap

NEW MUSIC FRIDAY 17.10.25 #52 My Old Ways – Tame Impala (7.7/10) The main repeated line of "back into my old ways again" is a representation of repeating past events, which in this case feels like it's relating more to an addiction side, where you can't stop but want to. I feel a part of the electro-funk feeling repeated was a good choice to really stick in the song's meaning, as you just keep coming back to that feeling, which is in fact a good main representation of the song's definition. I find this the most interesting thing I've heard from the album so far, and I'm loving the mixing on this. DON'T KILL THE PARTY – Ty Dolla $ign (7.8/10) Ty describes an adult party with vibes in possibly the best song I've heard from him yet. The boom clap beat is fresh and brings this more hyped feeling than Ty usually gives; I honestly doubt this'll be topped anytime soon, but at least it's better than being wasted on "Vultures 3". PIXELATED KISSES - Joji (8.4/10) The long-awaited new Joji, after 3 years… Now, if you don't know me, then "Die For You" is my favourite song of all time, and his last album, "Smithereens", is a top 10 album of all time for me, so waiting for him to drop his next release had me tense. And honestly? It's a completely new direction, but I'm vibing! Joji's signature dreamy vocals feature on top of a 1:50 rage beat that's a LOT more intense but actually complements the vocals in such a weird way, but also in such a way that adds life. I'm seriously so hyped to have a legend of this decade return; we should be so thankful for what Joji has brought to music over the past few years. Changes – Charlie Puth (6.5/10) I don't get any hype that would really come around this song; it's soft pop with vocals that feel artificial and just general for pop music. He tried to brand this song as part of a "beautiful and colourful" era, but I'm just not getting that – it's still a fine, harmless song with fine production, but by no means is this judgement free. Choosin' Texas - Ella Langley (7/10) I don't mind Ella; in fact, I'd say this is actually quite a sweet country song, but I don't tend to hear much variety in her sound. Especially not nearly enough to have her own unique appeal. Not What's Going On – Ruel (7.5/10) From what I take, these lyrics remind me of wanting to be free from someone's stress that they cause you but instead having something that makes you want to return to them. Ruel expressed this in a contemporary pop production that uses elements often used in R&B, in an upbeat acoustic song. You've Got Another Thing Coming - Teddy Swims (8.8/10) With all respect to Amy Winehouse, I truly believe artists who are considered at her level would be impressed by this. And correctly so because Teddy keeps on giving with the strings and electric guitar inputs, just making one of the most powerful soundtrack songs in a while; it gives this heightened catchy intensity while remaining on the level that artists back in the day were considered classics for. I truly think Teddy has what it takes to be a great soul, if not of a year, decade or century, then of all time. Count The Ways – The Last Dinner Party (8.7/10) Wow, I'm actually quite impressed by a release by TLDP; that's a first. This song's production hook feels like something that would close a chapter to a long story, with a guitar that reaches a peak of a soon-to-be nostalgic feeling, with the drums helping that thought. It all feels wonderful in such a unique way… I want to compare it to something great that I've felt from music in the past, but I don't know how to say it. The Story Of Us – HAIM (8/10) They're back again?? Well, I'm not complaining if it means getting this alternative rock banger that still feels like it has some difference from the other routes shown in their album "I Quit". I appreciate this. Destiny – Alesso/SACHA (7.5/10) An EDM/house song that doesn't cover any new ground in the scene, although it does touch on a part of EDM we've seen before, one with high lead female vocals and fresh synths, which I like to see. Graveyard Whistling – Morgan Wallen (8.3/10) Morgan Wallen does it again! Yes, this may be a cover, but I think it's a beautiful take and choice that fits his aesthetic well. I just love how he complements the sound in a way that other country artists don't. To me, Morgan Wallen is a very special artist. Boy band – 5 Seconds Of Summer (7.5/10) I see 5SOS have got their hands on the fresh pop formula, and they've honestly put a spring in my step with the up-tempo instrumentals and character that feels like 5SOS. They're not boring; they've actually got life in their music. Lost In Devotion - Carly Rae Jepsen (7.5/10) A pop cut from Carly that continues a sound that's familiar and associated with her. I'm not pulled into this pop song, but I see why some fans would be. Still Icy - Gucci Mane (6.7/10) This is one of his songs off his new album "Episodes". I like this one, but it's still not convincing me that this album will be that good, especially with the other things I've heard from it. GOD IS REAL - Isaiah Falls (7.5/10) A soulful acoustic song that falls in line with Isaiah's other relaxing releases of songs, the next big step would be to make something more different, though. Pretty Privilege - Hudson Westbrook (7.6/10) I won't be pulling the boring country card on this! I actually think Hudson has such a soothing and sweet tone that really suits lighter country music like this. Body Go – MOLIY/Tyla (7.2/10) These two haven't collaborated, but now I think about it, I could've expected this, seeing that these two artists' styles are so similar. And honestly, I thought we'd get something with more of a main character feel, but instead we got something smoother, which I think was the better option for both. I like to hear the Afro artists in a new field, and this kind of ticks that box. In Ya City – ZEDDY WILL/DaBaby (3.5/10) Think of the accent that people stereotype with gay people, and then think of Ice Spice; well, then you've basically got "In Ya City". Delulu – Muni Long (8.2/10) ERM MUNI LONG DIVA?! I'm sorry, but it's just been a while since we've had a 4-minute stunning showcase of near-bliss R&B. This just really sets a cosy evening mood in such the right way. I also especially recommend it for fans of Mariah Carey's most recent album. Talk To You – Sam Fender/Elton John (7.8/10) This song is a great reflection on looking back at the past. I find the guitar and piano bring this live feel as if you were there, especially in the second part where the guitar shines through everything else to create an array of beauty. Who's Dat Girl – Ayra Starr/Rema (7.9/10) Strong, bold & colourful Afrobeat music where Rema doesn't shy away from the music. I like how these two ended up working together, as they sound like they'd suit each other well. Big Dawg Status – Bossman Dlow/OJ Da Juiceman (3.4/10) Do I really need to explain why overused Bossman Dlow beats that don't add anything new to the industry are bad? Come on. LMAO - BunnaB (4.9/10) Sexyy Red, PLUTO & now BunnaB. The replicas continue. I honestly can't with the industries pushing out the same sound that feels like it has to get tiring at some point. Moonshine - Alan Walker/Alley Duhé (5/10) It feels slightly less cheap than Alan Walker's usual beats that tend to feel as good as a free Google stock image; this is only slightly better. Maelstrom - Skullcrusher (7/10) Bing Bong - bbno$/VNLLA (7.2/10) I expect Bbno$'s new 21-song album to get boring fast, although before that, at least I can enjoy a nice club song, one where the bouncy beat has siren noises and heightened parts that make it feel alive. Freak Show – Monaleo/Lizzo (8.3/10) Lizzo has been on a run this year that'll be remembered by me for a long time, and now she just keeps adding to that run!! This song switches from the fiery & unapologetic energy to a lighter singing which has a similar structure to Lizzo's "IRL". I'm absolutely hyped for Lizzo's next drops, even despite her cancelling the release of "Love In Real Life" (at least for now). Skin Cleared – Ashnikko (7.5/10) The beat lands somewhere between intense electro-pop and rage, whilst Ashnikko's voice makes me think of K-pop group BLACKPINK. Overall this kind of serves; bad bitch energy was given. So Sad So Hot – Chloe Qisha (7.6/10) Chloe's latest song proves that she has serious potential to be a big industry name, and the growing hype supports that. Think About Us – Sonny Fodera/D.O.D/Poppy Baskcomb (6.5/10) Synths that have some life but overall still feel stale compared to Sonny's past hits and what else he's shown us. I don't think this'll do it for many people; it's just fine EDM, just fine. 8PM - Nemzzz (5.4/10) How did we get Peter Griffin and repenting mentioned in the same hook?! Ok, so this is what we've already heard from Nemzzz: the same rushed UK rap that doesn't deserve to be remembered in the scene. It's a skip. Mini Me - Redveil (8.1/10) Human Happens - Magdelena Bay (7.4/10) Magdelena Bay returns after her last extremely well-received single, and I'm starting to piece together the direction she's going; it feels like a better "Imaginal Disc" with her voice being light but also gliding on the song beautifully. EL TOQUE – Daddy Yankee (7/10) Fine Spanish music, but nothing that impressive. I Like Ur Look – Kim Petras (5.5/10) I just don't get this huge love for the new Petras songs. I see the improvement, but it's really not enough for me to care. This is another Charli XCX-like electropop song which feels like something I've heard many times. Super Nintendo – Armand Hammer/The Alchemist/Billy Woods/E L U C I D (7.1/10) Leavin – Rod Wave (4/10) Rod makes the same rap-soul music that led me to dislike "Last Lap"; he just sounds so tired out and bored on the beat, with his songs having no real substance. Sugar – All Time Low/Jojo (6.3/10) Upbeat radio pop which is decent but not even enough to get your head bopping. PT Cruiser - MoRuf/SZA (6.5/10) A chill song where SZA brings some hip-hop roots; overall, it's a fine little song. I don't think it serves that much of a purpose. Morning Messenger - Madison Ryann Ward/Gio. (7.7/10) A lighter song that gets stuck in your head a little. SAN ANDREAS - Tommy Richman (8/10) A two-minute song with groovy synths which remind me of Bandlab's "alien synths", along with the usual hip-hop production that's a main element of Tommy's earworm hooks. With every song, this guy's music is just growing on me more. Greed - Bryant Barnes (7.5/10) I love Bryant's deep vocals that add to songs' dark sides. I'm really looking forward to hearing the full album! 6 Feet Under – Carter Vail (7.1/10) Ex Machina - Yves (8/10) After hearing her feature on the PinkPantheress deluxe, I became curious for more, and she didn't disappoint. I certainly loved hearing her chiller side. Tell me – Sassy 009/Blood Orange (7.2/10) Independent - Kocky Ka/Hunxho (4/10) This isn't the worst; I mean, I can tell that the song is trying to go deep with emotion with the humming backing. I feel the emotion, but it feels like a bad attempt that Rod Wave would do. It's not for me, or probably for most rap listeners. MACHINE GHOST - Erin Lecount (6.4/10) This song is apparently about disconnecting yourself from the moment you're in, in which Erin describes the scenario at a party. I think many people can relate to this, mostly people who have social anxiety, of course, but I still think others can relate. Aside from the meaning, I just don't feel like this song has "that part" which sticks with you. Supa Smoov – Locky/Luke Dean (7/10) A sex-funk song with the DJ's vocals infused into the exciting mix. I'd say this could go places or land a chart placement. Barry Wonder – Bees & Honey/Ruger/Daecolm/10.93 (4/10) Bees & Honey is discovering his sound even more, as he wants to keep the part of the music that's like upbeat Afro music, but instead the producer turns this into a dance song, which I think wasn't the best decision. The song loses flavour and just feels like there's not much to this. Sweat – Melanie C (7.6/10) Sampling 1980s pop energy, Mel goes full disco with a pumped-out song that sounds fit for a workout; it's bright, energetic and something for many generations to enjoy! Miss Provocative – Piri & Tommy (7.8/10) Float 2.0 – Kairo Keyz/Thiago Sub (7.6/10) A short and sweet UK rap-jazz song which separates itself from the UK rap stereotypes. I'm actually quite pleased with this release myself; it shows people are willing to at least try and bring back the older jazz sound more. Dead And Gone – Leigh-Anne (7.5/10) For anyone unaware, this song was released shortly after Leigh-Anne announced her first solo album, and I honestly believe this single is a good way to hype people up. I don't think critically this will be received as crème de la crème, but I certainly see the substance and connection with this vibe of a pop-reggae song, especially with more connection since it's from the ex-Little Mix member. Angoon - Portugal. The Man (8.2/10) It wasn't the easiest to decipher the song's meaning, but despite that, I still found it a vibe. It's definitely better than the one other song I heard from him. Peace – LeoStayTrill/Str8 Reload (7.5/10) Woke World - Tom Macdonald (2.5/10) You support Trump but criticise specifically billionaires trafficking children on islands? Hmm, I wonder who could possibly be associated with those kinds of people. Production-wise this song is the same as his other "sing clap rap" songs – rubbish. Open The Door – David Byrne/Hayley Williams (7.2/10) Please Don't Hate Me - Cat Burns (8.2/10) Cat's music has such a genuine personality to it that it feels like Cat Burns representing who she wants to be in HER music, and I love that. With that being said, I also love how this has that beautiful dreamy essence that makes me want to listen to Cat to begin with! This song fits more of something that I'd expect to hear Elton John on, with its light piano, and in the second half where the guitar is more prominent. I do think this is a massive step down from what else we've got from Cat in the past, though! Let's just hope she'll drop at least a top 3 album of 2025 by the end of the year. Old Tricks – Thomas Rhett/Niall Horan (7.2/10) One Direction member Niall hops on 2024's "Old Tricks" for a remix – one that's fine for a country song, but I don't think Niall adds much. I suspect this remix was for money or fame, despite it still being fine. It Depends (The Remix) - Chris Brown/Bryson Tiller/Usher (6.6/10) USHER adds an interesting layer of tuning to the song that maybe makes me think better of it. (but not by a massive amount) Somewhere Between – Willie Nelson (6.5/10)