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We’ll just have to soldier on until they appear….

Line up for 2 July - Cinderella - Mac Miller / Ty Dolla Sign (21), Boston - Stella Lefty (18), Earrings - Malcolm Todd (17), On Tonight - Silva Bumpa (14), Free Your Mind - Propsa & Cloonee (12), Choosin’ Texas - Ella Langley (9), Billie Jean - Michael Jackson (3), Rein Me In - Sam Fender / Olivia Dean (1) Line up for 9 July - Self Aware - Temper City (28), My Body Isn’t Ready - Sombr (27), Lush Life - Zara Larsson (25), Dai Dai - Shakira / Burna Boy (18), Material Lover - Sienna Spiro (14), Hate That I Made You Love Me - Ariana Grande (5), American Girls - Harry Styles (4), Rein Me In - Sam Fender / Olivia Dean (1) Line up for 16 July - The One That Got Away - Katy Perry (31), Don’t Stop Believin’ Journey (27), Movin’ to the Sun - Hugel / Imael Angel / Ultra Nate (22), Three Lions - Baddiel & Skinner / The Lightning Seeds (21), Talk to You - Anotr / 54 Ulta (14), Wonderwall - Oasis (11), Choosin’ Texas - Ella Langley (5), Rein Me In - Sam Fender / Olivia Dean (1) Line up for 23 July - Ordinary - Alex Warren (23), Vindaloo - Fat Les (20), Boston - Stella Lefty (18), On Tonight - Silva Bumpa (15), Material Lover - Sienna Spiro (14), Free Your Mind - Propsa & Cloonee (7), Dai Dai - Shakira / Burna Boy (5), Rein Me In - Sam Fender / Olivia Dean (1)

0130 What’ll I Do - Julie London 14/04/1956 This became a much-loved standard (composed by Irving Berlin) long before Julie London recorded this intimate version. London's smoky voice and understated style perfectly suit the song's theme of longing after the end of a relationship. It has a sparse jazz accompaniment and late-night atmosphere, and captures the quiet melancholy that made London one of the most distinctive vocalists of her era.

0129 Too Darn Hot - Ella Fitzgerald 15/03/1956 Another Cole Porter composition, this time for the 1948 musical l Kiss Me, Kate. Fitzgerald's interpretation shows effortless swing, impeccable timing and crystal-clear diction that bring Porter's witty lyrics vividly to life. Backed by lush orchestral arrangements, she combines technical brilliance with infectious warmth, creating one of the definitive versions of this classic show tune and reinforcing her reputation as the "First Lady of Song."

0128 Long Tall Sally - Little Richard 01/03/1956 This song’s breakneck pace, pounding piano and explosive vocals showcased Little Richard at his electrifying best. Its infectious energy made it a favourite with both fans and fellow musicians, and it was later recorded by artists including The Kinks and The Beatles. Fast, exciting and full of swagger, it’s of the key records of early rock and roll.

0127 On the Street Where You Live - Vic Damone 27/02/1956 Adapted from the musical My Fair Lady, " this UK No 1 captures the excitement of being close to someone you love, even if they are unaware of your feelings. Damone's rich, romantic baritone and polished style brought the Broadway standard to a wider audience.

0126 Heartbreak Hotel - Elvis Presley 27/01/1956 Elvis’ first US No 1 Pop Hit (reaching No 2 in the UK), the song was inspired by a newspaper report about a lonely man who died by suicide, leaving behind the note, "I walk a lonely street." Its haunting atmosphere, echoing production and Presley's powerful vocal created a sound unlike anything heard before. "Heartbreak Hotel" is a landmark recording that confirmed Elvis as THE face of rock and roll.

0125 I’ve Got You Under My Skin - Frank Sinatra 15/01/1956 Originally written by Cole Porter for the 1936 musical Born to Dance, this became one of Sinatra's signature recordings on his album Songs for Swingin' Lovers!. The brilliant arrangement by Nelson Riddle, featuring a dramatic trombone solo by Milt Bernhart, builds from quiet intimacy to a thrilling climax. Sinatra's impeccable phrasing and effortless swing transformed the standard into one of the finest vocal recordings of all time.

0124 See You Later Alligator - Bill Haley & His Comets 15/01/1956 How do you follow up “Rock Around the Clock”? Well, this song's playful lyrics, catchy refrain and driving rock and roll rhythm made it another instant favourite at the time. It’s an energetic recording, full of bounce and enduring cheer.

0123 Why Do Fools Fall in Love - Frankie Lymon & the Teenagers 10/01/1956 Fronted by the 13-year-old Lymon, this song’s youthful energy, infectious harmonies and catchy melody captured the excitement of teenage romance like few records before (or maybe even since). The song became an international success (including an UK No 1) and influenced countless vocal groups that followed.

0122 Blue Suede Shoes - Carl Perkins 01/01/1956 The defining record of rockabilly. Inspired by a soldier fiercely protecting his prized shoes at a dance, it has an infectiously twanging guitar and youthful attitude - no wonder that it the first country record to cross over to the pop and R&B charts in the US so successfully. Although later recorded by Elvis, Perkins' original remains is the cornerstone.

0121 Folsom Prison Blues - Johnny Cash 15/12/1955 One of The Man in Black’s first breakthroughs, helping to establish his distinctive outlaw image. Self-penned, the song tells the story of a prison inmate haunted by regret as he hears a train passing beyond the prison walls. Its unforgettable opening line and driving rhythm became Cash trademarks. The song reached legendary status after his live performance at Folsom State Prison in 1968, cementing its place as one of country music's greatest classics.

0120 The Great Pretender - The Platters 03/11/1955 Later covered by Freddie Mercury, "The Great Pretender" became one of The Platters' biggest international succeses. Written by Buck Ram, it is about someone hiding heartbreak behind a smile, combining poignant lyrics with the group's rich harmonies and the typical soaring lead voice of Tony Williams. Elegant and emotional, it remains one of the definitive love songs of all time.

0119 Tutti Frutti - Little Richard 01/11/1955 This announced the arrival of Little Richard as one of rock and roll's most electrifying pioneers. Co-written with Dorothy LaBostrie, the song's pounding piano, explosive vocals and unforgettable opening cry captured the excitement of a new musical era. Although some of the original lyrics were toned down before recording, none of the song's energy was lost. Its influence on future artists is immeasurable.

0118 Come Rain or Come Rain Shine - Billie Holiday 15/10/1955 One of the great American standards after originally being written for the1946 musical St. Louis Woman, Holiday's interpretation is typically moving. She has such fragile yet expressive voice that brings extraordinary depth to a song about unwavering love through good times and bad. Holiday's unique phrasing and emotional honesty transforms every lyric into lived experience, making this version a timeless example of her incomparable artistry.