October 23, 20204 yr If she knows so well the importance of playlists, she should put pressure on her label and management and have her added to HH otherwise nothing will happen, which is a pity Heaven on My Mind got crazy HH support, but not sure which label was paying, probably Sigala's
October 26, 20204 yr Annoying this isn’t doing much so far, for me it’s easily her best since I Could Get Used To This, it’s really gorgeous.
November 3, 20204 yr It's nice, but I haven't really felt compelled to return to it more than a couple of times. Has it even charted?
November 11, 20204 yr Is it too early to call this a misfire? If so, it will regrettably prove what we have all tried to convince ourselves otherwise which is that it is evident that Becky requires a big name next to hers to guarantee a hit, because on her own names merit she just can’t cut it. :(
November 11, 20204 yr You're right but ShiftK3y was hardly a superstar though. The song doesn't sound like a smash, but it's a shame it's doing so poorly. She did say in the interview I posted earlier in the thread that it's an important single for her but she's prepared if it does poorly and she's got other songs ready. Come on Becky :( Edited November 11, 20204 yr by Andrew.
November 11, 20204 yr Hardly her fault or the song's fault if her label doesn't pay to have it added to Hot Hits no investment, no result... so it's the label's fault
November 11, 20204 yr Yeh, I don’t think it’s about the featured artist but more about trying to get success as a pop act rather than being seen as a dance vocalist. As Andrew says, it’s not as though Shift K3y is a regular feature on the charts and neither is WEISS. I think it’s wrong for her and the label to have this as an ‘all or nothing’ single. In this day and age, that’s only fair when you’ve got a MASSIVE single up you sleeves. Space isn’t that song.
November 11, 20204 yr Yeah it's not so much that Becky on her own, sans features isn't attractive to the GP but the fact that Spotify are so reluctant to support her. Space has done okayish on Apple, although not at the level of other dance-pop hits that do well on Apple but poorly in Spotify. I hope we still get the album in March, I mean if she put I Could Get Used To This, Better Off and Heaven On My Mind on it (plus a feature or two) it could still do decent streaming numbers? Her voice is so perfect :cry: yes Heaven was a bit autopilot but otherwise she's not put a foot wrong. Edited November 11, 20204 yr by Andrew.
November 11, 20204 yr Klaus has the best point here, the problem with this is it's not a big basic dance bop, not even now that the label have literally sped the track up to try and get it going in the chart. that's probably why Spotify were reluctant to support it too. seems history was sadly going to repeat itself with this being part 2 of Losing (go and listen to this if you've forgot about it, it's great and really should've been a top 10) underperforming following the big hits of Afterglow & Gecko.
November 13, 20204 yr Looks like this just manages to re-enter the UK Top 100 this week at #99 but still 20 places lower than it’s peak of #79.
November 18, 20204 yr Klaus has the best point here, the problem with this is it's not a big basic dance bop, not even now that the label have literally sped the track up to try and get it going in the chart. I thought my mind was playing tricks on me. Crazy that they did that, I wish I'd downloaded it on iTunes before they sped it up (as surely they can't push through a patch on an old download, or can they?). Edited November 18, 20204 yr by gooddelta
December 5, 20204 yr Shane Codd Remix is out today as an Amazon exclusive And now with audio 0j3lbaERQF8
Create an account or sign in to comment