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aydafieldwilliams

One day later and still full of Easter chocolate 🐣🐣🍫@robbiewilliams #family #easterweekend AWxx

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Hail Keanu,
I think these photos are from ’96.
I’d been out all night and went straight to the shoot from a club; Browns.
It was my first time meeting photographer Julian Broad, who I love.
The gentlest of gentlemen.
We’ve done countless shoots since this one.
I don’t remember what the shoot was for.
And by the looks of it, my willy doesn’t know what it’s for either.
We all like to think,
“Back in the day I could go from the club to work…”
I couldn’t then.
I couldn’t now.
But I did.

I’m not a fan of how I look.
I don’t like what I see in the mirror… or in photos.
But I can see I’m not ugly here.
In fact… I think I look quite handsome.
That’s a strange thing to admit.

I’m not fishing for compliments either, I’m just sharing.

Thank you for your writing ideas. I’ve started something… It’s quite long.
(Fill in with your own willy joke.)
Stay tuned….
Namaste FFS

📸 @julian_broad_studio

Edited April 9Apr 9 by Sydney11

Source https://www.instagram.com/robbiewilliams/

Hail Keanu,
Intuition asks -
“What is something you believe that most people don’t talk about?”
Well… I don’t believe with a big B.
But I think all sorts of things people would deem the domain of the lunatic are… possible. Small p.
Want a list of things I think are at least on the table?
You’re having one anyway.
Angels/Jesus/UFOs / UAPs (whatever we’re calling them now)/Ghosts / Spirits/Poltergeists/Hauntings/Shadow people/Residual energy / “stone tape theory”/Alien abduction/Greys, Nordics, Reptilians/Men in Black/Crop circles/Ancient aliens / intervention theory/Loch Ness Monster/Bigfoot / Sasquatch/Mothman/Chupacabra/Jersey Devil/Yeti/Telepathy/Telekinesis/Remote Viewing/Astral projection/Lucid dreaming/Past lives / reincarnation/Time travel/Time slips/Déjà vu/Parallel universes/Simulation theory/Demons / Entities/Near-death experiences/life after death/Karma/Synchronicity/Consciousness beyond the brain/Energy fields / auras / Psychedelics as access points / Interdimensional beings /Quantum consciousness… Even f***ing Mermaids.

Hold on.
Not actually f***ing them. You know what I mean!
Look.. I’m not saying, “This is real.”
I’m just saying, “I’m not sure it isn’t.”
So… two little “the universe is having a laugh” moments from a week last Friday….
I’m writing some lyrics (a rap, actually ) and I mention a certain company.
Very niche. Not something you’d casually know. Not something I’ve ever said out loud…
The following Monday they ask for me to be considered for a project.
Only I had heard the song.
The day before that, I’d phoned my managers and said “We need to collaborate with a dance label” for something I’m working on…
They suggest a company….
The next day…
the Head of that company arrives and is staying at the same resort as me and my family.
Same place. Less than a minute’s walk away….
Never met him before.
Lovely fella.
If that’s coincidence, they’re pretty big coincidences.
And it happens. All the time.
More and more as I get older.
At what point does “mad” become
“ a noticeable pattern”?
You got any coincidence stories?
Namaste FFS,
Small p Bob x

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Great article

The Magic of Robbie Williams and the Power of the Crowd

There are artists who meticulously control every second of their performance-every note, every light cue, every movement planned to perfection. And then there’s Robbie Williams.

At first glance, that might sound like a contradiction. After all, Robbie Williams is known for his commanding stage presence, his charisma, and his ability to hold tens of thousands of people in the palm of his hand. But what truly sets him apart isn’t control-it’s his willingness to let go of it.

“Angels” and the Power of Letting Go

When the Crowd Becomes the Artist

Take his performance of Angels, arguably his most iconic track. He knows the song’s power. He knows the audience will sing every word, often louder than the speakers themselves. And instead of dominating that moment, he steps back. Literally. He gives thestage-and the spotlight-to the crowd.

In most concerts, that might feel like a cop-out. Fans pay to hear the artist sing, after all. But in that moment, something remarkable happens. The performance transforms into something collective. The boundary between artist and audience dissolves. It’s no longer a show being delivered-it’s an experience being shared.

When the Crowd Becomes the Artist

[Front+Back] Robbie Williams with Roy Division Unknown Pressures Shirt

And perhaps that’s the real mark of someone who has “already won it all.” Not the need to prove anything, but the confidence to relinquish control.
A similar moment comes to mind with Noel Gallagher during a performance at Lollapalooza in San Isidro. When he played Don’t Look Back in Anger, he did much the same thing-letting the audience carry the song. At first, it can feel surprising, even slightly disappointing, especially if it’s your first time seeing him live. You expect to hear him, not thousands of voices around you. But then something shifts.

You find yourself singing-maybe off-key, maybe louder than you intended-but completely immersed. The imperfections don’t matter. In fact, they’re the point. It becomes one of those rare moments where music stops being a performance and becomes a memory you own.

Imperfection Makes the Moment

For many, those are the moments that stay with you long after the lights go down.
That’s the paradox of artists like Robbie Williams and Noel Gallagher. They could control everything, but they choose not to-at least not all the time. They understand that the most powerful part of live music isn’t perfection; it’s connection.

Beyond the Stage: Fame, Criticism, and Reality

The Magic of Robbie Williams and the Power of the Crowd

Of course, stepping back doesn’t mean stepping away from the spotlight entirely. Artists of this caliber still carry the weight of public scrutiny. Recently, Robbie Williams made headlines for firing back at a podcast host who labeled him a “fraud” and a “redcoat.” True to form, he didn’t stay silent. His response was sharp, emotional, and very public-a reminder that even seasoned performers are not immune to criticism or conflict.

Why These Moments Stay With Us

But in a way, that contrast makes those onstage moments even more meaningful. Offstage, there are opinions, headlines, and controversies. Onstage, there’s just the music-and the people.

Maybe that’s why moments like “Angels” resonate so deeply. They strip away everything else. No ego, no defense, no noise-just a shared voice rising from the crowd.

The True Power of Letting Go

In the end, it’s not about whether the artist sings every note. It’s about whether they create a space where something real can happen. And when someone like Robbie Williams steps aside, even for a minute, he’s not losing control.

Conclusion: Robbie Williams and the Power of the Crowd

What makes live music unforgettable isn’t just technical perfection or flawless vocals-it’s the feeling of being part of something bigger than yourself. Artists like Robbie Williams and Noel Gallagher understand that deeply. By stepping back and allowing the audience to take over, they transform concerts into shared emotional experiences rather than one-sided performances.

The Magic of Robbie Williams and the Power of the Crowd

Robbie Williams say struggles with ‘mental illness and drugs and sh*t’ fuelled career resurgence

Robbie Williams says past pain helped a creative resurgence and feels like a "brand new artist".

By Louisa Eagle

Wednesday, April 15, 2026 12:49 PM

Robbie Williams says his past struggles with mental illness and drug addiction have contributed to a renewed sense of purpose in his career - insisting he feels like a “brand-new artist again”.

The Angels singer has long been open about his struggles with inner demons at the height of his career, which saw him rise from boyband success with Take That to one of the UK’s biggest ever solo pop stars before periods of rehabilitation and time away from the spotlight.

Now, Robbie Williams says those same experiences have helped shape what he describes as a renewed chapter in his music career.

Robbie - who scored his 16th number one album this year with BRITPOP - said performing in Las Vegas forced him to reintroduce himself to audiences unfamiliar with his work, despite his long-standing success in the UK and internationally.

He told Esquire: “I did a residency at the Wynn in Vegas, and because North America is not acquainted with what I do pervasively, I had to sell myself to the people who book the acts. I was like, 'Mate, I’m a swear-y Frank Sinatra with tattoos.'

“I’m in these stadiums doing these massive shows, but people at dinner parties are asking me if I still do music. I feel as if I’m a brand-new artist again, and I’m about to experience my business in a way I didn’t the first time around because of mental illness and drugs and shit.”

He said the experience of restarting in some markets has reshaped how he views his career trajectory and creative identity.

Williams catapulted to fame in 1990 with Take That alongside Gary Barlow, Mark Owen, Howard Donald and Jason Orange, describing it as a disorientating experience that had a massive psychological impact and changed his relationship with success.

He said: “Whatever happens when you get the bends is what happens when you become famous.”

But despite the personal setbacks, Robbie feels more grounded and creatively energised than before.

He said: “I feel as though I’m about to get lucky again, and this time I’m grateful and happy. I’m wide-eyed. I’m new again.”

The father-of-four says fatherhood fundamentally changed his priorities and sense of responsibility.

Robbie said: “When my first kid, Teddy, arrived, it was terrifying for so many different reasons. I couldn’t look after myself. How on earth was I going to look after a precious soul?”

Robbie and his wife Ayda Field have daughter Theodora (Teddy), 13, Charlton (Charlie), 11, Colette (Coco), seven, and Beau, five.

Robbie Williams say struggles with ‘mental illness and drugs and sh*t’ fuelled career resurgence | Contactmusic.com