March 7, 2025Mar 7 1 minute ago, Mangø said:Feel bad for the Lathums!Same, I expected Sabrina to overtake, but not Architects!
March 7, 2025Mar 7 Yeah definitely would’ve taken a Please Please Please play over Bed Chem! PPP might just be my favourite Sabrina song at this point, absolutely heavenly ❤️Really like Denial is a River too!
March 7, 2025Mar 7 Unfortunately don’t see the hype with Doechii dk how she won rap album of the year at Grammy’s… however I like Anxiety with Sleepy Hallow
March 7, 2025Mar 7 Stepped away for a sec, surprised Architects leaped to 2! Very strong top 5 even if a new entry isn't number 1. Was Nokia skipped?
March 7, 2025Mar 7 Author 16 | 13 | 16th weekSam FenderPeople Watching1st single from People WatchingReleased: 15th November 2024Label: Polydor RecordsChart StatisticsNE (28/11/2024) | 4-11-33-41-45-97-19-20-20-19-18-29-31-26-13-16Sales: 200,000+Certification: SilverStatus: Standard Chart Ratio01 Sales17 Audio Streamingxx Video StreamingVideoBiographySam Fender crafts the kind of tenacious anthemic rock that punches straight at the gut. Born and raised in 1994 in the northeastern English town of North Shields, the singer/songwriter first picked up a guitar at age 10 and began playing gigs locally as a teen to help support him and his mother. But it wasn’t until he started writing music for himself—rather than what he thought others wanted to hear—that everything started to click. That’s when he wrote his 2017 debut single, “Play God”, a propulsive, politically charged slice of indie rock. It came from a place of deep desperation, “a time where I was like, ‘I need to prove myself. I need to do something that cuts through,’” he told Apple Music. The track earned him a slot on BBC’s Sound of 2018 shortlist, which led to a deal with Polydor Records and the release of his acclaimed 2019 debut, Hypersonic Missiles, an album that channels modern-day anxiety through heartfelt heartland rock. His 2021 follow-up, Seventeen Going Under, hit even harder, pumped full of soaring arrangements and bold statements that continue to prove Fender’s power as a mighty millennial voice for the working class. - Apple MusicTop 100 Chart History2019 89 Play God -1-2019 48 Hypersonic Missiles -2- MILLIONAIRE2019 43 Will We Talk? -3-2019 59 The Borders -IG-2021 03 Seventeen Going Under -1- MILLIONAIRE2021 48 Get You Down -2-2021 41 Spit Of You -3-2022 47 Getting Started -4-2022 61 Alright -PS-2022 71 Wild Grey Ocean -5-2024 05 Homesick (Noah Kahan & Sam Fender)2024 04 People Watching -1-2025 14 Arm's Length -2-2025 94 Wild Long Lie -IG-2025 48 Remember My Name -IG-2025 24 Little Bit Closer -AT-0 x #1 | 3 x Top 5 | 3 x Top 10 | 4 x Top 20 | 5 x Top 40 | 16 x Top 100Social Media Sam Fender
March 7, 2025Mar 7 People Watching ❤️❤️ Still can’t get enough of this, right up there with my favourite songs by Sam!
March 7, 2025Mar 7 Seems the Brits performance of this could only slightly offset the album effect wearing off.
March 7, 2025Mar 7 2 minutes ago, TheSnake said:I like ___ I like ____ I like ____ I mean, I like _____ I like _____by _____ you mean drugs?Um I wouldn’t-drugs? 🧐No it’s a-No? 🧐It’s a natural plant-No I'm not judging… I’m just saying
March 7, 2025Mar 7 Author 15 | | 2nd weekSleepy Hallow featuring DoechiiANXIETY5th single from Boy Meets WorldReleased: 15th September 2023Label: Winners Circle Entertainment / RCA RecordsChart StatisticsNE (28/09/2023) | 52-xRE (13/03/2025) | 15Sales: 100,000+Certification: -Status: Standard Chart Ratioxx Salesxx Audio Streamingxx Video StreamingVideoBiographyWhen Sleepy Hallow’s “Deep End Freestyle” started catching on social media in early 2020, it seemed like the perfect encapsulation of Brooklyn drill: minimal, melodic, and intense—and at two minutes, the kind of track that begged to be played back-to-back-to-back. Born Tegan Chambers in 1999, Sleepy—alongside frequent collaborator Sheff G, producer Great John, the late Pop Smoke, and others—has emerged as one of the freshest voices in New York hip-hop, providing solid counterprogramming to a landscape still mostly dominated by trap. As a rapper, he’s mercurial but spirited, throwing himself into different flows and rhythmic pockets with an enthusiasm that makes even his most threatening verses light up with a kind of happy mischief (“Tip Toe,” “Baddie Betty Boop”). And though he continues to represent Flatbush and Brooklyn drill, his sound has gotten increasingly diverse, dabbling in Latin pop (“Breakin Bad”), New Agey atmospherics (“Molly”), and guitar ballads (“Weight on Me”)—proof that he can represent his scene without being confined by it. - Apple MusicTop 100 Chart HistorySleepy Hallow2020 93 Deep End Freestyle (Sleepy Hallow & Fousheé) -1-2021 21 2055 -1-2022 45 Die Young (feat. 347aidan) -1-2023 15 ANXIETY (feat. Doechii) -2-0 x #1 | 0 x Top 5 | 0 x Top 10 | 1 x Top 20 | 2 x Top 40 | 4 x Top 100Doechii2023 63 What It Is -NAS-2023 15 ANXIETY (Sleepy Hallow feat. Doechii)2025 09 DENIAL IS A RIVER -2-2025 66 NISSAN ALTIMA -1-2025 37 ExtraL (JENNIE & Doechii)0 x #1 | 0 x Top 5 | 1 x Top 10 | 2 x Top 20 | 3 x Top 40 | 5 x Top 100Social Media Sleepy Hallow Doechii
March 7, 2025Mar 7 Author Hoping the original Doechii version of Anxiety takes off more than this, I don't mind this but I don't really have any need for it when her original version is much better.
March 7, 2025Mar 7 Yeah this is doing absolutely nothing for me on first listen, and don’t think the sample works at all.
March 7, 2025Mar 7 With "Guess" spending 20 weeks in the chart, "BRAT" is Charli's first album to have two songs chart 20+ weeks. The other song is "360", which did 22 weeks.
March 7, 2025Mar 7 Author 14 | 07 | 26th weekKendrick Lamar and SZAAll The StarsSoundtrack single from Black PantherReleased: 4th January 2018Label: Top Dawg Entertainment / Aftermath / Interscope RecordsChart StatisticsNE (18/01/2018) | 33-36-37-37-28-11-5-7-8-8-10-25-30-34-39-59-65-62-66-72-82-xRE (05/07/2018) | 97-xRE (20/02/2025) | 11-5-7-14Sales: 2,000,000+Certification: 3x PlatinumStatus: Standard Chart Ratio15 Sales03 Audio Streaming14 Video StreamingVideoBiographyKendrick LamarIn an interview with Apple Music, Kendrick Lamar reflected on his 2015 album To Pimp a Butterfly—in particular, the song “Alright.” It wasn’t that it sold well (it did). It wasn’t that it won awards (it did). It wasn’t even that it broke new ground for where hip-hop might go. For Lamar, the success was that people sang it in the streets. “A lot of people don’t have voices out there,” he said. “So to see them actually express themselves through song, through lyrics that I wrote?” For a kid from Compton whose life was transformed by hip-hop, the fame was nice, but the singing, the spirit, the possibility that his music was opening a cultural inroad for people joining the fight for civil rights—that was real. He might’ve been writing alone. But he was speaking for many. Born in 1987, Lamar grew up under the influence of JAY-Z, Eminem, and 2Pac—for the wordplay, for the imagination, for the heart and sense of community. Given its popularity, Lamar’s music can be surprisingly dense, taking shape in winding, album-length narratives (good kid, m.A.A.d city), live-band hybrids of jazz and funk (To Pimp a Butterfly), and quasi-conceptual explorations of self (2017’s Pulitzer Prize–winning DAMN.). Yes, he wants greatness. But he wants it on his own terms. “I’m not doing it to have a good song,” he said. “Or one good rap. Or a good hook, or a good bridge. I want to keep doing it every time, period. And to do it every time you have to challenge yourself, and you have to confirm to yourself—not anybody else—that you’re the best.” Five years after the release of DAMN., Lamar continued his self-administered competition with Mr. Morale & the Big Steppers, an album that was as cathartic as it was exhilarating. Cultivated during a time he sought therapy, the release saw the rapper find creativity, controversy, and clarity as he unearthed the dormant trauma beneath his own rap stardom. Inventive and unsparing, the LP gave new dimensionality to an artist and an entire community, proving that, sometimes, the best tests are the ones we give ourselves. - Apple Music SZASolána Rowe had a weird time growing up. Jersey suburbs, orthodox Muslim household, parents working their way through corporate America, wanted to fit in, couldn’t. She got bullied for wearing a hijab after 9/11 and became the kind of teenager who, on at least one occasion, drew the police into a chase while joyriding in the family car. “[My parents] were only strict because they were reasonable,” she told Apple Music in 2017. “Like, they’re Black, they come from the South and Midwest, they don’t come from anything…they’re not tryna take a gang of risks.” That Rowe had her own ideas about how to live didn’t help. “I rebelled really hard, and I learned everything the hard way,” she said. “I’m very hard-headed, very curious.” It’s a balance—rebellious but insecure, expressive but self-conscious, dreamy but alert—that has made Rowe resonant, but also an anomaly, the kind of artist who doesn’t ignore her quirks or contradictions, but brings them to the table in all their messy human glory. After self-releasing a couple of EPs in her early twenties (she took her name from the Nation of Islam’s Supreme Alphabet—Savior Zig-Zag Allah), she became the first female artist signed to Top Dawg Entertainment, joining future collaborators Kendrick Lamar and Jay Rock. Released in 2017, her debut album, Ctrl, put her at the vanguard of contemporary R&B, mixing the expressivity of classic soul with a hazy, synth-heavy atmosphere and a playful sense of lyricism that brought Rowe’s inner monologue out. “Even with the heels and tighter clothes and other things, I’m still just me,” she said. “I still have a lot of anxiety about the world, and my thoughts and what people think about my thoughts.” Following a five-year gap, SZA returned in 2022 with SOS, an album that crystallised her status as one of the most dynamic and commercially dominant singer-songwriters of her era. Coated in an eclectic mix of hip-hop, R&B, folk, electronica and more, the second LP finds SZA tackling imperfect love, with tracks like the No. 3 hit "Kill Bill" and the Grammy-winning "Snooze" embodying the type of songwriting that can be as ironic as it is heartfelt—a trademark for artists that turn emotional chaos into idiosyncratic grace. Her Apple Music Live session, performed at Brooklyn's Barclays Center, was broadcast in January 2024. - Apple MusicTop 100 Chart HistoryKendrick Lamar2012 57 Swimming Pools (Drank) -1- MILLIONAIRE2012 50 F**kin' Problems (A$AP Rocky feat. Drake, 2 Chainz & Kendrick Lamar)2013 79 Backseat Freestyle -2-2013 77 YOLO (The Lonely Island feat. Adam Levine & Kendrick Lamar)2013 15 Give It 2 U (Robin Thicke feat. Kendrick Lamar)2013 94 Love Game (Eminem feat. Kendrick Lamar)2014 31 It's On Again (Alicia Keys feat. Kendrick Lamar)2014 20 i -1-2015 56 King Kunta -3-2015 76 Wesley's Theory (feat. Clinton) -AT-2015 77 These Walls (feat. Bilal) -AT-2015 83 The Blacker The Berry -2-2015 92 Institutionalized (feat. Bilal) -AT-2015 04 Bad Blood (Taylor Swift feat. Kendrick Lamar) MILLIONAIRE2016 57 untitled 02 l 06.23.2014. -AT-2016 67 untitled 03 l 05.28.2013. -AT-2016 87 untitled 01 l 08.19.2014. -AT-2016 93 untitled 07 l 2014 - 2016 -AT-2016 88 Wolves (Kanye West feat. Kendrick Lamar)2016 40 Freedom (Beyoncé feat. Kendrick Lamar)2016 05 The Greatest (Sia feat. Kendrick Lamar) MILLIONAIRE2016 05 Don't Wanna Know (Maroon 5 feat. Kendrick Lamar) MILLIONAIRE2016 30 Sidewalks (The Weeknd feat. Kendrick Lamar)2017 61 The Heart Part 4 -NAS-2017 06 HUMBLE. -1- MILLIONAIRE2017 18 DNA. -AT-2017 27 LOYALTY. (feat. Rihanna) -2-2017 33 ELEMENT. -AT-2017 39 LOVE. (feat. Zacari) -3-2017 45 YAH. -AT-2017 46 FEEL. -AT-2017 49 PRIDE. -AT-2017 50 XXX. (feat. U2) -AT-2017 52 LUST. -AT-2017 56 BLOOD. -AT-2017 68 FEAR. -AT-2017 80 DUCKWORTH. -AT-2017 81 GOD. -AT-2017 65 goosebumps (Travis Scott feat. Kendrick Lamar) MILLIONAIRE2018 05 All The Stars (Kendrick Lamar & SZA) -OST- MILLIONAIRE2018 11 Pray For Me (The Weeknd & Kendrick Lamar) -OST-2018 42 Black Panther -OST-2018 50 King's Dead (Jay Rock, Kendrick Lamar, Future & James Blake) -OST-2018 55 Big Shot (Kendrick Lamar & Travis Scott) -OST-2018 21 Mona Lisa (Lil Wayne feat. Kendrick Lamar)2018 81 Tints (Anderson .Paak feat. Kendrick Lamar)2021 52 family ties (Baby Keem & Kendrick Lamar)2022 24 The Heart Part 5 -NAS-2022 06 N95 -1-2022 07 Die Hard (Kendrick Lamar, Blxst & Amanda Reifer) -2-2022 14 United In Grief -AT-2022 47 Father Time (feat. Sampha) -AT-2022 85 Rich Spirit -AT-2023 22 AMERICA HAS A PROBLEM (Beyoncé & Kendrick Lamar)2024 06 Like That (Future, Metro Boomin & Kendrick Lamar)2024 11 euphoria -NAS-2024 01 Not Like Us -NAS-2024 28 meet the grahams -NAS-2024 04 squabble up -AT-2024 04 luther (Kendrick Lamar & SZA) -1-2024 06 tv off (feat. Lefty Gunplay) -AT-2025 33 30 For 30 (SZA with Kendrick Lamar)1 x #1 | 7 x Top 5 | 12 x Top 10 | 18 x Top 20 | 29 x Top 40 | 62 x Top 100SZA2016 88 Consideration (Rihanna feat. SZA)2017 12 What Lovers Do (Maroon 5 feat. SZA)2017 82 Homemade Dynamite (Lorde feat. Khalid, SZA & Post Malone)2018 55 The Weekend (SZA & Calvin Harris) -1-2018 05 All The Stars (Kendrick Lamar & SZA) -OST- MILLIONAIRE2019 45 Power Is Power (SZA, The Weeknd & Travis Scott) -OST-2019 66 Just Us (DJ Khaled feat. SZA)2020 44 The Other Side (SZA & Justin Timberlake) -OST-2020 55 Hit Different (feat. Ty Dolla $ign) -NAS-2021 13 Good Days -1-2021 03 Kiss Me More (Doja Cat feat. SZA) MILLIONAIRE2021 24 No Love (Summer Walker & SZA)2021 38 I Hate U -2-2022 67 BEAUTIFUL (DJ Khaled feat. Future & SZA)2022 17 Shirt -3-2022 03 Kill Bill -4- MILLIONAIRE2022 27 Nobody Gets Me -AT-2023 18 Snooze -5-2023 78 Low -AT-2023 31 TELEKINESIS (Travis Scott feat. SZA & Future)2023 10 Slime You Out (Drake feat. SZA)2023 10 Rich Baby Daddy (Drake feat. Sexyy Red & SZA)2024 15 Saturn -6-2024 04 luther (Kendrick Lamar & SZA)2025 21 BMF -7-2025 33 30 For 30 (with Kendrick Lamar) -AT-2025 75 Scorsese Baby Daddy -AT-2025 63 Open Arms (feat. Travis Scott) -AT-0 x #1 | 4 x Top 5 | 6 x Top 10 | 11 x Top 20 | 16 x Top 40 | 28 x Top 100Social Media Kendrick Lamar SZA
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