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62

Fleetwood Mac

The Chain

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Album track from Rumours

Released: 4th February 1977

Label: Warner Bros.

End of Year Chart Run

NE (2025) | 62

Chart Statistics

NE (04/04/2009) | [94-x

RE (26/03/2011) | 81-x

RE (09/02/2013) | 98-x

RE (11/05/2017) | 88-86-x]

RE (19/06/2025) | 95-x

RE (17/07/2025) | 76-86-82-86-79-80-79-84-94-92-x

RE (02/10/2025) | 97-97-79-68-74-67-71-73-80-x

Sales: 3,300,000+

Certification: 5x Platinum

50 Sales

56 Audio Streaming

xx Video Streaming

Video

Biography

Tension can be a great motivator for a band, and no group has put that maxim to the test quite like Fleetwood Mac, a ’60s British blues-rock outfit that—through a series of lineup changes, stylistic shifts and rocky internal romances—became the paragons of ‘70s Californian pop. Since the band’s formation in London in 1967, drummer Mick Fleetwood and bassist John McVie have served as both the rhythmic and spiritual anchors for a group that has hosted a revolving-door procession of outsized personalities, starting with Peter Green, the budding guitar god responsible for early hits like “Black Magic Woman” (famously covered by Santana) and the tranquil instrumental “Albatross” (which The Beatles admittedly aped on their Abbey Road track “Sun King”). After Green quit in 1970, the band cycled through different frontmen—Danny Kirwan and Bob Welch among them—while their keyboardist, McVie’s wife Christine, emerged as a female vocal foil. After a relocation to L.A., they welcomed singer/songwriter Lindsey Buckingham and his musical/romantic partner Stevie Nicks into the fold, heralding Fleetwood Mac’s transition into soft-rock hitmakers on their 1975 self-titled effort. But Nicks’ star turns on “Rhiannon” and “Landslide” revealed a darker mystique at the core of their easygoing sound and, as sudden success caused the long-term relationships within the band to disintegrate, their next release effectively invented a new genre: rock album as couples therapy. On 1977’s Rumours, Fleetwood Mac dressed up the bitterest break-up songs in the smoothest, sultriest arrangements to the tune of over 40 million copies sold; the album’s appeal is so universal that it’s been both cited by Courtney Love as an influence and used to soundtrack Bill Clinton’s presidential campaign. But the band were eager to play against pop-star type—1979’s double-album colossus Tusk betrayed Buckingham’s affinity for post-punk, and though it was deemed a commercial disappointment at the time, it has since been embraced as a cult classic by discerning indie rockers. And even as more streamlined ‘80s efforts like Mirage and Tango in the Night reasserted their pop panache, Fleetwood Mac have remained a cauldron of drama and intra-band acrimony, the principal members seemingly coming and going without warning. In the wake of Buckingham’s departure in 2018, the group enlisted Crowded House singer Neil Finn and Tom Petty sideman Mike Campbell. Christine McVie, who wrote some of the band’s biggest songs, including “Don’t Stop”, “You Make Lovin' Fun” and “Over My Head”, died in November 2022 at the age of 79. - Apple Music

Top 100 Chart History

1968 37 Black Magic Woman -NAS-

1968 31 Need Your Love So Bad -NAS-

1968 01 Albatross -NAS- MILLIONAIRE

1969 02 Man Of The World -NAS-

1969 02 Oh Well -NAS-

1970 10 The Green Manalishi (With The Two Prong Crown) -NAS-

1973 02 Albatross / Need Your Love So Bad -NAS-

1976 40 Say You Love Me -2^-

1977 38 Go Your Own Way -1- MILLIONAIRE

1977 32 Don't Stop -2-

1977 24 Dreams -3- MILLIONAIRE

1977 45 You Make Loving Fun -4-

1978 46 Rhiannon -1^-

1979 06 Tusk -1-

1979 37 Sara -2-

1982 46 Gypsy -2*-

1982 09 Oh Diane -3*-

1983 83 Can't Go Back -4*-

1987 09 Big Love -1-

1987 56 Seven Wonders -2-

1987 05 Little Lies -3- MILLIONAIRE

1987 54 Family Man -4-

1988 04 Everywhere -5- MILLIONAIRE

1988 60 Isn't It Midnight -6-

1988 66 As Long As You Follow -1-

1989 94 Hold Me -1*-

1989 53 Save Me -1-

1990 58 In The Back Of My Mind -2-

2009 67 The Chain -AT- MILLIONAIRE

1 x #1 | 6 x Top 5 | 10 x Top 10 | 10 x Top 20 | 17 x Top 40 | 29 x Top 100

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  • With estimated sales: 1 1 Alex Warren Ordinary 2,179,000 2 2 Lola Young Messy 1,442,000 1,620,000 3 3 Chappell Roan Pink Pony Club 1,392,000 1,810,000 4 5 Huntr/x, Ejae, Audrey Nuna, Rei Ami & K

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61

Benson Boone

Mystical Magical

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2nd single from American Heart

Released: 25th April 2025

Label: Night Street Records / Warner Records

End of Year Chart Run

NE (2025) | 61

Chart Statistics

NE (08/05/2025) | 17-16-13-15-18-14-16-17-15-16-16-15-44-49-44-40-44-50-50-56-52-56-51-59-58-54-56-68-74-x

Sales: 500,000+

Certification: Gold

10 Sales

13 Audio Streaming

xx Video Streaming

Video

Biography

Benson Boone (born in 2002 in Monroe, WA) bet on himself and hit big in the early 2020s. After leaving Brigham Young University to pursue his music career, the singer-songwriter tried out for American Idol, but he left the competition after making it past the talent show’s auditions. Trading the small screen of TV for the hand-sized screens of social media, he began posting videos online, and Imagine Dragons frontman Dan Reynolds took notice, signing Boone to his label Night Street Records. Boone’s early singles were emotion-packed piano ballads—the sweeping debut single “GHOST TOWN,” the swirling 2022 cut “In The Stars”—but plugging in proved to be a winning strategy. His modern power ballad “Beautiful Things,” released in early 2024, was an online sensation before it became a global megahit, reaching the U.S. Top 10 and readying the world for Boone’s debut full-length, Fireworks & Rollerblades, which came out that spring. - Apple Music

Top 100 Chart History

2021 46 Ghost Town -1-

2022 21 In The Stars -2-

2024 01 Beautiful Things -1- MILLIONAIRE

2024 14 Slow It Down -2- MILLIONAIRE

2024 55 Cry -AT-

2024 43 Pretty Slowly -3-

2025 20 Sorry I'm Here For Someone Else -1-

2025 13 Mystical Magical -2-

2025 55 Mr Electric Blue -AT-

1 x #1 | 1 x Top 5 | 1 x Top 10 | 4 x Top 20 | 5 x Top 40 | 9 x Top 100

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image.png image.png image.png image.png Benson Boone

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  • Author

61-100 Recap

61 Benson Boone - Mystical Magical

62 Fleetwood Mac - The Chain

63 BL3SS & CamrinWatsin feat. bbyclose - Kisses

64 Radiohead - Creep

65 Dasha - Austin (Boots Stop Workin')

66 The Weeknd & Playboi Carti - Timeless

67 HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Cast - How It's Done

68 sombr - 12 to 12

69 Skye Newman - Family Matters

70 Doechii - Anxiety

71 The Kooks - Naïve

72 Lewis Capaldi - Someone You Loved

73 Vance Joy - Riptide

74 Tate McRae - Revolving door

75 Drake - NOKIA

76 MOLIY & Silent Addy - Shake It to the Max (FLY)

77 Sam Fender - Seventeen Going Under

78 Journey - Don't Stop Believin'

79 Justin Bieber - DAISIES

80 Kendrick Lamar & SZA - luther

81 Fred again…, Skepta & PlaqueBoyMax - Victory Lap

82 Mariah Carey - All I Want for Christmas Is You

83 Hozier - Take Me to Church

84 Natasha Bedingfield - Unwritten

85 The Police - Every Breath You Take

86 Oasis - Wonderwall

87 Morgan Seatree & Florence + the Machine - Say My Name

88 Oasis - Don't Look Back in Anger

89 Kings of Leon - Sex On Fire

90 HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Cast - What It Sounds Like

91 Lord Huron - The Night We Met

92 Gorillaz - Feel Good Inc.

93 Benson Boone - Slow It Down

94 Fleetwood Mac - Go Your Own Way

95 Coldplay - The Scientist

96 Tate McRae - Just Keep Watching

97 Florence + the Machine - Dog Days Are Over

98 Benson Boone - Sorry I'm Here for Someone Else

99 Tears For Fears - Everybody Wants to Rule the World

100 Leon Thomas - MUTT

The Chain higher here than its weekly peak, another track cheated out of a reset. Kisses is very annoying, glad dance music was better in 2025 than 2024. He should've just called this Moonbeam Ice Cream, would've easily gone top 10

"The Chain" peaking at #67, but being at #62 in the EOY list. I'm guessing it would've been top 40 if it was on SCR.

Top 60 of the year now, and hopefully a brief pit stop to announce the last weekly chart of 2025..

Just now, DanielCarey said:

"The Chain" peaking at #67, but being at #62 in the EOY list. I'm guessing it would've been top 40 if it was on SCR.

Just now, gasman449 said:

The Chain higher here than its weekly peak, another track cheated out of a reset. Kisses is very annoying, glad dance music was better in 2025 than 2024. He should've just called this Moonbeam Ice Cream, would've easily gone top 10

Occ playing favourites for ya 😪

Mystical Magical love

It's almost like OCC and radio 1 are anti FM for some reason

Edited by 777666jason

  • Author
Just now, 777666jason said:

It's almost like OCC are anti FM for some reason

It's Radio 1's choice and they're just skipping most of the oldies to be fair

  • Author

60

Kendrick Lamar and SZA

All The Stars

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Soundtrack single from Black Panther

Released: 4th January 2018

Label: Top Dawg Entertainment / Aftermath / Interscope Records

End of Year Chart Run

NE (2018) | 38-x

RE (2025) | 60

Chart Statistics

NE (18/01/2018) | [33-36-37-37-28-11-5-7-8-8-10-25-30-34-39-59-65-62-66-72-82-x

RE (05/07/2018) | 97-x]

RE (20/02/2025) | 11-5-7-14-19-62-61-73-84-85-91-90-91-94-x

Sales: 2,400,000+

Certification: 4x Platinum

15 Sales

03 Audio Streaming

14 Video Streaming

Video

Biography

Kendrick Lamar

In an interview with Apple Music, Kendrick Lamar reflected on his 2015 album To Pimp a Butterfly—in particular, the song “Alright.” It wasn’t that it sold well (it did). It wasn’t that it won awards (it did). It wasn’t even that it broke new ground for where hip-hop might go. For Lamar, the success was that people sang it in the streets. “A lot of people don’t have voices out there,” he said. “So to see them actually express themselves through song, through lyrics that I wrote?” For a kid from Compton whose life was transformed by hip-hop, the fame was nice, but the singing, the spirit, the possibility that his music was opening a cultural inroad for people joining the fight for civil rights—that was real. He might’ve been writing alone. But he was speaking for many. Born in 1987, Lamar grew up under the influence of JAY-Z, Eminem, and 2Pac—for the wordplay, for the imagination, for the heart and sense of community. Given its popularity, Lamar’s music can be surprisingly dense, taking shape in winding, album-length narratives (good kid, m.A.A.d city), live-band hybrids of jazz and funk (To Pimp a Butterfly), and quasi-conceptual explorations of self (2017’s Pulitzer Prize–winning DAMN.). Yes, he wants greatness. But he wants it on his own terms. “I’m not doing it to have a good song,” he said. “Or one good rap. Or a good hook, or a good bridge. I want to keep doing it every time, period. And to do it every time you have to challenge yourself, and you have to confirm to yourself—not anybody else—that you’re the best.” Five years after the release of DAMN., Lamar continued his self-administered competition with Mr. Morale & the Big Steppers, an album that was as cathartic as it was exhilarating. Cultivated during a time he sought therapy, the release saw the rapper find creativity, controversy, and clarity as he unearthed the dormant trauma beneath his own rap stardom. Inventive and unsparing, the LP gave new dimensionality to an artist and an entire community, proving that, sometimes, the best tests are the ones we give ourselves. - Apple Music

 

SZA

Solána Rowe had a weird time growing up. Jersey suburbs, orthodox Muslim household, parents working their way through corporate America, wanted to fit in, couldn’t. She got bullied for wearing a hijab after 9/11 and became the kind of teenager who, on at least one occasion, drew the police into a chase while joyriding in the family car. “[My parents] were only strict because they were reasonable,” she told Apple Music in 2017. “Like, they’re Black, they come from the South and Midwest, they don’t come from anything…they’re not tryna take a gang of risks.” That Rowe had her own ideas about how to live didn’t help. “I rebelled really hard, and I learned everything the hard way,” she said. “I’m very hard-headed, very curious.” It’s a balance—rebellious but insecure, expressive but self-conscious, dreamy but alert—that has made Rowe resonant, but also an anomaly, the kind of artist who doesn’t ignore her quirks or contradictions, but brings them to the table in all their messy human glory. After self-releasing a couple of EPs in her early twenties (she took her name from the Nation of Islam’s Supreme Alphabet—Savior Zig-Zag Allah), she became the first female artist signed to Top Dawg Entertainment, joining future collaborators Kendrick Lamar and Jay Rock. Released in 2017, her debut album, Ctrl, put her at the vanguard of contemporary R&B, mixing the expressivity of classic soul with a hazy, synth-heavy atmosphere and a playful sense of lyricism that brought Rowe’s inner monologue out. “Even with the heels and tighter clothes and other things, I’m still just me,” she said. “I still have a lot of anxiety about the world, and my thoughts and what people think about my thoughts.” Following a five-year gap, SZA returned in 2022 with SOS, an album that crystallised her status as one of the most dynamic and commercially dominant singer-songwriters of her era. Coated in an eclectic mix of hip-hop, R&B, folk, electronica and more, the second LP finds SZA tackling imperfect love, with tracks like the No. 3 hit "Kill Bill" and the Grammy-winning "Snooze" embodying the type of songwriting that can be as ironic as it is heartfelt—a trademark for artists that turn emotional chaos into idiosyncratic grace. Her Apple Music Live session, performed at Brooklyn's Barclays Center, was broadcast in January 2024. - Apple Music

Top 100 Chart History

Kendrick Lamar

2012 57 Swimming Pools (Drank) -1- MILLIONAIRE

2012 50 F**kin' Problems (A$AP Rocky feat. Drake, 2 Chainz & Kendrick Lamar)

2013 79 Backseat Freestyle -2-

2013 77 YOLO (The Lonely Island feat. Adam Levine & Kendrick Lamar)

2013 15 Give It 2 U (Robin Thicke feat. Kendrick Lamar)

2013 94 Love Game (Eminem feat. Kendrick Lamar)

2014 31 It's On Again (Alicia Keys feat. Kendrick Lamar)

2014 20 i -1-

2015 56 King Kunta -3-

2015 76 Wesley's Theory (feat. Clinton) -AT-

2015 77 These Walls (feat. Bilal) -AT-

2015 83 The Blacker The Berry -2-

2015 92 Institutionalized (feat. Bilal) -AT-

2015 04 Bad Blood (Taylor Swift feat. Kendrick Lamar) MILLIONAIRE

2016 57 untitled 02 l 06.23.2014. -AT-

2016 67 untitled 03 l 05.28.2013. -AT-

2016 87 untitled 01 l 08.19.2014. -AT-

2016 93 untitled 07 l 2014 - 2016 -AT-

2016 88 Wolves (Kanye West feat. Kendrick Lamar)

2016 40 Freedom (Beyoncé feat. Kendrick Lamar)

2016 05 The Greatest (Sia feat. Kendrick Lamar) MILLIONAIRE

2016 05 Don't Wanna Know (Maroon 5 feat. Kendrick Lamar) MILLIONAIRE

2016 30 Sidewalks (The Weeknd feat. Kendrick Lamar)

2017 61 The Heart Part 4 -NAS-

2017 06 HUMBLE. -1- MILLIONAIRE

2017 18 DNA. -AT-

2017 27 LOYALTY. (feat. Rihanna) -2-

2017 33 ELEMENT. -AT-

2017 39 LOVE. (feat. Zacari) -3-

2017 45 YAH. -AT-

2017 46 FEEL. -AT-

2017 49 PRIDE. -AT-

2017 50 XXX. (feat. U2) -AT-

2017 52 LUST. -AT-

2017 56 BLOOD. -AT-

2017 68 FEAR. -AT-

2017 80 DUCKWORTH. -AT-

2017 81 GOD. -AT-

2017 65 goosebumps (Travis Scott feat. Kendrick Lamar) MILLIONAIRE

2018 05 All The Stars (Kendrick Lamar & SZA) -OST- MILLIONAIRE

2018 11 Pray For Me (The Weeknd & Kendrick Lamar) -OST-

2018 42 Black Panther -OST-

2018 50 King's Dead (Jay Rock, Kendrick Lamar, Future & James Blake) -OST-

2018 55 Big Shot (Kendrick Lamar & Travis Scott) -OST-

2018 21 Mona Lisa (Lil Wayne feat. Kendrick Lamar)

2018 81 Tints (Anderson .Paak feat. Kendrick Lamar)

2021 52 family ties (Baby Keem & Kendrick Lamar)

2022 24 The Heart Part 5 -NAS-

2022 06 N95 -1-

2022 07 Die Hard (Kendrick Lamar, Blxst & Amanda Reifer) -2-

2022 14 United In Grief -AT-

2022 47 Father Time (feat. Sampha) -AT-

2022 85 Rich Spirit -AT-

2023 22 AMERICA HAS A PROBLEM (Beyoncé & Kendrick Lamar)

2024 06 Like That (Future, Metro Boomin & Kendrick Lamar)

2024 11 euphoria -NAS-

2024 01 Not Like Us -NAS- MILLIONAIRE

2024 28 meet the grahams -NAS-

2024 04 squabble up -AT-

2024 04 luther (Kendrick Lamar & SZA) -1-

2024 06 tv off (feat. Lefty Gunplay) -AT-

2025 33 30 For 30 (SZA with Kendrick Lamar)

2025 82 Chains & Whips (Clipse, Kendrick Lamar, Pusha T & Malice)

1 x #1 | 7 x Top 5 | 12 x Top 10 | 18 x Top 20 | 29 x Top 40 | 63 x Top 100

SZA

2016 88 Consideration (Rihanna feat. SZA)

2017 12 What Lovers Do (Maroon 5 feat. SZA)

2017 82 Homemade Dynamite (Lorde feat. Khalid, SZA & Post Malone)

2018 55 The Weekend (SZA & Calvin Harris) -1-

2018 05 All The Stars (Kendrick Lamar & SZA) -OST- MILLIONAIRE

2019 45 Power Is Power (SZA, The Weeknd & Travis Scott) -OST-

2019 66 Just Us (DJ Khaled feat. SZA)

2020 44 The Other Side (SZA & Justin Timberlake) -OST-

2020 55 Hit Different (feat. Ty Dolla $ign) -NAS-

2021 13 Good Days -1- MILLIONAIRE

2021 03 Kiss Me More (Doja Cat feat. SZA) MILLIONAIRE

2021 24 No Love (Summer Walker & SZA)

2021 38 I Hate U -2-

2022 67 BEAUTIFUL (DJ Khaled feat. Future & SZA)

2022 17 Shirt -3-

2022 03 Kill Bill -4- MILLIONAIRE

2022 27 Nobody Gets Me -AT-

2023 18 Snooze -5-

2023 78 Low -AT-

2023 31 TELEKINESIS (Travis Scott feat. SZA & Future)

2023 10 Slime You Out (Drake feat. SZA)

2023 10 Rich Baby Daddy (Drake feat. Sexyy Red & SZA)

2024 15 Saturn -6-

2024 04 luther (Kendrick Lamar & SZA)

2025 21 BMF -7-

2025 33 30 For 30 (with Kendrick Lamar) -8-

2025 75 Scorsese Baby Daddy -AT-

2025 63 Open Arms (feat. Travis Scott) -AT-

0 x #1 | 4 x Top 5 | 6 x Top 10 | 11 x Top 20 | 16 x Top 40 | 28 x Top 100

Social Media

image.png image.png image.png image.png Kendrick Lamar

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Just now, JosephCarey said:

It's Radio 1's choice and they're just skipping most of the oldies to be fair

I know i edited my comment before you replied 🤣

Just now, 777666jason said:

It's almost like OCC and radio 1 are anti FM for some reason

Probably due to the fact that their playlists are focused more on younger acts...

I wonder if Bad Bunny's Super Bowl halftime show will make an impact on the UK charts considering he's not really a massive artist here.

fav song of all time but absolutely diabolical that its above luther 😭

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