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Our first recap

 

91 Liam Payne & J. Balvin Familiar

92 Stormzy feat. MNEK – Blinded By Your Grace

93 Clean Bandit feat. Zara Larsson – Symphony

94 Travis Scott – SICKO MODE

95 Kanye West & Lil Pump – I Love It

96 Dave feat. MoStack – No Words

97 Ed Sheeran – Castle On The Hill

98 Raye feat. Mr. Eazi – Decline

99 CamelPhat & Elderbrook – Cola

100 DJ Khaled feat. Justin Bieber, Chance The Rapper & Quavo – No Brainer

 

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Which only highlights how boring and uninteresting most people are. Actually, more than anything it highlights how uninterested they are in music. These aren’t the biggest hits of the year, they’re playlist staples for people that want something on in the background.

 

Well quite, the chart will become more essential when we reach its upper echelons as the hits are more important to the year. For example One Kiss should be quite high and it's been massive this year no matter how many streams it's had or not had on repeat!

Quite like Familiar mainly due to the Spanish influence of J Balvin!!

90

 

Panic! At The Disco

High Hopes

Pray For The Wicked | 2018

 

170x0w.jpg

 

2nd Single

Released: 23rd May 2018

Label: Fueled By Ramen

 

Chart Statistics

 

NE (07/06/2018) | 70-x

NE (05/07/2018) | 56-52-56-51-37-34-35-34-34-25-21-22-20-17-12-13-18-19-24-25-69-81-83-x

 

Sales: 400k+

Certification: Gold

 

14 Sales

17 Audio Streaming

48 Video Streaming

 

Video

 

 

Biography

 

The members of Panic! At the Disco had barely graduated high school when their full-length debut, A Fever You Can't Sweat Out, transformed the suburban Las Vegas teens into national emo-pop stars. The band had materialized several years earlier, when friends Spencer Smith (drums) and Ryan Ross (guitar) began covering blink-182 tunes together. After tiring of playing another group's material, they recruited two additional classmates, guitar/vocalist Brendon Urie and bassist Brent Wilson, and the newly formed quartet decided to model its name after a line in Name Taken's "Panic." Crafting pop-influenced songs with theatrical touches, quirky techno beats, and perceptive lyrics, Panic! At the Disco posted several demos online that caught the attention of Decaydance Records, the Fueled by Ramen imprint headed by Fall Out Boy's Pete Wentz. Even though Panic! At the Disco had yet to play a live show, they subsequently became the first band signed to Wentz's label.

 

With their record scheduled for release in September 2005, Panic! At the Disco joined the successful Nintendo Fusion Tour and hit the road alongside Fall Out Boy, Motion City Soundtrack, Boys Night Out, and the Starting Line. The band continued touring into early 2006, while its single "I Write Sins Not Tragedies" found its way onto MTV and the Billboard Top 40. Proving to be a popular lineup, the Nintendo tour consistently sold out venues across the country. Wilson was fired from the group mid-year; undaunted, Panic! pressed on with their friend Jon Walker on board for a full summer tour that culminated with appearances at the Lollapalooza, Reading, and Leeds festivals. The guys picked up a Video of the Year award at MTV's annual VMA ceremony, beating out heavy-hitters like Madonna and the Red Hot Chili Peppers, and a collector's box set version of Fever (featuring random Panic! paraphernalia and a DVD) came out just in time for the 2006 holiday season.

 

After additional tour dates, the bandmembers announced that they were eliminating the exclamation point from their name, a sign that seemed to foreshadow the mature, less emo-driven rock featured on Pretty. Odd. Released in March 2008, the sophomore album peaked at number two in the U.S. and showcased an evolving band whose tastes had grown to encompass the Beatles' psychedelic pop. The group supported the album with another round of shows, one of which was captured on the CD/DVD release ...Live in Chicago. The group took a hit in June 2009, though, when Walker and Ross left the lineup in order to form their own band, the Young Veins. Urie and Smith soldiered on in the studio as a duo, though they did fill the holes in their touring lineup with Ian Crawford and Dallon Weekes. In 2011 they released their third studio album, the John Feldmann- and Butch Walker-produced Vices & Virtues.

 

Two years later, the band returned with Too Weird to Live, Too Rare to Die! Once again produced by Walker, the album was inspired by Urie's hometown of Las Vegas and featured a title borrowed from Hunter S. Thompson's classic novel Fear and Loathing in Las Vegas. An eclectic album that showcased Urie's interest in hip-hop and electronic music, it was also the first album to feature Weekes in the studio. After several live shows in 2013, Smith announced he was leaving the band's tour, citing his ongoing substance abuse issues.

 

By 2015, Smith officially announced he had left the band. Around the same time, Weekes' position was once again downgraded to touring member. With Urie at the helm, Panic at the Disco finished out the year by releasing the singles "Hallelujah," "Victorious," and "The Emperor's New Clothes." All of the songs were included on the band's fifth studio album, 2016's Death of a Bachelor, which featured co-production from Urie and longtime engineer Jake Sinclair. The album debuted at number one in the U.S., and was nominated for a Grammy for Best Rock Album. A concert LP, All My Friends, We're Glorious: Death of a Bachelor Tour Live, followed in 2018. - iTunes

 

Top 100 Chart History

 

2006 23 But It's Better If You Do -2-

2006 39 Lying Is The Most Fun A Girl Can Have -3-

2006 25 I Write Sins Not Tragedies -1/4-

2008 13 Nine In The Afternoon -1-

2008 96 That Green Gentleman (Things Have Changed) -2-

2011 43 The Ballad Of Mona Lisa -1-

2013 61 Miss Jackson -1-

2015 81 Hallelujah -1-

2015 88 Emperor's New Clothes -2-

2016 80 Bohemian Rhapsody -OST-

2018 48 Say Amen (Saturday Night) -1-

2018 12 High Hopes -2-

2018 86 Hey Look Ma, I Made It -AT-

2018 39 The Greatest Show -AT-

 

Social Media

 

http://i.imgur.com/sx7weFD.png http://i.imgur.com/P4ObJLe.png http://i.imgur.com/TUafYW0.png

 

http://i.imgur.com/1SERq1f.png

Meh at Familiar, hopefully For You is a lot higher.

Not keen on Blinded By Your Grace either too churchy for my liking.

High Hopes is decent but not a song I put on my own playlist. Good for Brendon getting a surprise hit though.

High Hopes had an epic chart run eventually peaking near the top 10 but compared to the rest of the world it didn't do as well as it went top 5 in many other territories. Feels like it's should be at the upper end of the chart. Also nice to see a more 'indie' band doing so well.

 

Also love the big 10 year gap between top 40 hits for some reason?!

Edited by Christmasteve201

Definitely never imagined Panic! At The Disco would be in the 2018 EOY a year ago! High Hopes is so brilliant, not bored of it at all yet!
High Hopes is the current Airplay #1 in the US
Really good to see Panic! At The Disco having a single in the EOY top 100! Who could have predicted that at the start of the year??

89

 

AJ Tracey & Not3s

Butterflies

AJ Tracey | 2019

 

170x0w.jpg

 

1st Single

Released: 30th May 2018

Label: AJ Tracey

 

Chart Statistics

 

NE (14/06/2018) | 24-19-19-21-22-23-21-19-22-22-50-54-61-62-67-70-77-82-95-x

 

Sales: 400k+

Certification: Gold

 

47 Sales

18 Audio Streaming

08 Video Streaming

 

Video

 

 

Biography

 

AJ Tracey

West London grime MC Che Wolton Grant (aka AJ Tracey) rose through the ranks of pirate radio, becoming one of the leading figures in U.K. grime's second generation of artists. Grant knew from a young age that he wanted to pursue a career in music, due in part to his parents; not only was his dad a former rapper from Trinidad & Tobago, his mother was a former drum'n'bass DJ from Wales. By age six, Grant had started writing rhymes, coinciding with the first great boom in grime. Although the genre temporarily lost its way, Grant soldiered on, unwilling to give up on his passion for grime. By the time he had reached his early twenties, grime had started another upswing. During this time Grant became proactive in his pursuit of radio spots, working his way up through pirate radio before scoring appearances on Rinse.DM, NTS, and eventually even BBC Radio One. With his reputation in the world of radio firmly cemented, Grant released a string of EPs, beginning with The Front EP in July 2015, followed by the Alex Moran EP later the same year. In 2016, he further solidified his status as an emerging talent, with a combination of solid collaborations, more radio appearances, and the release of the Lil Tracey EP. The end of 2016 culminated with Grant's nomination on BBC's Sound of 2017. - iTunes

 

Not3s

Eschewing an academic career in favor of music, Hackney, East London born and bred rapper Not3s put all his time and effort into developing his career, rising from online obscurity to being signed by a major label in a relatively short time. Drawing inspiration not only from his local underground grime scene but also his Nigerian heritage, Not3s helped push the sound of Afro-bashment to a new level with the release of the track "Addison Lee" in early 2017. Racking up a huge amount of online views, the track was picked up by Relentless Records (home to Professor Green and Nadia Rose), which issued the release as Not3s' debut single a few months later. Two follow-up tracks, "Notice" and "Aladdin," appeared soon after. - iTunes

 

Top 100 Chart History

 

AJ Tracey

2017 75 Quarterback (Secure The Bag!) -1-

2018 51 Mimi -NAS-

2018 69 London's Calling (GRM Daily feat. Skrapz, Avelino, Asco, Loski & AJ Tracey)

2018 19 Butterflies (AJ Tracey & Not3s) -1-

2018 38 LO(V/S)ER -NAS-

2018 56 Doing It -2-

 

Not3s

2017 57 Addison Lee (Peng Ting Called Maddison) -1-

2017 61 Aladdin -2-

2017 14 My Lover (Not3s & Mabel) -3-

2017 82 99 + 1 (Not3s feat. MoStack) -AT-

2017 29 Bad (Steel Banglez feat. Yungen, MoStack, Mr Eazi & Not3s)

2018 83 YRF (GRM Daily feat. Fredo & Not3s)

2018 11 Fine Line (Mabel & Not3s)

2018 90 Haters (Fredo feat. Not3s)

2018 61 Sit Back Down (Not3s feat. Maleek Berry) -1-

2018 19 Butterflies (AJ Tracey & Not3s)

2018 60 Just Fine -2-

2018 92 Boasy (Avelino feat. Not3s)

2018 43 CRB Check (Chip feat. Not3s)

2018 100 Will Smith (Geko feat. Not3s)

 

Social Media

 

AJ Tracey

http://i.imgur.com/sx7weFD.png http://i.imgur.com/P4ObJLe.png http://i.imgur.com/TUafYW0.png

 

Not3s

http://i.imgur.com/sx7weFD.png http://i.imgur.com/P4ObJLe.png http://i.imgur.com/TUafYW0.png

 

http://i.imgur.com/1SERq1f.png

What on earth is this? :lol:

 

Yep I'm presuming Shallow & Funky Friday have both missed then, even tho as much as I dislike the latter it's ridiculous neither of them are probs top 100 :(

This song has no defining features, it really is the definition of generic UK-Afrobeats. I mean I know it exists but could hardly tell you what it is if it came on.
What on earth is this? :lol:

 

Yep I'm presuming Shallow & Funky Friday have both missed then, even tho as much as I dislike the latter it's ridiculous neither of them are probs top 100 :(

 

Preach Ultra!! What even is this chart?!

 

Really good to see Panic! At The Disco having a single in the EOY top 100! Who could have predicted that at the start of the year??

 

Exactly which is why I love the uk chart still even if T Boy etc become a bit annoyed in this streaming era. If a song is good and gets support it can be a hit like High Hopes!! Just wish they could follow it up with another, seemed to be nothing after this from what I remember!

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