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Idec this is generic, it slaps. :jump:

 

Anne Marie is doing a Pixie Lott in her second era but without the three top 10 singles Young Foolish Happy got oop.

How can you compare Anne-Marie with Pixie Lott?

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'What's Love Got To Do with It' isn't a patch on 'Higher Love' for me but glad it made it in. :)
Anyone know if Turner was in a group>? She had large gaps in her chart history like between 1966-73 and 1973-83?
agree, this is headache-inducing
This is one of them weekly NEs which sound like every other grime/rap hit with no hook.
First top 40 appearance for Tina since 2004, theres not much different in this version to the original....

 

Not true, 'The Best' re-charted at #9 in 2010

38 | :down: 35 | 29th week

 

SAINt JHN

Roses

 

170x0w.jpg

 

Non-album single

Original version from Collection One

Released: 13th September 2019

Label: Godd Complexx / HITCO

 

Chart Statistics

 

NE (16/01/2020) | 79-72-55-40-21-8-7-4-2-2-1-1-2-3-2-3-3-14-13-16-20-21-20-23-24-22-32-35-38

 

Sales: 1,000k+

Certification: Platinum

Status: Accelerated Chart Ratio

 

02 Sales

02 Audio Streaming

01 Video Streaming

 

Video

 

 

Biography

 

SAINt JHN is the shadowy, slow jam-oriented recording alias of Brooklyn native Carlos St. John. A rapper, singer, and songwriter, St. John kick-started his career during the mid-2010s by co-composing material for Kiesza ("Bad Thing," "The Love," "Piano"), Nico & Vinz (the single "Praying to a God"), Gorgon City ("Doubts"), and Usher ("Crash"), a sequence of advancements catalyzed by industry veteran Zach Katz, who had heard an early song St. John granted to a fellow fledgling artist. As St. John continued to rack up songwriting credits for other artists, he started issuing his own material independently in 2016. Among the tracks that caught on most were "Roses" and "Reflex." "3 Below" and "Some Nights" followed in 2017, the year he also co-wrote "Helicopters/Beware" for Jidenna and "Can't Wait" for dvsn. St. John's own "I Heard You Got Too Litt Last Night" was released in 2018. That track, along with a handful of previously released singles, landed on his debut full-length, Collection One. Quickly following with fresh material, he released "McDonalds Rich" and "White Parents Are Gonna Hate This" before year's end. Further standalone singles, "All I Want Is a Yacht" and "Trap," arrived in 2019, the latter of which featured an appearance by Lil Baby. - iTunes

 

Top 100 Chart History

 

2019 42 BROWN SKIN GIRL (Beyoncé, SAINt JHN, Wizkid & Blue Ivy Carter) -OST-

2020 01 Roses -NAS- MILLIONAIRE

 

1 x #1 | 1 x Top 5 | 1 x Top 10 | 1 x Top 20 | 1 x Top 40 | 2 x Top 100

 

Social Media

 

Z3yZBmt.png n1LUs3L.png VlKuv9y.png 48kM43m.png SAINt JHN

 

http://i.imgur.com/1SERq1f.png

Didn’t The Best chart in the top 40 during the 10s? I know it wasn’t ‘new’ but it surely still counts?

37 | :re: | 14th week

 

Pop Smoke

Dior

 

krFSSEZ.png

 

3rd single from Meet the Woo

Also features on Meet the Woo 2 and Shoot for the Stars Aim for the Moon

Released: 26th July 2019

Label: Victor Victor Worldwide

 

Chart Statistics

 

NE (27/02/2020) | 73-33-39-44-40-43-50-53-50-52-60-63-64-x

RE (30/07/2020) | 37

 

Sales: 200k+

Certification: Silver

Status: Standard Chart Ratio

 

__ Sales

33 Audio Streaming

22 Video Streaming

 

Video

 

 

Biography

 

When his life was cut short in the early hours of February 19, 2020, Brooklyn rapper Pop Smoke was, at the age of 20, more famous than he’d ever been, yet nowhere close to where he was likely to end up. He exploded onto the scene in 2019 with “Welcome to the Party,” a song that somehow plays as enticing as it is menacing, exemplifying Brooklyn’s rising drill music scene at its sharpest. His voice across it—gruff and road-worn beyond his age—carries the delivery of a supervillain, daring his adversaries to try and stop the mayhem he has planned for the city.

 

Pop Smoke was from the far-flung Canarsie neighborhood, and his verses radiate a singular kind of Real Brooklyn energy. (A great deal of his "Welcome to the Party” video takes place in front of the long-standing jerk chicken staple Peppa’s.) His slang (“sturdy,” “dap me up”) was largely New York City-centric, which helped songs like “War,” “Christopher Walking,” and “Dior” reverberate quickly through, and beyond, the five boroughs. Fans worldwide got indoctrinated upon accepting his 2019 debut project’s invitation to Meet the Woo; a sequel, Meet the Woo 2, was released just weeks before his death. Pop Smoke worked well with the stars of his city, nabbing collaborations with Nicki Minaj, Bronx heartthrob A Boogie wit da Hoodie, and fellow ascending voices Lil Tjay and Fivio Foreign. He’d even have no problem setting his own tone on his Travis Scott collaboration “GATTI,” from the JACKBOYS project. Canarsie had Pop Smoke famously calling friends and associates his “woos,” but his enemies mostly went nameless, barely worth mentioning. As fast as things were moving for him, he couldn’t have had a second of spare time to give to anyone who didn’t believe. - iTunes

 

Top 100 Chart History

 

2020 59 GATTI (JACKBOYS, Pop Smoke & Travis Scott)

2020 76 Shake The Room (feat. Quavo) -AT-

2020 33 Dior -1-

2020 65 Zoo York (Lil Tjay feat. Fivio Floreign & Pop Smoke)

2020 73 Make It Rain (feat. Rowdy Rebel) -1-

2020 09 The Woo (feat. 50 Cent & Roddy Ricch) -2-

2020 14 For The Night (feat. DaBaby) -AT-

2020 23 Mood Swings (feat. Lil Tjay) -AT-

 

0 x #1 | 0 x Top 5 | 1 x Top 10 | 2 x Top 20 | 4 x Top 40 | 8 x Top 100

 

Social Media

 

Z3yZBmt.png n1LUs3L.png VlKuv9y.png 48kM43m.png Pop Smoke

 

http://i.imgur.com/1SERq1f.png

Not true, 'The Best' re-charted at #9 in 2010

 

I see thanks -_-

 

Pity it wasn't in 2010 so she would have had hits in every decade since the 60s.

Not true, 'The Best' re-charted at #9 in 2010

 

I see thanks -_-

 

Pity it wasn't in 2010 so she would have had hits in every decade since the 60s.

Not true, 'The Best' re-charted at #9 in 2010

 

I see thanks -_-

 

Pity it wasn't in 2010 so she would have had hits in every decade since the 60s.

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