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Definitely my favourite Tyler song so far!


Thanks all for joining the pre-show, main show commencing in 5!

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  • Unsure if we'll get sales for the weekly chart or not but I'll be keeping an eye so bear with on that! Want to say a huge thanks to everyone for taking part today and for bearing with me for such a

  • Oof for Dakota but good for freshness! This presenter is going to get annoying, should've been me smh

  • With estimated sales: 1 1 Alex Warren Ordinary 2,179,000 2 2 Lola Young Messy 1,442,000 1,620,000 3 3 Chappell Roan Pink Pony Club 1,392,000 1,810,000 4 5 Huntr/x, Ejae, Audrey Nuna, Rei Ami & K

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17 minutes ago, JosephCarey said:

cry Missed the top 100 this year? cry

Sabrina Carpenter

Tears

good.

Most exciting thing for me on the actual show is #100 and where Wham! and Mariah end up. Won’t be able to listen along unfortunately but will try to follow the thread

2 minutes ago, JosephCarey said:

cry Missed the top 100 this year? cry

Tyler, The Creator

Sugar On My Tongue

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3rd single from DON'T TAP THE GLASS

Released: 21st July 2025

Label: Columbia Records

Chart Statistics

NE (31/07/2025) | 46-72-86-71-45-47-35-36-37-29-27-32-35-36-x

Sales: 100,000+

Certification: -

xx Sales

62 Audio Streaming

xx Video Streaming

Video

Biography

When Tyler, The Creator first started gaining national notoriety around 2008, it would’ve been easy to dismiss him as cheap shock—a snotty kid willing to push every button (mass murder, rape, cannibalism) just to get a little attention. Within a few years, he’d evolved into one of hip-hop’s genuine polymaths, a self-contained brand who not only rapped, wrote, produced, and art-directed but also designed clothes and created television shows; whose vision—violent, surreal, sarcastic, and disarmingly introspective—captured the id of an audience who didn’t know how to relate to their feelings but weren’t going to keep them in any longer. Raised in Los Angeles County, Tyler (born Tyler Okonma in 1991) started experimenting with music in his early teens, cofounding the Odd Future collective in 2007, a group whose members included fellow iconoclasts Earl Sweatshirt, Frank Ocean, and Syd Tha Kyd. Influenced by the grab-bag eclecticism of Pharrell Williams and his own tirelessly messed-up inner monologues, Tyler’s official debut, Goblin, came out in 2011. (“Wow, life’s a cute b***h full of estrogen,” he rapped on the title track. “And when she gives you lemons, n***a, throw ’em at pedestrians.”) Gritty, nightmarish, and barbed, the album established him as a kind of antihero: an artist whose bad reputation only made his fans love him more. Wolf (2013) and Cherry Bomb (2015) explored similar psychological territory with increasing nuance; his productions got more sophisticated, too, exploring soul-jazz (“FIND YOUR WINGS”), Latin music (“Tamale”), and ’90s R&B (“Awkward”) in ways that were both discordant and colorful, a full rainbow of bad feeling. In 2017, he released Flower Boy, an album whose vulnerability and eclecticism represented a major step up—a maturation from young punk to complex young man. It ended up being nominated for a Grammy. Meanwhile, he’d found the time to create not one but three television shows (Loiter Squad, Nuts + Bolts, The Jellies!), launch a vibrant streetwear line (Golf Wang), and spearhead an annual festival called the Camp Flog Gnaw Carnival. Like Kanye and Pharrell before him, and artists such as the BROCKHAMPTON collective after, Tyler represents a new chapter in hip-hop, toying with identity and sexuality, and drawing on influences—skate culture, therapy speak, the kaleidoscopic weirdness of life on the internet—that help to expand rap’s vocabulary while still keeping continuity with the past. In 2019, he released IGOR, his most mood-driven, soul-baring work to date. After experimenting with Technicolor funk and R&B, Tyler returned to his more linear hip-hop roots with CALL ME IF YOU GET LOST, a constellation of tightly wound flows, dynamic production, and sleek wordplay. Laced with narration from DJ Drama and features from artists like 42 Dugg, YoungBoy Never Broke Again, Pharrell, Brent Faiyaz, and more, it was Tyler at his most eclectic—and somehow his most cohesive, too. He expanded on that vision with 2023's CALL ME IF YOU GET LOST: The Estate Sale, a deluxe edition that doubled down on the hard raps and Tyler's status as a modern icon. - Apple Music

Top 100 Chart History

2017 93 Who Dat Boy (feat. A$AP Rocky) -1*-

2019 17 EARFQUAKE -1-

2019 30 I THINK -AT-

2019 41 IGOR'S THEME -AT-

2021 60 Gravity (Brent Faiyaz & DJ Dahi feat. Tyler, The Creator)

2021 48 LUMBERJACK -1-

2021 25 WUSYANAME (feat. YoungBoy Never Broke Again & Ty Dolla $ign) -2-

2021 53 CORSO -AT-

2022 89 OPEN A WINDOW (Rex Orange County feat. Tyler, The Creator)

2022 73 Cash In Cash Out (Pharrell Williams feat. 21 Savage & Tyler, The Creator)

2023 39 DOGTOOTH -3-

2023 63 SORRY NOT SORRY -AT-

2023 21 See You Again (feat. Kali Uchis) -2*- MILLIONAIRE

2024 16 Noid -1-

2024 15 St. Chroma (feat. Daniel Caesar) -AT-

2024 24 Darling, I (feat. Teezo Touchdown) -2-

2024 30 Like Him (feat. Lola Young) -3-

2024 57 Sticky (feat. GloRilla, Sexyy Red & Lil Wayne) -AT-

2025 43 Big Poe (Tyler, The Creator & Pharrell Williams feat. Sk8brd) -AT-

2025 27 Sugar On My Tongue -2-

2025 58 Sucka Free -AT-

2025 62 Ring Ring Ring -1-

0 x #1 | 0 x Top 5 | 0 x Top 10 | 3 x Top 20 | 11 x Top 40 | 21 x Top 100

Social Media

image.png image.png image.png image.png Tyler, The Creator

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not shocked at all

  • Author

As always, ahead of the main show, please bear with me, especially as we get to the weekly chart being revealed - I'm one person hosting a show that involves upwards of 150 prep posts today...!!!

Thanks for the pre-show Joseph! It's a shame 'The Subway' missed the top 100 and 'Survive' has recently gone gold so hasn't done badly either. 'twilight zone' was my favourite of those featured.

(was driving so couldn't post along)

1 minute ago, Sour Candy said:

Tears truly is her worst single to date. Not surprised it didn't last long on charts.

thank god ijbol

  • Author

100

Leon Thomas

MUTT

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1st single from MUTT

Released: 8th August 2024

Label: EZMNY Records / Motown Records

End of Year Chart Run

NE (2025) | 100

Chart Statistics

NE (20/02/2025) | 99-x

RE (06/03/2025) | 65-57-60-65-26-22-19-17-17-20-21-22-24-78-80-91-x

Sales: 400,000+

Certification: Gold

44 Sales

29 Audio Streaming

xx Video Streaming

Video

Biography

Leon Thomas makes narcotizing progressive R&B as a solo artist, and is an all-around collaborator with a Grammy to show for it. The soulful singer, songwriter, producer, and multi-instrumentalist got his start as a young actor on Broadway and in Hollywood. His role on Nickelodeon's Victorious gave rise to his first commercial recordings and songwriting credits on the chart-topping album debut by co-star Ariana Grande. Three mixtapes and an EP from 2012 through 2018 established Thomas as a solo artist as he clocked studio time with the likes of Toni Braxton and Babyface, Kehlani, and Post Malone. He earned a Grammy nomination as co-writer of Rick Ross' "Gold Roses," and subsequently won the Best R&B Song award for SZA's number two pop hit "Snooze," by the time he delivered Electric Dusk (2023) and the charting MUTT (2024). - Apple Music

Top 100 Chart History

2025 17 MUTT -1-

0 x #1 | 0 x Top 5 | 0 x Top 10 | 1 x Top 20 | 1 x Top 40 | 1 x Top 100

Social Media

image.png image.png image.png image.png Leon Thomas

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Just now, JosephCarey said:

100

Leon Thomas

MUTT

170x170bb.jpg

1st single from MUTT

Released: 8th August 2024

Label: EZMNY Records / Motown Records

End of Year Chart Run

NE (2025) | 100

Chart Statistics

NE (20/02/2025) | 99-x

RE (06/03/2025) | 65-57-60-65-26-22-19-17-17-20-21-22-24-78-80-91-x

Sales: 400,000+

Certification: Gold

44 Sales

29 Audio Streaming

xx Video Streaming

Video

Biography

Leon Thomas makes narcotizing progressive R&B as a solo artist, and is an all-around collaborator with a Grammy to show for it. The soulful singer, songwriter, producer, and multi-instrumentalist got his start as a young actor on Broadway and in Hollywood. His role on Nickelodeon's Victorious gave rise to his first commercial recordings and songwriting credits on the chart-topping album debut by co-star Ariana Grande. Three mixtapes and an EP from 2012 through 2018 established Thomas as a solo artist as he clocked studio time with the likes of Toni Braxton and Babyface, Kehlani, and Post Malone. He earned a Grammy nomination as co-writer of Rick Ross' "Gold Roses," and subsequently won the Best R&B Song award for SZA's number two pop hit "Snooze," by the time he delivered Electric Dusk (2023) and the charting MUTT (2024). - Apple Music

Top 100 Chart History

2025 17 MUTT -1-

0 x #1 | 0 x Top 5 | 0 x Top 10 | 1 x Top 20 | 1 x Top 40 | 1 x Top 100

Social Media

image.png image.png image.png image.png Leon Thomas

image.png

WOAH?

Oof for Dakota but good for freshness! This presenter is going to get annoying, should've been me smh

i was expecting much higher for ‘Mutt’

“Mutt” has done very well to hold on for a middling hit - I thought it had no chance at the mid year point.

  • Author

MUTT's a decent track, surprised it made it in actually but not complaining, especially given it's one extra fresh hit from 2025!

Here we gooooo.

Glad we are starting with a hit established in 2025 instead of an old song.

I wasn't even expecting for "MUTT" to make it in. It must've still be doing significant streams, even after going onto ACR.

Great song, glad it held over Another Love (presumably) which had been on enough Year End lists

  • Author

99

Tears For Fears

Everybody Wants To Rule The World

image.png

3rd single from Songs From The Big Chair

Released: 22nd March 1985

Label: Phonogram / Mercury / Vertigo

End of Year Chart Run

NE (1985) | 24-x

RE (2023) | 53-86-99

Chart Statistics

NE (30/03/1985) | [16-5-3-2-2-3-4-9-15-25-36-51-70-75-x

RE (27/07/1985) | 94-x

RE (22/02/1986) | 73-77-x

RE (01/09/2022) | 99-95-91-86-96-97-95-100-x

RE (13/04/2023) | 91-94-96-98-89-100-x

RE (01/06/2023) | 98-95-x

RE (29/06/2023) | 95-96-96-96-90-88-92-84-88-74-72-83-84-88-82-85-88-82-83-85-77-99-x

RE (11/01/2024) | 84-x]

RE (06/11/2025) | 93-x

RE (20/11/2025) | 85-x

Sales: 3,400,000+

Certification: 4x Platinum

02 Sales

44 Audio Streaming

xx Video Streaming

Video

Biography

After the dissolution of their first group, a mod outfit called Graduate, in 1981, childhood friends Curt Smith and Roland Orzabal (along with keyboardist Ian Stanley) set out to form England’s next big synth band. But while they were aiming for Duran Duran, they ended up with “Mad World," a darkly relatable song that offered an early sign that Tears for Fears were more contemplative than the boilerplate New Wave band. After all, they took their name from Arthur Janov's book on primal therapy and imbued their lyrics with many of his ideas, like the lines concerning dreams about dying on 'Mad World.'" Their 1983 debut album, The Hurting, earned them a lot of success in the UK, but it was their 1985 follow-up LP, Songs from the Big Chair, that introduced their sobering pop to the world. First, there was the brash “Shout,” which paired synths with a catchy chorus, metal guitars, and a rumination on political protest, and then the plaintive sing-along hit “Everybody Wants to Rule the World,” which tapped into Cold War anxiety. Four years later, they returned with a soulful, Beatles-esque sound for 1989’s The Seeds of Love, featuring "Sowing the Seeds of Love," the band’s reaction against Thatcherism and most overtly political single to date. Smith left the band shortly thereafter, but Orzabal persevered, releasing Elemental in 1993, buoyed by the pop-rock anthem “Break It Down Again,” and 1995’s Raoul and the Kings of Spain. After Gary Jules’ cover of “Mad World” was featured in 2001’s Donnie Darko, Smith and Orzabal reunited for 2004’s aptly titled Everybody Loves a Happy Ending. That title may have sounded final, but it wasn’t the end. Eighteen years later, the two returned with The Tipping Point, their seventh studio album. They’d toiled on the record for years, working with several contemporary songwriters—but only when the duo sat down together and began writing on acoustic guitars did the album begin to flow. “Albums for us should be a journey,” they told Apple Music. The Tipping Point proves that if there’s a will to keep going, no journey is ever finished. - Apple Music

Top 100 Chart History

1982 03 Mad World -2*-

1983 04 Change -3*-

1983 05 Pale Shelter -4*-

1983 24 The Way You Are -NAS-

1984 14 Mothers Talk -1-

1984 04 Shout -2-

1985 02 Everybody Wants To Rule The World -3- MILLIONAIRE

1985 12 Head Over Heels -4-

1985 52 Suffer The Children -1/5*-

1985 23 I Believe (A Soulful Re-Recording) -1-

1986 05 Everybody Wants To Run The World -NAS-

1989 05 Sowing The Seeds Of Love -1-

1989 26 Woman In Chains (feat. Oleta Adams) -2-

1990 36 Advice For The Young At Heart -3-

1990 83 Famous Last Words -4-

1992 17 Laid So Low (Tears Roll Down) -1-

1993 20 Break It Down Again -1-

1993 72 Cold -2-

1995 31 Raoul And The Kings Of Spain -1-

1996 61 God's Mistake -2-

2005 40 Closest Thing To Heaven -1-

0 x #1 | 7 x Top 5 | 7 x Top 10 | 11 x Top 20 | 17 x Top 40 | 21 x Top 100

Social Media

image.png image.png image.png image.png Tears For Fears

image.png

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