February 13Feb 13 Did all members of Kasabian contribute to that song, or it's Sergio providing the vocals?
February 13Feb 13 Wildflower needs weedingRelease the pressure is alright nothing special though both have definitely done better
February 13Feb 13 Author 36 | 22 | 10th weekThe CureBoys Don't CryNon-album singleReleased: 12th June 1979Label: FictionChart StatisticsNE (03/05/1986) | 35-23-22-25-37-60-xRE (29/01/2026) | 39-36-22-36Sales: 1,100,000+Certification: PlatinumStatus: Standard Chart Ratio02 Sales43 Audio Streamingxx Video StreamingVideoBiographyFew artists have made bleakness sound quite as exquisite as Robert Smith and his cohort—and fewer still have pivoted so easily from the depths of dejection to such weightless, cotton-candied bliss. If all you knew were songs like “Friday I’m in Love”, you might never guess that The Cure had once been kohl-eyed denizens of the shadowiest bat caves in the UK. After channelling guitar-forward post-punk on 1979’s Three Imaginary Boys, they reinvented themselves as gothic spelunkers with Seventeen Seconds, Faith and Pornography—an increasingly claustrophobic trilogy, stretching from 1980 until 1982, that invented progressively darker shades of black with every release. Having perfected the art of despair, The Cure pivoted to pop, after their own fashion. They explored both gloomy psychedelia and jangling acoustic guitars on 1985’s The Head on the Door, winning a new wave of stateside fans with “In Between Days” and “Close to Me” and blowing open the boundaries of what was becoming known as alternative rock. By 1987’s Kiss Me, Kiss Me, Kiss Me and “Just Like Heaven”, they sounded genuinely, deliriously happy—something inconceivable just a few years before. Yet there was still plenty of angst palpable in their glowering anthems and wall-of-sound production, as well as Smith’s deeply vulnerable, often wounded yelp. The band’s opposing tendencies came to a head on 1989’s Disintegration, The Cure’s masterpiece: The highs (like “Lovesong”) had never sounded more unburdened, nor the lows (“The Same Deep Water as You”) more hopeless. Their widescreen sound filled stadiums; it also influenced a generation of emo bands intent upon fusing visceral sonic power with fathomless psychological depth. In the decades since, The Cure have kept tending their patch of turf, where the intermingling of storm clouds and sunshine yields a singular harvest: intense, expressive and deliciously dramatic. - Apple MusicTop 100 Chart History1980 31 A Forest -1-1981 43 Primary -1-1981 44 Charlotte Sometimes -NAS-1982 34 The Hanging Garden -1-1982 44 Let's Go To Bed -NAS-1983 12 The Walk -NAS-1983 07 The Lovecats -NAS-1984 14 The Caterpillar -1-1985 15 In Between Days -1-1985 13 Close To Me -2-1986 22 Boys Don't Cry -NAS- MILLIONAIRE1987 21 Why Can't I Be You? -1-1987 27 Catch -2-1987 29 Just Like Heaven -3-1988 45 Hot Hot Hot!!! -4-1989 05 Lullaby -1-1989 18 Lovesong -2-1990 24 Pictures Of You -3-1990 13 Never Enough -1-1992 08 High -1-1992 44 High (Remix)1992 06 Friday I'm In Love -2- MILLIONAIRE1992 28 A Letter To Elise -3-1996 15 The 13th -1-1996 31 Mint Car -2-1996 60 Gone! -3-1997 62 Wrong Number -1-2001 54 Cut Here -1-2004 25 The End Of The World -2-2004 39 Taking Off -3-2008 48 The Only One -1-2008 89 Freakshow -2-2008 68 Sleep When I'm Dead -3-2008 78 The Perfect Boy -4-0 x #1 | 1 x Top 5 | 4 x Top 10 | 11 x Top 20 | 22 x Top 40 | 34 x Top 100Social Media The Cure
February 13Feb 13 Great to hear this get played every week it's veen back but still very annoyed at the Prince snubs while it was in the chart
February 13Feb 13 Author Just now, DanielCarey said:Damn. Big drop for The Cure.It's just dropped down to where it was before the physical boost last week
February 13Feb 13 Author 35 | 38 | 6th weekElla LangleyChoosin' Texas1st single from DandelionReleased: 17th October 2025Label: SAWGOD Records / ColumbiaChart StatisticsNE (15/01/2026) | 78-73-71-51-38-35Sales: 50,000+Certification: -Status: Standard Chart Ratio07 Salesxx Audio Streamingxx Video StreamingVideoBiographySteeped in classic country, contemporary pop, and rootsy Southern rock, Ella Langley's songs showcase her unfiltered songwriting and gritty yet honeyed voice. While scoring hits like 2022's "Damn You," the Alabama-raised singer/songwriter penned Elle King's similarly outspoken "Out Yonder." Langley's banner 2023 included the release of her EP Excuse the Mess -- which featured the singles "Country Boy's Dream Girl" and "That's Why We Fight (featuring Koe Wetzel)" -- the Tanner Usrey duet "Beautiful Lies," and her Grand Ole Opry debut, all of which led up to the 2024 release of her booze-stained debut album, the Billboard 200-charting hungover, which included her Hot 100 Top 40 debut, "You Look Like You Love Me" (featuring Riley Green). She and Green again paired up for 2025's "Don't Mind if I Do." - Apple MusicTop 100 Chart History2024 59 you look like you love me (Ella Langley & Riley Green) -1-2026 35 Choosin' Texas -1-0 x #1 | 0 x Top 5 | 0 x Top 10 | 0 x Top 20 | 1 x Top 40 | 2 x Top 100Social Media Ella Langley
February 13Feb 13 Author 34 | 29 | 6th weekLil Uzi VertWhat You SayingNon-album singleReleased: 22nd December 2025Label: Cor(e) / Roc NationChart StatisticsNE (15/01/2026) | 61-50-41-27-29-34Sales: 40,000+Certification: -Status: Standard Chart Ratioxx Sales42 Audio Streamingxx Video StreamingVideoBiographyLil Uzi Vert told us up front, in their intro to Playboi Carti’s “Wokeuplikethis*”: “I’m a rock star.” The metaphor wasn’t about dominance so much as it was about flamboyance, for Uzi as a purse-carrying, post-Kanye MC raised on anime and Marilyn Manson, whose indifference towards hip-hop orthodoxy made them a punk to some and a hero to more. Where previous generations of rappers leveraged influence through the boardroom (JAY-Z: “I’m not a businessman/I’m a business, man”), Uzi represents a generation fluent in fashion and social media, not just a recording artist but a kind of creative director whose personality and sense of world-building comes through almost as loudly as the music. That they could turn a line as bleak as “Push me to the edge/All my friends are dead” (“XO TOUR Llif3”) into a sing-along only made them more vital—here was a person feeling the pain and packaging it in style. So, a rock star, maybe. But definitely not a rapper in the traditional sense. Born Symere Woods in North Philadelphia in 1994, Uzi first started rapping to one-up a classmate, quickly making the leap to national relevance through features with Young Thug and Migos while building a tight-knit collective of producers and collaborators, known as Working on Dying, at home. Like Thug, Uzi is a distinctive rapper (the stage name was given, not taken), but the key to their sound is melody, mixing post-trap rumble with the candied hooks of pop punk and neon surfaces of EDM for a style that splits the starkness of modern hip-hop into prismatic color. After the massive success of 2017’s Luv Is Rage 2, Uzi announced that they’d deleted all works in progress and were retiring, only to surface in 2020 with the almost mythically anticipated Eternal Atake, following the album about a week later with a deluxe edition that doubled its length. Guess they had to find something to do with the free time. Speaking to Apple Music in 2017, they described themself as an alien, but the reality is more interesting: They're of the earth, they're here, they're now. - Apple MusicTop 100 Chart History2017 30 Bad And Boujee (Migos feat. Lil Uzi Vert)2017 25 XO TOUR Llif3 -1- MILLIONAIRE2017 87 The Way Life Goes (feat. Nicki Minaj) -2-2018 68 New Patek -NAS-2019 57 Futsal Shuffle 2020 -1-2020 47 That Way -2-2020 36 Baby Pluto -AT-2020 37 P2 -AT-2020 58 Myron -AT-2022 71 bbycakes (Mura Masa, Lil Uzi Vert & PinkPantheress feat. Shygirl)2022 30 Just Wanna Rock -1-2023 69 Watch This (Lil Uzi Vert & ARIZONATEARS) -NAS-2023 63 Flooded The Face -AT-2023 75 Endless Fashion (feat. Nicki Minaj) -AT-2023 69 Aye (feat. Travis Scott) -AT-2023 26 Everybody (Nicki Minaj feat. Lil Uzi Vert)2026 27 What You Saying -NAS-0 x #1 | 0 x Top 5 | 0 x Top 10 | 0 x Top 20 | 7 x Top 40 | 17 x Top 100Social Media Lil Uzi Vert
February 13Feb 13 Enjoyed the Calvin and Kasabian track. The Bella Kay thing sounded pretty awful oops.
February 13Feb 13 Author Hope Radio 1 aren't going to be avoiding Choosin' Texas as much as possible...
February 13Feb 13 i expected a bit of a bigger climb for choosin texas, maybe it was just subconsious after it got to #1! hope it goes a bit higher, its a decent country track!
February 13Feb 13 Just now, mrpopquiz said:Ella Langley knocked Harry Styles off the top of the US Hot 100 this week.Harry didn't just drop from #1 there, he fell to #12.
February 13Feb 13 Author 33 | 31 | 6th weekFleetwood MacLandslideAlbum track from Fleetwood MacReleased: 11th July 1975Label: RepriseNE (15/01/2026) | 20-27-34-34-31-33Sales: 1,600,000+Certification: 2x PlatinumStatus: Standard Chart Ratio37 Sales39 Audio Streamingxx Video StreamingVideoBiographyTension can be a great motivator for a band, and no group has put that maxim to the test quite like Fleetwood Mac, a ’60s British blues-rock outfit that—through a series of lineup changes, stylistic shifts and rocky internal romances—became the paragons of ‘70s Californian pop. Since the band’s formation in London in 1967, drummer Mick Fleetwood and bassist John McVie have served as both the rhythmic and spiritual anchors for a group that has hosted a revolving-door procession of outsized personalities, starting with Peter Green, the budding guitar god responsible for early hits like “Black Magic Woman” (famously covered by Santana) and the tranquil instrumental “Albatross” (which The Beatles admittedly aped on their Abbey Road track “Sun King”). After Green quit in 1970, the band cycled through different frontmen—Danny Kirwan and Bob Welch among them—while their keyboardist, McVie’s wife Christine, emerged as a female vocal foil. After a relocation to L.A., they welcomed singer/songwriter Lindsey Buckingham and his musical/romantic partner Stevie Nicks into the fold, heralding Fleetwood Mac’s transition into soft-rock hitmakers on their 1975 self-titled effort. But Nicks’ star turns on “Rhiannon” and “Landslide” revealed a darker mystique at the core of their easygoing sound and, as sudden success caused the long-term relationships within the band to disintegrate, their next release effectively invented a new genre: rock album as couples therapy. On 1977’s Rumours, Fleetwood Mac dressed up the bitterest break-up songs in the smoothest, sultriest arrangements to the tune of over 40 million copies sold; the album’s appeal is so universal that it’s been both cited by Courtney Love as an influence and used to soundtrack Bill Clinton’s presidential campaign. But the band were eager to play against pop-star type—1979’s double-album colossus Tusk betrayed Buckingham’s affinity for post-punk, and though it was deemed a commercial disappointment at the time, it has since been embraced as a cult classic by discerning indie rockers. And even as more streamlined ‘80s efforts like Mirage and Tango in the Night reasserted their pop panache, Fleetwood Mac have remained a cauldron of drama and intra-band acrimony, the principal members seemingly coming and going without warning. In the wake of Buckingham’s departure in 2018, the group enlisted Crowded House singer Neil Finn and Tom Petty sideman Mike Campbell. Christine McVie, who wrote some of the band’s biggest songs, including “Don’t Stop”, “You Make Lovin' Fun” and “Over My Head”, died in November 2022 at the age of 79. - Apple MusicTop 100 Chart History1968 37 Black Magic Woman -NAS-1968 31 Need Your Love So Bad -NAS-1968 01 Albatross -NAS- MILLIONAIRE1969 02 Man Of The World -NAS-1969 02 Oh Well -NAS-1970 10 The Green Manalishi (With The Two Prong Crown) -NAS-1973 02 Albatross / Need Your Love So Bad -NAS-1976 40 Say You Love Me -2^-1977 38 Go Your Own Way -1- MILLIONAIRE1977 32 Don't Stop -2-1977 24 Dreams -3- MILLIONAIRE1977 45 You Make Loving Fun -4-1978 46 Rhiannon -1^-1979 06 Tusk -1-1979 37 Sara -2-1982 46 Gypsy -2*-1982 09 Oh Diane -3*-1983 83 Can't Go Back -4*-1987 09 Big Love -1-1987 56 Seven Wonders -2-1987 05 Little Lies -3- MILLIONAIRE1987 54 Family Man -4-1988 04 Everywhere -5- MILLIONAIRE1988 60 Isn't It Midnight -6-1988 66 As Long As You Follow -1-1989 94 Hold Me -1*-1989 53 Save Me -1-1990 58 In The Back Of My Mind -2-2009 67 The Chain -AT- MILLIONAIRE2026 20 Landslide -AT- MILLIONAIRE1 x #1 | 6 x Top 5 | 10 x Top 10 | 11 x Top 20 | 18 x Top 40 | 30 x Top 100Social Media Fleetwood Mac------------------------------------------------------------------------------------------------------------------------------------------------------32 | 28 | 17th weekSIENNA SPIROYou Stole The Show2nd single from forthcoming studio albumReleased: 25th July 2025Label: Capitol RecordsChart StatisticsNE (23/10/2025) | 65-63-80-83-54-54-60-80-74-76-xRE (08/01/2026) | 47-37-26-27-32-28-32Sales: 100,000+Certification: -Status: Standard Chart Ratioxx Sales39 Audio Streamingxx Video StreamingVideoBiographyLike many would-be singers, Sienna Spiro has put in work interpreting songs on social media with her own soul-pop affected voice. Unlike most, though, that work has paid off into a sudden burst of success, including the minor U.K. hit “Maybe.” and the debut EP Sink Now, Swim Later. - Apple MusicTop 100 Chart History2024 45 MAYBE. -1-2025 09 Die On This Hill -2-2025 26 You Stole The Show -1-0 x #1 | 0 x Top 5 | 1 x Top 10 | 1 x Top 20 | 2 x Top 40 | 3 x Top 100Social Media SIENNA SPIRO
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