March 4, 20214 yr Author Officially out tomorrow but you can hear most of it via the radio premiere @1367336483292667911 It's different, but right now I'm very much on board!
March 4, 20214 yr Like last year, there's shades of Marina. It's different enough to be grower. It sounds a bit messy but in a good way.
March 4, 20214 yr On first listen the chorus does sound a bit generic — although sounds like it could be a grower It’s insane how much the verses sound like Marina
March 4, 20214 yr Love it, Australia delivering once again for me. Catchy chorus, love the thumping production and the key change. Sounds very 'blog pop' and Marina in the verses, as has already been pointed out. I'd like to hope this is more competitive than Don't Break Me but I really can't imagine how it will do in Eurovision. I'm not certain it's a sound that will appeal to the masses on the televote, and I don't know how juries will react to it either!?!
March 4, 20214 yr This is going to BOMB hard but I kinda like it. Not sure her voice is the best for this, and it definitely has too many ideas and not enough execution, but it’s not bad.
March 4, 20214 yr I think this will sound better in HQ cause it's a bit confusing and screechy at the moment with the production not being clear! It's not a bad song but agreed I'm struggling to predict how this would do at Eurovision or who the target audience is in general. Doesn't sound like it's been written for the contest in mind at all.
March 5, 20214 yr Like last year, there's shades of Marina. It's different enough to be grower. It sounds a bit messy but in a good way. Shades? Great dollops of Marina.
March 6, 20214 yr Oh boy that is an assault on the senses. The song is already a chaotic mess but with that delivery, they have a lot to salvage to make this palatable. But I get the vibe that Montaigne is a bit disillusioned by her own ability as a singer. She needs to stay in a range she can handle but this song requires much more, vocally.
March 7, 20214 yr Oh boy that is an assault on the senses. The song is already a chaotic mess but with that delivery, they have a lot to salvage to make this palatable. But I get the vibe that Montaigne is a bit disillusioned by her own ability as a singer. She needs to stay in a range she can handle but this song requires much more, vocally. lol what have you even listened to it at all? Which are the parts she's not managing to handle? :') Now that I've listened to both the live and studio versions she sounds really good. Of course she's not going to hit every single note but there really weren't that many f*** ups. Anyway the song sounds a bit more difficult than Don't Break Me and I'm here to see her try to tackle this challenge. Edited March 7, 20214 yr by b
March 7, 20214 yr lol what have you even listened to it at all? Which are the parts she's not managing to handle? :') 1:34 to :1:46.
March 7, 20214 yr there might've been ONE slip because it's literally mid-song and you can't expect a singer to stay perfect the entire time. Each high note she kind of SLAYED. Direct this hate to the staging and dancing (which quite honestly deserved it as all of it was pretty bad) but vocals is the one thing seems to be really on point.
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