February 10, 20233 yr Because people cheat the charts with streaming Do you genuinely have any idea how insane you sound? Are you even listening to yourself as you type these words out?
February 10, 20233 yr so much for Tiesto and Tate being in contention for a(nother) win at buzzjacks favourite non top ten hit then well done to them
February 10, 20233 yr That’s why when I said RIP Singles Chart 1952-2014, I stand by that. They should put me in charge of OCC because there would be a lot of changes and no pisstaking either And if my grandma had wheels she woulda been a bike
February 10, 20233 yr Not sure how he does it cos his songs always start slow but somehow Tiesto always gets big hits
February 10, 20233 yr I don't mind '10:35', but it being a top 10 hit feels so weird. 'The Motto' and 'Hot in It' sound like much bigger songs/anthems to me and this is so mid by comparison.
February 10, 20233 yr And if my grandma had wheels she woulda been a bike I find Hadji regularly radiates energy lmao
February 10, 20233 yr Author 09 | 08 | 10th week Metro Boomin, The Weeknd and 21 Savage Creepin' 1st single from HEROES & VILLAINS Released: 2nd December 2022 Label: Boominati Worldwide Chart Statistics NE (15/12/2022) | 13-25-37-45-12-11-7-8-8-9 Sales: 200k+ Certification: Silver Status: Standard Chart Ratio 14 Sales 08 Audio Streaming 92 Video Streaming Video 61ymOWwOwuk Biography Metro Boomin When the boy who would become Metro Boomin (Leland Tyler Wayne, born 1993) decided he was going to get serious about the rap thing, he intercepted his mother after work with a thick green folder—part dossier, part wish list, part five-year plan. Mom was impressed. He’d already been making beats for a few years, pestering A&Rs on Twitter, crowbarring some connections. He’d even gotten paid a few times. By the time he graduated from high school, he and Mom were making eight-hour-long car trips from St. Louis to Atlanta so Metro could work with Gucci Mane and OJ da Juiceman—contingent, of course, on him keeping his spot on the honor roll. A few months into his freshman year at Morehouse, it became clear that the balance was too tough to keep up. Mom chewed him out. But the work—glossy, atmospheric monsters that pushed trap to cinematic extremes—had too much traction to ignore. The green folder bore out. Future (“Mask Off,” “Low Life”), Migos (“Bad and Boujee”), Post Malone (“Congratulations”), 21 Savage (“Bank Account”), Kodak Black (“Tunnel Vision”): Just a sampling of what followed is some of the most definitive rap of the 2010s, tracks that—alongside the work of collaborators and fellow Atlantans Sonny Digital, Southside, TM88, and Zaytoven—reshaped hip-hop’s sound, feel, and culture. That Metro tackled longer-form projects—full-length collaborations, executive productions—not only made him unusually well-known for a producer, but suggested a broader vision, a transcending of the day-to-day business of beatmaking in favor of building a movement. After a handful of years sharing top billing and a baker’s dozen of platinum records in the bag, he released his own album, 2018’s NOT ALL HEROES WEAR CAPES, a couple of months past his 25th birthday. - Apple Music The Weeknd Nobody makes feeling bad sound as good as The Weeknd. Even the singer’s sunniest tracks (“Can’t Feel My Face”, “Starboy”) feel anchored by darkness—the sense that pleasure is pain and beauty decays and you can’t have the night without the morning after. The brainchild of Toronto singer Abel Tesfaye, the project took off in 2011 with a string of mixtapes (later collected as 2012’s Trilogy) that forged cavernous, falsetto-driven R&B with narratives drenched in drugs, sex and other regrettable decisions—a sound both sensuous and detached, featherlight and dead heavy. One of the earliest musicians to find his footing on the internet, Tesfaye originally offered his music through YouTube and free downloads, a move that felt radical then but is common now. Ethiopian by heritage (his parents immigrated to Canada in the late ’80s, just before he was born), Tesfaye—out from behind the mask of making art online—has since come to represent the changing face of Toronto, rooting himself not just in an international musical community but in a specific diasporic experience. Tesfaye’s music has become a symbol of hedonism pushed to bleak excess, with a series of albums—including 2015’s Grammy-winning Beauty Behind the Madness, 2016’s multiplatinum Starboy and 2020’s dense and atmospheric After Hours—whose narrators can’t seem to say no even if they hate themselves for it later. And though his music has gotten a little brighter over time, the prevailing mood remains heavy, even unsettling—the ride you want more of even when you’ve had too much. Speaking to Apple Music about the persona behind his songs, Tesfaye said, “I’m a chill person. That guy is who I am, but it is who I am to myself and in my writing. Sometimes you take him and then you create more, and then it becomes this beast. You add more to him, and then it’s uncontrollable—its own character. It’s like Scarface, the villain: It’s horrible, but you can’t stop looking at it.” Though he didn’t release a new album in 2021, he was a constant part of the cultural conversation, releasing a slew of singles, performing at the Super Bowl and on Saturday Night Live (think: “Ladies and gentlemen, The Weeknd”) and winning the Apple Music Award for Artist of the Year. - Apple Music 21 Savage Whispering betrays an intimacy—a shared acknowledgement of something sacred. And 21 Savage, rap’s ASMR wordsmith, uses the technique to intimidate and taunt, to threaten and destroy. Violence was quite literally Shéyaa Bin Abraham-Joseph’s introduction to rap: He started after his best friend was killed (and he himself sustained gunshot wounds) in a shootout on Joseph’s 21st birthday. This is music born in the streets, desensitized to tragedy because any other coping mechanism would result in unending heartbreak. His breakthrough, 2016’s Savage Mode, produced entirely by Metro Boomin, showcases the rapper’s deadpan delivery and ambivalence toward the stories he tells. With the EP, 21 emerged as one of rap’s great stylists, with his flow and Metro’s minimal beats giving the album an almost ambient feel. When 21 took his signature sardonic style to its logical extreme on Metro Boomin’s “Don’t Come Out the House,” he betrayed a playful willingness to engage with our image of him. With 2018’s I Am > I Was, though, 21 proved he was more than a single, captivating style. The album boasts a diversity of ideas, homing in on post-trap and club anthems and heightening the impact of his signature snarl, which grows in menace as it’s used less frequently. He used to shroud his apathy entirely in hushed sneers, but now, when 21 Savage lulls us with a whisper, the quiet is deafening. - Apple Music Top 100 Chart History Metro Boomin 2017 61 Perfect Timing (Intro) (NAV & Metro Boomin) -1- 2017 60 Ghostface Killers (21 Savage, Offset & Metro Boomin feat. Travis Scott) -AT- 2017 67 Ric Flair Drip (Offset & Metro Boomin) -1- 2018 69 10 Freaky Girls (feat. 21 Savage) -AT- 2018 80 Don't Come Out The House (feat. 21 Savage) -AT- 2018 86 Overdue (feat. Travis Scott) -AT- 2019 47 Mile High (James Blake feat. Travis Scott & Metro Boomin) 2020 28 Mr. Right Now (21 Savage & Metro Boomin feat. Drake) -2- 2020 43 Runnin (21 Savage & Metro Boomin) -1- 2020 54 Rich N***a Shit (21 Savage & Metro Boomin feat. Young Thug) -AT- 2022 07 Creepin' (Metro Boomin, The Weeknd & 21 Savage) -1- 2022 34 Superhero (Heroes & Villains) (Metro Boomin, Future & Chris Brown) -AT- 2022 46 Niagara Falls (Foot Or 2) (Metro Boomin, Travis Scott & 21 Savage) -AT- 2023 84 Too Many Nights (Metro Boomin & Future feat. Don Toliver) -AT- 0 x #1 | 0 x Top 5 | 1 x Top 10 | 1 x Top 20 | 3 x Top 40 | 14 x Top 100 The Weeknd 2012 37 Crew Love (Drake feat. The Weeknd) 2014 48 Love Me Harder (Ariana Grande & The Weeknd) 2015 04 Earned It -OST/2- MILLIONAIRE 2015 64 Where You Belong -OST- 2015 03 The Hills -4- MILLIONAIRE 2015 03 Can't Feel My Face -3- MILLIONAIRE 2015 65 Often -1/6- 2015 72 Real Life -AT- 2015 74 Tell Your Friends -AT- 2015 78 Prisoner (feat. Lana Del Rey) -AT- 2015 90 Acquainted -AT- 2015 91 Losers (feat. Labrinth) -AT- 2015 92 Dark Times (feat. Ed Sheeran) -AT- 2015 48 In The Night -5- 2016 84 FML (Kanye West feat. The Weeknd) 2016 35 6 Inch (Beyoncé feat. The Weeknd) 2016 02 Starboy (feat. Daft Punk) -1- MILLIONAIRE 2016 51 False Alarm -IG- 2016 09 I Feel It Coming (feat. Daft Punk) -2- MILLIONAIRE 2016 17 Party Monster -3- 2016 26 Rockin' -4- 2016 30 Sidewalks (feat. Kendrick Lamar) -AT- 2016 39 Reminder -AT- 2016 43 Six Feet Under -AT- 2016 47 Secrets -AT- 2016 53 A Lonely Night -AT- 2016 55 True Colours -AT- 2016 68 Love To Lay -AT- 2016 73 Stargirl Interlude (feat. Lana Del Rey) -AT- 2016 45 Die For You -AT- 2016 76 All I Know (feat. Future) -AT- 2016 78 Attention -AT- 2016 79 Ordinary Life -AT- 2016 81 Nothing Without You -AT- 2017 83 Comin Out Strong (Future feat. The Weeknd) 2017 38 Lust For Life (Lana Del Rey feat. The Weeknd) 2017 51 A Lie (French Montana feat. The Weeknd & Max B) 2017 78 Curve (Gucci Mane feat. The Weeknd) 2018 11 Pray For Me (The Weeknd & Kendrick Lamar) -OST- 2018 07 Call Out My Name -1- 2018 17 Try Me -AT- 2018 18 Wasted Times -AT- 2019 09 Lost In The Fire (Gesaffelstein & The Weeknd) 2019 91 Price On My Head (NAV feat. The Weeknd) 2019 45 Power Is Power (SZA, The Weeknd & Travis Scott) -OST- 2019 10 Heartless -1- 2019 01 Blinding Lights -2- MILLIONAIRE 2020 20 After Hours -IG- 2020 17 In Your Eyes -3- 2020 23 Smile (Juice WRLD & The Weeknd) 2020 33 Over Now (Calvin Harris & The Weeknd) 2021 02 Save Your Tears -4- MILLIONAIRE 2021 09 You Right (Doja Cat & The Weeknd) 2021 13 Take My Breath -1- 2021 15 Moth To A Flame (Swedish House Mafia & The Weeknd) 2021 20 One Right Now (Post Malone & The Weeknd) 2022 10 Sacrifice -2- 2022 22 How Do I Make You Love Me? -AT- 2022 45 Is There Someone Else? -AT- 2022 07 Creepin' (Metro Boomin, The Weeknd & 21 Savage) 1 x #1 | 6 x Top 5 | 14 x Top 10 | 22 x Top 20 | 31 x Top 40 | 60 x Top 100 21 Savage 2016 52 Sneakin' (Drake feat. 21 Savage) 2017 41 Bank Account -1- 2017 01 rockstar (Post Malone feat. 21 Savage) MILLIONAIRE 2017 60 Ghostface Killers (21 Savage, Offset & Metro Boomin feat. Travis Scott) -AT- 2018 40 Bartier Cardi (Cardi B feat. 21 Savage) 2018 94 PASS OUT (Quavo feat. 21 Savage) 2018 69 10 Freaky Girls (Metro Boomin feat. 21 Savage) 2018 80 Don't Come Out The House (Metro Boomin feat. 21 Savage) 2019 29 a lot -1- 2019 81 Wish Wish (DJ Khaled feat. Cardi B & 21 Savage) 2020 28 Mr. Right Now (21 Savage & Metro Boomin feat. Drake) -2- 2020 43 Runnin (21 Savage & Metro Boomin) -1- 2020 54 Rich N***a Shit (21 Savage & Metro Boomin feat. Young Thug) -AT- 2021 13 m y . l i f e (J. Cole, 21 Savage & Morray) 2021 64 Bout A Million (Pop Smoke feat. 42 Dugg & 21 Savage) 2021 87 Knife Talk (Drake feat. 21 Savage & Project Pat) 2022 73 Cash In Cash Out (Pharrell Williams feat. 21 Savage & Tyler, The Creator) 2022 07 Jimmy Cooks (Drake feat. 21 Savage) 2022 03 Rich Flex (Drake & 21 Savage) -AT- 2022 05 Major Distribution (Drake & 21 Savage) -AT- 2022 07 Circo Loco (Drake & 21 Savage) -AT- 2022 07 Creepin' (Metro Boomin, The Weeknd & 21 Savage) 2022 46 Niagara Falls (Foot Or 2) (Metro Boomin, Travis Scott & 21 Savage) 1 x #1 | 3 x Top 5 | 6 x Top 10 | 6 x Top 20 | 9 x Top 40 | 23 x Top 100 Social Media Metro Boomin The Weeknd 21 Savage http://i.imgur.com/1SERq1f.png
February 10, 20233 yr And nobody ever "cheated" the charts with downloads or physicals x But who’d wanna spend a fortune buying or downloading the same song over and over again? If I own a song whether it’s on the artist’s album or on a compilation, then I wouldn’t need to buy the song Edited February 10, 20233 yr by Hadji
February 10, 20233 yr I don't mind '10:35', but it being a top 10 hit feels so weird. 'The Motto' and 'Hot in It' sound like much bigger songs/anthems to me and this is so mid by comparison. Agreed. The Motto deserved top 10 over this.
February 10, 20233 yr The Motto sure deserved top 10 Creepin' is such an useless lazy cover, The Weeknd should know better
February 10, 20233 yr Author 08 | 45 | 8th week PinkPantheress Boy's a liar 2nd single from Take me home Released: 30th November 2022 Label: Warner Music UK Chart Statistics NE (15/11/2022) | 83-99-x RE (12/01/2023) | 50-41-47-38-45-8 Sales: 50k+ Certification: - Status: Standard Chart Ratio 00 Sales 47 Audio Streaming 00 Video Streaming Video oftolPu9qp4 Biography PinkPantheress signed to Parlophone in 2021 after a series of viral hits that showcased the London-based singer’s playful vocals and fresh take on house, disco, and neo-soul. - Apple Music Top 100 Chart History 2021 35 Pain -2- 2021 73 Passion -3- 2021 74 Break It Off -1- 2021 27 Just for me -4- 2021 85 I must apologise -5- 2022 71 bbycakes (Mura Masa, Lil Uzi Vert & PinkPantheress feat. Shygirl) 2022 58 Where you are (feat. WILLOW) -NAS- 2022 08 Boy's a liar -1- 0 x #1 | 0 x Top 5 | 1 x Top 10 | 1 x Top 20 | 3 x Top 40 | 8 x Top 100 Social Media PinkPantheress http://i.imgur.com/1SERq1f.png
February 10, 20233 yr PinkPantheress pushing Central Cee out of the top 10, the guy who sampled her song
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