Friday at 15:105 days Author 37 | | 3rd weekLuke CombsWhere The Wild Things Are3rd single from Gettin' OldReleased: 24th March 2023Label: River House ArtistsChart StatisticsNE (23/10/2025) | 94-81-xRE (13/08/2026) | 37Sales: 600,000+Certification: PlatinumStatus: Standard Chart Ratio89 Salesxx Audio Streamingxx Video StreamingVideoBiography“I’m at this point where you just have to believe in it,” Luke Combs told Apple Music. “You have to believe in the thing that you’ve worked hard on.” And he certainly has worked hard. Combs’ rough-around-the-edges brand of country music provides a welcome foil to Music City’s polished radio fare, mixing versatile songwriting with hard-rock dynamics while always staying true to the genre’s established values. While new artists usually get a cold reception from country radio, Combs (born in 1990 and raised in North Carolina) barged right through any obstacles. His 2016 debut single, “Hurricane”, went to No. 1. The following year, his second single, “When It Rains It Pours”, also went to No. 1. By 2019, Combs was the first country artist in history whose first seven singles went to No. 1—a streak he extended to a lucky 13—and he was soon headlining arenas. It seemed like overnight success, but it wasn’t. Combs moulded his signature sound—a bold, yearning tenor, Southern rock guitars, hip-hop-imbued beats—and released three independent EPs before a major label signed him. It doesn’t hurt that he has an Everyman appeal, looking, he’s said, not like a star but like a typical country fan. In a sea of styled and coiffed Nashville stars, Combs’ unkempt manner is a statement of rural masculinity. That attitude is reflected in his thick, raucous sound, but he’s also a diverse songwriter who covers a lot of ground: rowdy and loose, sweet and devoted, funny and sentimental. Case in point is the faithful and impassioned 2023 rendition of Tracy Chapman’s classic 1988 track “Fast Car”—Combs’ self-proclaimed favourite song—from his fourth record, Gettin’ Old. 2024’s Father & Sons explored personal familial relationships, a more sonically gentle output for the superstar. But 2026’s The Way I Am saw Combs revert to his classic, hard-hitting spirit. “My decisions have always come down to happiness,” he said. “Obviously, it’s great to be successful and have money and have all these things, but what it really buys you is the ability to have this freedom and live the life that you want to live.” - Apple MusicTop 100 Chart History2023 72 The Kind Of Love We Make -1-2023 62 Love You Anyway -1*-2023 83 5 Leaf Clover -IG-2023 30 Fast Car -2*-2024 50 Ain't No Love In Oklahoma -OST-2024 78 The Man He Sees In Me -1-2024 91 Remember Him That Way -AT-2024 25 Guy For That (Post Malone feat. Luke Combs)2025 37 Where The Wild Things Are -3*-2026 58 Sleepless In A Hotel Room -1-2026 47 Be By You -2-2026 71 Rethink Some Things -AT-0 x #1 | 0 x Top 5 | 0 x Top 10 | 0 x Top 20 | 3 x Top 40 | 12 x Top 100Social Media Luke Combs
Friday at 15:115 days Just now, Lee_J11 said:Muted the radio in disgust tbh xFollowed by a male vocal country music Just give it up now tbh
Friday at 15:115 days Combs is fit af but I'm yet to hear anything particularly enticing by him, this is no exception. Edited Friday at 15:125 days by Doug
Friday at 15:135 days Time for this to be removed off of the "Every song that has gone platinum despite never reaching the UK Top 40" thread
Friday at 15:135 days 15 minutes ago, mrpopquiz said:On the chart a year ago ( Fri 8 Aug 2025 ) , Rein Me In back up from 17 to 15 - it had already had 2 visits to the top 10 !Wonder where it is now 🤣
Friday at 15:135 days Love Luke Combs, like this song… he has better though. But either way, happy to see country representation!
Friday at 15:145 days Author 36 | 39 | 88th weekNatasha BedingfieldUnwritten3rd single from UnwrittenReleased: 29th November 2004Label: Sony Music Entertainment UKChart StatisticsNE (11/12/2004) | 6-9-11-10-10-21-34-37-47-55-58-70-xRE (12/03/2005) | 99-95-xRE (03/02/2007) | 98-86-xRE (14/07/2007) | 97-xRE (18/01/2024) | 24-18-13-13-14-14-14-12-12-15-12-17-16-15-18-23-21-29-29-26-68-74-80-87-93-89-80-80-84-90-83-85-75-82-94-87-89-84-83-98-94-98-xRE (20/03/2025) | 94-91-84-81-83-84-92-89-83-97-xRE (05/06/2025) | 99-99-99-100-xRE (17/07/2025) | 100-xRE (14/05/2026) | 42-52-46-40-50-46-60-45-45-44-45-45-39-36Sales: 2,400,000+Certification: 4x PlatinumStatus: Standard Chart Ratio06 Sales15 Audio Streaming55 Video StreamingVideoBiographyLooking back at her breakthrough successes in the early 2000s, pop singer Natasha Bedingfield knows exactly why her music connected on such a massive scale. As she tells Apple Music, “It had this innocent positivity that comes from real-life situations and sometimes a lot of pain—but going through that and being uplifted.” Born in 1981, the West Sussex native comes by that inspirational power honestly: Among her pre-fame pursuits was writing and singing for the London branch of the Hillsong contemporary-worship empire. But with its shimmering fusion of Alanis’ edgy alt-pop and Lauryn Hill’s empowering R&B, Bedingfield’s 2004 solo debut, Unwritten, refashioned her as secular crossover star, albeit one whose catwalk-ready swagger was undercut by a self-effacing relatability. On her first UK No. 1 hit, “These Words,” she demystifies her own songwriting process in a manner that suggests you should try it too, while the album's dew-sparkled titled track is a rapturous ode to tapping your inner creativity (a message that got somewhat clouded when it became the theme song to MTV’s posh-kid hate-watch The Hills). Bedingfield continued to radiate positivity throughout the decade, via upbeat funky bops like “I Wanna Have Your Babies” and 2008’s self-explanatory “Pocketful of Sunshine.” After taking an extended hiatus—marked by one-off collaborations, TV gigs, and new motherhood—Bedingfield resurfaced with 2019’s Linda Perry-produced Roll With Me, which saw the singer coloring her motivational stories with an expanded musical palette of Caribbean rhythms and old-school ‘60s soul. “When you write a hit song, you can easily get caught in a trap where you’re trying to write songs that everyone will like,” Bedingfield tells Apple Music. “But we’re all in our own lane and we all have to evolve and grow.” - Apple MusicTop 100 Chart History2004 03 Single -1-2004 01 These Words -2-2004 06 Unwritten -3- MILLIONAIRE2005 12 I Bruise Easily -4-2007 07 I Wanna Have Your Babies -1-2007 07 Soulmate -2-2008 20 Love Like This (feat. Sean Kingston) -1-2008 42 Bruised Water (Chicane vs Natasha Bedingfield)2024 22 These Words (Badger & Natasha Bedingfield)1 x #1 | 2 x Top 5 | 5 x Top 10 | 7 x Top 20 | 8 x Top 40 | 9 x Top 100Social Media Natasha Bedingfield
Friday at 15:145 days 3 minutes ago, conorw said:Oh… When we wanted a new country entry we meant Ella Langley 😭*Kacey Musgraves, but yes!
Friday at 15:145 days Author 35 | 35 | 14th weekRobynDancing On My Own1st single from Body TalkReleased: 14th June 2010Label: Konichiwa RecordsChart StatisticsNE (26/06/2010) | 8-16-29-42-65-71-98-98-xRE (25/04/2015) | 57-xRE (16/07/2026) | 43-46-46-35-35Sales: 1,000,000+Certification: PlatinumStatus: Standard Chart Ratio08 Sales92 Audio Streamingxx Video StreamingVideoBiographyAs a child, Robyn spent a good chunk of time touring with her parents' experimental theater group—an experience that ignited one of the more unusual trajectories in modern pop. Discovered performing at a school assembly, Robyn (born Robin Miriam Carlsson in Stockholm in 1979) launched her professional career at 15, cowriting every song on 1995's Robyn Is Here, including "Show Me Love" and "Do You Know (What It Takes)," both of which crossed over outside Sweden and made her a genuine if somewhat reluctant star. Burned by the conservatism of the industry (especially when it came to the treatment of young women), she left her label in the early 2000s in order to start her own—a move that essentially set her back to square one, but also made her an emblem of independence at a time when pop, as a sound, was beginning to split from the conventions of the business. Working slowly, deliberately, and with a small circle of collaborators (including Klas Ã…hlund of Teddybears and Joseph Mount of Metronomy), she helped redefine pop as something that could be cool and almost boutique, releasing a string of singles and EPs (including 2010's Body Talk series) by turns vulnerable and empowering, triumphant and deeply bittersweet—bangers you could weep to. After taking a nearly eight-year-long break from releasing solo music (a gamble almost unheard-of for a pop artist in their prime), Robyn returned in 2018 with Honey, recasting loss—romantic and personal—as the fire in which strong hearts are forged. "I wish everyone could have a fan club that would just cheer them on and root for them," she told Apple Music. "What if you have people on your Instagram, texting you, 'Yeah, I'm so excited you're going to work!'" It was a joke, of course, but the sentiment—bringing the rush of pop to a human scale—is one she built a career on. - Apple MusicTop 100 Chart History1996 54 You've Got That Somethin' -1-1996 26 Do You Know (What It Takes) -2-1998 08 Show Me Love -3-1998 20 Do You Really Want Me (Show Respect) -4-2007 98 Konichiwa Bitches -1-2007 01 With Every Heartbeat (with Kleerup) -2-2007 17 Handle Me -3-2008 10 Be Mine! -4-2008 26 Who's That Girl? -5-2008 29 Dream On (Christian Falk feat. Robyn)2010 08 Dancing On My Own -1- MILLIONAIRE2010 54 Hang With Me -2-2011 55 Call Your Girlfriend -3-2014 75 Do It Again (Röyksopp & Robyn) -1-2018 87 Missing U -1-0 x #1 | 0 x Top 5 | 0 x Top 10 | 0 x Top 20 | 0 x Top 40 | 0 x Top 100Social Media Robyn
Friday at 15:145 days 10 minutes ago, Lee_J11 said:Can heatwave #783 this coming week stop it from dropping out next Friday? 🫠Is the north west getting this one we missed the last 2 🥲
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