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Best song right now <3 <3 <3 future #1 in Jan hopefully
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26 | :up: 27 | 5th week

 

Bugzy Malone and TeeDee

Out Of Nowhere

 

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Non-album single

Released: 10th November 2022

Label: B-Somebody

 

Chart Statistics

 

NE (24/11/2022) | 18-13-13-27-26

 

Sales: 70k+

Certification: -

Status: Standard Chart Ratio

 

36 Sales

26 Audio Streaming

01 Video Streaming

 

Video

 

 

Biography

 

Liberating grime from its London domicile in the mid-2010s, Bugzy Malone firmly implanted Manchester on the UK rap map with confessional storytelling in an unmistakable Mancunian gruff. Born Aaron Davis in Greater Manchester in 1990 to a single-parent mother, a young Bugzy Malone followed in his uncle’s criminal footsteps. After being expelled from school and enduring homelessess as a teen, Malone finally escaped Manchester street life after a prison sentence at the age of 16 served as a catalyst. Turning his life around as an amateur boxer before deciding upon a full-time career in rap, Malone released his introspective debut EP, Walk With Me, in 2015, a territorial reworking of grime whose title track installed his area’s calling code (0161) as a regional rap mantra. Its follow-up, 2016’s Facing Time, found Malone wrestling with the rigors of fame and unbosoming himself of traumatic stress, themes he would expand upon in 2017’s resolute declaration of provincial sovereignty, King of the North. Malone’s independent success was ratified in 2018 with his first full-length album, B. Inspired, a proper fusion of grime, Afro-swing, speed garage, and hip-hop, typified by “Die By the Gun,” a reflective third-person tale of the turbulent Manchester street life he fortuitously left behind to become a trailblazer for Northern hip-hop. - Apple Music

 

Top 100 Chart History

 

Bugzy Malone

2017 99 Bruce Wayne -IG-

2017 65 Memory Lane (feat. Tom Grennan) -2-

2017 92 Through The Night (feat. DJ Luck & MC Neat) -1-

2018 97 Warning -1-

2018 69 Who Am I (Kojo Funds feat. Bugzy Malone)

2018 55 Run (Bugzy Malone & Rag'n'Bone Man) -2-

2019 34 M.E.N II -NAS-

2019 20 Kilos (feat. Aitch) -NAS-

2019 66 December -NAS-

2020 89 Cause A Commotion (feat. Skip Marley) -NAS-

2020 18 M.E.N III -1-

2020 77 Don't Cry (Bugzy Malone & Dermot Kennedy) -2-

2021 30 Notorious (Bugzy Malone & Chip) -3-

2021 63 Grown Flex (Chip feat. Bugzy Malone)

2021 88 Welcome To The Hood (Bugzy Malone & Emeli Sandé) -3-

2021 89 Salvador -4-

2021 80 Skeletons -5-

2021 68 Ride Out -6-

2021 76 Payslips (Swarmz feat. Bugzy Malone & M24)

2021 55 War Mode -NAS-

2022 55 Daily Duppy -NAS-

2022 39 Energy (Bugzy Malone & MIST) -NAS-

2022 13 Out Of Nowhere (Bugzy Malone & TeeDee) -NAS-

 

0 x #1 | 0 x Top 5 | 0 x Top 10 | 3 x Top 20 | 6 x Top 40 | 23 x Top 100

 

TeeDee

2022 84 Mad At Me (Silky feat. TeeDee)

2022 13 Out Of Nowhere (Bugzy Malone & TeeDee)

 

0 x #1 | 0 x Top 5 | 0 x Top 10 | 1 x Top 20 | 1 x Top 40 | 2 x Top 100

 

Social Media

 

Z3yZBmt.png n1LUs3L.png VlKuv9y.png 48kM43m.png Bugzy Malone

 

Z3yZBmt.png n1LUs3L.png VlKuv9y.png 48kM43m.png TeeDee

 

http://i.imgur.com/1SERq1f.png

shocked to see this climbing during xmas invasion! I think it'll be a top 5 in the new year, maybe even top 3!
Surefire top 3 in Jan, it's currently track #1 on HH
  • Author

25 | :down: 13 | 2nd week

 

Metro Boomin, The Weeknd and 21 Savage

Creepin'

 

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Album track from HEROES & VILLAINS

Released: 2nd December 2022

Label: Boominati Worldwide

 

Chart Statistics

 

NE (15/12/2022) | 13-25

 

Sales: 20k+

Certification: -

Status: Standard Chart Ratio

 

60 Sales

34 Audio Streaming

92 Video Streaming

 

Video

 

 

Biography

 

Metro Boomin

When the boy who would become Metro Boomin (Leland Tyler Wayne, born 1993) decided he was going to get serious about the rap thing, he intercepted his mother after work with a thick green folder—part dossier, part wish list, part five-year plan. Mom was impressed. He’d already been making beats for a few years, pestering A&Rs on Twitter, crowbarring some connections. He’d even gotten paid a few times. By the time he graduated from high school, he and Mom were making eight-hour-long car trips from St. Louis to Atlanta so Metro could work with Gucci Mane and OJ da Juiceman—contingent, of course, on him keeping his spot on the honor roll. A few months into his freshman year at Morehouse, it became clear that the balance was too tough to keep up. Mom chewed him out. But the work—glossy, atmospheric monsters that pushed trap to cinematic extremes—had too much traction to ignore. The green folder bore out. Future (“Mask Off,” “Low Life”), Migos (“Bad and Boujee”), Post Malone (“Congratulations”), 21 Savage (“Bank Account”), Kodak Black (“Tunnel Vision”): Just a sampling of what followed is some of the most definitive rap of the 2010s, tracks that—alongside the work of collaborators and fellow Atlantans Sonny Digital, Southside, TM88, and Zaytoven—reshaped hip-hop’s sound, feel, and culture. That Metro tackled longer-form projects—full-length collaborations, executive productions—not only made him unusually well-known for a producer, but suggested a broader vision, a transcending of the day-to-day business of beatmaking in favor of building a movement. After a handful of years sharing top billing and a baker’s dozen of platinum records in the bag, he released his own album, 2018’s NOT ALL HEROES WEAR CAPES, a couple of months past his 25th birthday. - Apple Music

 

The Weeknd

Nobody makes feeling bad sound as good as The Weeknd. Even the singer’s sunniest tracks (“Can’t Feel My Face”, “Starboy”) feel anchored by darkness—the sense that pleasure is pain and beauty decays and you can’t have the night without the morning after. The brainchild of Toronto singer Abel Tesfaye, the project took off in 2011 with a string of mixtapes (later collected as 2012’s Trilogy) that forged cavernous, falsetto-driven R&B with narratives drenched in drugs, sex and other regrettable decisions—a sound both sensuous and detached, featherlight and dead heavy. One of the earliest musicians to find his footing on the internet, Tesfaye originally offered his music through YouTube and free downloads, a move that felt radical then but is common now. Ethiopian by heritage (his parents immigrated to Canada in the late ’80s, just before he was born), Tesfaye—out from behind the mask of making art online—has since come to represent the changing face of Toronto, rooting himself not just in an international musical community but in a specific diasporic experience. Tesfaye’s music has become a symbol of hedonism pushed to bleak excess, with a series of albums—including 2015’s Grammy-winning Beauty Behind the Madness, 2016’s multiplatinum Starboy and 2020’s dense and atmospheric After Hours—whose narrators can’t seem to say no even if they hate themselves for it later. And though his music has gotten a little brighter over time, the prevailing mood remains heavy, even unsettling—the ride you want more of even when you’ve had too much. Speaking to Apple Music about the persona behind his songs, Tesfaye said, “I’m a chill person. That guy is who I am, but it is who I am to myself and in my writing. Sometimes you take him and then you create more, and then it becomes this beast. You add more to him, and then it’s uncontrollable—its own character. It’s like Scarface, the villain: It’s horrible, but you can’t stop looking at it.” Though he didn’t release a new album in 2021, he was a constant part of the cultural conversation, releasing a slew of singles, performing at the Super Bowl and on Saturday Night Live (think: “Ladies and gentlemen, The Weeknd”) and winning the Apple Music Award for Artist of the Year. - Apple Music

 

21 Savage

Whispering betrays an intimacy—a shared acknowledgement of something sacred. And 21 Savage, rap’s ASMR wordsmith, uses the technique to intimidate and taunt, to threaten and destroy. Violence was quite literally Shéyaa Bin Abraham-Joseph’s introduction to rap: He started after his best friend was killed (and he himself sustained gunshot wounds) in a shootout on Joseph’s 21st birthday. This is music born in the streets, desensitized to tragedy because any other coping mechanism would result in unending heartbreak. His breakthrough, 2016’s Savage Mode, produced entirely by Metro Boomin, showcases the rapper’s deadpan delivery and ambivalence toward the stories he tells. With the EP, 21 emerged as one of rap’s great stylists, with his flow and Metro’s minimal beats giving the album an almost ambient feel. When 21 took his signature sardonic style to its logical extreme on Metro Boomin’s “Don’t Come Out the House,” he betrayed a playful willingness to engage with our image of him. With 2018’s I Am > I Was, though, 21 proved he was more than a single, captivating style. The album boasts a diversity of ideas, homing in on post-trap and club anthems and heightening the impact of his signature snarl, which grows in menace as it’s used less frequently. He used to shroud his apathy entirely in hushed sneers, but now, when 21 Savage lulls us with a whisper, the quiet is deafening. - Apple Music

 

Top 100 Chart History

 

Metro Boomin

2017 61 Perfect Timing (Intro) (NAV & Metro Boomin) -1-

2017 60 Ghostface Killers (21 Savage, Offset & Metro Boomin feat. Travis Scott) -AT-

2017 67 Ric Flair Drip (Offset & Metro Boomin) -1-

2018 69 10 Freaky Girls (feat. 21 Savage) -AT-

2018 80 Don't Come Out The House (feat. 21 Savage) -AT-

2018 86 Overdue (feat. Travis Scott) -AT-

2019 47 Mile High (James Blake feat. Travis Scott & Metro Boomin)

2020 28 Mr. Right Now (21 Savage & Metro Boomin feat. Drake) -2-

2020 43 Runnin (21 Savage & Metro Boomin) -1-

2020 54 Rich N***a Shit (21 Savage & Metro Boomin feat. Young Thug) -AT-

2022 13 Creepin' (Metro Boomin, The Weeknd & 21 Savage) -AT-

2022 39 Superhero (Heroes & Villains) (Metro Boomin, Future & Chris Brown) -AT-

2022 46 Niagara Falls (Foot Or 2) (Metro Boomin, Travis Scott & 21 Savage) -AT-

 

0 x #1 | 0 x Top 5 | 0 x Top 10 | 1 x Top 20 | 3 x Top 40 | 13 x Top 100

 

The Weeknd

2012 37 Crew Love (Drake feat. The Weeknd)

2014 48 Love Me Harder (Ariana Grande & The Weeknd)

2015 04 Earned It -OST/2- MILLIONAIRE

2015 64 Where You Belong -OST-

2015 03 The Hills -4- MILLIONAIRE

2015 03 Can't Feel My Face -3- MILLIONAIRE

2015 65 Often -1/6-

2015 72 Real Life -AT-

2015 74 Tell Your Friends -AT-

2015 78 Prisoner (feat. Lana Del Rey) -AT-

2015 90 Acquainted -AT-

2015 91 Losers (feat. Labrinth) -AT-

2015 92 Dark Times (feat. Ed Sheeran) -AT-

2015 48 In The Night -5-

2016 84 FML (Kanye West feat. The Weeknd)

2016 35 6 Inch (Beyoncé feat. The Weeknd)

2016 02 Starboy (feat. Daft Punk) -1- MILLIONAIRE

2016 51 False Alarm -IG-

2016 09 I Feel It Coming (feat. Daft Punk) -2- MILLIONAIRE

2016 17 Party Monster -3-

2016 26 Rockin' -4-

2016 30 Sidewalks (feat. Kendrick Lamar) -AT-

2016 39 Reminder -AT-

2016 43 Six Feet Under -AT-

2016 47 Secrets -AT-

2016 53 A Lonely Night -AT-

2016 55 True Colours -AT-

2016 68 Love To Lay -AT-

2016 73 Stargirl Interlude (feat. Lana Del Rey) -AT-

2016 69 Die For You -AT-

2016 76 All I Know (feat. Future) -AT-

2016 78 Attention -AT-

2016 79 Ordinary Life -AT-

2016 81 Nothing Without You -AT-

2017 83 Comin Out Strong (Future feat. The Weeknd)

2017 38 Lust For Life (Lana Del Rey feat. The Weeknd)

2017 51 A Lie (French Montana feat. The Weeknd & Max B)

2017 78 Curve (Gucci Mane feat. The Weeknd)

2018 11 Pray For Me (The Weeknd & Kendrick Lamar) -OST-

2018 07 Call Out My Name -1-

2018 17 Try Me -AT-

2018 18 Wasted Times -AT-

2019 09 Lost In The Fire (Gesaffelstein & The Weeknd)

2019 91 Price On My Head (NAV feat. The Weeknd)

2019 45 Power Is Power (SZA, The Weeknd & Travis Scott) -OST-

2019 10 Heartless -1-

2019 01 Blinding Lights -2- MILLIONAIRE

2020 20 After Hours -IG-

2020 17 In Your Eyes -3-

2020 23 Smile (Juice WRLD & The Weeknd)

2020 33 Over Now (Calvin Harris & The Weeknd)

2021 02 Save Your Tears -4- MILLIONAIRE

2021 09 You Right (Doja Cat & The Weeknd)

2021 13 Take My Breath -1-

2021 15 Moth To A Flame (Swedish House Mafia & The Weeknd)

2021 20 One Right Now (Post Malone & The Weeknd)

2022 10 Sacrifice -2-

2022 22 How Do I Make You Love Me? -AT-

2022 45 Is There Someone Else? -AT-

2022 13 Creepin' (Metro Boomin, The Weeknd & 21 Savage)

 

1 x #1 | 6 x Top 5 | 13 x Top 10 | 22 x Top 20 | 31 x Top 40 | 60 x Top 100

 

21 Savage

2016 52 Sneakin' (Drake feat. 21 Savage)

2017 41 Bank Account -1-

2017 01 rockstar (Post Malone feat. 21 Savage) MILLIONAIRE

2017 60 Ghostface Killers (21 Savage, Offset & Metro Boomin feat. Travis Scott) -AT-

2018 40 Bartier Cardi (Cardi B feat. 21 Savage)

2018 94 PASS OUT (Quavo feat. 21 Savage)

2018 69 10 Freaky Girls (Metro Boomin feat. 21 Savage)

2018 80 Don't Come Out The House (Metro Boomin feat. 21 Savage)

2019 29 a lot -1-

2019 81 Wish Wish (DJ Khaled feat. Cardi B & 21 Savage)

2020 28 Mr. Right Now (21 Savage & Metro Boomin feat. Drake) -2-

2020 43 Runnin (21 Savage & Metro Boomin) -1-

2020 54 Rich N***a Shit (21 Savage & Metro Boomin feat. Young Thug) -AT-

2021 13 m y . l i f e (J. Cole, 21 Savage & Morray)

2021 64 Bout A Million (Pop Smoke feat. 42 Dugg & 21 Savage)

2021 87 Knife Talk (Drake feat. 21 Savage & Project Pat)

2022 73 Cash In Cash Out (Pharrell Williams feat. 21 Savage & Tyler, The Creator)

2022 07 Jimmy Cooks (Drake feat. 21 Savage)

2022 03 Rich Flex (Drake & 21 Savage) -AT-

2022 05 Major Distribution (Drake & 21 Savage) -AT-

2022 07 Circo Loco (Drake & 21 Savage) -AT-

2022 13 Creepin' (Metro Boomin, The Weeknd & 21 Savage)

2022 46 Niagara Falls (Foot Or 2) (Metro Boomin, Travis Scott & 21 Savage)

 

1 x #1 | 3 x Top 5 | 5 x Top 10 | 6 x Top 20 | 9 x Top 40 | 23 x Top 100

 

Social Media

 

Z3yZBmt.png n1LUs3L.png VlKuv9y.png 48kM43m.png Metro Boomin

 

Z3yZBmt.png n1LUs3L.png VlKuv9y.png 48kM43m.png The Weeknd

 

Z3yZBmt.png n1LUs3L.png VlKuv9y.png 48kM43m.png 21 Savage

 

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24 | :up: 30 | 47th week

 

Paul McCartney

Wonderful Christmastime

 

http://i.imgur.com/a8DPQWD.jpg

 

Non-album single

Released: 1979

Label: Parlophone / Columbia

 

Chart Statistics

 

NE (01/12/1979) | 61-31-20-7-7-6-18-51-x

RE (15/12/2007) | 77-70-44-x

RE (17/12/2011) | 72-93-x

RE (15/12/2012) | 96-x

RE (24/12/2015) | 98-68-x

RE (15/12/2016) | 78-69-54-40-x

RE (14/12/2017) | 79-39-38-26-x

RE (13/12/2018) | 62-48-35-20-x

RE (12/12/2019) | 81-72-67-37-x

RE (03/12/2020) | 90-39-32-34-26-25-x

RE (09/12/2021) | 54-29-27-23-17-x

RE (01/12/2022) | 96-51-30-24

 

Sales: 1,200k+

Certification: Platinum

Status: Accelerated Chart Ratio

 

06 Sales

15 Audio Streaming

38 Video Streaming

 

Video

 

 

Biography

 

As Beatlemania was transforming rock ’n’ roll from passing teen fad to permanent pop-cultural movement, Paul McCartney (born in Liverpool in 1942) became the driving force behind the band’s rapid, dramatic maturation. In just two years, he had graduated from the Little Richard worship of 1963’s “I Saw Her Standing There” to the exquisite orchestral balladry of “Yesterday”—a shift that intensified the contrast between McCartney and his increasingly acerbic songwriting partner, John Lennon. But as The Beatles’ entered their late-’60s experimental phase—during which Lennon’s avant-garde impulses came to the fore—McCartney’s traditionalism constituted its own form of radicalism. Within the band’s psychedelic milieu, his embrace of pre-rock forms, like classical (“Eleanor Rigby”) and English music-hall serenades (“When I’m Sixty-Four”), felt no less surreal than The Beatles' use of tape-loop freak-outs and sitar drones. (And this is to say nothing of Paul's sublime bass playing, which elevated the four-string from rhythmic undercurrent to melodic focal point.) His post-Beatles albums have proven equally uncanny and influential: 1971’s art-folk opus Ram provided the lo-fi schematic for future generations of DIY home-recording artists, while the arena-rattling roar of “Jet”, from McCartney's subsequent band Wings’ 1973 LP Band on the Run, shows why he’s become a muse to hard rockers such as Dave Grohl. And by continually collaborating with the hitmakers of the day—from Michael Jackson in the 1980s to Rihanna and Kanye West in the 2010s—he has remained a voracious pop omnivore, as connected to music's past as its future. - Apple Music

 

Top 100 Chart History

 

1971 02 Another Day -NAS-

1971 39 Back Seat Of My Car (Paul McCartney & Linda McCartney) -1-

1973 09 My Love (Paul McCartney & Wings) -1-

1973 09 Live And Let Die (Paul McCartney & Wings) -OST-

1973 12 Helen Wheels (Paul McCartney & Wings) -1-

1974 07 Jet (Paul McCartney & Wings) -2-

1974 03 Band On The Run (Paul McCartney & Wings) -3-

1974 16 Junior's Farm (Paul McCartney & Wings) -NAS-

1975 41 Letting Go (Paul McCartney & Wings) -1-

1979 60 Getting Closer / Baby's Request (Paul McCartney & Wings) -1-

1979 06 Wonderful Christmastime -NAS- MILLIONAIRE

1980 02 Coming Up -1-

1980 09 Waterfalls -2-

1982 01 Ebony And Ivory (Paul McCartney & Stevie Wonder) -1-

1982 15 Take It Away -2-

1982 53 Tug Of War -3-

1982 08 The Girl Is Mine (Michael Jackson & Paul McCartney)

1983 02 Say Say Say (Paul McCartney & Michael Jackson) -1-

1983 01 Pipes Of Peace -2-

1984 02 No More Lonely Nights -1-

1984 03 We All Stand Together (Paul McCartney & The Frog Chorus) -NAS-

1985 13 Spies Like Us -NAS-

1986 25 Press -1-

1986 76 Pretty Little Head -2-

1986 34 Only Love Remains -3-

1987 10 Once Upon A Long Ago -1-

1989 01 Ferry 'Cross The Mersey (The Christians, Holly Johnson, Paul McCartney, Gerry Marsden & Stock Aitken Waterman)

1989 18 My Brave Face -1-

1989 18 This One -2-

1989 42 Figure Of Eight -3-

1990 32 Put It There -4-

1990 29 Birthday -1-

1990 35 All My Trials -2-

1993 18 Hope Of Deliverance -1-

1993 41 C'Mon People -2-

1997 19 Young Boy -1-

1997 23 The World Tonight -2-

1997 25 Beautiful Night -3-

1999 42 No Other Baby -1-

1999 87 Voice (Heather Mills feat. Paul McCartney)

2001 45 From A Lover To A Friend -1-

2004 21 Tropic Island Hum -NAS-

2005 20 Fine Line -1-

2005 22 Jenny Wren -2-

2007 26 Dance Tonight -1-

2007 85 Ever Present Past -2-

2015 28 Only One (Kanye West feat. Paul McCartney)

2015 03 FourFiveSeconds (Rihanna & Kanye West & Paul McCartney) MILLIONAIRE

2015 18 All Day (Kanye West feat. Theophilus London, Allan Kingdom & Paul McCartney)

 

3 x #1 | 10 x Top 5 | 17 x Top 10 | 27 x Top 20 | 39 x Top 40 | 49 x Top 100

 

Social Media

 

Z3yZBmt.png n1LUs3L.png VlKuv9y.png 48kM43m.png Paul McCartney

 

http://i.imgur.com/1SERq1f.png

  • Author

23 | :up: 28 | 92nd week

 

Wizzard

I Wish It Could Be Christmas Everyday

 

http://is4.mzstatic.com/image/thumb/Music6/v4/ea/00/6c/ea006cb7-7867-a0b9-de6a-4c1cc92ca2a9/source/170x170bb.jpg

 

Non-album single

Released: 1973

Label: Parlophone Records

 

Chart Statistics

 

NE (08/12/1973) | 19-6-4-4-4-4-16-22-41-x

RE (19/12/1981) | 61-41-41-68-x

RE (08/12/1984) | 86-50-36-23-36-x

RE (21/12/1985) | 96-x

RE (27/12/1986) | 99-x

RE (08/12/2007) | 65-27-16-18-62-x

RE (13/12/2008) | 48-31-33-61-x

RE (12/12/2009) | 60-45-51-46-x

RE (04/12/2010) | 97-52-46-48-49-x

RE (10/12/2011) | 58-28-31-38-x

RE (08/12/2012) | 58-31-29-38-x

RE (07/12/2013) | 92-37-31-41-80-x

RE (13/12/2014) | 52-35-39-37-x

RE (10/12/2015) | 79-43-34-27-73-x

RE (15/12/2016) | 37-36-27-23-x

RE (07/12/2017) | 98-24-22-23-15-x

RE (13/12/2018) | 45-33-24-12-x

RE (12/12/2019) | 44-34-29-10-x

RE (03/12/2020) | 61-23-19-16-13-12-x

RE (02/12/2021) | 74-28-25-22-17-15-x

RE (08/12/2022) | 53-28-23

 

Sales: 2,000k+

Certification: 2x Platinum

Status: Accelerated Chart Ratio

 

04 Sales

08 Audio Streaming

11 Video Streaming

 

Video

 

 

Biography

 

Eccentric pop genius Ulysses Adrian "Roy" Wood developed the Electric Light Orchestra out of the Move, a truly great British band in an era of great British bands. However, because of a rift with Jeff Lynne, Wood left ELO after the debut No Answer and created Wizzard, a bizarre octet who debuted at a 1972 Wembley Rock 'n' Roll Festival and then captured the airwaves with "Ball Park Incident." Wizzard landed two chart-toppers overseas, "See My Baby Jive" and "Angel Fingers." Chaotic but always melodic, Wood built a unique wall of sound around these and other dandies like "Rock and Roll Winter" and perennial winner "I Wish It Could Be Christmas Every Day." Wizzard even jabbed the ascending ELO with "Bend Over Beethoven."

 

In the center of this insanity, Wood sported multi-colored beard and mane, added a star to his forehead, and covered his face (perhaps inspiring fan Paul Stanley) with warpaint, sprinkles, or innumerable other oddities. Wizzard seemed to only maintain success with singles however, and the Introducing Eddie and the Falcons LP, a tribute to early rock icons like Del Shannon, Gene Vincent, and Cliff Richard, proved to be Wizzard's final work. Manager Don Arden enjoyed stadium success in the U.S., but Wizzard folded when management decided not to increase financing. Wood kept bassist Rick Price and saxophonist Mike Burney for the Wizzo Band, whose jazz-funk wafted beyond commercial confines for a lone effort, Super Active Wizzo. Wizzo expired in 1978, Wood continuing his concurrent solo career and basically dropping out of sight, reappearing periodically to perform with disciples Cheap Trick. - Spotify

 

Top 100 Chart History

 

1972 06 Ball Park Incident -NAS-

1973 01 See My Baby Jive -NAS-

1973 01 Angel Fingers -NAS-

1973 04 I Wish It Could Be Christmas Everyday -NAS- MILLIONAIRE

1974 06 Rock And Roll Winter -NAS-

1974 34 This Is The Story Of My Love (Baby) -1-

1974 08 Are You Ready To Rock -NAS-

 

2 x #1 | 3 x Top 5 | 6 x Top 10 | 6 x Top 20 | 7 x Top 40 | 7 x Top 100

 

Social Media

 

qHAIHhS.png qHAIHhS.png qHAIHhS.png 48kM43m.png Wizzard

 

http://i.imgur.com/1SERq1f.png

Creepin is also a great track! Glad they skipped paul but id rather hear that than wizzard (another xmas song im not a fan of :kink:)
  • Author

22 | :up: 31 | 3rd week

 

Lizzo

Someday At Christmas

 

Sz7PRXx.png

 

Non-album single

Released: 10th November 2022

Label: Nice Life Recording Company

 

Chart Statistics

 

NE (08/12/2022) | 52-31-22

 

Sales: 20k+

Certification: -

Status: Standard Chart Ratio

 

00 Sales

49 Audio Streaming

00 Video Streaming

 

Video

 

 

Biography

 

Lizzo is here to let it out. Body positivity, queerness, the embrace of the self in all its possibilities: For her, the freer, the better. Yes, she’s a singer. And a rapper, and—wouldn’t you know it—a pretty impressive flautist. But she’s also an emblem for the idea that social progress starts from within, that her loving herself (and you loving you) is the first step to fighting the forces that keep marginalised people—Black, female, LGBTQ and otherwise—down. “I think that there’s a wave right now in human experience where we want to feel good, and we’re seeking out the practice of self-care and self-love,” she told Apple Music in 2020. “I think my music just happened to ebb and flow with the way we’re evolving as a people and a culture.”

 

Born Melissa Jefferson in 1988, she grew up between Detroit and Houston, making her way through the Minneapolis indie community in her early twenties. She worked steadily through the 2010s, forging a confident, outsized blend of gospel, R&B, hip-hop and pop before breaking through with 2019’s Cuz I Love You. She could be funny (“I just took a DNA test/Turns out I’m 100% that bitch,” she raps at the beginning of “Truth Hurts”), vulnerable (“Cuz I Love You”), quirky (“Batches & Cookies”) and empowering (“Juice”). In every case, though, her music brings a muchness, a saturated sense of vibrancy and humour and soul and self-assuredness that just kinda makes you feel good. It’s hard to argue it when, upon accepting the 2019 Apple Music Award for Breakthrough Artist of the Year, she said emphatically, “I deserve it!” - Apple Music

 

Top 100 Chart History

 

2019 38 Juice -1-

2019 29 Truth Hurts -2-

2019 70 Blame It On Your Love (Charli XCX feat. Lizzo)

2019 07 Good As Hell -3- MILLIONAIRE

2021 20 Rumors (Lizzo & Cardi B) -NAS-

2022 03 About Damn Time -1-

2022 16 2 Be Loved (Am I Ready) -2-

2022 22 Someday At Christmas -NAS-

 

0 x #1 | 1 x Top 5 | 2 x Top 10 | 4 x Top 20 | 7 x Top 40 | 8 x Top 100

 

Social Media

 

Z3yZBmt.png n1LUs3L.png VlKuv9y.png 48kM43m.png Lizzo

 

http://i.imgur.com/1SERq1f.png

  • Author
Why is some mind-numbingly tedious trailer considered more important than the end of the Wizzard song?

The Traitors is absolutely more important *.*

remmeber when this was top 10 in the update :lol: glad its dropped a lot since then, i really like lizzo and most of her music but this just isnt it at all. v bland and boring. she could do so much more

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