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I remember the first time I listened to "The Mother We Share" on Pop Justice and it totally blew my mind. So glad it has finally made the top 40. I hope "Lies" and "Recover" can do the same.

Edited by N-S

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Better.

 

Calvin is old news ATM for me. Fed up of hearing his album material now.

I remember the first time I listened to "The Mother We Share" on Pop Justice and it totally blew my mind. So glad it has finally made the top 10. I hope "Lies" and "Recover" can do the same.

 

10? :kink:

 

-x-

 

Lose Yourself to Dance to knock this out next week please!

Edited by Jade

36 :up: (from 38) Daft Punk Feat. Pharrell Williams - Get Lucky [D]

 

http://a2.mzstatic.com/us/r1000/099/Music/v4/79/fd/9f/79fd9f2b-927d-c0bc-a4e4-483e139f8c69/886443973442.170x170-75.jpg

 

Chart Run: 3-1-1-1-1-2-3-3-4-6-8-10-9-11-9-13-16-22-28-28-33-38-36 [23 wks]

 

Release date: 19-04-2013

Format: download only single

Label: Daft Life Limited/Columbia Records

 

Sales: 1,200k+

 

Video here:

 

Biography

In similar company with new-school French progressive dance artists such as Motorbass, Air, Cassius, and Dimitri from Paris, Parisian duo Daft Punk quickly rose to acclaim by adapting a love for first-wave acid house and techno to their younger roots in pop, indie rock, and hip-hop. The combined talents of DJs Guy-Manuel de Homem-Christo and Thomas Bangalter, the pair's first projects together included Darling, a voiceless indie cover band; their current recording name derives from a review in U.K. music weekly Melody Maker of a compilation tape Darling were featured on, released by Krautrock revivalists Stereolab (their lo-fi D.I.Y. cover of a Beach Boys song was derided as "daft punk"). Subsequently ditching the almost inevitable creative cul-de-sac of rock for the more appealing rush of the dancefloor, the pair released their debut single, "The New Wave," in 1993 on the celebrated Soma label. Instantly hailed by the dance music press as the work of a new breed of house innovators, the single was followed by "Da Funk," the band's first true hit (the record sold 30,000 copies worldwide and saw thorough rinsings by everyone from Kris Needs to the Chemical Brothers).

 

Although the group had only released a trio of singles ("The New Wave" and "Da Funk," as well as the 1996 limited pressing of "Musique"), in early 1996 Daft Punk were the subject of a minor bidding war. The group eventually signed with Virgin, with its first long-player, Homework, appearing early the following year (a brief preview of the album, "Musique," was also featured on the Virgin compilation Wipeout XL next to tracks from Photek, Future Sound of London, the Chemical Brothers, and Source Direct). As with the earlier singles, the group's sound is a brazen, dancefloor-oriented blend of progressive house, funk, electro, and techno, with sprinklings of hip-hop-styled breakbeats and excessive, crowd-firing samples similar to other anthemic dance-fusion acts such as the Chemical Brothers and Monkey Mafia. In addition to his role in Daft Punk, Bangalter operates the Roulé label and has recorded under his own name (the underground smash "Trax on da Rocks") as well as Stardust (the huge club/commercial hit "Music Sounds Better with You").

 

After four long years of fans eagerly awaiting a follow-up to their brilliant debut, Daft Punk finally issued Discovery in March 2001. The live record Alive 1997 followed at the end of the year, and a by-now predictable four-year wait preceded the release of Human After All in early 2005. One year later, Daft Punk released a compilation, Musique, Vol. 1: 1993-2005, and in 2007 their second live record, Alive 2007, arrived. The album and its single "Harder, Better, Faster, Stronger" won Grammy Awards early in 2009; shortly after, it was announced that the duo would compose the soundtrack to Tron: Legacy, the sequel to the 1982 classic sci-fi film Tron. Daft Punk's music for the movie was released in November 2010, shortly before the film — which featured the group in a cameo — arrived in theaters. Early in 2013, Daft Punk announced that they planned to have a new album released by May of that year. That March, the duo announced the album's title, Random Access Memories, and launched an extensive press campaign that featured snippets of the album's lead single, "Get Lucky," and interviews with some of their collaborators, which included Nile Rodgers, Paul Williams, Giorgio Moroder, and Panda Bear. The single was officially released in April, and Random Access Memories arrived in May.

 

Chart history (Year peak title):

 

Daft Punk

1997 07 Da Funk/Musique -1-

1997 05 Around The World -2-

1997 30 Burnin' -3-

1998 47 Revolution 909 -4-

2000 02 One More Time -1-

2001 14 Digital Love -2-

2001 25 Harder Better Faster Stronger -3-

2005 32 Robot Rock -1-

2005 40 Technologic -2-

2013 01 Get Lucky (Daft Punk Feat. Pharrell Williams) -1-

 

Pharrell Williams

2002 16 Pass The Courvoisier - Part II (Busta Rhymes/P Diddy/Pharrell)

2002 07 Boys (Britney Spears Featuring Pharrell Williams)

2003 23 Beautiful (Snoop Dogg Featuring Pharrell)

2003 06 Frontin' (Pharrell Williams Featuring Jay-Z)

2003 62 Light Your Ass On Fire (Busta Rhymes Featuring Pharrell)

2004 35 Show Me Your Soul (Lenny Kravitz, P Diddy, Loon And Pharrell Williams)

2004 10 Drop It Like It's Hot (Snoop Dogg Featuring Pharrell)

2005 13 Let's Get Blown (Snoop Dogg Featuring Pharrell)

2005 03 Can I Have It Like That (Pharrell Feat. Gwen Stefani) -1-

2006 15 Angel -2-

2006 31 Number One (Pharrell Featuring Kanye West) -3-

2010 07 One (Your Name) (Swedish House Mafia Featuring Pharrell)

2013 01 Get Lucky (Daft Punk Feat. Pharrell Williams)

2013 01 Blurred Lines (Robin Thicke Feat. T.I. & Pharrell Williams)

 

Album Discussion Here

I remember the first time I listened to "The Mother We Share" on Pop Justice and it totally blew my mind. So glad it has finally made the top 10. I hope "Lies" and "Recover" can do the same.

 

Top 10...?

 

YEEEES!!!

Managed to stay inside the top 40 in the end
  • Author

35 :down: (from 13) Example - All The Wrong Places [D]

 

http://a4.mzstatic.com/us/r30/Features4/v4/5b/1e/5e/5b1e5e6e-9d89-4711-4fb7-acaa3bc732fc/dj.tpvguuqq.170x170-75.jpg

 

Chart Run: 13-35 [2 wks]

 

Release date: 08-09-2013

Format: download only single

Label: Sony Music

 

Sales: 10k+

 

Video here:

 

download track listing

1 All the Wrong Places (Radio Edit)

2 All the Wrong Places (Extended Mix)

3 All the Wrong Places (Quintino Remix)

4 All the Wrong Places (Jack Beats Remix)

 

Biography

His initials being E.G., English MC/vocalist Elliot Gleave performed under the name Example. Gleave got his feet wet as an MC while attending Royal Holloway, where he met Joseph Gardner (aka Rusher) and recorded a concept album in the audio booth of the university's film department. "A Pointless Song," one of the tracks recorded there, became Example's first release, a 2004 single on his All the Chats label. A handful of successive 12" singles, as well as an answer song to Lily Allen's "Smile" — "Vile," issued on The Beats, the label run by the Streets' Mike Skinner — gained the attention of several BBC DJs. What We Made, Example's debut album, followed on The Beats in 2007 but failed to make much of a commercial impact. A deal with Ministry of Sound's Data label and an overt focus on reaching the clubs, however, fostered chart success. Released in 2009, "Watch the Sun Come Up," produced by the Fearless, peaked in the Top 20 of the U.K. pop chart, while both "Won't Go Quietly" (also produced by the Fearless) and "Kickstarts" (Sub Focus) reached the Top Ten and topped the dance chart.

 

The full-length Won't Go Quietly was released in June 2010 and featured the pre-album hits, as well as productions from MJ Cole, Calvin Harris, Chase & Status, and Björn Yttling (of Peter Bjorn and John). Featuring the hits "Stay Awake" and "Changed the Way You Kissed Me," his 2011 effort, Playing in the Shadows, debuted at number one on the U.K. album charts. Calvin Harris, Benga, and Dada Life were some of the producers whose work was found on his 2012 effort, The Evolution of Man. In 2013 the career-spanning #hits ended the artist's relationship with Ministry of Sound, as he had signed with the Epic Records label. - iTunes

 

Chart history (Year peak title):

 

2009 19 Watch The Sun Come Up -1-

2010 06 Won't Go Quietly -2-

2010 03 Kickstarts -3-

2010 27 Last Ones Standing -4-

2010 29 Monster (Professor Green Feat. Example)

2011 02 Unorthodox (Wretch 32 Feat. Example)

2011 01 Changed The Way You Kiss Me -1-

2011 01 Stay Awake -2-

2011 37 Natural Disater (Laidback Luke Vs. Example) -3-

2011 30 Midnight Run -4-

2012 39 Daydreamer (Flux Pavillion Feat. Example)

2012 02 We'll Be Coming Back (Calvin Harris Feat. Example)

2012 02 Say Nothing -1-

2012 37 Close Enemies -2-

2013 46 Perfect Replacement -3-

2013 13 All The Wrong Places -1-

Such a big drop! :(

 

Shame because I really really like this and I'm not usually that much of a fan of his material (Besides CTWYKM and Won't Go Quietly).

'All The Wrong Places' has clicked with me a lot more since it was released, shame to see such a big drop for it but fully expected really. Coldplay look like they've dropped straight out of the top 40 as well :( Not a good week for my faves.

Delighted that CHVRCHES made it in the end. :cheer:

 

Great climb for 'Get Lucky'! :D

First time hearing Linkin Park/Steve Aoki, didn't think they'd enter as high as #34 as they were still outside the top 40 on Friday and did fall quite a bit on iTunes by the end of the week. YAY for Aoki getting another top 40 anyway.
I'm so glad Linkin Park made it in. I heard the song only once so far, but I really liked it.

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