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THAT CHORUS IS INSANELY CATCHY! The production is incredible (surely one of the best produced songs we’ve ever sent??)

 

However, I do agree about having that final “big” euphoric moment in the final chorus is what is needed to elevate this from a 9 to a 10… I love this!

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I enjoy this song after a couple of listen, but I don't like the church bell melody. It reminds me of something, I don't know what though!
#1 on iTunes - love seeing the UK actually getting behind our entries for the past few years.
Imagine if the BBC had seen sense and actuslly sent Miracles last year!!! :cheeseblock: I rrally thibk it woulda won
Imagine if the BBC had seen sense and actuslly sent Miracles last year!!! :cheeseblock: I rrally thibk it woulda won

Not this again

The chorus is decent, really don't like the opening verse, there is something about the song though that for me doesn't work and I won't be surprised if dizzy only does slightly better than last years entry.

I like this much more than I usually like one of his tracks tbh. His voice usually irritates me

 

 

This is fairly respectable and like last year a fairly contemporary track that doesn’t sound out of place in our charts. Im happy that we’re continuing down that path. It’ll pay off in the long run

 

 

 

I so hear the Deeper Shade of Blue Rich!!!!!!

This feels like another weak entry to me. It sounds like It’s a Sin, it doesn’t go anywhere and the speaking bit ruins it completely and doubt it’ll sound good live. Bottom 7 idsay.
It’s ok but don’t think it’s a winning entry and really think we have gone a step backwards since Sam ryders spaceman.
This feels like another weak entry to me. It sounds like It’s a Sin, it doesn’t go anywhere and the speaking bit ruins it completely and doubt it’ll sound good live. Bottom 7 idsay.

 

Bottom 5 x We were both right last year about Müller Eurovision Entry Lite. We'll bw right this time too. Song sounds like what bbc THINKS a Eurovision song should be like, but that's about 20 years our of date

It’s ok but don’t think it’s a winning entry and really think we have gone a step backwards since Sam ryders spaceman.

To be honest though I think most people were quite underwhelmed by ‘Space Man’ at the beginning and look how that turned out. I think we need to see the staging and running order before writing it off completely. I don’t think it’s a contender for winning but I don’t think anyone thought Sam Ryder would come anywhere near second place until the week of Eurovision.

To be honest though I think most people were quite underwhelmed by ‘Space Man’ at the beginning and look how that turned out. I think we need to see the staging and running order before writing it off completely. I don’t think it’s a contender for winning but I don’t think anyone thought Sam Ryder would come anywhere near second place until the week of Eurovision.

 

This - I was meh about Space Man initially until the performance.

 

The negativity online to ‘Dizzy’ is surprising to me tbh, I’m not saying it’s the best song and will light up the leaderboard but as mentioned previously after sending acts like ElectroVelvet, Michael Rice, James Newman etc., then I’ll take Mae, Sam and Olly all day long.

I said I could feel winning vibes from Space Man days into it. A day into Müller Lite on Vocals, I said bottom 5. This dong just won't do it, BUT at least we have someone who wants to do Eurovision? BUT!!! the goodwill Sam created won't last forever. Two flops might kill ogf all momentum again
I said I could feel winning vibes from Space Man days into it. A day into Müller Lite on Vocals, I said bottom 5. This dong just won't do it, BUT at least we have someone who wants to do Eurovision? BUT!!! the goodwill Sam created won't last forever. Two flops might kill ogf all momentum again

 

I think labels and artists are now viewing it differently now that there is some effort -

 

Sam Ryder - 3 Top 40s, Platinum Single, #1 album.

Mae Muller - Top 10 single, Top 40 album

 

I’m sure the Olly song will be a UK hit too - for literally decades the UK Eurovision usually meant not charting and losing your record deal, if artists can see at the very least they can build a career in their home country off the back of entering regardless of outcome then hopefully that will keep interest strong, we don’t need the goodwill of the public - we need the belief from artists, labels and songwriters that there is a gain from participating.

To be honest though I think most people were quite underwhelmed by ‘Space Man’ at the beginning and look how that turned out. I think we need to see the staging and running order before writing it off completely. I don’t think it’s a contender for winning but I don’t think anyone thought Sam Ryder would come anywhere near second place until the week of Eurovision.

 

I'm quite certain there was talk of Sam Ryder being a potential big hit a lot earlier than the week of Eurovision.

I've seen comparisons so far to It's A Sin, Deeper Shade of Blue, and the speaking bit to Adam Rickitt's I Believe Again!

I’ve been racking my brains as to what this reminded me of; I got the It’s a Sin influence but knew there was something that resembled it more closely - Deeper Shade of Blue!

 

The song is decent but more for the songs it’s similar to; I’d rather it had more of its own identity.

Live version -

 

 

Plus he’s also on The One Show and Saturday Night Takeway too.

I really love this. I’m really surprised by how taken to it I am tbh. I find Y&Y hit and miss and donmt really care for them usually, but there’s something about this that I find quite addicting.

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