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Oh my gosh I hate how easily they interchange new and re entry like there is an obvious difference but Jack uses them all interchangably

 

As I understand, the sheet he gets just says new whether it's new or a re-entry. So if he knows it's a re-entry, he'll say it but otherwise he's in the dark

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19 | :down: 13 | 26th week

 

Billie Eilish

BIRDS OF A FEATHER

 

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2nd single from HIT ME HARD AND SOFT

Released: 17th May 2024

Label: Darkroom / Interscope Records

 

Chart Statistics

 

NE (30/05/2024) | 9-5-5-4-4-5-5-4-5-2-3-4-2-3-6-5-14-20-18-15-19-16-16-21-18-13-19

 

Sales: 1,000,000+

Certification: Platinum

Status: Accelerated Chart Ratio

 

01 Sales

02 Audio Streaming

03 Video Streaming

 

Video

 

 

Biography

 

When singer-songwriter Billie Eilish feels something new, the first thing she does is take out her phone and write it down. “You can write anything,” she told Apple Music in an interview for the Up Next series. “You can say the truth, and you can not tell anyone that it’s the truth—you can just write it, and it’ll be yours.” Raised and homeschooled in Los Angeles by actor/musician parents, Eilish (born Billie Eilish Pirate Baird O'Connell in 2001) started writing songs when she was around 11, exploring a strain of melancholy, minimal, and slightly surrealistic pop influenced as much by Lana Del Rey as the radical honesty of rappers like Tyler, the Creator and Earl Sweatshirt. Writing and recording with her brother—and producer—FINNEAS at their parents’ house, Eilish released dont smile at me in 2017, followed by an ever-evolving series of singles—a prime example of the fact that, in the streaming era, artists are now free to move directly from their bedrooms into the spotlight. Hardly two years later, she’d released the Grammys-slaying WHEN WE ALL FALL ASLEEP WHERE DO WE GO?, an experimental-pop opus that explored mental health and all manner of sleep phenomena, totally upending the notions of what constitutes pop music in 2020. (She also won the inaugural Apple Music Award for Global Artist of the Year.) Despite the attention, Eilish is doing her best to stake out a space of freedom and fluidity, expanding her range of collaborators (Vince Staples, Khalid) and dodging easy definition. “If people think I have a sound, if people are like, ‘Oh yeah, her sound is this,’ if someone asks you what my sound is and you have an answer for them—you’re wrong,” she said. “Instead of trying to find a sound, when I want to make something and when I have an idea of what I want to make, I’m just going to make that.” Her third album, Happier Than Ever, which found her charting a path of self-discovery, arrived in 2021. The following year, she performed an Apple Music Live session at London’s O2 Arena. - Apple Music

 

Top 100 Chart History

 

2018 47 lovely (Billie Eilish & Khalid) -3- MILLIONAIRE

2018 21 when the party's over -2*- MILLIONAIRE

2018 72 ocean eyes -1- MILLIONAIRE

2018 47 come out and play -NAS-

2019 78 idontwannabeyouanymore -AT-

2019 79 bellyache -2-

2019 06 bury a friend -3*- MILLIONAIRE

2019 13 wish you were gay -IG-

2019 02 bad guy -4*- MILLIONAIRE

2019 60 you should see me in a crown -1*-

2019 77 all the good girls go to hell -5*-

2019 03 everything i wanted -NAS- MILLIONAIRE

2020 01 No Time To Die -OST- MILLIONAIRE

2020 07 my future -1-

2020 02 Therefore I Am -2-

2021 35 Lo Vas A Olvidar (Billie Eilish & ROSALÍA) -OST-

2021 05 Your Power -3-

2021 14 Lost Cause -4-

2021 23 NDA -5-

2021 04 Happier Than Ever -6- MILLIONAIRE

2021 28 Getting Older -AT-

2021 32 Oxytocin -AT-

2022 23 TV -1/2-

2022 33 The 30th -1/2-

2023 69 hotline -PS-

2023 01 What Was I Made For? -OST-

2024 02 LUNCH -1-

2024 07 CHIHIRO -AT-

2024 02 BIRDS OF A FEATHER -2- MILLIONAIRE

2024 07 WILDFLOWER -3-

2024 01 Guess (Charli xcx & Billie Eilish)

2024 96 L'AMOUR DE MA VIE -AT-

 

3 x #1 | 10 x Top 5 | 14 x Top 10 | 16 x Top 20 | 23 x Top 40 | 32 x Top 100

 

Social Media

 

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  • Author

18 | :down: 14 | 14th week

 

Lady Gaga and Bruno Mars

Die With A Smile

 

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Non-album single

Released: 16th August 2024

Label: Interscope Records

 

Chart Statistics

 

NE (29/08/2024) | 7-7-7-6-5-4-4-3-2-3-17-14-14-18

 

Sales: 400,000+

Certification: Gold

Status: Accelerated Chart Ratio

 

01 Sales

03 Audio Streaming

06 Video Streaming

 

Video

 

 

Biography

 

Lady Gaga

Some may dismiss pop as inauthentic. But for Lady Gaga—one of popular culture’s greatest, most extravagant creations—the inauthenticity is the point. No artist has more defiantly embodied that provocation this century than the one born Stefani Joanne Angelina Germanotta (in New York in 1986). Never wedded to the same image—her most memorable looks (among many) have included a gown fashioned from raw meat, a red-carpet-appropriate pair of dish gloves, and “the world’s first flying dress”—Gaga personifies pop’s surface obsessions while simultaneously upending them. In a sense, her creative identity had crystallized by age 21; she’d been a child pianist, aspiring actor, and burlesque performer. Each of these facets powered her career’s most distinct parts: the celebrity fascination of her first two albums, 2008’s The Fame and 2009’s The Fame Monster; the subversive layering of 2011’s Born This Way and 2013’s ARTPOP; the sincere reverence of 2014’s Cheek to Cheek, her jazz standards album with Tony Bennett; the rootsier songwriting of 2016’s Joanne; and 2020’s jubilant return to her neon-hued electro roots, Chromatica. If the 2009 smash “Paparazzi” reveled in the flashes, then “Born This Way” celebrated inner light: In translating her diffuse identity into world-conquering art, Gaga has become a beacon to anyone else who’s felt like an outsider. Her loyal following of Little Monsters has affirmed a deep connection to her message of self-love and self-expression, despite pop’s fickleness and her chameleonic exterior. She played out a simpler version of her path to fame in the Oscar-worthy 2018 remake of A Star Is Born. But while her character’s ascent was abetted by her lover, Gaga’s was all her own. - Apple Music

 

Bruno Mars

Bruno Mars has a good story about Prince: Mars is hanging out at an awards show, during a commercial break. The crowd is filled with celebrities. Suddenly, Mars feels the room shift, people part, and there he is, Mars told Apple Music in a 2016 interview—Prince, “just floating by, levitating by.” Prince catches Mars’ eye and gives him a thumbs-up, and Mars—stunned—gives Prince a thumbs-up back. “And that’s it,” Mars said. “What more can you ask?” More than a Prince cosign? How about a stack of multiplatinum records? The privilege of being able to entertain people the world over? Mars has those too. But you get the sense that the nod from Prince was affirmation of a higher order. Even when he was living on instant ramen noodles and trying to find his way into the industry, Mars knew he didn’t just want to be a songwriter or a singer or a producer, but—like Prince, or maybe Michael Jackson—a total pop package, the kind of artist who’s as powerful in the studio as they are onstage. Those records, though: “Uptown Funk,” “Locked Out of Heaven,” “That’s What I Like.” Fun, omnivorous, generation-bridging. The kind of stuff that Mom will be pulling you onto the dance floor for. Mars could do old-fashioned showmanship, could credibly play the crooner with a live band to boot. But he also had an ear for hip-hop and R&B, could—like all great pop—collapse the distance between then and now, Black music and white. Most of all, he knew how much retro was retro enough: Music that made you think about the past, not pine for it. Born Peter Hernandez in Honolulu in 1985, Mars took the stage early, famously doing Elvis impersonations with a family revue at a local hotel before he even hit kindergarten. (In one formative moment, young Mars wet his jumpsuit during “Can’t Help Falling In Love,” but finished without flinching.) As a teenager, he moved to Los Angeles to pursue a deal with Motown Records. The deal went nowhere, but Mars kept himself afloat by writing and producing with a team called The Smeezingtons, which he helped found. In 2010, he released his debut, Doo-Wops & Hooligans. By 2012’s Unorthodox Jukebox, the image had gotten a little grittier, the sound a little more diverse, and the retro affectations—goodbye, pompadour—a little less pronounced. Leaning on the slick bounce of ’80s and ’90s funk and R&B, 24K Magic followed in 2016, sweeping its nominations at the Grammys. A confessed perfectionist, Mars pushes on. “All the statues or Time magazine—that s**t is beautiful and made my parents and my family proud and all that,” he told Apple Music. “But there’s this battle within—that you always wanna. You got this fighter’s spirit. I still feel like I’m chasing to prove something to myself, that I got a better song in me.” - Apple Music

 

Top 100 Chart History

 

Lady Gaga

2009 01 Just Dance (feat. Colby O'Donis) -1- MILLIONAIRE

2009 01 Poker Face -2- MILLION SELLER

2009 04 Paparazzi -3- MILLIONAIRE

2009 83 Beautiful, Dirty, Rich -AT-

2009 19 LoveGame -4-

2009 12 Chillin' (Wale feat. Lady Gaga)

2009 01 Bad Romance -5- MILLION SELLER

2009 01 Telephone (feat. Beyoncé) -6- MILLIONAIRE

2009 07 Alejandro -7-

2009 68 Monster -AT-

2009 84 So Happy I Could Die -AT-

2009 89 Dance In The Dark -AT-

2009 88 Speechless -AT-

2011 03 Born This Way -1*- MILLIONAIRE

2011 08 Judas -2*-

2011 06 The Edge Of Glory -3*- MILLIONAIRE

2011 13 Hair -PS-

2011 23 Yoü And I -4*-

2011 16 Marry The Night -5*-

2011 87 White Christmas -AT-

2013 05 Applause -1-

2013 09 Do What U Want (feat. R. Kelly) -2-

2013 76 Venus -PS-

2016 12 Perfect Illusion -1-

2016 39 Million Reasons -2-

2016 66 A-Yo -IG-

2017 19 The Cure -NAS-

2018 01 Shallow (Lady Gaga & Bradley Cooper) -OST- MILLIONAIRE

2018 27 I'll Never Love Again (Lady Gaga & Bradley Cooper) -OST-

2018 25 Always Remember Us This Way -OST- MILLIONAIRE

2020 05 Stupid Love -1-

2020 01 Rain On Me (Lady Gaga & Ariana Grande) -2- MILLIONAIRE

2020 17 Sour Candy (Lady Gaga & BLACKPINK) -IG-

2020 29 Alice -AT-

2022 24 Hold My Hand -OST-

2022 22 Bloody Mary -6*-

2024 02 Die With A Smile (Lady Gaga & Bruno Mars) -NAS-

2024 07 Disease -1-

 

6 x #1 | 11 x Top 5 | 16 x Top 10 | 23 x Top 20 | 30 x Top 40 | 38 x Top 100

 

Bruno Mars

2010 01 Nothin' On You (B.o.B feat. Bruno Mars)

2010 03 Billionaire (Travie McCoy feat. Bruno Mars)

2010 97 It's Better If You Don't Understand -EP-

2010 01 Just The Way You Are (Amazing) -1- MILLION SELLER

2011 01 Grenade -2- MILLION SELLER

2011 11 Marry You -4- MILLIONAIRE

2011 01 The Lazy Song -3- MILLIONAIRE

2011 10 Lighters (Bad Meets Evil feat. Bruno Mars)

2011 78 Count On Me -AT-

2011 19 Runaway Baby -AT-

2011 14 It Will Rain -OST-

2011 17 Mirror (Lil Wayne feat. Bruno Mars)

2011 44 Young, Wild & Free (Snoop Dogg & Wiz Khalifa feat. Bruno Mars)

2012 02 Locked Out Of Heaven -1- MILLIONAIRE

2013 02 When I Was Your Man -2- MILLIONAIRE

2013 12 Treasure -3- MILLIONAIRE

2013 62 Gorilla -4-

2014 83 Young Girls -5-

2014 01 Uptown Funk (Mark Ronson feat. Bruno Mars) MILLION SELLER

2016 05 24K Magic -1- MILLIONAIRE

2016 79 Chunky -AT-

2017 12 That's What I Like -2- MILLIONAIRE

2017 59 Versace On The Floor (Bruno Mars vs. David Guetta) -3-

2018 05 Finesse (feat. Cardi B) -4- MILLIONAIRE

2018 65 Wake Up In The Sky (Gucci Mane, Bruno Mars & Kodak Black)

2019 12 Please Me (Cardi B & Bruno Mars)

2021 20 Leave The Door Open (Bruno Mars, Anderson .Paak & Silk Sonic) -1-

2021 45 Skate (Bruno Mars, Anderson .Paak & Silk Sonic) -2-

2021 12 Smokin Out The Window (Bruno Mars, Anderson .Paak & Silk Sonic) -3-

2021 49 Fly As Me (Bruno Mars, Anderson .Paak & Silk Sonic) -AT-

2024 02 Die With A Smile (Lady Gaga & Bruno Mars) -NAS-

2024 02 APT. (ROSÉ & Bruno Mars)

 

5 x #1 | 12 x Top 5 | 13 x Top 10 | 22 x Top 20 | 22 x Top 40 | 32 x Top 100

 

Social Media

 

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17 | :up: 38 | 134th week

 

Mariah Carey

All I Want For Christmas Is You

 

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1st single from Merry Christmas

Released: 28th November 1994

Label: Sony Music Entertainment

 

Chart Statistics

 

NE (10/12/1994) | 5-2-2-2-8-28-50-x

RE (11/02/1995) | 87-83-93-100-59-79-76-x

RE (24/11/2007) | 78-46-23-8-4-6-20-x

RE (22/11/2008) | 59-45-37-17-12-17-25-x

RE (28/11/2009) | 77-51-29-19-21-18-x

RE (27/11/2010) | 96-48-22-23-25-31-x

RE (26/11/2011) | 100-64-27-12-11-17-x

RE (24/11/2012) | 88-56-30-20-21-20-55-x

RE (23/11/2013) | 98-68-47-14-12-13-30-x

RE (29/11/2014) | 68-52-17-16-18-20-x

RE (03/12/2015) | 94-35-13-12-11-37-x

RE (01/12/2016) | 72-29-6-8-5-5-x

RE (16/11/2017) | 89-88-34-22-5-2-4-4-x

RE (29/11/2018) | 65-34-6-5-4-2-x

RE (21/11/2019) | 77-59-34-8-6-8-2-x

RE (19/11/2020) | 60-31-14-2-1-1-2-2-x

RE (18/11/2021) | 69-44-24-3-4-4-4-3-x

RE (17/11/2022) | 56-36-18-8-1-2-4-2-x

RE (16/11/2023) | 40-28-16-6-2-3-3-3-x

RE (14/11/2024) | 58-38-17

 

Sales: 5,000,000+

Certification: 8x Platinum

Status: Accelerated Chart Ratio

 

02 Sales

01 Audio Streaming

01 Video Streaming

 

Video

 

 

Biography

 

The morning after a rough performance at a 2016 New Year’s Eve show, Mariah Carey took to social media to offer her recap: “S**t happens.” What else could she say? What else did she need to say? Thirty-plus years in the business, more No. 1 singles than any solo artist in history (and second overall only to The Beatles), more writing and production credits on those singles than any other female composer—Carey is one of the few artists who might legitimately be beyond apology, a diva incarnate whose songs bridge the confessional intimacy of singer-songwriters with the mass appeal of pop. Yeah, she had some knocks along the way. Everyone does. But few take them in stride, let alone with such style.

 

Born in Long Island in 1969 or 1970 (she once quipped that she doesn’t acknowledge time), Carey grew up on the classics: Aretha Franklin, Stevie Wonder, Gladys Knight. She moved to New York City after high school, cobbling together jobs while working on demos with then-collaborator Ben Margulies at the back of Margulies’ father’s cabinet factory. Her biggest tracks—from the early, dance- and gospel-influenced “Someday” and “Dreamlover” to the club leanings of “Fantasy” and “Honey” and ballads such as “Forever” and “Always Be My Baby”—stand like mile markers in the culture, capturing a feeling of sweetness and euphoria that straddles pop, hip-hop, and R&B without slotting neatly into any of them. Meanwhile, her melismatic style—a technique that entails singing a single syllable with a long run of notes—redefined our sense of what pop vocals sound like. Mimi, The Elusive Chanteuse, The Imperfect Angel...or maybe just Mariah. - Apple Music

 

Top 100 Chart History

 

1990 09 Vision Of Love -1-

1990 37 Love Takes Time -2-

1991 38 Someday -3-

1991 54 There's Got To Be A Way -4-

1991 17 Emotions -1-

1992 20 Can't Let Go -2-

1992 17 Make It Happen -3-

1992 02 I'll Be There (feat. Trey Lorenz) -1-

1993 09 Dreamlover -1-

1993 07 Hero -2-

1994 01 Without You -3-

1994 08 Anytime You Need A Friend -4-

1994 03 Endless Love (Luther Vandross & Mariah Carey)

1994 01 All I Want For Christmas Is You -1- MILLION SELLER

1995 04 Fantasy -1- MILLIONAIRE

1995 06 One Sweet Day (Mariah Carey & Boyz II Men) -2-

1996 04 Open Arms -3-

1996 03 Always Be My Baby -4-

1997 03 Honey -1-

1997 22 Butterfly -2-

1998 98 My All / Breakdown -IMPORT-

1998 87 The Roof (Back In Time) -IMPORT-

1998 04 My All -3-

1998 04 When You Believe (Mariah Carey & Whitney Houston) -1-

1999 16 I Still Believe -2-

1999 05 Heartbreaker (feat. JAY-Z) -1-

2000 10 Thank God I Found You (feat. Joe & 98 Degrees) -2-

2000 01 Against All Odds (Take A Look At Me Now) (feat. Westlife) -3-

2001 12 Loverboy (feat. Cameo) -1-

2001 32 Never Too Far / Don't Stop (Funkin' 4 Jamaica) -2-

2002 08 Through The Rain -1-

2003 17 Boy (I Need You) (feat. Cam'ron) -2-

2003 03 I Know What You Want (Busta Rhymes & Mariah Carey feat. The Flipmode Squad)

2005 04 It's Like That -1-

2005 02 We Belong Together -2-

2005 09 Get Your Number / Shake It Off -3-

2005 11 Don't Forget About Us -4-

2006 27 Say Somethin' (feat. Snoop Dogg) -5-

2008 05 Touch My Body -1-

2008 30 Bye Bye -2-

2008 84 I'll Be Lovin' U Long Time (feat. T.I.) -3-

2008 95 I Stay In Love -4-

2009 52 Obsessed -1-

2009 19 I Want To Know What Love Is -2-

2010 81 Angels Cry (feat. Ne-Yo) -3-

2013 22 #Beautiful (feat. Miguel) -1-

2013 90 The Art Of Letting Go -2-

2014 87 You're Mine (Eternal) -3-

2020 50 Oh Santa! (feat. Ariana Grande & Jennifer Hudson) -1-

2021 80 Christmas (Baby Please Come Home) -AT-

2022 21 Big Energy (Latto & Mariah Carey feat. DJ Khaled)

 

3 x #1 | 16 x Top 5 | 24 x Top 10 | 32 x Top 20 | 40 x Top 40 | 51 x Top 100

 

Social Media

 

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  • Author

16 | :up: 43 | 125th week

 

Wham!

Last Christmas

 

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1st single from The Final

Released: 3rd December 1984

Label: Epic Records

 

Chart Statistics

 

NE (15/12/1984) | 2-2-2-2-2-3-8-11-21-33-38-51-67-x *

RE (14/12/1985) | 32-10-6-6-14-36-68-x

RE (13/12/1986) | 85-63-47-45-71-x

RE (08/12/2007) | 50-23-14-16-40-x

RE (06/12/2008) | 67-36-26-27-45-x

RE (12/12/2009) | 53-39-41-34-x

RE (11/12/2010) | 57-53-56-61-x

RE (10/12/2011) | 55-26-28-34-x

RE (08/12/2012) | 55-34-41-35-87-x

RE (07/12/2013) | 91-44-40-36-68-x

RE (06/12/2014) | 86-39-36-35-28-x

RE (10/12/2015) | 65-27-24-18-54-x

RE (08/12/2016) | 75-19-20-16-7-x

RE (30/11/2017) | 81-29-6-3-3-2-x

RE (06/12/2018) | 52-14-7-7-3-x

RE (28/11/2019) | 80-43-13-7-5-3-x

RE (19/11/2020) | 76-44-20-3-2-2-3-1-x

RE (18/11/2021) | 85-54-28-4-3-3-3-2-x

RE (17/11/2022) | 71-42-23-9-3-1-2-1-x

RE (16/11/2023) | 37-26-14-5-1-1-1-1-83-x

RE (14/11/2024) | 61-43-16

 

* double A side with Everything She Wants

 

Sales: 5,500,000+

Certification: 5x Platinum

Status: Accelerated Chart Ratio

 

02 Sales

01 Audio Streaming

01 Video Streaming

 

Video

 

 

Biography

 

As the energetically punctuated Wham!, George Michael and Andrew Ridgeley combined youthful high spirits with a polished union of disco and soul to become one of the defining pop acts of the 1980s. Georgios Kyriacos Panayiotou (Michael) and Andrew John Ridgeley first met in secondary school as 12-year-olds back in 1975. Their 1981 debut as Wham!, the pop-rap snack “Wham Rap! (Enjoy What You Do?),” preached the joy of life on welfare amid rampant British unemployment. As the group’s principal songwriter and frontman, Michael’s exuberant turn on “Young Guns (Go for It!)” precipitated Wham!’s vibrant, post-disco debut, Fantastic, in 1983, which parlayed the duo’s carefree vigor into the glistening hedonism of “Club Tropicana.” Returning in 1984 with the emphatic “Wake Me Up Before You Go-Go,” the group folded Detroit soul into an effervescent pop marvel that sent Wham! to the summit of the U.S. pop charts. Michael took over production on their follow-up album, Make It Big, whose modernized Motown sound on the brooding boogie cut “Everything She Wants” and the resplendent pop-soul of “Careless Whisper” cemented his standing as one of pop’s foremost performer/composers. Ending 1984 with the career-defining synth-pop torch song “Last Christmas,” Wham! harked back to their feel-good beginnings with “I’m Your Man” in 1985 before amicably parting to allow Michael to focus on his solo career. Their final album, 1986’s Music from the Edge of Heaven, featuring their last single “The Edge of Heaven,” wrote the postscript on a prodigious four-year passage that flourished into an indelible pop legacy. - Apple Music

 

Top 100 Chart History

 

1982 03 Young Guns (Go For It) -1-

1983 08 Wham Rap! (Enjoy What You Do) -2-

1983 02 Bad Boys -3-

1983 04 Club Tropicana -4- MILLIONAIRE

1983 15 Club Fantastic Megamix -NAS-

1984 01 Wake Me Up Before You Go Go -1- MILLIONAIRE

1984 01 Freedom -2-

1984 01 Last Christmas / Everything She Wants -1- MILLION SELLER

1985 01 I'm Your Man -2-

1986 01 The Edge Of Heaven -3-

 

5 x #1 | 8 x Top 5 | 9 x Top 10 | 10 x Top 20 | 10 x Top 40 | 10 x Top 100

 

Social Media

 

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Yes at Mariah being skipped

But Wham! gets played.

Edited by IdentFan101

When All I Want for Christmas is You is the only Mariah Carey song I can stomach, I'm still glad they skipped it.

 

Playing Wham! instead. Hoorah!!!

  • Author

15 | :down: 11 | 23rd week

 

Adam Port, Stryv and Malachiii

Move

 

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Non-album single

Released: 7th June 2024

Label: Keinemusik

 

Chart Statistics

 

NE (27/06/2024) | 89-89-61-46-39-25-18-16-11-11-15-18-12-15-14-16-22-10-14-13-10-11-15

 

Sales: 300,000+

Certification: Silver

Status: Standard Chart Ratio

 

34 Sales

20 Audio Streaming

00 Video Streaming

 

Video

 

 

Biography

 

When reviewing Adam Port’s musical merits at this point in time, it shows that most of it took shape off the beaten path. Be it the conditions that sparked his DJ-career. Be it his approach of DJing itself or be it his artistic progression, manifested in his productions. Over the last years, Adam landed a string of much noticed releases on different labels, be it on Keinemusik, his Berlin-based label-mainstay and collective of fellow artists &ME, Rampa, Reznik and designer Monja Gentschow. Or be it on imprints like Freerange, Pets, Cocoon, Moon Harbour etc. It’s been tunes that immediately brought worldwide attention to his name. But then, instead of doing the obvious, getting a management, meeting demands, playing those big stages, delivering the hits, Adam once again did what felt best for him. Maintaining artistic integrity, releasing records that reflect where his love for music is at in one moment, not knowing where it might be on the very next release, and keeping DJ-sets not only interesting for a crowd, but also himself. That’s where he is at right now. There’s no scene-dictated tunnel view in his activities, there is only a pointed emphasis on style, on groove and sophistication. An emphasis, that, because it’s informed by Dub, Danchall, Rap, Soul or even Psychedelic Rock, is advanced enough to always shine through the inflationary characteristic of the genre as notably original. Granted: What Adam Port is laying his hands on might have its place within the parameters of House and Techno, but it’s always more than that. It’s his style. - Keinemusik

 

Top 100 Chart History

 

Adam Port

2024 10 Move (Adam Port, Stryv & Malachiii) -NAS-

 

0 x #1 | 0 x Top 5 | 1 x Top 10 | 1 x Top 20 | 1 x Top 40 | 1 x Top 100

 

Stryv

2024 10 Move (Adam Port, Stryv & Malachiii)

 

0 x #1 | 0 x Top 5 | 1 x Top 10 | 1 x Top 20 | 1 x Top 40 | 1 x Top 100

 

Malachiii

2024 10 Move (Adam Port, Stryv & Malachiii)

 

0 x #1 | 0 x Top 5 | 1 x Top 10 | 1 x Top 20 | 1 x Top 40 | 1 x Top 100

 

Social Media

 

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They cut the first verse of Last Christmas

 

Wouldn't it be favourable to keep the verses and remove the repeat part of every chorus?

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