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Earthquake :wub:

 

(Need to cancel out some of this hate - where are you SevenSeize? EDIT: Oh you posted while I was typing this lol).

 

Rizzle Kicks not #8, aww. 'Lost Generation' is probably better than both of their #8 hits though ('Down With The Trumpets' was always overrated and 'When I Was A Youngster' is also quite good) but none of them are anywhere near as good as 'Mama Do The Hump'. EDIT: Not even #7!

7 :up: (from 9) Lady GaGa - Applause [D]

 

http://a2.mzstatic.com/us/r30/Music4/v4/39/de/37/39de3718-e4ee-0e89-cd98-502bab6de8c0/13UAAIM69752.170x170-75.jpg

 

Chart Run: 5-9-7 [3 wks]

 

Release date: 13-08-2013

Format: download only single

Label: Polydor Ltd. (UK)

 

Sales: 70k

 

Video here:

 

Biography

Glamorously gaudy, a self-made post-modern diva stitched together from elements of Madonna, David Bowie, and Freddie Mercury, Lady Gaga was the first true millennial superstar. Mastering the constant connection of the internet era, Gaga generated countless mini sensations through her style, her videos, and her music, cultivating a devoted audience she dubbed "Little Monsters." But it wasn't just a cult that turned her 2008 manifesto The Fame into a self-fulfilling prophecy: Gaga crossed over into the mainstream, ushering out one pop epoch and kick-starting a new one, quickly making such turn-of-the-century stars as Christina Aguilera and Britney Spears seem old-fashioned, quite a trick for any artist to pull off, but especially impressive for an artist who specialized in repurposing the past — particularly the '80s — for present use, creating sustainable pop for a digital world.

 

Perhaps unsurprisingly given her flair for grand gestures, Lady Gaga has deep roots in drama. Born Stefani Germanotta on March 28, 1986, the future Gaga played piano as a child and pursued musical theatre in high school, regularly auditioning for New York-based television shows, notably landing a background role for a 2001 episode of The Sopranos. At the age of 17 she enrolled at New York University's Tisch School of the Arts in their Collaborative Arts Project 21. As she studied, she continued to eke her way into show biz, winding up with an appearance on MTV's short-lived post-Punk'd reality show Boiling Points in 2005. Not long afterward, she left school so she could concentrate on her music, fronting a band called SGBand, which released two EPs prior to splitting. Germanotta then teamed with producer Rob Fusari, a collaboration that produced not only her stage name Lady Gaga, but recordings that led to her signing with Def Jam in the fall of 2006. Her association with Def Jam was short-lived: the label dropped her early in 2007. Gaga rebounded by working with performance artist Lady Starlight, the two developing the Lady Gaga & the Starlight Revue, a tongue-in-cheek neo-burlesque act that gained positive press and proved to be her last stop before signing with Interscope later in 2007. While at Interscope she created a bond with Akon, who convinced Interscope head Jimmy Iovine to have her co-sign with his Kon Live imprint, and then Gaga began working with producer/songwriter RedOne, a union that led to the songs that would bring her fame: "Just Dance," "LoveGame," and "Poker Face." These songs formed the foundation of The Fame, the debut album that appeared in August 2008.

 

Initially, Lady Gaga had greater success in Europe, thanks in large part to the "Just Dance" single, which earned club play in the U.S. and chart placement in other territories. Gaga's march toward the top of the American chart was slow but "Just Dance" reached the peak position in January 2009, followed swiftly by "Poker Face," the single that firmly pushed her into the mainstream, its popularity growing so large it often functioned as a punch line on TV in addition to winning a Grammy for Best Dance Recording. "LoveGame" and "Paparazzi" also appeared as singles before Gaga released The Fame Monster in time for the holiday season of 2009. The mini-LP, available separately and as a package with The Fame, contained the single "Bad Romance" whose popularity soon rivaled "Poker Face" and helped kickstart a stellar year for Gaga in 2010. That year, the hit singles "Bad Romance," "Alejandro," and the Beyoncé duet "Telephone," along with the successful Monster Ball Tour, put Lady Gaga front and center with the public as she worked on her sophomore album, announcing the May release of Born This Way on New Year's Day 2011. The steady march to its summer unveiling was preceded by the release of three singles —"Born This Way," "Judas," and "The Edge of Glory"— all leading up to the highly anticipated Born This Way. Arriving to mixed reviews, the album was a hit but didn't quite live up to its high expectations, yet it produced more genuine hits with "Marry the Night." A full remix of the album, naturally called Born This Way: The Remix, appeared at the end of the year, as did a holiday television special called A Very Gaga Thanksgiving and an accompanying EP, A Very Gaga Holiday. - iTunes

 

Chart history (Year peak title):

 

2009 01 Just Dance (Lady GaGa Feat. Colby O'Donis) -1-

2009 01 Poker Face -2-

2009 04 Paparazzi -3-

2009 19 LoveGame -4-

2009 12 Chillin' (Wale Feat. Lady GaGa)

2009 01 Bad Romance -1/5-

2009 01 Telephone (Lady GaGa Feat. Beyonce) -2/6-

2009 68 Monster -AT-

2009 07 Alejandro -3/7-

2010 58 Video Phone (Beyonce Feat. Lady GaGa)

2011 03 Born This Way -1-

2011 08 Judas -2-

2011 06 The Edge Of Glory -PS/3-

2011 13 Hair -PS-

2011 23 Yoü And I -4-

2011 16 Marry The Night -5-

2013 05 Applause -1-

 

http://www.buzzjack.com/forums/uploads/group_images/of_154.jpg

someone pass me the list of the

 

UK Official Chart

 

:P

 

:blink:

someone pass me the list of the

 

UK Official Chart

 

:P

It is being revealed now, and a list will be posted after 7pm :D

someone pass me the list of the

 

UK Official Chart

 

:P

You'll be able to see it in this forum in 30-35 minutes. We don't have it either yet in full.

Jordan from Rizzle Kicks annoys me so much. That interview just reinforces the reasons for why!

 

'Applause' is growing on me now, glad to see it's stabilising. I think her loons put me off a bit at the start.

From OCC Tweet

 

There were just 1,000 copies between this week's Top 2 albums, making it the 2nd closest race this year

aaaaaaah! thanks

but does not have a list not being updated? :rolleyes:

No, we post each position here, plus summaries as we go along. I am not sure what you actually want?

No, we post each position here, plus summaries as we go along. I am not sure what you actually want?

 

I get it

 

Thank you so, I'll hold out list

No, we post each position here, plus summaries as we go along. I am not sure what you actually want?

 

Probably the one that's invisible ;) added the top 10 albums in there, just became visible.

 

6 :ne: Rizzle Kicks - Lost Generation [D]

 

http://a3.mzstatic.com/us/r30/Music4/v4/2f/79/87/2f798726-ddfe-7c06-bbb0-2fbca7789392/13UAAIM43497.170x170-75.jpg

 

Chart Run: 6 [1 wk]

 

Release date: 25-08-2013

Format: download only single

Label: Universal Music

 

Video here:

 

Biography

Responsible for bringing the flower-power hip-hop sound of the late '80s back into the charts, Brighton duo Rizzle Kicks are one of the few successful male acts to emerge from the BRIT School that spawned the likes of Adele, Amy Winehouse, and Leona Lewis. Childhood friends Jordan "Rizzle" Stevens and Harley "Sylvester" Alexander-Sule first started making music together in 2008 on the Minor Breaches of Discipline mixtape, which saw the pair rapping over samples of tracks by Lily Allen, Gorillaz, and Arctic Monkeys. Compared to the likes of De La Soul and Dream Warriors, their laid-back production and humorous non-confrontational rhymes earned them a deal with Universal Records, and in 2011 they released their debut single, "Prophet (Better Watch It)," followed by "Down with the Trumpets," which eventually reached number eight in the U.K. charts. Following a guest appearance on X-Factor runner-up Olly Murs' chart-topping single "Heart Skips a Beat," support slots with Professor Green, the Streets, and Dizzee Rascal, and a remix of Ed Sheeran's "You Need Me, I Don't Need You," they were invited by Take That's Gary Barlow to appear in his Children in Need charity supergroup alongside the likes of N-Dubz, Wretch 32, and Ms. Dynamite. Following three MOBO nominations for Best Newcomer and U.K. Hip-Hop/Grime Act and Video, their debut album, Stereo Typical, was released at the end of 2011. ~ Jon O'Brien, Rovi / iTunes

 

Chart history (Year peak title):

 

2011 08 Down With The Trumpets -1-

2011 01 Heart Skips A Beat (Olly Murs Feat. Rizzle Kicks)

2011 08 When I Was A Youngster -2-

2011 24 Teardrop (The Collective Feat. Labrinth, Tulisa, Chipmunk, Dot Rotten, Ed Sheeran, Ms. Dynamite, Mz Bratt, Rizzle Kicks, Tinchy Stryder & Wretch 32)

2011 02 Mama Do The Hump -3-

2012 44 Traveller's Chant -4-

2013 06 Lost Generation -1-

 

Discussion Thread Here

Rizzle Kicks are so underrated in the charts. Sad that their only annoying song is by far their biggest.

(14) Shane Filan-Everything to Me

 

 

Didn't care much for this tune, but bit surprised that Westlife has split up recently

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