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Let’s just say After Hours was probably a fluke. Nothing is coming even close.

 

Another throwaway album but at least he tried something new. The whole thing feels very disjointed to me. Drum n bass, rnb, 80s and 90s influences all in one.

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Was really looking forward to this but it's disappointing on first listen. It all just washed over me.

 

I'll give it a couple more chances as his stuff does usually grow on me but I can't remember anything outwith the singles at the moment.

I think Blinding Lights is great and I like it

but it's basically a clone of False Alarm from the last album

so it's not like he's started suddenly changing his sound

 

I'm sorry, but what the HELL are you on about here? :wacko:

I'm finding it mostly very instant — especially the second half of the album. The production and melodies are really great, but the lyrics...

 

I could easily put this on and be swept up in it all without really listening to what he's saying — which isn't much beyond occasionally empty and repetitive platitudes.

Edited by blacksquare

If anything Blinding Lights is a direct copy and paste from one of the A-ha songs a few years ago...

 

Yeah, I’m finding the second half to be much much better. It has some evidence that The Weeknd hasn’t completely lost his touch.

Edited by 🍆

Overall I think I still prefer Starboy as an album but the middle part of this album is brilliant and exactly what I want from him.

 

Some really standouts too. My favourites being Snowchild, Faith & Save Your Tears.

I'm sorry, but what the HELL are you on about here? :wacko:

check False Alarm from his last album, pretty similar to Blinding Lights

many were saying BL was like a unique sound he never did before but for me it's really False Alarm the sequel

which is good but not a a career change

but I read his label boss saying the album had another huge potential single that was gonna be as big a Blinding Lights

really cannot see which track he was referring to?

False Alarm sounds nothing like Blinding Lights!

It always sounded quite Bloc Party-esque to me, which Blinding Lights...doesn’t.

 

I’m actually quite liking this after not caring much about his last couple of albums.

I think it’s pretty clear he’s going in a different direction to Trilogy so it’s best to just take it as it is I think haha

 

In Your Eyes sounds huge to me.

Ready to hear that sax everywhere :wub:

Edited by Cremey

I wonder if they meant Save Your Tears?

 

'In Your Eyes' is the next single, so I imagine that. They're both Max Martin productions though. And bops. I always welcome a pop sax!

 

 

Edited by blacksquare

Love a pop sax!

Did the ‘Your Song’ interpolation on ‘Scared to Live’ take anyone else completely by surprise? :lol:

Everything from (and ofc including) Blinding Lights is fantastic! So, SO good! It's hardly surprising when reading that Max Martin is involved in a few of them/the 2 main highlights away from BL.

 

The first half is ok, but I think I'll appreciate it more with more listens as it's not terrible/unlistenable just not very memorable for me. Hardest To Love though... stunning :wub:

Just found out that Mario Winans has a writing and production credit on the track 'After Hours'. How random.
The 2nd half of the album is really good and I enjoyed Scared To Live as well. In Your Eyes is defintley the right choice for the next single

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