February 6Feb 6 Author 24 | 29 | 23rd weekKehlaniFolded1st single from forthcoming studio albumReleased: 11th June 2025Label: Atlantic Records GroupChart StatisticsNE (03/07/2025) | 75-68-48-59-47-41-33-30-23-25-25-23-26-26-20-20-30-xRE (08/01/2026) | 27-30-24-24-29-24Sales: 200,000+Certification: SilverStatus: Standard Chart Ratio67 Sales43 Audio Streaming58 Video StreamingVideoBiographyKehlani Parrish has become one of the most grounded, inspiring voices in modern R&B, preaching messages of self-care and sexual fluidity in ways that feel frank, funny and real. Born in Oakland, California, in 1995, they embarked on a solo career after leaving the teen-pop group Poplyfe. Since then, they have proven to be a master of contrasts across a series of mixtapes and albums that match heartfelt revelations with an increasing degree of futuristic musical and production flourishes. Collaborations ramped up their star power in a big way, with Kehlani thriving opposite the likes of Chance the Rapper, G-Eazy, Charlie Puth and Ty Dolla $ign. Following the induction into parenthood tackled on 2020’s It Was Good Until It Wasn’t and the overt healing themes of 2022’s blue water road, they took a more empowering turn on 2024’s CRASH. “For once, I’m not attached to some story or some public thing or some trauma or some deep explanations,” Kehlani told Apple Music’s Zane Lowe. “I have nothing but joyful things to say to you. I’m in such a happy place.” The songs on CRASH were also specifically designed to be performed live, giving them a spontaneous edge. That heightens the tender offer of romantic communion on both the percolating “After Hours” and the country-leaning ballad “Better Not”. By contrast, Kehlani reminds us of their enduring swagger on the Christina Aguilera-sampling “What I Want”, a brash statement of female desire. Through it all, their authenticity rings out loud and clear. - Apple MusicTop 100 Chart History2016 57 Gangsta -OST-2017 30 Cigarettes & Cush (Stormzy feat. Kehlani & Lily Allen)2017 53 Good Life (G-Eazy & Kehlani) -OST-2018 45 Done For Me (Charlie Puth feat. Kehlani)2018 61 Playinwitme (KYLE feat. Kehlani)2019 25 Nights Like This (feat. Ty Dolla $ign) -1-2019 92 Good Thing (Zedd & Kehlani)2019 61 Get Me (Justin Bieber feat. Kehlani)2019 85 Can I (feat. Tory Lanez) -1-2019 81 Birthday (Disclosure, Kehlani & Syd)2022 90 up at night (feat. Justin Bieber) -1-2025 20 Folded -1-2025 98 Safe (Cardi B feat. Kehlani)0 x #1 | 0 x Top 5 | 0 x Top 10 | 1 x Top 20 | 3 x Top 40 | 13 x Top 100Social Media Kehlani
February 6Feb 6 The EsdeeKid tracks are alright for what they are, there's been far worse Liverpudlian rappers in recent years.
February 6Feb 6 2 minutes ago, Jason said:Shakira's definitely not top 40, but I'll play Zoo in my TikTok live tonight. I blame Joseph cursing it in his prep 🥲
February 6Feb 6 A 97 year old listening to the chart show!!! That's pretty awesome!! 🤣Edit: I'm a gullible idiot. Edited February 6Feb 6 by househead
February 6Feb 6 Just now, conorw said:need khelani to go higher, folded deserves much more than #20 peakIt should be #10 at the very lowest.
February 6Feb 6 5 minutes ago, chartjack2 said:There’s rumours about his personal life tbf.The extent of the "allegations" are that he's just a bit immature. Pretty minor in comparison to quite a lot of other artists in the chart these days, and he's only 20.
February 6Feb 6 Seriously, as many a music critic says, there wasn't a lot of actual "hit" songs last year, and this is the case so far this year... As many people are just turning to 2024 music and slightly older music as a major security blanket, turning the pop charts into a desert.
February 6Feb 6 Author 23 | 30 | 67th weekLady Gaga and Bruno MarsDie With A Smile1st single from MAYHEMReleased: 16th August 2024Label: Interscope RecordsChart StatisticsNE (29/08/2024) | 7-7-7-6-5-4-4-3-2-3-17-14-14-18-23-43-37-32-64-8-8-8-10-12-13-19-16-18-22-18-24-22-27-24-26-30-36-36-42-42-37-42-42-49-50-56-56-61-63-66-54-54-53-55-55-57-56-62-58-53-62-80-87-xRE (22/01/2026) | 28-23-30-23Sales: 1,700,000+Certification: 2x PlatinumStatus: Standard Chart Ratio01 Sales03 Audio Streaming02 Video StreamingVideoBiographyLady GagaSome may dismiss pop as inauthentic. But for Lady Gaga—one of popular culture’s greatest, most extravagant creations—the inauthenticity is the point. No artist has more defiantly embodied that provocation this century than the one born Stefani Joanne Angelina Germanotta (in New York in 1986). Never wedded to the same image—her most memorable looks (among many) have included a gown fashioned from raw meat, a red-carpet-appropriate pair of dish gloves, and “the world’s first flying dress”—Gaga personifies pop’s surface obsessions while simultaneously upending them. In a sense, her creative identity had crystallized by age 21; she’d been a child pianist, aspiring actor, and burlesque performer. Each of these facets powered her career’s most distinct parts: the celebrity fascination of her first two albums, 2008’s The Fame and 2009’s The Fame Monster; the subversive layering of 2011’s Born This Way and 2013’s ARTPOP; the sincere reverence of 2014’s Cheek to Cheek, her jazz standards album with Tony Bennett; the rootsier songwriting of 2016’s Joanne; and 2020’s jubilant return to her neon-hued electro roots, Chromatica. If the 2009 smash “Paparazzi” reveled in the flashes, then “Born This Way” celebrated inner light: In translating her diffuse identity into world-conquering art, Gaga has become a beacon to anyone else who’s felt like an outsider. Her loyal following of Little Monsters has affirmed a deep connection to her message of self-love and self-expression, despite pop’s fickleness and her chameleonic exterior. She played out a simpler version of her path to fame in the Oscar-worthy 2018 remake of A Star Is Born. But while her character’s ascent was abetted by her lover, Gaga’s was all her own. - Apple MusicBruno MarsBruno Mars has a good story about Prince: Mars is hanging out at an awards show, during a commercial break. The crowd is filled with celebrities. Suddenly, Mars feels the room shift, people part, and there he is, Mars told Apple Music in a 2016 interview—Prince, “just floating by, levitating by.” Prince catches Mars’ eye and gives him a thumbs-up, and Mars—stunned—gives Prince a thumbs-up back. “And that’s it,” Mars said. “What more can you ask?” More than a Prince cosign? How about a stack of multiplatinum records? The privilege of being able to entertain people the world over? Mars has those too. But you get the sense that the nod from Prince was affirmation of a higher order. Even when he was living on instant ramen noodles and trying to find his way into the industry, Mars knew he didn’t just want to be a songwriter or a singer or a producer, but—like Prince, or maybe Michael Jackson—a total pop package, the kind of artist who’s as powerful in the studio as they are onstage. Those records, though: “Uptown Funk,” “Locked Out of Heaven,” “That’s What I Like.” Fun, omnivorous, generation-bridging. The kind of stuff that Mom will be pulling you onto the dance floor for. Mars could do old-fashioned showmanship, could credibly play the crooner with a live band to boot. But he also had an ear for hip-hop and R&B, could—like all great pop—collapse the distance between then and now, Black music and white. Most of all, he knew how much retro was retro enough: Music that made you think about the past, not pine for it. Born Peter Hernandez in Honolulu in 1985, Mars took the stage early, famously doing Elvis impersonations with a family revue at a local hotel before he even hit kindergarten. (In one formative moment, young Mars wet his jumpsuit during “Can’t Help Falling In Love,” but finished without flinching.) As a teenager, he moved to Los Angeles to pursue a deal with Motown Records. The deal went nowhere, but Mars kept himself afloat by writing and producing with a team called The Smeezingtons, which he helped found. In 2010, he released his debut, Doo-Wops & Hooligans. By 2012’s Unorthodox Jukebox, the image had gotten a little grittier, the sound a little more diverse, and the retro affectations—goodbye, pompadour—a little less pronounced. Leaning on the slick bounce of ’80s and ’90s funk and R&B, 24K Magic followed in 2016, sweeping its nominations at the Grammys. A confessed perfectionist, Mars pushes on. “All the statues or Time magazine—that s**t is beautiful and made my parents and my family proud and all that,” he told Apple Music. “But there’s this battle within—that you always wanna. You got this fighter’s spirit. I still feel like I’m chasing to prove something to myself, that I got a better song in me.” - Apple MusicTop 100 Chart HistoryLady Gaga2009 01 Just Dance (feat. Colby O'Donis) -1- MILLIONAIRE2009 01 Poker Face -2- MILLION SELLER2009 04 Paparazzi -3- MILLIONAIRE2009 83 Beautiful, Dirty, Rich -AT-2009 19 LoveGame -4-2009 12 Chillin' (Wale feat. Lady Gaga)2009 01 Bad Romance -5- MILLION SELLER2009 01 Telephone (feat. Beyoncé) -6- MILLIONAIRE2009 07 Alejandro -7-2009 68 Monster -AT-2009 84 So Happy I Could Die -AT-2009 89 Dance In The Dark -AT-2009 88 Speechless -AT-2011 03 Born This Way -1*- MILLIONAIRE2011 08 Judas -2*-2011 06 The Edge Of Glory -3*- MILLIONAIRE2011 13 Hair -PS-2011 23 Yoü And I -4*-2011 16 Marry The Night -5*-2011 87 White Christmas -AT-2013 05 Applause -1-2013 09 Do What U Want (feat. R. Kelly) -2-2013 76 Venus -PS-2016 12 Perfect Illusion -1-2016 39 Million Reasons -2-2016 66 A-Yo -IG-2017 19 The Cure -NAS-2018 01 Shallow (Lady Gaga & Bradley Cooper) -OST- MILLIONAIRE2018 27 I'll Never Love Again (Lady Gaga & Bradley Cooper) -OST-2018 25 Always Remember Us This Way -OST- MILLIONAIRE2020 05 Stupid Love -1-2020 01 Rain On Me (Lady Gaga & Ariana Grande) -2- MILLIONAIRE2020 17 Sour Candy (Lady Gaga & BLACKPINK) -IG-2020 29 Alice -AT-2022 24 Hold My Hand -OST-2022 22 Bloody Mary -6*-2024 02 Die With A Smile (Lady Gaga & Bruno Mars) -1- MILLIONAIRE2024 07 Disease -2-2025 03 Abracadabra -3-2025 23 Garden Of Eden -AT-2025 13 The Dead Dance -OST/4-6 x #1 | 12 x Top 5 | 17 x Top 10 | 25 x Top 20 | 33 x Top 40 | 41 x Top 100Bruno Mars2010 01 Nothin' On You (B.o.B feat. Bruno Mars)2010 03 Billionaire (Travie McCoy feat. Bruno Mars) MILLIONAIRE2010 97 It's Better If You Don't Understand -EP-2010 01 Just The Way You Are (Amazing) -1- MILLION SELLER2011 01 Grenade -2- MILLION SELLER2011 11 Marry You -4- MILLIONAIRE2011 01 The Lazy Song -3- MILLIONAIRE2011 10 Lighters (Bad Meets Evil feat. Bruno Mars)2011 78 Count On Me -AT-2011 19 Runaway Baby -AT-2011 14 It Will Rain -OST-2011 17 Mirror (Lil Wayne feat. Bruno Mars)2011 44 Young, Wild & Free (Snoop Dogg & Wiz Khalifa feat. Bruno Mars)2012 02 Locked Out Of Heaven -1- MILLIONAIRE2013 02 When I Was Your Man -2- MILLIONAIRE2013 12 Treasure -3- MILLIONAIRE2013 62 Gorilla -4-2014 83 Young Girls -5-2014 01 Uptown Funk (Mark Ronson feat. Bruno Mars) MILLION SELLER2016 05 24K Magic -1- MILLIONAIRE2016 79 Chunky -AT-2017 12 That's What I Like -2- MILLIONAIRE2017 59 Versace On The Floor (Bruno Mars vs. David Guetta) -3-2018 05 Finesse (feat. Cardi B) -4- MILLIONAIRE2018 65 Wake Up In The Sky (Gucci Mane, Bruno Mars & Kodak Black)2019 12 Please Me (Cardi B & Bruno Mars)2021 20 Leave The Door Open (Bruno Mars, Anderson .Paak & Silk Sonic) -1-2021 45 Skate (Bruno Mars, Anderson .Paak & Silk Sonic) -2-2021 12 Smokin Out The Window (Bruno Mars, Anderson .Paak & Silk Sonic) -3-2021 49 Fly As Me (Bruno Mars, Anderson .Paak & Silk Sonic) -AT-2024 02 Die With A Smile (Lady Gaga & Bruno Mars) -NAS- MILLIONAIRE2024 02 APT. (ROSÉ & Bruno Mars) MILLIONAIRE2025 32 Fat Juicy & Wet (Sexyy Red & Bruno Mars)2026 05 I Just Might -1-5 x #1 | 13 x Top 5 | 14 x Top 10 | 23 x Top 20 | 24 x Top 40 | 34 x Top 100Social Media Lady Gaga Bruno Mars
February 6Feb 6 17 minutes ago, reissus123 said:Ironically if ACR wasn't a thing a lot of the songs reset wouldn't be entering!Proof they should simply ditch ACR altogether. It just seems so random these days. Edited February 6Feb 6 by Johann
February 6Feb 6 Just now, chartjack2 said:EsDeeKid to clean up at the Grammys in 2026!(If he gets a visa and enough j-cloths)Hasn't he already done a American tour? Which suggests he's not that much of a gangster as he makes out in his songs. Edited February 6Feb 6 by househead
February 6Feb 6 Author 22 | 36 | 9th weekThe CureBoys Don't CryNon-album singleReleased: 12th June 1979Label: FictionChart StatisticsNE (03/05/1986) | 35-23-22-25-37-60-xRE (29/01/2026) | 39-36-22Sales: 1,100,000+Certification: PlatinumStatus: Standard Chart Ratio22 Sales47 Audio Streamingxx Video StreamingVideoBiographyFew artists have made bleakness sound quite as exquisite as Robert Smith and his cohort—and fewer still have pivoted so easily from the depths of dejection to such weightless, cotton-candied bliss. If all you knew were songs like “Friday I’m in Love”, you might never guess that The Cure had once been kohl-eyed denizens of the shadowiest bat caves in the UK. After channelling guitar-forward post-punk on 1979’s Three Imaginary Boys, they reinvented themselves as gothic spelunkers with Seventeen Seconds, Faith and Pornography—an increasingly claustrophobic trilogy, stretching from 1980 until 1982, that invented progressively darker shades of black with every release. Having perfected the art of despair, The Cure pivoted to pop, after their own fashion. They explored both gloomy psychedelia and jangling acoustic guitars on 1985’s The Head on the Door, winning a new wave of stateside fans with “In Between Days” and “Close to Me” and blowing open the boundaries of what was becoming known as alternative rock. By 1987’s Kiss Me, Kiss Me, Kiss Me and “Just Like Heaven”, they sounded genuinely, deliriously happy—something inconceivable just a few years before. Yet there was still plenty of angst palpable in their glowering anthems and wall-of-sound production, as well as Smith’s deeply vulnerable, often wounded yelp. The band’s opposing tendencies came to a head on 1989’s Disintegration, The Cure’s masterpiece: The highs (like “Lovesong”) had never sounded more unburdened, nor the lows (“The Same Deep Water as You”) more hopeless. Their widescreen sound filled stadiums; it also influenced a generation of emo bands intent upon fusing visceral sonic power with fathomless psychological depth. In the decades since, The Cure have kept tending their patch of turf, where the intermingling of storm clouds and sunshine yields a singular harvest: intense, expressive and deliciously dramatic. - Apple MusicTop 100 Chart History1980 31 A Forest -1-1981 43 Primary -1-1981 44 Charlotte Sometimes -NAS-1982 34 The Hanging Garden -1-1982 44 Let's Go To Bed -NAS-1983 12 The Walk -NAS-1983 07 The Lovecats -NAS-1984 14 The Caterpillar -1-1985 15 In Between Days -1-1985 13 Close To Me -2-1986 22 Boys Don't Cry -NAS- MILLIONAIRE1987 21 Why Can't I Be You? -1-1987 27 Catch -2-1987 29 Just Like Heaven -3-1988 45 Hot Hot Hot!!! -4-1989 05 Lullaby -1-1989 18 Lovesong -2-1990 24 Pictures Of You -3-1990 13 Never Enough -1-1992 08 High -1-1992 44 High (Remix)1992 06 Friday I'm In Love -2- MILLIONAIRE1992 28 A Letter To Elise -3-1996 15 The 13th -1-1996 31 Mint Car -2-1996 60 Gone! -3-1997 62 Wrong Number -1-2001 54 Cut Here -1-2004 25 The End Of The World -2-2004 39 Taking Off -3-2008 48 The Only One -1-2008 89 Freakshow -2-2008 68 Sleep When I'm Dead -3-2008 78 The Perfect Boy -4-0 x #1 | 1 x Top 5 | 4 x Top 10 | 11 x Top 20 | 22 x Top 40 | 34 x Top 100Social Media The Cure
February 6Feb 6 1 minute ago, WhoOdyssey said:The extent of the "allegations" are that he's just a bit immature. Pretty minor in comparison to quite a lot of other artists in the chart these days, and he's only 20.I thought the allegations were, and they are just allegations, that he was “Not Like Us” Edited February 6Feb 6 by chartjack2
February 6Feb 6 We even got a 97-year-old [source needed] talking over the instrumental of 'Century' before an official release of Timothée's version of '4 Raws'
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