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1 hour ago, ___∆___ said:

Guessing Shakira will get it with the new competition on her website - Team Sam/Polydor don’t seem to have put up much of a fight considering what an historic moment it would be for their artist.

Very much hope so! Reckon it’ll be tight

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  • I have to say, as much as I couldn’t care less about Rein Me In, this is one thing I do like about its success. I kinda miss how UK used to have its own hits, now everything feels so globalised and th

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Crazy Sam Fender havent pushed Rein Me In this week to get the all time record.

Just now, ___∆___ said:

Sam's put the competition link on his Instagram story, plus the Mercury prize nominees being announced may generate some kind of curiosity in People Watching/Rein Me In so good promotion today!

4 minutes ago, ___∆___ said:

Just downloaded Dai Dai again to offset this!

1 minute ago, No Sleeep said:

Just downloaded Dai Dai again to offset this!

And I just downloaded all 3 versions from Sam’s site and 2 more from Amazon to combat Shakira gaycat

Do the GP really have much interest or knowledge in the Mercury prize for it to generate interest though?

Edited by Henessy Lake

On 28/07/2026 at 21:17, Envoirment said:

To be fair I would say 25 pretty much did that!

No really, it didnt sell nearly as much and its singles were far less succesful

3 hours ago, Julian_ said:

I don’t think any 12 week plus #1 has ever been anything really special though? It sort of comes with the territory being quite Ordinary 😅.

I say 12+ because I think “Dance Monkey” at 11 weeks is the longest running unique #1, whether you loved or hated it.

What, not even One Dance!😆

I think I’d probably include Despacito in that ‘unique’ 11 week number one group too

On 28/07/2026 at 21:10, GreyAsh said:

Thanks for clarifying what you meant.

That can be extended to most artists of any era when they have a massive album.

Charli XCX is unlikely to replicate the commercial success of BRAT. Adele is unlikely to replicate the success of 21, etc.

On that note, it would be interesting to know if anyone can think of an artist who had a hugely successful album, and everyone thought they had reached their commercial peak, only to release a bigger album later in their career?

In the UK, Fleetwood Mac is an ‘almost’ example. Though ‘Rumours’ remains their big selling album both in the UK and worldwide, they released several albums after ‘Rumours’ before ‘Tango In The Night’ became one of the biggest selling albums of the 80s.

Well, Whitney, celine, Michael jackson and Mariah did that i believe.

I think team fender may have left it a little late but always good to have a chart battle and im happy with either outcome

7 minutes ago, 777666jason said:

I think team fender may have left it a little late but always good to have a chart battle and im happy with either outcome

It is really late but they’ve suddenly gone into action in the last 30 minutes 🤣

Voice note from Sam on WhatsApp

3 x 59p versions on his website and competition

E-mail and text message sent out

Stop the count!

Also artists suddenly remembering at the last minute that actual sales are the best way to have a real influence on a close chart battle will never not be funny to me.

Edited by No Sleeep

3 minutes ago, ___∆___ said:

It is really late but they’ve suddenly gone into action in the last 30 minutes 🤣

Voice note from Sam on WhatsApp

3 x 59p versions on his website and competition

E-mail and text message sent out

🤣 they should of done that all from Monday at least 🤣🤣

19 minutes ago, nikos said:

Well, Whitney, celine, Michael jackson and Mariah did that i believe.

Good point. But I guess I mean people thought they had peaked, as the follow-up was less successful.

These are great examples, and I think they fit the original suggestion, as no one thought they would be able to equal their previous album, but they did with the follow-up.

12 minutes ago, ___∆___ said:

It is really late but they’ve suddenly gone into action in the last 30 minutes 🤣

Voice note from Sam on WhatsApp

3 x 59p versions on his website and competition

E-mail and text message sent out

Feels weird seeing Sam Fender of all artists doing all this grovelling for chart numbers but the label obviously sees this as too big of a moment to let it slip away! Wonder what the phone call with management was like before the last second campaigning 😂 bought the instrumental while it's cheap, hoping local legend Sam breaks the record.

21 hours ago, Hadji said:

I do care about old records being broken and yeah, let’s do away with streaming. It’s like a disease to the charts. And I will say one thing and I don’t care if you disagree because I’ll say it anyway but Rein Me In being number 1 this long is worse than the 2020 lockdown

Speechless!

Even I don't take music THAT seriously!

12 minutes ago, 777666jason said:

🤣 they should of done that all from Monday at least 🤣🤣

They did - it didn’t work though, going to be seriously close whatever the outcome!

11 minutes ago, GreyAsh said:

Good point. But I guess I mean people thought they had peaked, as the follow-up was less successful.

These are great examples, and I think they fit the original suggestion, as no one thought they would be able to equal their previous album, but they did with the follow-up.

Would also add Diana Ross. Diana (1980) was the biggest album of her career, and then from a UK perspective she got her biggest hit 6 years later with Chain Reaction after a few flop eras. I do think this proves it is harder for artists to maintain a repeak though, which makes Kylie’s the most impressive imo, the 00s was her strongest decade by far.

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